CIVILIAN VICTIMIZATION

The NC Latin American Film Festival is committed to present from multiple perspectives the phenomena of narcotrafficking and the drug wars. Is for that commitment that a series of "academic events" had been organized to account for the complexities of the issue across the hemisphere. 

Civilian Victimization and non-violent experiences in the Drug War   II
FRIDAY, NOVEMBER 18  |  Global Education Center, Nelson Mandela Auditorium. UNC-CH
3.00pm

Introduction. Deborah Weissman. Law School, UNC-CH

Invited Speakers: 
Judith Torrea. Author of "Juarez a la Sombra" | <
Juárez Under the Shadow of Drug Trafficking>. New media reporting from Ciudad Juarez 
&
Sebastian Hiriart, filmmaker. Documenting a Social Movement


Judith Torrea's blog
Juárez en la Sombra del Narcotráfico
PUBLISHED ON TUESDAY 12 APRIL 2011.

FREEDOM OF EXPRESSION AWARDS GO TO CIUDAD JUÁREZ BLOG

Ciudad Juárez, en la sombra del narcotráfico, a courageous blog about drug cartel activities, government repression and police corruption in northern Mexico, is the jury choice in the “Reporters Without Borders Press Freedom” category of this year’s BOBs (Best of Blogs competition), organized by the German radio station Deutsche Welle.

The blog’s author, Spanish journalist Judith Torrea, was chosen from 11 finalists by an international jury consisting of bloggers and a Reporters Without Borders representative. Using her own name, despite all the threats and dangers in Mexico, Torrea does investigative reporting in and around Ciudad Juárez, where she has lived since 2009, interviewing victims and the relatives of people who have disappeared or been murdered.

With at least 71 journalists killed since 2000 and 13 others disappeared since 2003, Mexico is one of the world’s most dangerous countries for media personnel. Many flee abroad to escape reprisals by drug traffickers or corrupt elements within the police or army. The threats to the media from mafias and cartels were documented in “Organized crime: muscling in on the media,” a report published in February by Reporters Without Borders.

Prizes were awarded for blogs in 11 languages (Arabic, Bengali, Chinese, English, Farsi, French, German, Indonesian, Russian, Spanish and Portuguese) and in six different categories. As well as “Reporters Without Borders,” the categories included Best Blog, Best Video Channel, Best Use of Technology for Social Good, Special Topic Award Human Rights and (this year for the first time) Best Social Activism Campaign. The winners can be seen at http://www.thebobs.com.

 
Judith Torrea

Judith Torrea

Premio Ortega y Gasset al mejor trabajo digital | Ortega y Gasset Award on Digital Journalism.

 

Los Ortega y Gasset han reconocido la labor de la periodista Judith Torrea en su blogCiudad Juárez, en la sombra del narcotráfico, un espacio desde el que narra los dramas y las historias que padecen los habitantes de esta ciudad mexicana. La única periodista extranjera en esta localidad ha charlado con los lectores el mismo día que recibe el Premio Ortega y Gasset al mejor trabajo digital. 
FOTO: Ricardo Gutiérrez

 

Judith Torrea on Narcotraficking

Judith Torrea with Aristegui, Jun 2011

ABOUT JUDITH TORREA (excertps taken from Sampsonia Way) :Judith Torrea is a Spanish journalist living in Ciudad Juárez, Mexico, a city devastated by battles between drug cartels and the “war” that President Felipe Calderon declared against them in 2008. Ciudad Juárez has been called one of the most violent places in the world: between 6 and 27 people are killed there each day. “The danger there is to be alive,” Torrea told Sampsonia Way via e-mail.

Every time Torrea opens her mouth or writes a story, you wonder which one of her many targets would like to silence her. “The Mexican President, Felipe Calderon, and the army are not fighting a war against drug trafficking. They are supporting the Sinaloa Cartel and its head, ‘El Chapo’ Guzman, to defeat the Juárez Cartel,” she says while looking directly into the cameras of a Spanish TV program.

Torrea, 37, covers the devastation of the drug war on the ground from Ciudad Juárez with her blog Juárez en la Sombra del Narcotráfico (Juárez Under the Shadow of Drug Trafficking), which was one of the finalists for the 2010 Best of Blogs Award (the Oscars of the blogs) in the Reporters Without Borders category. She also received the Ortega y Gasset’s digital journalist award from the Spanish newspaper El País, the highest recognition for Spanish-language journalists.

This reporter, standing 6 feet, 2 inches tall, is from Pamplona, a city in the north of Spain where a single murder is front-page news for a whole month. Now, living in Juárez, she covers at least 6 murders every day. Why did Torrea end up in Ciudad Juárez? Why did she leave New York City to report from a place where more than 30 journalists have been killed or have disappeared over the past three years?

In 1997, she took a sabbatical from her post at Euronews TV, in Lyon, France and moved to Austin, Texas to work with the Texas Observer. Six months later, the Spanish news agency EFE hired her to cover the American Southwest.

Death became one of the main themes of Torrea’s reporting when she covered the policies of Texas’ then-Gov. George W. Bush, who presided over more death penalty executions than any other governor in recent United States history. She ended up interviewing many prisoners sentenced to death, along with their relatives and the authorities. “If you are rich, you can avoid the death penalty in the United States. If you don’t have the money, you can’t save yourself from lethal injection,” she then reported. Torrea didn’t feel she could thoroughly understand her subject until she attended an execution: she became the first Spanish reporter to witness an execution in the United States. Three years later Torrea published an exclusive interview with one of executioners who said he regretted his participation.

She also reported on death from the other side of the border. One week after she arrived in Texas, she visited Juárez for the first time and reported on the poor young women—women younger than her—who were being killed in a series of femicides that are still going on today. During that time, Torrea fell in love with the people of Juárez. “Its inhabitants are optimistic and hard workers. They see life as a fantastic instant that can end at any moment,” she said. Since then, she would return periodically to live there and continue her reporting on other issues.

The inhabitants of Ciudad Juárez were on her mind even after she moved to New York City in 2007 as a political reporter and joined the exclusive group of journalists in Mayor Michael Bloomberg’s daily press corps.

She later became a senior writer for the Spanish edition of People Magazine, but still traveled to Juárez every other month as an independent journalist. While trailing contemporary celebrities for a publication interested in gossip, controversial quotes, and fashion, she saw connections between celebrity culture and Ciudad Juárez. “In New York I used to go to celebrities’ parties, where people consumed the cocaine trafficked on the Mexican border. The United States produces the most consumers –and guns–and Juárez the most corpses,” she pointed out.

In 2009, she left People, moved to Ciudad Juárez, and decided to start the blog Juárez en la Sombra del Narcotrafico in order “to publish the stories of a city in a war without having to wait for an editor.” She added, “I couldn’t continue living in the United States and watch from a distance, while the truth was not told about what was happening in Ciudad Juárez. I’m a journalist who believes that her mission is to give a voice back to those who are voiceless.”

Despite the fact that many of her former sources were in coffins and that 116,000 houses had been abandoned after a massive civilian exodus to El Paso, Texas (the second safest city in the United States), Torrea doesn’t plan to leave. She remains the only international journalist living in Juárez.

Some people may think she is imprudent for living there and some of her readers fear for her life. It doesn’t matter where these readers are living —New York, Spain, or France— they know that events in Juárez are not only becoming more dangerous, but they are also turning bizarre. Just two months ago, a photographer for the newspaper El Diario was killed. The newspaper ran a front-page editorial asking the leaders of organized crime: “What do you want from us? Tell us what we are supposed to publish or not publish, so we know what to abide by. At this time, you are the de facto authorities of this city because the legal authorities have not been able to stop our colleagues from falling.”

Read more about the photographer’s murder

An Independent Journalist

Torrea wakes up at 5:50 a.m., reads the newspapers, and leaves her home at 7:00 a.m. to start her daily reporting. Until few months ago, she used to tune into the local police scanner to track what was going on in the city. It was no surprise to Torrea that she and her colleagues were the first to arrive at the crime scene, even before the police. “The queerest fact was that the scanner was really easy to access and the drug traffickers used it as well. If one cartel wanted to celebrate a killing, it interrupted the scanner signal withnarcocorridos—songs lauding the drug traffickers that evolved out of the traditional folk ballads,” Judith said. The police scanner was finally changed, but Torrea and her colleagues still arrive to the crime scene before the police most of the time.

“I know about the murders thanks to my sources, but sometimes I’ll just discover other dead body is in the road while I’m driving,” Torrea added.

Every day Torrea travels long distances to interview people and post their stories on her blog or in one of the international newspapers and magazines that she contributes to. While Ciudad Juárez’s local newspapers cover the daily news with headlines like “Three Severed Heads Discovered in Ice Boxes,” Torrea uses people’s testimonies to show what causes the violence and its effects on people’s lives.

In Ciudad Juárez , 17,000 teenagers belong to gangs and 10,000 children have become orphans.

Torrea illustrates various political positions, frustrations, and trends through peoples’ quotes and anecdotes. For example, she writes in the Peruvian magazine Etiqueta Negraabout a sexy bartender who would flirt with and kiss any murderer, drug trafficker, lawyer, doctor, or married man—“even the fat and ugly”— but never with soldiers because, “they don’t do anything, they just sit in the bar, while we (Juárez’s people) are paying their incomes with our taxes.”

One of her profiles focuses on the mother of two murdered students, who confronted President Calderon at a public event. “Excuse me Mister President, I won’t shake hands with you. You said that my sons were gang members and that is a lie. My youngest son was in high school and the oldest was in the university. They were only students,” the mother stated. After attending the two boys’ funeral and interviewing the mother, Torrea published an article vindicating the mother’s story and showing that the president’s allegations were false.

In her blog Torrea also describes complex characters such as a soldier who robs to eat, a confessed murderer who is free, and a chief of police who lived inside a jail for security reasons and just weeks ago was killed with his son.

Torrea, the independent outsider, also writes about murdered journalists and lawyers, as well as the doctors who continue to care for the victims of violence despite the fear of consequences of aiding an enemy of one of the cartels.

“My blog came out of a need to tell the victims’ stories without censorship because in Juárez there is no freedom of speech,” she explained.

In Juárez, the local media fear reprisal from drug traffickers or corrupt authorities.

Torrea acknowledges her risks. In one of her blog posts, she gives her rationale for facing danger: “I don’t know if publishing the profiles of the victims will help Juárez society, but I’ll be satisfied if some of my blog’s posts help people to reflect on Juárez society.”

Torrea’s blog is not sponsored by any institution. Her only income comes from her sporadic assignments from international newspapers and magazines. “My blog is free; it doesn’t have any funding and I need freelance commissions to eat and pay my bills,” she explained.

Thanks to her publications, her name shows up all over the Internet. Each day, she receives dozens of e-mails from journalists who want to interview her, researchers who want the contact information of her sources, and readers who want to show their support. “I answer everybody, but not immediately. If I do that, I won’t have time to do my work,” she said.

Torrea said some of the most poignant messages have come “from young people who—after reading my blog—have realized how many murders are needed in Mexico to enjoy a line of cocaine.” Torrea added that she is also compensated with hugs from mothers who have told her the stories of their dead children. “Those mothers who I sadly meet again at another funeral, come to hug me.”

By speaking out, these mothers—and Torrea’s other sources—could be making enemies among corrupt authorities or cartel members. These criminals might feel attacked when Torrea’s sources’ quotes—and sometimes pictures—pop up on Juárez en la Sombra del Narcotrafico. Even though she doesn’t say it, Torrea could easily be labeled as an enemy as well.

Torrea didn’t answer questions about if she faces direct threats to her life. She only emphasized: “I’m not afraid. If I was afraid I would not live in Juárez. I know I’m in danger and that the risks increase when you don’t sell yourself to the drug traffickers or the authorities.”

During her interview with Sampsonia Way, she preferred to talk about the problems of a city she has reported on for 14 years and has come to call her own. She turned the conversation back to the enigmas of the president’s drug war: “Have you ever asked yourself why the president Felipe Calderon never tracked the money laundering in his so-called ’war against drug trafficking’?”

In her blog Torrea emphasizes that she has a Mexican heart. There is only one thing she refuses to adopt from Mexico, the expression “ni modo,” which can be translated as “nothing you can do about that.”

Sebastian Hiriart
Sebastián Hiriart. Self-taught Mexican filmmaker. Hiriart has worked as a director, actor, cinematographer, camera assistant and cameraman in 15 feature films, shorts and television productions. A Tiro de Piedra(A Stone’s Throw Away) is his film feature debut as a director, he has received the Horizons Award, Special Mention at the International Film Festival San Sebastian 2010 and the prize for Best Director and Best Screenplay at the Festival de Cinema de Gramado, 2011. The 2010 film is based on the short story The man who dreamt from One Thousand and One nights. Hiriart builds a road movie with Jacinto Medina, 21 years old shepherd, bored with his life in northern Mexico. One day, he finds a keychain on the ground and sees it as a sign, envisioned in his dreams, that he will go on a trip that will take him hundreds of miles away. Most recently, Hiriart has been documenting the Paz con Justicia y Dignidad social movement which emerged in 2011 to protest violence and the drug war in Mexico.

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