Decorative vinyl window film : Decorative convex mirror.
Decorative Vinyl Window Film
- There are many types of window tint available in the market for a wide variety of uses from solar heat reduction to UV protection, privacy to safety and security, decorative applications to heat retention.
- A sheet-like film for your glass that is made out of polyester fibers, in various thicknesses, and can be used for the purposes of solar control, privacy, interior design, or safety and security. The make-up of the film and technology used differs according to each purpose
- (decoratively) in a decorative manner; "used decoratively at Christmas"
- (decorativeness) an appearance that serves to decorate and make something more attractive
- Serving to make something look more attractive; ornamental
- cosmetic: serving an esthetic rather than a useful purpose; "cosmetic fenders on cars"; "the buildings were utilitarian rather than decorative"
- Relating to decoration
- shiny and tough and flexible plastic; used especially for floor coverings
- a univalent chemical radical derived from ethylene
- Of or denoting the unsaturated hydrocarbon radical ?CH=CH2, derived from ethylene by removal of a hydrogen atom
- Vinyl used as the standard material for phonograph records
- A vinyl compound is any organic compound that contains a vinyl group (Preferred IUPAC name ethenyl). Vinyl groups (formula −CH=CH2) are derivatives of ethene, CH2=CH2, with one hydrogen atom replaced with some other group.
- Synthetic resin or plastic consisting of polyvinyl chloride or a related polymer, used esp. for wallpapers and other covering materials and for phonograph records
decorative vinyl window film - Wallpaper For
Wallpaper For Windows!™ Decorative Window Film - Ritz 16" x 74"
Wallpaper For Windows!™ adhesive-free, static cling window film installs in minutes, looks great for years. All products are made of high-quality, 8 mil. thick vinyl for greater durability and better insulation. Wallpaper For Windows!™ decorative vinyl adheres to any smooth, non-porous surface including glass, plexi-glass, mirrors. Simply spray your decorating surface with a bit of soapy water and apply film using the included squeegee. To remove, simply peel off. Our vinyl is pre-cut to fit a variety of window and door sizes, including 6 ft. sliding doors. So, only minor trimming might be required. Great for use on entry doors, sidelights, patio doors, sliding glass doors, French doors, skylights, all windows, shower enclosures, glass cabinet doors. Also available in 32"x74" size: see ASIN B000XTIA5K.
Claremont Theater Building
Harlem, Manhattan The Claremont Theater building is one of the oldest structures in New York City planned specifically to exhibit motion pictures, originally called "photoplays." Located in north Manhattanville, at the southeast corner of Broadway and 135th Street, the theater opened in November 1914. Commissioned by Arlington C. Hall and Harvey M. Hall of the Wayside Realty Company, it was designed in the neo-Renaissance style by Gaetano Ajello, an architect best-known for apartment buildings on Manhattan's Upper West Side. The building has three distinct fronts, including a clipped corner facade where the auditorium's entrance was originally located. This distinctive arrangement enhanced the theater's visibility and increased the amount of retail space. The corner, consequently, received the most elaborate decorative treatment and is embellished with an elegant low relief depicting an early motion picture camera set on a tripod. In 1915 Thomas Edison produced a short film in which the theater's entrance is prominently featured. Filmed from across Broadway, it depicts groups of men, women, and children exiting the building. The second floor accommodated a large restaurant and ballroom, known under such names as the Broadway-Claremont or Clarendon Restaurant, and later, the Royal Palms Ballroom and Roof Garden. Until the early years of Depression, area residents gathered here to eat, drink, and dance. Beginning in the late 1920s, the storefronts were leased to automobile-related businesses and by 1933 the theater closed and the interior was converted to an automobile showroom. Despite such changes, the exterior is well-preserved and remains a symbol of the growing popularity of the motion picture in the early twentieth century. In December 1913, Ajello filed plans with the Building Department for a theater, stores, and place of assembly. Construction began in May 1914 and was completed in November 1914. Designed in the neo-Renaissance style, it has a glazed terra cotta and white brick facade with round-arched windows, engaged pilasters, and low decorative relief. The entrance to the theater, located at the corner, features a pair of large cartouches flanked by eagles, as well as an elegant relief of a motion picture camera, draped with strings of garlands. Classicism was the dominant architectural style at the turn of the twentieth century. While McKim, Mead & White's Villard Houses (1882-85, a designated New York City Landmark) were modeled on palaces of the Italian Renaissance, Richard Morris Hunt, the country's first architect trained at the Ecole des Beaux Arts in Paris, looked to France for inspiration. Many architects followed his example, particularly following the opening of the World's Columbian Exposition in Chicago in 1893, which featured a "Court of Honor" incorporating monumental white exposition pavilions designed in a nearly uniform classical style. Over the next two decades, this trend, variously called the City Beautiful movement and the American Renaissance, shaped the design of all types of buildings in New York City, from row houses and apartment buildings, to museums and municipal structures. The Claremont Theater building is located at the southeast corner of West 135th Street. The site slopes down from 135th toward 134th Street, and up from Broadway toward Amsterdam Avenue. Faced in white terra cotta and white glazed brick, the style of the building is neo-Renaissance. At present, the exterior of the ground story is painted whitish gray. The west or Broadway facade adjoins the east lanes of Broadway that parallel the tracks of the IRT subway that enter a tunnel at 135th Street. The ground story (north to south) has two display windows secured by non-historic metal gates, one historic window (sealed) with original moldings and ledge, as well as an entrance to the upper floors, shielded by a non-historic orange vinyl awning. Both the north display window and the south entrance are reached by steps that are original. The terra-cotta panels that flank the entrance at the south end of the facade have been painted orange. The second story has four rectangular windows (two with air conditioning units) and the third story has five arched windows, each with a decorative keystone. The three windows in the center bay incorporate slender composite pilasters and share two marble columns. Below each window are reliefs of shields flanked by fleur-de-lys. Between the first and third story are various small pieces of metal and disguised electric conduits. The north or 135th Street facade is divided by pilasters into five bays. Each of the five storefronts are non-historic and incorporate metal gates. At the east end, the storefront has a non-historic green vinyl awning. The smaller west bay is identical to the north bay on Broadway. It has two levels, with a recessed rectangular window at the second floor. The second story incorporates eight arched window openings set abov
Adhesive Window Film Emma Jeffs
I ordered this foil for our kitchen windows as everybody can look in now
decorative vinyl window film
In celebration of the 40th Anniversary of the original release of Abbey Road, there will be a special vinyl edition of the album released on November 7, 2009. The Beatles Abbey Road Deluxe Vinyl box will include a vinyl copy of the album, a t-shirt featuring the original artwork from the 7" single Come Together/Something, and a corresponding poster. This boxset will be released on Vinyl Saturday, which is sposored by the folks behind Record Store Day and will be limited to 5,000 copies worldwide.
The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey Wright