Italian villa decorating. Elegant chair decor
Italian Villa Decorating
- A Roman villa is a villa that was built or lived in during the Roman republic and the Roman Empire. A villa was originally a Roman country house built for the upper class.
- The Italian Villa house differs from other Italianate houses by having a tower, typically of square cross-section, as the tallest part of the house. (The Italian Villa tower, unlike the more common Italianate cupola, arises from the ground as opposed to being supported by a roof.
- A large, two- or three-story house in the Latin style, with overhanging eaves and masonry construction.
- Provide (a room or building) with a color scheme, paint, wallpaper, etc
- Confer an award or medal on (a member of the armed forces)
- Make (something) look more attractive by adding ornament to it
- (decorate) deck: be beautiful to look at; "Flowers adorned the tables everywhere"
- (decorate) make more attractive by adding ornament, colour, etc.; "Decorate the room for the party"; "beautify yourself for the special day"
- (decorate) award a mark of honor, such as a medal, to; "He was decorated for his services in the military"
italian villa decorating - Italian Villas
Italian Villas and Their Gardens: The Original 1904 Edition
Edith Wharton’s Italian Villas and Their Gardens, a seminal work on garden design, is a testament to the passionate connoisseurship of one of America’s greatest writers. A comprehensive look at the history and character of Italian garden architecture and ornamentation, the book explores more than seventy-five villas, capturing what Wharton calls their "garden-magic" and illuminating the intimate relationship between the house, its formal gardens, and the surrounding countryside.This beautiful hardcover facsimile is carefully reproduced from the first edition published in 1904 and features all of the original plates, including twenty-six illustrations by Maxfield Parrish, as well as decollage edges. It is published in association with The Mount Press. A portion of the proceeds of the sale of the book support the restoration of The Mount, the Massachusetts estate designed and built by Wharton based on the principles articulated in this book and in The Decoration of Houses. Elegantly written and informed by Wharton’s sensitivity and wit, Italian Villas and Their Gardens is a work that belongs on the shelf of every lover of gardens and good taste.
Villa della Petraia
The Medici Villa of Petraia forms, together with the Italian style garden and the romantic park that surrounds it, a very interesting museum complex both in term of architectural decoration and because of the furniture is still preserves in its interior. The current layout was arranged during the reign of the Savoy. The old castle that already existed in 1362 changed owners several times (Brunelleschi, Strozzi, Alessandra dei Bardi, Salutati) and was finally acquired by the Medici when they returned to Florence in 1530. Transferred from Cosimo I to his son, Cardinal Ferdinando in 1568, it was enlarged and transformed into a Villa on initiative of the latter who became Gran Duke after the death of his brother Francis I (1587). This general architectural layout , that typically reflects the style of Buontalenti., owed to Davide Fortini was later integrated whith decorative elements and wall paintings by its owners. The two cycles of frescoes that fully cover the walls of the courtyard belong in fact to the Medici period.The central section of first fresco by Cosimo Daddi commissioned by the wife of Ferdinando, Cristina of Lorraine , shows the Deeds of Goffredo di Buglione during the siege of Jerusalem. The other fresco commissioned by Lorenzo de' Medici to Baldassarre Franceschini named the "Volterrano" illustrated, in the space below the two loggias, episodes from the Medici's life and can therefore be rightly enough considered one of the most representative examples of Florentine painting in the early 17th century. It was again Ferdinando who commissioned the decoration of the Chapel on the first floor, attributed to Bernardino Poccetti: The walls painting in the chapel on the first floor and in some of the rooms were instead executed during the Lorraine period, although the palace owes its present-day layout (iron and glass panel covering the courtyard, its transformation into a large ball room and the arrangement of the furniture ) to the Savoy. In this occasion, the Savoy brougth several fabrics and furniture decor from other residences they owned in Turin, Modena, Lucca and Parma. Even the large garden surrounding the villa bears trace of the historical stratification of the building. The base layout, clearly dating back to the late 16th century, has been enriched by 18th-19th century additions, such as the so called "Piano della figurina" decorated with the Fountain of Fiorenza ( Niccolo Tribolo, Pierino da Vinci and Giambologna) and the English style park on the nothern side, created with the typically romantic taste that characterised the first half of the 19th century:
Gardens of Villa Emo (Fanzolo, Trevio)
Villa Emo is an Italian villa in the Veneto near the village of Fanzolo di Vedelago.(Province of Treviso). It was designed by Andrea Palladio in 1559 for the Emo family of Venice and remained in the hands of the Emo family until it was sold in 2004. The exterior is simple, bare of any decoration. In contrast, the interior is richly decorated with frescoes by Giovanni Battista Zelotti, who also worked on Villa Foscari and other Palladian villas.
italian villa decorating
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