Drapery Parts

drapery parts
  • Cloth coverings hanging in loose folds
  • The artistic arrangement of clothing in sculpture or painting
  • cloth gracefully draped and arranged in loose folds
  • Long curtains of heavy fabric
  • Drapery is a general word referring to cloths or textiles (Old French drap, from Late Latin drappus ). It may refer to cloth used for decorative purposes - such as around windows - or to the trade of retailing cloth, originally mostly for clothing, formerly conducted by drapers.
  • curtain: hanging cloth used as a blind (especially for a window)
  • (of two things) Move away from each other
  • Cause to divide or move apart, leaving a central space
  • the local environment; "he hasn't been seen around these parts in years"
  • (part) separate: go one's own way; move apart; "The friends separated after the party"
  • (part) something determined in relation to something that includes it; "he wanted to feel a part of something bigger than himself"; "I read a portion of the manuscript"; "the smaller component is hard to reach"; "the animal constituent of plankton"
  • Divide to leave a central space

"Pietà" by Crivelli
"Pietà" by Crivelli
This painting is done in the Early Renaissance even though there is a gold background. The background is very detailed and represents the importance of Christ’s sacrifice as well as the spiritual nature of the painting. Intense emotion is felt through the figure in the painting. Humanism plays a tremendous part in creating this piece. The modeling of Jesus’ body looks identical to an actual human body. You can feel the ribs through His skin. As I mentioned, the intense emotion in the figures: they are actually crying and one can see the tears running down their faces. You can feel their sorrow and agony in which they are in. This evokes much emotion from many who observe this painting. The realism of the figures hair and clothing seem like this is more of a photograph then a picture. Faces and bodies are modeled and foreshorten perfectly. You can see the veins and wrinkles in the figures hands and faces. This is truly a work of pure emotion and humanistic tendencies.
Profile of an Egyptian Ruler
Profile of an Egyptian Ruler
Model Samm Olsen seated on a model stand with a tableau containing a potted papyrus plant in an urn, lit dramatically for chiaroscuro (a painterly term meaning dark and light, side by side, to dramatically delineate form -- that's a loose definition without looking it up). I went around the room and shot from the easel or viewpoint of each of the ten artists who took the $325 workshop, so that they could work more on their paintings after the morning modeling session was over, if they so desired. This was shot handheld with my Sony Super Steady Shot DSC-H5, a 7.12 megapixels digital camera with fixed lens, Carl Zeiss optics. The strong light being used to illuminate the model can be seen enteriing the frame at the upper right, but since this was mainly meant as reference for painting, and an artist can easily leave it out (an artist's prerogative), I'm not unhappy because it's there. It's also part of the documentation of the event. It helps explain what's going on in the picture.

drapery parts
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