Diana film camera. Singapore camera shops.
Plastic Cameras: Toying with Creativity
Take a tour of the burgeoning world of toy cameras and low-tech photography with Plastic Cameras: Toying with Creativity. Whether you're an experienced enthusiast or toy camera neophyte, you'll find Plastic Cameras: Toying with Creativity chock full of tantalizing tips, fun facts and, of course, absolutely striking photographs taken with the lowest tech and simplest tools around.87% (6)
I got me a Holga. Now What?
Holgas need a little TLC before they're ready to go out in the world and start snapping. Plastic Cameras: Toying with Creativity digs through all the different Holga models available, lays out thier advantages and quirks and helps you get up to speed on all the prep you'll need to do to jump in on the toy-camera revolution.
What should I Feed my Holga?
Holgas, Dianas, other toy cameras can use many types of film. Plastic Cameras: Toying with Creativity, lays all their pros and cons on the line letting you get some images you want, and some you could just never imagine.
Can Holga come out to play?
Plastic Cameras: Toying with Creativity will help you steer your way through all the details and quirks of taking wonderful and weird pictures with your toy camera. We'll explore possible subjects and the best way to shoot them and play with all sorts of techniques from vignetting, to multiple exposures, to panoramas, close-ups, movement, night photography, flare, flash, color and more.
For the Intrepid Holga-ographer
For the Holga master, we've diagramed and described advanced toy camera modifications and introduce you to a variety of problems, solutions and inventions born from toy cameras' "limitations."
From negatives to prints or pixels, we help you navigate your post-shooting choices.
The Diana, Banner, Action Sampler, Photo Blaster, and Lensbaby are all toy cameras with their own loveable qualities. We'll look beyond the Holga to show a whole wide world of toys.
Artists Artists in this book include:
Mary Ann Lynch
Anne Arden McDonald
Francisco Mata Rosas
Pauline St. Denis
;-p r a b u!
*The first toy camera guide written by the internationally known "Holga Queen"
*Full color, fabulous images illustrate what can be done with toys, for fun or professionally
*Step-by-step examples clearly explain how techniques are achieved
Photo taken on Ilford HP5 film with a Diana+ camera as part of my $50 Film Camera project entry. I brought my Minolta SRT-Super and a few rolls of film for my buddy Bryan to shoot with. He shot a roll of b/w willingly, then I forced him to shoot a roll of slide for xpro. His shots look pretty good coming from an old manual film camera. And I totally forgot about the parallax on my viewfinder at close range. You'll see that this is a common theme through all my close-up photos.Film camera collection
My collection of film cameras. 5 polaroids, a 1952 Kodak Retina, a Nikon FG-20, 2 Fisheyes (one for underwater), a Diana Mini, 1 Frog water camera, a Phototek 3d stereo camera, my new Holga, and the latest addition is a pinhole book camera I made. I'm one of the finalists for Urban Outfitters.com 'Lo-Fi, High Style' contest!
BRENDA, ELISE AND ANNIE ARE THREE WELL-HEELED MANHATTAN WOMEN WHO WERE COLLEGE CHUMS. THEY ALL HELPED THEIR HUSBANDS BUILD UP SUCCESSFUL BUSINESSES AND NOW THEY'RE REUNITED BY CATASTROPHE. EACH HAS JUST BEEN DUMPED BY HER HUSBAND FOR A YOUNG TROPHY WIFE THEY CONCOCT A PLAN TO EXACT BITTER VENGEANCE UPON THEIR EXES.Related topics:
Goldie Hawn, Bette Midler, and Diane Keaton prove that revenge is a dish best served cold. Former college buddies, they reunite at the funeral of a dear friend who took a swan dive onto Fifth Avenue. All three discover they share the same unhappy history of husbands who dove into middle-age by dumping them for trophy wives. Forming a warring triumvirate, they decide to get even, and along the way remind themselves of long-forgotten capabilities. The action gets a little too "wacky" at times, but the gals are great. Portraying an aging actress, Hawn is sometimes a little too flamboyant, but there is much fun to be had in her flashiness, especially when she pokes fun at Tinseltown and her persona. Instead of her usual brashness, Midler stretches herself and shows us a woman who is not just unhappy, but also deeply sorrowful. Not that she isn't quick with a wisecrack, but her expressive face alone tells the story of her marriage. As the repressed and guilt-ridden spouse of a self- involved ad executive, Keaton finds her anger, and her voice, when her psychiatrist (Marcia Gay Harden) oversteps ethical boundaries. Watching Keaton grow from an ineffectual homemaker into a powerful businessperson reminds us that it has been far too long since she has done a comedy. Director Hugh Wilson smartly chose supporting players who each brought something unique to the film. However, he does not maintain the first hour's effervescent humor throughout the film, as the ending is weakened by a softening of the wives' resolve. --Rochelle O'Gorman
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