Mock-Tudor
i. Smouldering
He owns he owes everything to her,
except the miracle of his beauty,
the rhotic curse of the Devonshire burr.
With his goatee upturned like a codpiece,
in robes sequinned in crescent moons (her sign),
Sir Wa-ter Rawley, casually smoking –
Swisser Swatter, as the ladies call him –
is Majesty’s favourite bit of ruff.
A Gaveston that would be Tamburlaine,
who gained notice mansplaining savages
such as he had – ahem – met in Munster;
glossing over irrelevant details
(the Smerwick slaughter, a bastard daughter),
only playing notes sweet to her hearing.
ii. Mouldering
Playing notes sweet only to her hearing,
she aimlessly tortures the virginal,
with elegant fingers splaying the keys
like ivory laid upon ivory.
These hands have held hands at more than arm’s length
long enough, so now needs must lie empty.
[Clap, clap] and they banish such thoughts, beckon
Gentlewomen of the Privy Chamber –
Elizabeth Throckmorton among them,
who’ll paint this scene for her lover. Alum,
eggshell, borax, lemon and camphor are
mixed in water for the Queen’s complexion;
then vermilion, cochineal redden cheeks
ashen and cratered as the moon’s blank face.
iii. The Two Gentlemen of Virginia
HARRIOT [with telescope] Ashen and cratered is the moon’s blank face.
RALEGH I need no lens to countenance it so.
HARRIOT Barren, they say, and only glows by light
purloined.
RALEGH Yet controls water’s fall, or rise.
Enter MANTEO and WANCHESE
HARRIOT These two must feel as though transported there.
RALEGH Best they play lunatic like the rest so,
and thus advertise our good enterprise.
Replace their savage furs with taffeta;
teach their tongues to be likewise silken:
then behold envoys to conclude our work.
HARRIOT Much could we profit from their example.
RALEGH More shall we do so if they follow ours.
No entreaty is more welcome than that
of a prospective conquest’s to relax.
iv. Nel mezzo del cammin di nostra vita
If a prospective conquest’s to relax,
the fashion now’s for cigarettes, but
the mind and landlocked body of Wa’ter
have grown stagnant since his ships departed
to colonise and proselytize to
the poor Injuns of Roanoke Island
(with a little piracy on the side),
and failed rather spectacularly.
And just to give his cock another twist,
he’s halfway through ye olde three score and ten;
more her ‘silly pug’ than top dog at Court;
rumoured dean of an atheist school;
and have you seen that Earl of Essex? Fuck.
‘…mi ritrovai per una selva oscura…’
v. Howdy, Youghal
I found myself within a forest darke,
On the outmost edge of his uast estate.
As his men fell’d trees to strip off their bark,
I told of wilde Ireland’s present state –
Sir Walter being but fled here of late.
His song was all a lamentable lay,
For he sees onlie through his own conceit;
And so, farre from her, was never away.
My own epic, he’d not even assay,
But was glad it were all about the Queene:
And counsell’d me – if not to cause dismay –
First discover what I intend it mean;
Promising he’d give of me good report
As soon as he is return’d to the court.
vi. Amor et Virtute
As soon as he has returned to the court,
their secret grows increasingly unkept –
he has been lying with Elizabeth –
and the next ship he boards recalled to port.
He who sometimes thought himself her consort
is cursed for being such a stupid get
and sent to a cell with pleasing prospect
of the first racquet-smasher’s tennis court.
There, Ralegh resumes his Petrarchan schtick
with the XXIst book of his “long” poem
(lifehack: say a lion ate the rest of it) –
really, a sorry, not sorry dick pic
masquerading as an encomium
for the woman he is not in love with.
vii. Horse and Carriage
Not for the woman he is in love with,
such verses, or poses – just a hush-hush
wedding; and for the honeymoon,
his’n’hers in the Tower of London.
She stayed attending her namesake at court,
except two weeks either side of the birth
of l’arriviste (wait for it) Damerei
on the ultimate busman’s holiday;
ignored by her spouse before and after
her arrest – which lasts several months more
than his – including during their son’s death,
and the release he has zilch to do with.
This is the price of becoming E.R.:
everything he owns he owes to her.
Kevin O’Farrell is a poet and visual artist from Dublin. He was selected for Poetry Ireland Introductions 2024. Other poems have appeared in The London Magazine, Poetry Ireland Review, Wild Court, Stand, Southword, Subtropics, The Dark Horse, Poetry Birmingham, Cyphers, New England Review, and Abridged.
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