blast furnace
see how that building there was nearly built?
like eyes without a face, blue stairs
that go nowhere and don’t exist
how will we cite your own near misses?
blast furnace, heart of the world!
an early, greenish morning for the steeplejack
we lit the fire underneath his scaffold, wished
him health, wealth, great happiness
walking briskly into light and warmth
and tight, exacting beauties
clover to the man up high and roundabout all clover
clover to the up-high man who takes the heart
you’ll like this one
it’s based on something someone didn’t
mean to say to me
what’s wrong with you people that you can’t surmise?
there’s a piece of paper somewhere
which says we are related
I’d like to see it
I always like the character you’re supposed
to like, I’m nice like that, and the actor, as he passes the
camera, mutters excuse me
My sloppy corps
Oh, my sloppy corps. Has no one
told you yet that dance insists on
justice? How might I modify rapture
for the needs of the many? How might
I make my black assertions in a way
that you will understand
Loud complaints made in the dark:
nothing to me
often I’ll let the treadmill carry me all the way to the end
before I feel I should do something about it
And I won’t allow a book to make me
do things that a clown might
therein’s the big black error
and There, another fault
Seldom have there been so many
arms on so few dancers oh oh
double bow
Still, there were people to be met, the deep end not yet reached. Eventually it was September and it was September again and where were my children? Archaic company surrounds, neighbours keen, I happen to have stuck it out so far
And when I went to bed I asked my questions. When the questions were all answered I no longer went to bed. Open the months as I go, find nothing. Absence was predated, long anticipated, sleeps fall heavier
On the wanted, a blessing, a favoured pattern in everything: The Lord preserves the simple. These things come slow or not at all (the pattern details stillness)
The old astrakhan worn across the shoulders leaves a burnished, bronzing stain. Now there pools an oil under the skin and a bloom of little curls. Hold on while I bring myself to shear
poorly hung
the herald’s portrait
my friend Richard did it
blame him for my
inconstancies, my weak
chin, irregular habits
there’s something to be
said for grateful
men, and besides, I’ve always
fared better in close-up
now watch me attempt
the new mess
watch me throw myself
into the path of the
oncoming tricycle:
so there!
Annie Baker is a poet and mental health worker who lives in Glasgow. She is currently studying for an MLitt at The University of Glasgow. Her work has previously appeared in And Other Poems.
Copyright © 2025 by Annie Baker, all rights reserved. This text may be used and shared in accordance with the fair-use provisions of Copyright law. Archiving, redistribution, or republication of this text on other terms, in any medium, requires the notification of the journal and consent of the author.