From quilted fabric covers to hand-embroidered pages to laser-cut illustrations, the designs for this year’s Baker & Whitehill Student Artists’ Book Contest submissions express their makers’ points of view in unique and thought-provoking ways. The contest, hosted by Special Collections at the Fleet Library, aims to promote engagement with the book arts and expand the library’s growing artists’ book collection. While only four of the winning books will become part of the library’s permanent collection, all 68 entries will be displayed in the library through mid-May.
Jacob Davidson took home the New England Chapter Purchase Prize for Wolves, a short story inspired by the cultural history of the artist’s ancestors.
Special Collections Librarian Claudia Covert, who has overseen the contest since 2005, notes that the number of submissions received this year far outweighs the average of 45 entries per year. “With so many entries, it is hard to exhibit them all in our first-floor and balcony cases,” she says. Covert was moved by the wide variety of materials used in the pieces, including bricks and glass.
The juror for this year’s contest was artist Andre Lee Bassuet, who announced the winners at an awards ceremony in late February. Bassuet’s work explores the body, nature and memory through her lens as an artist raised in both South Korea and the US. Currently, she teaches bookbinding and printmaking at AS220 in Providence.
First-year student Danielle Kim was awarded the Laurie Whitehill Purchase Prize for 100 Days for Birth, a story about the migration of humpback whales from Hawaii to California.
How to Tame a Jaguar, a story reflecting the Peruvian background of author and artist Ashley Castañeda 23 IL, earned the Grand Purchase Prize of $500. Castañeda’s book explores the concept of quariwarmi, shamans who effectively existed as non-binary in pre-Columbian Peru. “In my embroidered book, I made a poem to reflect the process of transforming into a jaguar,” Castañeda explains. “By doing so, I explored my own queerness in reconnecting with my cultural past.”
“In my embroidered book, I made a poem to reflect the process of transforming into a jaguar. By doing so, I explored my own queerness in reconnecting with my cultural past.”
Grand Purchase Prize Winner Ashley Castañeda
Shihan Zhu took home the New England Chapter Purchase Prize for Confession, a book designed around a poem written by the artist.
The winner of the Laurie Whitehill Purchase Prize, first-year student Danielle Kim 27 EFS, wrote and designed 100 Days for Birth, a story about the migration of humpback whales from Hawaii to California. Shihan Zhu MFA 23 PR took home the New England Chapter Purchase Prize for Confession, a book designed around a poem written by the artist. “The poem reveals a private part of my heart that creates a silent and untouchable flow,” says Zhu. The book is encased in a glass piece Zhu made, which they say, “holds the book, like a piece of solid ice.”
Snorkeling by Jinghong Chen depicts the immersive underwater landscape of Kona, Hawaii, in an effort to raise awareness around the ongoing protection of global coral reefs.
Jacob Davidson 23 IL took home the last of the purchase prizes, the New England Chapter, for Wolves, a short story inspired by the cultural history of the artist’s ancestors. In addition to the purchase prizes, four artists were awarded $100 honorable mentions. While Snorkeling by Jinghong Chen 23 IL depicts the immersive underwater landscape of Kona, Hawaii, Jingjing Yang MFA 23 PR addresses an ancient myth about mengpo soup, creating a collection of “tears” representing obsessions and memories of a person’s life, in Sea of Tears.
Zoe Maxwell wrote and designed Recorded in Fabric with quilted fabric and polyester stuffing as an ode to childhood nostalgia and family.
Another book focused on memories comes from Zoe Maxwell 26 EFS, who wrote and designed Recorded in Fabric with quilted fabric and polyester stuffing as an ode to childhood nostalgia and family. And finally, Sun Ho Lee MFA 23 GD speaks to how war divided her family in North Korea in The Chronicles of Sameri.
—Isabel Roberts / photos by Emily Begin and Hannah Nigro
I don't like the cold but you make me want to be from Chicago Lupe
“When you make a record, you have a collection of songs. You start recording. You start to hear the tone of the album, and then it’s a matter of finding the perfect sequence from beginning to end. That’s what happened as I was writing these stories: I started to realize what was the first song, what was the last song, what was Side A, what was Side B, what I needed, what I didn’t have, what I had too much of.”
As restaurant owner Henry Yaffe recalled, "She told me if I could give her work there three nights a week, she would quit teaching." He did and she did.
Wikipedia https://en.wikipedia.org/wiki/Roberta_Flack
The Fall
There was a man who found two leaves and came indoors holding them out saying to his parents that he was a tree.
To which they said then go into the yard and do not grow in the living-room as your roots may ruin the carpet.
He said I was fooling I am not a tree and he dropped his leaves.
But his parents said look it is fall.
Russell Edson
[from Another Republic: 17 European and South American Writers edited by Charles Simic and Mark Strand, 1985
From a letter thrown on the table a line comes which runs across the pine plank and descends by one of the legs. Just watch, you see that the line continues across the parquet floor, climbs the wall and enters a reproduction of a Boucher painting, sketches the shoulder of a woman reclining on a divan, and finally gets out of the room via the roof and climbs down the chain of lightning rods to the street. Here it is difficult to follow it because of the transit system, but by close attention you can catch it climbing the wheel of a bus parked at the corner, which carries it as far as the docks. It gets off there down the seam on the shiny nylon stocking of the blondest passenger, enters the hostile territory of the customs sheds, leaps and squirms and zigzags its way to the largest dock, and there (but it's difficult to see, only the rats follow it to clamber aboard) it climbs onto the ship with the engines rumbling, crosses the planks of the first-class deck, clears the major hatch with difficulty, and in a cabin where an unhappy man is drinking cognac, and hears the parting whistle, it climbs the trouser seam, across the knitted vest, slips back to the elbow, and with a final push finds shelter in the palm of the right hand, which is just beginning to close around the butt of a revolver.
Wallace Stevens, "The Necessary Angel: Essays on Reality and the Imagination"
15:08:41 From Yuqing Liu : https://www.lyrikline.org/en/poems/ants-tokyo-15244
15:09:34 From Yuqing Liu : The way the sound is used reminded me of this poem by Sawako where Japanese onomatopoeia is meshed (but also clearly separated) from the English narration, and there’s also a reading of her’s!
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
then we'll get us some wine and spare ribs
James Tate
I tend to see the poem as something like this:
So I went up to my room to do a hit of something and settled on Hart Crane, the modernist poet whose verses — ecstatic, transporting — are like verbal speed. I put on a recording of Tennessee Williams reading “The Broken Tower,” Crane’s best poem, sat back and absorbed it, veritably snorted it, letting its high-flying stanzas hit my brain. I did line after line.
https://www.chronicle.com/interactives/20190510-academes-extinction-event
poster by Stine An
TACEY ATSITTY READS EXTRACTS FROM "LACING"
https://www.poetryfoundation.org/poetrymagazine/poems/146684/from-lacing
Paul Laurence Dunbar, "We Wear the Mask"
from Google Images 10/11/18
John Donne, artist unknown, c. 1595, detail)
New York, N.Y. : Films Media Group, [2014], c2002.
1 streaming video file (57 min.) : sound, color.