In this course students will learn to depict the human figure more effectively within a spatial and compositional context. The classical principles of pictorial design emphasized in the course will enable students to create compelling and visually dynamic work. These principles strengthen visual unity by strategically repeating various formal elements within an image while contrasting those elements in order to provide a sense of balance. Master works by Diebenkorn, Cassatt, Sorolla, Hopper, Degas, and Vermeer, among others, will be analyzed in order to gain insight from their compositions and use of color. Students will execute several small-- scale master studies to assimilate those lessons more deeply. Students will also explore the narrative potential of the human figure in context as they develop personal imagery. Sources for such imagery will be chosen by each student and may include observation, imagination, memory, photo reference or any combination thereof. Students may work in any color or monochromatic 2-D medium - drawing, painting, collage, mixed media, or digital - based on individual preference and expressive need. During each class, students will have the option to work from direct observation of human figures placed in environments. The models will be set in long poses to allow time for compositional and narrative ideas to develop. Students may also use class time to develop their own imagery from reference sources.
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Illustration majors: required sophomore studios
Non-majors & Brown students: instructor permission
Painting & drawing as illustration and fine art, studio practice, concept/problem solving
drawing media