Picture-making for broad public consumption is extraordinarily dependent on rote comprehension of longstanding archetypes. Heteronormative, Anglocentric, Caucasian and male-oriented paradigms prevail in western culture, and our collective habit of perpetuating these hierarchies in illustration, while undoubtedly useful in the conveyance of messages through a quick read, runs counter to more noble efforts to promote parity of race, gender and sexual orientation through equal representation in visual culture.
This class explores the merits and frustrations of inclusiveness in illustration—an art form uniquely skewed to wide scale appreciation of archetypal personae. Students will commit themselves to equal representation for a broad spectrum of people (e.g., race, sexual orientation, gender) while confronting the very practical problems inherent to overcoming our dependence on default personae (white, straight, male) to communicate abstract ideas. How can illustrators achieve clarity of communication while putting aside prevailing stereotypes? What is the responsibility of the perceiving public in transcending habitual interpretation in favor of equal representation? These and other questions are at the heart of this class.
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Illustration majors: required sophomore studios
Non-majors & Brown students: instructor permission
concept/problem solving, graphic design, editorial illustration, corporate & institutional illustration, book and poster illustration/design
OPEN MEDIA: pen & ink/scratchboard, mixed media/ collage, drawing/painting, digital 2D/3D, printmaking, animation