How does illustration shape ideas, information, opinion, and culture? How can images make or break “truth”? How does aesthetic delight contribute? This course considers ways Illustration has intersected with authority and resistance globally. From pre-history to the present, we critically analyze how belonging is visually defined in culture and community. We consider illustrators’ participation in systems of governance, knowledge, and communication; and illustrators’ roles in justice, health, spirituality, education, leisure, and community. We study non-industrial forms, as well as how print and electronic technologies shape illustrative processes and aesthetics. We also discuss theories, ethics and controversies in the making and consumption of illustration in order to implement our tools, skills, and ideas responsibly.
Email: jgrove@risd.edu
Office: 159 Weybosset Street, Room 301
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Experimental and Foundation Studies
Courses in THAD
History of Illustration is of relevance to all illustration majors and coursework and is a requirement for sophomores
museum and gallery careers, teaching, writing, art criticism, and development of any project referring to historical cultures and peoples.
writing and presentation software