In Progress

  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (under review). "Harmony and Form in Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis".


  • Moss, F. C.; Loayza, Timothy & Rohrmeier Martin. (2019). pitchplots (Version 1.4.2). Zenodo.
  • Moss, F. C., Neuwirth, M., Harasim, D., & Rohrmeier, M. (2019). Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets. PLOS ONE, 14(6), e0217242.
  • Landsnes, K., Mehrabyan, L., Wiklund, V., Lieck, R., Moss, F. C., and Rohrmeier, M. (2019). "A Model Comparison for Chord Prediction on the Annotated Beethoven Corpus." In: Proceedings of the 16th Sound and Music Conference, Malaga, Spain. [link]
  • Popescu, T., Neuser, M. P., Neuwirth, M., Bravo, F., Mende, W., Boneh, O., Moss, F. C., and Rohrmeier, M. (2019). "The Pleasantness of Sensory Dissonance is Mediated by Musical Style and Expertise." Nature Scientific Reports 9(1), 1070.


  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (2018). Choro Songbook Corpus (Version 1.0) [Data set]. Zenodo.
  • Neuwirth, M., Harasim, D., Moss, F. C., and Rohrmeier, M. (2018). "The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets." Frontiers in Digital Humanities 5(16).



  • Moss, F. C. (2014). "Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music." In International conference of Students of Systematic Musicology – Proceedings (Vol. 1, pp. 1–8). London.
  • Moss, F. C. (2012). „Theorie der Tonfelder“ nach Simon und „Neo-Riemannian Theory“: Systematik, historische Bezüge und analytische Praxis im Vergleich. Unpublished MA thesis, Hochschule für Musik und Tanz Köln.