Publications

In Progress

  • Moss, F. C., Neuwirth, M., Harasim, D., and Rohrmeier, M. (under review). "Statistical Foundations of Tonal Harmony".
  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (under review). "Harmony and Form inineinin Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis".

2019

  • Popescu, T., Neuser, M. P., Neuwirth, M., Bravo, F., Mende, W., Boneh, O., Moss, F. C., and Rohrmeier, M. (2019). "The Pleasantness of Sensory Dissonance is Mediated by Musical Style and Expertise." Nature Scientific Reports 9(1), 1070. https://doi.org/10.1038/s41598-018-35873-8.

2018

  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (2018). Choro Songbook Corpus (Version 1.0) [Data set]. Zenodo. http://doi.org/10.5281/zenodo.1442765.
  • Neuwirth, M., Harasim, D., Moss, F. C., and Rohrmeier, M. (2018). "The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets." Frontiers in Digital Humanities 5(16). https://doi.org/10.3389/fdigh.2018.00016.

2017

Earlier

  • Moss, F. C. (2014). "Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music." In International conference of Students of Systematic Musicology – Proceedings (Vol. 1, pp. 1–8). London. http://ojs.gold.ac.uk/index.php/sysmus14/article/view/243
  • Moss, F. C. (2012). „Theorie der Tonfelder“ nach Simon und „Neo-Riemannian Theory“: Systematik, historische Bezüge und analytische Praxis im Vergleich. Unpublished MA thesis, Hochschule für Musik und Tanz Köln.

InIn Progress

  • Moss, F. C., Neuwirth, M., Harasim, D., and Rohrmeier, M. (under review). "Statistical Foundations of Tonal Harmony".
  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (under review). "Harmony and Form inineinin Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis".
  • Popescu, T., Neuser, M. P., Neuwirth, MMMMMMMMMMM., Bravo, F., Mende, W., Boneh, O., Moss, F. C., and Rohrmeier, M. (accepted). "The Pleasantness of Sensory Dissonance is Mediated by Musical Style and Expertise." Nature Scientific Reports.

2018

  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (2018). Choro Songbook Corpus (Version 1.0) [Data set]. Zenodo. http://doi.org/10.5281/zenodo.1442765.
  • Neuwirth, M., Harasim, D., Moss, F. C., and Rohrmeier, M. (2018). "The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets." Frontiers in Digital Humanities 5(16). https://doi.org/10.3389/fdigh.2018.00016.

2017

Earlier

  • Moss, F. C. (2014). "Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music." In International conference of Students of Systematic Musicology – Proceedings (Vol. 1, pp. 1–8). London. http://ojs.gold.ac.uk/index.php/sysmus14/article/view/243
  • Moss, F. C. (2012). „Theorie der Tonfelder“ nach Simon und „Neo-Riemannian Theory“: Systematik, historische Bezüge und analytische Praxis im Vergleich. Unpublished MA thesis, Hochschule für Musik und Tanz Köln.

InIn Progress

  • Moss, F. C., Neuwirth, M., Harasim, D., and Rohrmeier, M. (under review). "Statistical Foundations of Tonal Harmony".
  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (under review). "Harmony and Form inineinin Brazilian Choro: A Corpus-Driven Approach to Musical Style Analysis".
  • Popescu, T., Neuser, M. P., Neuwirth, MMMMMMMMMMM., Bravo, F., Mende, W., Boneh, O., Moss, F. C., and Rohrmeier, M. (accepted). "The Pleasantness of Sensory Dissonance is Mediated by Musical Style and Expertise." Nature Scientific Reports.

2018

  • Moss, F. C., de Souza, W. F., and Rohrmeier, M. (2018). Choro Songbook Corpus (Version 1.0) [Data set]. Zenodo. http://doi.org/10.5281/zenodo.1442765.
  • Neuwirth, M., Harasim, D., Moss, F. C., and Rohrmeier, M. (2018). "The Annotated Beethoven Corpus (ABC): A Dataset of Harmonic Analyses of All Beethoven String Quartets." Frontiers in Digital Humanities 5(16). https://doi.org/10.3389/fdigh.2018.00016.

2017

Earlier

  • Moss, F. C. (2014). "Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music." In International conference of Students of Systematic Musicology – Proceedings (Vol. 1, pp. 1–8). London. http://ojs.gold.ac.uk/index.php/sysmus14/article/view/243
  • Moss, F. C. (2012). „Theorie der Tonfelder“ nach Simon und „Neo-Riemannian Theory“: Systematik, historische Bezüge und analytische Praxis im Vergleich. Unpublished MA thesis, Hochschule für Musik und Tanz Köln.