I am a PhD student of Martin Rohrmeier at Technische Universität Dresden and am primarily interested in Music Cognition, Music Theory, and their mutual relationship. My focus lies on chromatic harmony, or extended tonality. I investigate how finite-state music theoretical accounts for chromatic harmony fit together with more hierarchical models of tonal harmony to draw conclusions for cognitive processes such as expectation formation and tension building.

My research interests are: music cognition, musical syntax, structural connections between music and language, syntactic ambiguities, computational models of musical structure, music theory and analysis, musical corpus research, mathematical music theory, neo-Riemannian theory

I was born in Cologne, Germany, and studied Mathematics and Educational Studies at Universiy of Cologne and Music Education (Major Piano) and Musicology at Hochschule für Musik und Tanz, Köln.

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Dissertation working title

"Cognitive Modeling of Syntactic Harmonic Structures in Post-Classical Tonal Music"

Research interests

Music Cognition, Musical Syntax, Music Theory and Analysis, Computational Models of Music, Musical Corpus Research, Music and Language, Mathematical Music Theory


  • Moss, F. (forthcoming). "Counterpoint as Applied Psychology. A Review of David Huron, Voice Leading: The Science behind a Musical Art." Music Theory and Analysis.
  • Moss, F. (2014). "Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music." In International conference of Students of Systematic Musicology – Proceedings (Vol. 1, pp. 1–8). London.
  • Moss, F. (2012). „Theorie der Tonfelder“ nach Simon und „Neo-Riemannian Theory“: Systematik, historische Bezüge und analytische Praxis im Vergleich. Unpublished MA thesis, Hochschule für Musik und Tanz Köln.

Presentations and Talks


  • Moss, F., Rohrmeier, M. (2017, June). Integrating transformational and hierarchical models of extended tonality. 9th European Music Analysis Conference (EuroMAC), Strasbourg, France.
  • Harasim, D.; Moss, F., Neuwirth, M. & Rohrmeier M. (2017, May). Beethoven’s String Quartets: Introducing an XML-Based Corpus of Harmonic Labels Using a New Annotation System. Music Encoding Conference, Tours, France.


  • Moss, F. (2016, November). Extended Tonality: Theoretical Challenges and their Relation to the Neuroscientific Study of Musical Syntax. Max Planck Institute for Human Cognitive and Brain Sciences, Leipzig, Germany.
  • Moss F. (2016, August). Structural Ambiguities in Language and Music. Poster presented at the Helsiki Summer School for Cognitive Neuroscience 2016 (HSSCN 2016).
  • Moss, F. (2016, April). Syntax of Extended Tonality: Towards a Grammar of Generalized Harmonic Functions. Music Theory Colloquium, Boston University, College of Fine Arts, School of Music, Boston, USA.
  • Moss, F. (2016, April). Generalizing Harmonic Functions: A Grammatical Approach to Extended Tonality. Yale University, Department of Music, New Haven, USA.
  • Moss, F. (2016, April). A grammatical approach to tension-resolution patterns in extended tonal harmony. Presentation in the Meeting of the Computational Cognitive Science Group, Massachusetts Institute of Technology, Department of Brain and Cognitive Sciences, Cambridge, USA.
  • Moss, F. (2016, April). Towards a syntactic account for harmonic sequences in extended tonality. Syntax Square Meeting, Massachusetts Institute of Technology, Department of Linguistics and Philosophy, Cambridge, USA.
  • Moss, F. & Harasim, D. (2016, January). Extended Tonality and Music Cognition. Symposium Towards a World Music Theory, University of Hamburg, Institute for Systematic Musicology, Hamburg, Germany.
  • Moss, F. (2016, January). Music Cognition and Extended Tonality: Theoretical Challenges and Empirical Implications. Research Colloquium, University of Cologne, Institute for Musicology, Cologne, Germany.


  • Moss, F. (2015, June). On generative modelling of musical form. Seminar "Mathematics and Music", Dresden Technical University, Dresden, Germany (
  • Moss, F. (2015, June). 'The terror of sanctity.' Tonal cues for resolving dramatic ambiguities in Wagner's Parsifal. Seminar "Understanding Musical Structures", Institute for Art and Musicology, Dresden Technical University, Dresden Germany.


  • Moss, F. (2014, September). Tonality and functional equivalence: A multi-level model for the cognition of triadic progressions in 19th century music.. Presentation at the International conference of Students of Systematic Musicology, Goldsmiths University, London, UK.
  • Moss, F. (2014, May). Language, music and the brain: a resource-sharing framework (Patel, 2012). Seminar "Cognitive Neuroscience of Music", Institut for Musicology, University of Cologne, Cologne, Germany.