I am a PhD student of Martin Rohrmeier in the Digital and Cognitive Musicology Lab (DCML) at École Polytechnique Fédérale de Lausanne (Switzerland) and am primarily interested in Computational Music Analysis, Music Theory, Music Cognition, and their mutual relationship. My main focus lies on chromatic harmony, or extended tonality.
"Characteristics of Extended Tonality: A Corpus Study" (Working title)
Harmony is one of the main parameters of tonal music and has been the primary scope of music theoretical scholarly work for centuries. While music theorists agree that harmony is a rule-based system (syntax), there are many different approaches to express these relationships. Both theoretical and empirical research on musical syntax have focused on harmonic phenomena of the common-practice period (approx. from Bach to Beethoven). Yet, many questions remain open regarding extended tonality (approx. Schubert to Mahler).
My PhD project aims at combining and integrating the strengths of several different research disciplines, namely (mathematical) music theory, computational music analysis, and probabilistic modeling to develop a formal model of extended tonality which can be used to make predictions for subsequent empirical research. Moreover, this will also allow for a more complete picture of the evolution of tonality and compositional practices.
Digital Musicology, Music Cognition, Musical Syntax, Music Theory and Analysis, Computational Models of Music, Musical Corpus Research, Music and Language, Mathematical Music Theory