About Me
I graduated from NC State with a degree in Elementary Education in 2014. I teach 2nd grade at Knightdale Elementary. I love to read, create, and play with my dogs. I view education as an avenue for social justice, so I strive to learn everything I can about the impacts of systemic racism, ableism, and sexism so that I am conscious of the systems of oppression that my work dismantles.
Austrian Education System Reflection
"OECD Reviews of School Resources: Austria 2016"
The Organization for Economic Cooperation and Development (OECD) published this article in 2016. The OECD is a forum comprised of 37 democratic countries, including the United States and Austria, who "collaborate to develop policy standards to promote sustainable economic growth". This article provides an overview of the Austrian school system's organization, funding, quality, and equity. It provides contextual information about Austrian education for international readers before proceeding to a summary of Austria's 2015 Education Reform Proposal.
More than half of Austria's citizens live in mountainous areas of the country, with 45.1% in rural areas and 23.9% in urban areas. While immigration in the 1990s and 2000s caused rapid population growth, urban areas had stronger growth rates than rural areas. Immigration compensates for the country's low birth rate. As young people also move from rural regions to large cities, some districts have experienced negative population growth.
German is Austria's official language, but the surge in immigration has increased linguistic diversity to varying degrees depending on the size of the cities. While small cities with fewer than 10,000 inhabitants had 10% of their children speak languages other than German with their families, medium cities with fewer than 50,000 inhabitants had 30%. Vienna, with a population of 1,765,580 in 2014, had more than half of their children speak another language at home. Unemployment, income inequality, and a large gender pay gap were becoming an issue at the time of this article, and low-skilled workers and immigrants were disproportionately affected. These concerns highlight "the need to improve their labour market integration and educational outcomes (OECD, 2015c: 28)."
The 6 key reforms included in Austria's 2015 Education Reform Proposal are as follows:
Early childhood education and care: Strengthening kindergarten as an educational institution
This reform suggests adding a second compulsory year of Kindergarten(starting at age 4 rather than 5); improving documentation of language development portfolios; improving the preparation and professional development opportunities for teachers; and strengthening early childhood education research.
Transition to school, primary education, and support for language development
The second reform calls for increased collaboration between Kindergarten(early childhood education) facilities and primary schools through data-sharing and joint meetings between school supervisors; participation in international research; updating school curricula; and increasing school autonomy for implementing alternative assessments for Years 1-3.
School autonomy
This section is the largest by far; it is divided into subsections:
Section A proposes increasing the amount of control that schools have in pedagogy, organization, staff, and finances; continuing school and community partnerships; flexibility with school hours, work schedules, and professional development.
Section B proposes increasing the school's role in hiring decisions, which had not previously been within the school's jurisdiction.
Section C suggests increasing financial autonomy at the school level. This means that schools would have more control over how to allocate funding for teaching, support staff, and updating curriculum materials based on their needs. It also proposes a "new administrative body" to direct the materials budget for "autonomous schools or school clusters".
Section D clarifies who will be responsible for each aspect of "evidence-based quality control". It gives the federal government the responsibility for education targets, auditing resources, monitoring results, and implementing a strategic plan for improvement. Autonomous schools would be responsible for "operative implementation and pedagogical organisation". This section also provides for annual school quality reports, regular collection of data, new school inspections, and staff evaluations (self and peer).
Model regions: schools for 6-14 year-olds
This proposal outlines the creation of school regions, which seem similar to public school districts in the United States. Private schools have the option to join these regions. This proposal recommends equal distribution of teachers and students(all levels of achievement) among schools in each region; availability of support staff; "no funding cuts for schools facing particular challenges"; and partnerships with community members, including experts, to optimize student learning.
School organization, education directorates
This reform proposes abolishing the "executive president, the vice president, and the collegiate boards" in favor of establishing an "education directorate". The directorate will be responsible federal teachers, provincial teachers, school organization, administrative staff, and inspection of schools. The directorate also assumes the responsibilities which were "held by the province education board or education departments of the provinces".
innovation in education
This final proposal only includes two goals: "comprehensive internet access for schools by 2020" and "establishment of a national education foundation"
My impression of these reforms is that Austria saw the problems their schools faced based on data and sought evidence-based reforms to ensure the success of all students. It was somewhat difficult to conceptualize certain descriptions of the 2015 education systems and the reforms proposed in this article because my background knowledge of education is limited to schools in the United States; we also did not visit schools or speak with educators while in Austria. Given the age of this article (published 2016), it leaves me wondering which, if any, reforms were implemented. How successful were these reforms? What does the data say about the success of the changes made to the school systems and individual schools in Austria?
Film Review
Bombshell: The Hedy Lamarr Story
The Bombshell documentary was an intimate peek into the life of actress and inventor Hedy Lamarr. It gave Hedy an opportunity to finally tell her own story, even if posthumously, by including interviews with Hedy and her family members. From her youth, Hedy's beauty was a defining part of her identity; her glamorous appearance gave her power in a society where a young, Jewish woman's power was restricted. One could argue that the privilege of beauty set the unique circumstances through which Hedy was able to escape from Austria as Hitler rose to power. It gave her access to wealth and attracted the attention of MGM film producer Louie B. Mayer. Hedy was able to shroud herself in the relative safety of a new, non-Jewish surname as she embarked on her journey as a Hollywood actress. She turned heads, set trends, and inspired the sale of millions in U.S. war bonds.
However, Hedy was also limited by her appearance. She was not permitted to be intelligent, creative, or decisive. As a teenager, she was forced to act out a sex scene for a European movie called Ecstasy. In Hollywood, every aspect of her acting career was controlled by MGM, from casting to scripts. Hedy, like many exhausted actors of the time, was subject to “vitamin” (methamphetamine) injections from Dr. Feelgood. This allowed her to continue acting tirelessly but also resulted in addiction.
When Hedy presented her patent for a frequency-hopping system that allowed for secure radio signals to control torpedoes, the Navy was disinterested. They believed Hedy could only serve as a beautiful face to sell war bonds and create lewd films for the U.S.O. It wasn’t until the 1960’s that the U.S. Government began using Hedy’s patent as the basis for technology that would eventually lead to Bluetooth and Wi-Fi. She was not notified and missed the opportunity to request compensation for the use of her patent.
Hedy became increasingly secluded in her later life due to a number of botched cosmetic surgeries. She clung to her beauty as the core of her identity. The world had shown her repeatedly that this was her only valuable characteristic, and she began to believe them. While it came too late to change the outcome of Hedy’s life, this documentary allows her legacy to include her inventions and their impact on modern life.
Book Review
The Devil in Vienna
It is my opinion that Americans are obsessed with World War II; this has led to an oversaturation of World War II stories in books, movies, and video games. We are drawn to the horror in the same way passersby are compelled to gaze upon accidents on the highway. It is also easier for white Americans to closely examine this dark point in history because we feel that we were the heroes of the Holocaust rather than the knife that wounded our country. Ironically, America's Jim Crow laws influenced the Nazi Party's Nuremberg Laws, particularly the portion that revoked the German citizenship of Jewish people. Because of this opinion, I was hesitant to read another story about World War II.
The Devil in Vienna tells the story of Inge Dorenwald and her best friend Lieselotte Vessely, who live in Vienna and have just turned 13. The historical backdrop of this story is the Nazi's Anschluss or annexation of Austria in 1938. Inge's family is Jewish, while Lieselotte's is Catholic; furthermore, Lieselotte's father is an S.S. officer. For very different reasons, both fathers disapprove of the girls' friendship.
Despite this, Inge and Lieselotte continue their friendship in secret as political and racial tensions heat up. I found the description of these events frightening because of the parallels to America's own political and racial turmoil that has boiled over in recent years. We too have had racist ideology become more explicit and omnipresent; we too have had political unrest that (almost) toppled our federal government. I fear that the advancements in technology will allow America's racist practices to become increasingly insidious and impossible to weed from our government and culture.
Inge and Lieselotte witnessed the first ominous stormclouds of World War II. They saw firsthand the hatred oozed from Nazi officers to their children and through the community, resulting in chaos, violence, and cruelty. Even community members who were once friendly, such as Oma Sofie's housekeeper Usch, used the threat of reporting them to Nazis to gain wealth from Jewish families. However, the loyalty of their friendship was not tainted by the events of the era; Lieselotte was a true friend whose help allowed the Dorenwald family to escape Austria. It was refreshing to see Inge's father apologize to Lieselotte once he realized the depth of her loyalty to Inge. Ultimately, I was glad to have read this book.
Clio Waypoint
Haydnhaus
Franz Joseph Haydn was born in the Austrian village of Rohrau in 1732. His family enjoyed singing folk songs, and they noticed his remarkable talent for singing at a young age. Haydn was sent to the Church of Hainburg for further training at the age of 6. Later, Haydn joined the choir at St. Stephen's Cathedral in Vienna. He also learned to play violin and keyboard during this time. He remained there until his voice changed during puberty.
As a young adult, Haydn spent 8 years studying composers while working as a street musician and music teacher. His goal was to become a master composer. The Italian composer, Niccolo Porpora trained Haydn in the fundamentals of composition. Haydn's earliest work followed the Rococo style, which was simple and elegant.
Haydn worked for the Esterhazy family for 29 years. During this time, he was prevented from forming friendships with the staff due to his employer's strict rules for employees. He also experienced marital discord. Haydn's work reflected this isolation by becoming darker and more foreboding. This period of Hadyn's compositions is known as Sturm und Drang, or Storms and Stress.
After leaving the Esterhazy palace, Haydn met and became friends with Wolfgang Amadeus Mozart, despite their vast age difference and different musical styles. Haydn eventually moved to London, where he composed his 12 London Symphonies and experienced great success.
Joseph Haydn spent the last twelve years of his life in his Viennese house which became known as Haydnhaus. It is located in an area that was once an outer village of Vienna called Gumpendorf. Haydn composed The Creation and The Seasons while living in this home, but he was unable to continue composing as his health declined later in life.
The 200th anniversary of Haydn's death was in 2009. To commemorate the occasion, the Wien Museum renovated this house to more closely match historical models.
Visual Thinking Reflections
The Jug of Tears Sculpture
What is happening in this picture?
This sculpture shows a girl carrying a heavy jug. She has the calm, focused demeanor of someone completing a necessary chore.
What do you see that makes you say that?
The size of the jug is quite large when juxtaposed with the girl's slight frame; her head is angled and her left arm is outstretched to counterbalance the weight of the jug; her right arm is tight against her body because the jug is too heavy for her to raise it. Despite this burden, the girl's facial expression is relaxed and she is walking forward; this shows that her task is vital or perhaps that she has no emotions about the difficulty of carrying the jug.
How does what you see make you feel?
I am not sure how to feel about this sculpture. I feel a bit sad and weary in sympathy for the girl; however, she herself does not seem weary.
What does seeing this image make you wonder?
I wonder who the girl is and what her destination is. Is there a reason her face is so calm?
What questions do you have about what is happening, and what would you change in this picture?
Based on the sculpture's placard, is this sculpture showing the girl walking before or after she visited her mother and begged her not to cry over the girl's death? I'd like to see a companion statue showing the mother. Which portion of the tale would the artist choose to sculpt if he made a sculpture of the mother? Is there a reason this piece only includes the girl?
Dance of the Elves and Elf at the Brook Paintings
What is happening in this picture?
In the first painting, a group of elves is dancing together in a meadow near some woods. Their mood is light and joyful. It may be at dawn or dusk.
The second painting shows another elf hesitantly pausing between several saplings. A brook flows through the woods nearby. In the background, another figure, possibly a human, stands by the brook with flowers in hand.
What do you see that makes you say that?
The dancing elves are wearing light chiffon-like fabric that delicately illustrates their twirling. Their limbs are outstretched to hold scarves together. They are wearing bright colors. The sky is also bright compared to the dark background of the meadow and woods. It reminds me of being near a mountain at dusk when the mountain's shadow makes the ground dark while the sky is still bright.
The elf seems to be moving carefully and slowly through the woods. Her left hand is up perhaps to balance herself, while her right hand grips a sapling beside her. She is glancing toward the figure in pink in the background. The elf's cautious movements suggest that she doesn't want to be discovered by the other figure. The other figure's pink dress is of a different style from the elf's Grecian garment; the sleeves are poofy and the structure of the pink dress seems stiffer.
How does what you see make you feel?
The dancing elves make me feel an airy contentment. I am pleased to see others dancing in celebration.
The cautious elf makes me feel nervous that she may be discovered by a human.
What does seeing this image make you wonder?
I wonder how the artist's experiences with fairy tales and Greek or Roman mythology influenced the depiction of the elves in each of these paintings.
What questions do you have about what is happening, and what would you change in this picture?
Why is the sky so much brighter than the ground in the first painting? Why are the elves dancing?
Who is the figure in pink? Why is the elf being so careful not to be noticed by her?
WhatsApp Cultural Insights
Portrait of the Father Emil Gerstl by Richard Gerstl at the Leopold Museum
Hundertwasser House
Travel Writing
Alt Wiener Grottenbahn
No trip to the Prater is complete without a ride aboard the Grottenbahn, a fairytale-themed train ride! The railroad was built in 1898, but large parts of the Prater had to be reconstructed after WWII; the ride was rebuilt in 1951. The ride operator managed to conceal their surprise that I wanted to purchase a ticket for myself, an adult. I was positively giddy to take note of which fairy tales were deemed culturally significant by the creators of the Grottenbahn. I was also curious to see how this ride compared to Disney World's It's a Small World. Imagine my delight when a sparkling pink swan train driven by a Smurf and a gnome crept into the station! As we boarded one of the train cars behind the pages of a storybook, I noticed some suspicious characters among the decor in the station. Of note were the characters I have decided to call Edwin Razorblade-Fingers and Mick EeEeEeEeEk Mouse.
Our train descended into the glittering grotto and cruised past tableaus of popular fairy tales, Catholic saints, and Disney characters. The train traveled around the circular track twice so that we had an opportunity to view the tableaus on the inner and outer loops. The scenes along the inner loop were smaller, while the scenes on the outer loop were floor-to-ceiling and 4 or 5 feet wide. The list of scenes is included below.
Inner Loop Scenes
Gestiefelter Kater--> Puss in Boots
Don Quichote--> Don Quixote
Wilhelm Tell--> William Tell
Schneewittchen--> Snow White (revived)
Siegfried & Drache--> Siegfried and Dragon
Bremer Stadtmusikansten: Bremen Town Musicians
Herkules--> Hercules (with Hydra)
Däumling--> Tom Thumb
Unknown campfire scene
Brüderchen & Schwesterchen--> Little Brother and Little Sister
Froschkönig--> Frog King
Lohengrin-->Lohengrin opera
Rotkäppchen--> Little Red Riding Hood (meeting the wolf)
Jeanne d'Arc--> Joan of Arc (execution)
Hänsel & Gretel--> Hansel and Gretel
Siegfrieds Tod--> Siegfried's Death
Dornröschen--> Sleeping Beauty
Outer Loop Scenes
Max & Moritz im Schlaraffenland--> Max and Moritz in the Land of Milk and Honey
Rotkäppchen--> Little Red Riding Hood (in Grandma's cottage)
Allesfresser-->?
Tausendundeine Nacht--> One Thousand and One Nights
Schneewittchen--> Snow White (in glass coffin)
Neptun der Meeresgott--> Neptune the Sea God
Micky Maus--> Mickey Mouse
Zauber Fee--> Magic Fairy
Rumpelstilzchen--> Rumplestiltskin
Rubezahl--> a mountain spirit in German, Polish, and Czech folklore
This ride contained an intriguing blend of Germanic fairy tales and folklore, Catholic saints, Roman mythology, and a few references to literary works or operas. The content of the ride's scenery balanced whimsy with mortality, which, in the moment, felt jarring. Why would the designers choose gruesome scenery for a children's attraction? However, in hindsight, the ride reflected reality in ways that many products designed for American children do not. In American education, especially, there is intense pressure from some to avoid any mention of the misfortune or violence that are as much a part of reality as whimsy and joy. In a way, this ride illustrates how Austrian parents teach their children self-reliance at a much earlier age than American parents typically do.
While I left the Grottenbahn without as much glee as I arrived, the experience provided a unique perspective into the values and beliefs that compose Austrian culture.
Grottenbahn Rating Scale
Darkness 🚂🚂🚂🚂🚂
Speed 🚂
Spooky 🚂
Whimsy 🚂🚂🚂
Lesson Plan
The Frog Prince Lesson Plan
The RL.2.9 standard requires 2nd graders to compare and contrast multiple versions of the same fairy tale. This lesson plan analyzes two versions of The Frog Prince from MyOn; one version is similar to the original German version published by the Brothers Grimm; the second version is a retelling that features components of The Frog Prince and Sleeping Beauty. After reading both stories, the class will organize the key details of each text into a Venn diagram on Padlet.
Fairytale Technical Projects
Fairytales, or Märchen, are stories used by countless cultures to teach cultural values to both adults and children. Each iteration of a fairytale is reimagined to include the values of its storyteller, sometimes from one telling to the next. The introduction of print and illustrations have expanded the possibilities even further.
As we explore Austria, I hope to see how Märchen have influenced Austrian culture and vice versa. This influence may be evident in literature, art, music, and landmarks.
Project 1: Padlet of Fairytale Influence
Project 2: a Scratch game or animation showing a popular fairytale in Austria
Project 3: 1 Second Everyday video to showcase fairytale architecture and scenery from my travels
Märchen aus Österreich Padlet
Fairy Tale Adventure Video
While the Märchen aus Österreich Padlet explored the influence of Fairy Tales on music, art, literature, events, and tourist attractions that I could research before the trip to Vienna, this video showcases the fairytale landmarks or art that I found during the trip.
Special thanks to Shana for her tech help on this game!
The Frog Prince Game
In the original version of The Frog Prince, the princess is playing with a golden ball when it falls into a well. A frog agrees to retrieve the ball if the princess promises to take him back to her castle. However, the princess leaves the frog behind once she has her favorite toy back.
This game functions similarly to Pong, with the princess acting as the paddle to prevent the golden ball from falling into the water.