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Critical making and creative submissions are invited to explore tensions between technological norms and practices of improvisation, resistance, care, and refusal. Projects may include hacks, counterfunctional objects, speculative or unfinished experiments, community-built tools, or creative works across sound, video, installation, performance, textiles, zines, and hybrid media. We value work that foregrounds glitch, misalignment, repurposing, and disobedient design as modes of knowledge production, and we especially welcome process-based, fragmentary, and pluriversal approaches that disrupt normative technological imaginaries.
Display Period: Displayed throughout the symposium unless otherwise arranged
Submission Requirements
Project Title: A clear title that signals the project’s intervention, creative interruption, intervention, or technological reimagining.
Project Description (250–500 words): Describe the concept, materials, process, and stakes. How does the project reveal, resist, or rewire technological assumptions? How does it engage community, refusal, or care?
Materials & Media: List the physical/digital components or tools involved.
Visuals (optional): Sketches, screenshots, in-progress images, or prototypes. Polish not required!
Set-up Requirements: Spatial, power, display, or accessibility needs—especially if the project is interactive, communal, or nontraditional.
Creator Bio (100–150 words): Briefly describe artistic or research background, community connections, and practices related to experimentation, care, refusal, or decolonial creative methods.
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