#ITIpresents
final year
i n d i v i d u a l
project
2021
DIGITAL PROGRAMME
Original works conceived and performed by ITI’s graduands.
The Final Year Individual Project (FYiP) is a critical and integral aspect of Intercultural Theatre Institute’s actor training programme. The students are prompted to think about it from the very first day of school, and given a few weeks in their final year to focus solely on it. FYiP is student-driven and teachers act only as mentors and guides. It combines the technical skills and objectives of performance making with the exploratory freedom of a creative platform.
Don't Play Play
by Sandeep Yadav
“Play gives children a chance to practice what they are learning.” — Fred Rogers
The most important part of childhood, play defines our behaviour. Inspired by real events, this work is a surreal depiction of the positive and destructive effects of play on the relationship of a father and son, and questions the kind of play we offer to children now.
Advisory: Mature themes and coarse language
Su'g (Water Current)
by Marvin Acero Ablao
A poignant representation of modern-day slavery, drawing on perspectives of contemporary history and a long-lost mythical past.
Performed in English and Bisaya
《绾 绾》Wan Wan
by Lin Jiarui
A lyrical meditation on the exquisite love of two people.
A relationship that seemed destined to be forever, untimely complicated by desire, life and death.
Performed in English and Mandarin
Dancing at Gunpoint
by Aaron Kaiser Garcia
This is not a political story. It’s a simple one.
Inspired by real events around the world, Dancing at Gunpoint breaks down these questions: how do we unpack systemic oppressions? What if the conditions of your time take away your rights to live? What are the repercussions in advocating a culture of violence? What does justice look like, in a land where innocence and guilt and criminality and legality are intertwined and compromised beyond recognition?
Advisory: Mature themes and coarse language
The Moment of Truth
by Sonu Pilania
A hero one day, a loser the next. Our circumstances can change in a moment, but what does it take to change us inside? Will we recognise the truth when it stares us in the face?
This is a sober, somber recollection of the ideals and symbols of masculinity and manhood, from the point of view of a bullfighter.
Crippled Dream of Deaf Eye
by Kewal Kartik
What if your own brain jumps out and starts talking to you?
Crippled Dream of Deaf Eye is an open and no-holds-barred conversation between a nameless, ageless, genderless character and its brain.
Acknowledgements & Credits
PRODUCTION AND STAGE MANAGER
Clarisse NgFILMING
Pangolin FilmsCAST PHOTOS
Bernie NgSPECIAL THANKS TO
CS Lite
for the loan of lighting equipment
Aaron Kaiser Garcia:
Maraming Salamat to ITI, my classmates, Sasi, Wan Ching, Chin Huat, Simon, Nien, and Clarisse. Special thanks to JK Anicoche and Caroline Chin. Thank you to the people who entrusted me with their untold stories.Kewal Kartik:
I would like to thank my whole ITI family.Lin Jiarui:
I sincerely thank my classmates, Simon, Sasi, Wan Ching, Chin Huat and Clarisse for their help. Thank you for all the support and guidance in the process of creating my piece.Marvin Acero Ablao:
Thank you to Karlwinn, Jinyi and Jun Kai for being with me in the process. Thank you to my friends Edgardo Dulaca, Lutgardo Labad, Butch Solajes and family, Jeffrey Desecorro, Ana Mae Barimbao-Scott, Melanie Batasan and Maricor Adlawon for your love and support. Thank you to our production and stage manager Clarisse for the help. Finally, my thanks also goes to all my classmates, teachers and admin staff for being a part of my journey.Sandeep Yadav:
I would like to thank my cohort, especially Aaron and Kewal, and Abinaya and Yolanda for helping me. Thank you to all my teachers Beto, Chin Huat, Sasi, Simon and Wan Ching, as well as Noushad Mohamed Kunju and Wendy Toh for all the support. A special mention to ITI’s admin and marketing staff as well!Sonu Pilania:
First of all, I would like to thank Simon. Thanks to Chin Huat, Clarisse and all the beautiful souls who are studying and working at ITI.
Graduands
Aaron Kaiser Garcia is a performer and performance maker. An alumnus of the Dance Program (Folk Dance) at the Philippine High School for the Arts with a strong background in folk and contemporary dances, he has gone on to explore contemporary performance-making.
Aaron has been training as an artist-facilitator and has conducted works in various communities in the Philippines. He was a production manager for Sipat Lawin Ensemble’s productions Are You Ready to Take the Law Into Your Own Hands (which he choreographed for), and Nagwawalang Gubat (2018). He was also the youngest festival project manager for Karnabal Festival: Performance and Social Innovation PerYaKToi (2016) and Edukasyon Artist Residency (2017).
As a performer, Aaron has represented the Philippines in several international festivals in Vietnam, Taiwan, Japan, and China. He also performed at the Cultural Center of the Philippines Choreographers Series: Neo-Filipino and Koryolab. His work, Dakel Saday: The Unpublished Philippine Folk Dances of the Tasaday, Volume I, was featured in CNN Philippines Life: 2018 in Philippine Art.
Post-graduation, Aaron will be continuing his practice with Komunidad X, an anti-disciplinary collective committed to creating “life” performances for civic engagement and social development, based in Manila under Sipat Lawin Inc.
Aaron is a beneficiary of the Möbius Fund, which provides loans for actor-students.
Kewal Kartik is an actor from the Shekhawati region of Rajasthan. His artistic journey began from hosting and acting for various events in his hometown. He left his home region due to the lack of opportunities, in order to pursue the arts as a profession.
Kewal holds a Diploma in Dramatic Arts from Madhya Pradesh School of Drama, and completed a year-long internship where he created and directed several original works.
He has travelled and worked with various theatre groups across India, such as Rangrez Theatre Productions and Breathing Space- The Drama Company. To better himself as a performer, Kewal decided to come to ITI.
In the future, Kewal plans to develop the theatre scene in his home region.
Kewal is a recipient of the Tan Chay Bing Education Fund Scholarship and a beneficiary of the Möbius Fund.
Lin Jiarui is an actor from China, who believes that drama education can better enrich the growth of children.
From 2016 to 2018, Jiarui worked as a theatre project manager for Shenzhen Xinhuajie Culture Communication Co., Ltd. He then joined the Little Comma Children’s Theatre part-time in 2017, where he performed his original puppetry piece, Where is my Monster? before coming to ITI.
After ITI, Jiarui is keen on furthering his studies in theatre and engaging in drama education for children.
Marvin Acero Ablao is a dancer, actor and visual artist from Bohol, Philippines. He has received extensive training in contemporary dance and classical ballet since 2008, and has coached dance and theatre to various youth communities in his province.
He started his theatre journey in 2016 as a member of Kasing Sining Teatro Bol-an Ensemble. Marvin’s works include Dagohoy: Dagon sa Hoyohoy The Musical and Blue Way (Bohol Dance Project Company), created by Romanian choreographer Gigi Caciuleanu.
In Singapore, he has performed in The Chowk Show 2021 (Chowk Productions), Waltz of the Flower, an original piece by ITI alumna Caroline Chin, at The Substation SeptFest 2021 and Room 0505 (2020) with alumna Lina Yu.
Marvin came to ITI to hone his skills as an actor and ultimately give back to his community in Bohol as a performer, educator, and researcher. He also intends to explore and experiment with different mediums of art through theatre.
Marvin is a recipient of the Tan Chay Bing Education Fund Scholarship and a beneficiary of the Möbius Fund.
Sandeep Yadav is a theatre practitioner from India, who believes in art as healing and artists as healers.
His theatre journey began in 2009 with Nautanki, one of India’s oldest folk theatres, in his hometown, Allahabad. He holds an MPA in Theatre Arts from the University of Hyderabad, and performed in various university productions such as Woman (an Indian adaptation of Thesmophoriazusae) and A Tempest by Aimé Césaire.
His final-year production, BUTTERFLY, received a theatre grant from the Ministry of Culture, Government of India, and was invited to Prayogam Theatre Group’s online national theatre festival. Besides acting for stage and screen, Sandeep has ventured into roles such as costume designer, technical advisor, and director. His works include Hawalaat, Neela Parcham, Red Frock, Beyond the Land of Hattamala, Gateway to Heaven (which received Special Mention at the 4th Mumbai International Film Festival), and Mitti-Back to Roots. He has also coached acting in various schools and institutions, as well as to theatre groups, across India.
His training at ITI has opened up new dimensions of work for him, rediscovering himself as an artist through theatre. He also wants to continue exploring the training he received in ITI in his future works.
Sandeep is a beneficiary of the Möbius Fund.
Sonu Pilania is an actor currently based in Singapore. In the crafts of acting for stage and screen, he specialises in the genres of realism and naturalism.
Sonu holds a BA in History from Delhi University, and a Diploma in Mime from National Mime Institute, Kolkata. His questions and curiosity about the craft of acting were what drew him to ITI.
His theatre journey started in 2014, working in various stage productions with different theatre companies and directors since then. He has participated in several theatre festivals, exploring Classical, Psycho-Physical, Forum, Parsi, and Realistic Theatre.
After graduation, Sonu intends to continue acting on stage and screen. He also aims to work towards using theatre as a tool to address environmental issues, such as climate change.
Sonu is a beneficiary of the Möbius Fund.
Headshots by Bernie Ng
About ITI
Intercultural Theatre Institute (ITI), based in Singapore, is a three-year, practice-based, professional actor training programme founded on a rigorous, intercultural learning methodology with a view to producing original, contemporary theatre.
The school began as the Theatre Training & Research Programme (TTRP), founded in 2000 by renowned dramatist Kuo Pao Kun (1939–2002) and current Director T. Sasitharan – both Cultural Medallion recipients. It is shaped by Kuo Pao Kun’s vision of intercultural learning that draws from a matrix of traditional theatre systems and modern theatre-making.
ITI’s distinguished alumni include Yeo Yann Yann, winner of two Golden Horse Awards for her performances in Wet Season and Ilo Ilo and International Emmy Award nominee for her role in Invisible Stories; Peter Sau, recipient of the 2011 Young Artist Award and several The Straits Times Life! Theatre Awards; Felimon Blanco, recipient of the 2013 Most Outstanding Zambosurian Award (Philippines); and Sankar Venkateswaran, recipient of the 2019 Shankar Nag Theatre Award, presented to theatre all-rounders under the age of 40 who embody the spirit of service to theatre in India.
Support ITI
ITI is an independent theatre school founded on the belief that theatre has little meaning if it is not connected to life and society. Through the years, ITI has developed critically and socially engaged artists who are capable of working across cultural, linguistic, social and national boundaries, and who have contributed meaningfully to their cultures and communities.
ITI is a registered charity and an approved Institution of Public Character (IPC), and more than 60% of its income has to come from fundraising. Donations to ITI are eligible for 250% tax exemption and dollar-to-dollar matching by the government’s Cultural Matching Fund.
Your donations will make a critical difference and support ITI in its seminal work.
“I was trained to be not only a good actor but also a better person. So to those who want to make a difference, please consider supporting a student in ITI and we will make this world a better place using the arts” ~ Denise Mordeno Aguilar ‘14
Peter Sau (‘03, Singapore) is the founder of Project Tandem, a training programme for disabled performing artists. He is also associate director and cast member of And Suddenly I Disappear: The Singapore/UK ‘d’ Monologues, the first disability-led theatre project created between Singapore and the UK. Peter is a recipient of the 2011 Young Artist Award and the Best Actor Award at the 2015 Life! Theatre Awards.
Sankar Venkateswaran (‘06, India) is the founder and artistic director of Theatre Roots & Wings. He has set up a cultural space in Attappady, Kerala, where he works with the impoverished indigenous communities. Sankar is a recipient of the International Ibsen Scholarship 2013, Aditya Vikram Birla Kalakiran Puraskar 2016 and Shankar Nag Theatre Award 2019.
Denise Mordeno Aguilar (‘14, Philippines) is the artistic director of Pasundayag Community Arts, secretary of the National Committee on Dramatic Arts and the Mindanao designated coordinator of Women Playwrights International. She is a recipient of the Lambago Art Award 2016, in recognition of her outstanding work as a theatre artist and her invaluable contribution to the development of arts and culture in Cagayan de Oro City, Philippines.
Board of Directors
CHAIRMAN
Mr Arun Mahizhnan
Special Research Adviser, Institute of Policy Studies
MEMBERS
Dr Kwok Kian Woon
Associate Provost (Student Life), Nanyang Technological University
Mr Chew Kheng Chuan
Independent consultant in philanthropy
Mr Tan Tarn How
Playwright; Adjunct Senior Research Fellow, Institute of Policy Studies
Ms Winifred Loh
Director, LeadForte Consulting
Dr Nazry Bahrawi
Senior Lecturer, Singapore University of Technology and Design
Academic Board 2020–2023
Prof Erik Ehn
Playwright
Visiting Professor, Department of Theatre and Dance, University of New MexicoDr Quah Sy Ren
Associate Professor, School of Humanities, Nanyang Technological University, SingaporeDr Frances Barbe
Senior Lecturer & Course Coordinator - Bachelor of Performing Arts, Western Australian Academy of Performing Arts
Examination Board 2020–2023
Mr Aarne Neeme, AM (Order of Australia)
Director and educatorDr Paul Rae
Associate Professor, Head of School of Culture and Communication, University of MelbourneMr Noushad Mohamed Kunju
Director, actor and educator
Associate Professor, Department of Theatre Arts, Sarojini Naidu School of Arts & Communication, University of HyderabadMr Peter Sau
Director, actor and educatorMr Nelson Chia
Artistic Director, Nine Years Theatre, Singapore
Thank you for being a part of ITI’s journey
FRIENDS OF ITI
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And other Friends who wish to remain anonymous
PRINCIPAL DONOR
Stephen Riady
GRANT-MAKERS
Lee Foundation
Tan Chay Bing Education Fund
Kuo Pao Kun Foundation
Chew How Teck Foundation
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U.S. Embassy, Singapore
Arts Fund
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The Prestigious. Bespoke Tailors
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ITI ANGELS INITIATIVE
Tommy Koh
Alan Chan
Alvin Lin
Albert Chiu
Annabelle Yip
Arun Mahizhnan
Benson Puah
BinjaiTree
Charlotte & Yew Lin Goh
Chew Kheng Chuan
Chua Lee Hoong
George Yeo
Georges Barbey
Ho Ren Hua
Koh Tai Ann
Kong Eng Huat
Kwok Kian Woon
Lawrence Wong
Leonardo Drago
Ng Shin Ein
Ong Pang Boon
Philip Jeyaretnam
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Prabhat Ojha
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Roopa and Shiv Dewan
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William & Judith Bollinger
And other Angels who wish to remain anonymous
ITI Angels Initiative has also received contributions from Nicholas Goh and Wang Gungwu
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