Written in Speyer, Germany in 1487 by two Dominican friars, Henry Institoris and Jacob Sprenger, the Malleus Maleficarum is one of the most well-known texts about witchcraft and the persecution of witches from the early-modern period (Broedel 2004, 19). Malleus Maleficarum is a Latin title which translates to “The Hammer of Witches.” The text, as implied by the title, aims to eradicate witches and practices of witchcraft.
The Malleus is divided into three sections. The first section focuses on refuting arguments against the existence of witchcraft, proving that witchcraft exists and is a problem. The second section provides advice and arguments to support preachers in handling witchcraft within their communities. Lastly, the third section aims to provide judges detailed explanations on how they ought to handle witchcraft trials (Broedel 2004, 20).
The Malleus’s impact was vast. Though never officially sanctioned by the Church, the Malleus was widely used by secular courts across Europe in the late 15th and early 16th centuries (Broedel 2004, 171). It also contributed greatly to the changes in perceptions relating to women and their association with witchcraft.
The Malleus was written by two men, Henricus Institoris and Jacobus Sprenger. Institoris and Sprenger were both members of the Dominican order who were appointed to be inquisitors.
Malleus Maleficarum, Encyclopaedia Brittanica, Creative Commons by Share-Alike 4.0, https://www.britannica.com/topic/Malleus-maleficarum#/media/1/360358/266591.
Additionally, both men were specifically given express permission to prosecute witchcraft in 1484, when Pope Innocent VIII issued a papal bull, an edict issued by a pope, called “Summis desiderantes affectibus” (“Desiring with supreme feeling”) (Institoris and Sprenger 2006a, 120). The bull, not entirely unrelated to the production of the Malleus, was included at the beginning of the text, likely in an attempt to add credibility to the claims made within.
This increased credibility was paramount to the legitimacy and success of the Malleus, since Institoris’s public reputation was lacking. Institoris and Sprenger had vastly different reputations within the public eye.
Henricus Institoris was inarguably qualified to write a book on witchcraft, ranking among the most experienced inquisitors in Germany by 1485 and having an excellent academic background (Broedel 2004, 12). However, this experience was diminished by his unpopularity. Institoris was outspoken and disagreeable, by many accounts. He was almost imprisoned for a time for speaking against the emperor during a sermon and often got into arguments with his own Dominican Order (Broedel 2004, 13). Additionally, he was accused of embezzling funds that were supposed to go towards the war against the Turks (Institoris and Sprenger 2006a, 86). Despite all of these instances and allegations, Institoris suffered few serious consequences; however, they still resulted in a tarnished reputation.
Jacobus Sprenger, on the other hand, was a highly lauded and successful scholar and a member of the Dominican Order (Broedel 2004, 18). Though Sprenger is thought to have written the Malleus’s introduction (“Apologia auctoris” or, “Justification”), it is generally believed that he played little role in the composition of the text aside from providing the prestige associated with his name (Broedel 2004, 18-19).
In the Malleus, Institoris argues that women are more susceptible to witchcraft and the Devil than men are because women are weaker in faith, body, and mind. For instance, Institoris makes the claim in the text that the origins of the Latin word for “woman” (“femina”) can be derived from the Latin words meaning “faith” and “less” (“fides” and “minus”) (Instoris and Sprenger 2006b, 117). However, linguistically, there is no support for this and this seems to be an argument that he acquired from an earlier scholar (Institoris and Sprenger 2006a, 36). Additionally, the text claims that the Devil's hold on women can be linked to their carnal desires, which are greater than those of men (Institoris and Sprenger 2006b, 120-1).
Though some scholars argue that this makes the text immensely misogynistic, others argue that the Malleus is not more misogynistic than other texts of its time. Rather, they claim, it derives much of its misogyny from the Bible (Institoris and Sprenger 2006a, 35).
To read or download the full text of The Malleus Maleficarum, please visit Global Grey Ebooks.
Broedel, Hans. The ‘Malleus Maleficarum’ and the Construction of Witchcraft: Theology and Popular Belief. Manchester: Manchester University Press, 2004.
Editors of the Encyclopaedia. "Malleus Maleficarum." Encyclopaedia Brittanica, November 30, 2023. https://www.britannica.com/topic/Malleus-maleficarum.
Institoris, Henricus, and Jacobus Sprenger. 2006a. Malleus Maleficarum. Edited and translated by Christopher S. Mackay. Vol. 1: The Latin Text. Cambridge: Cambridge University Press.
Institoris, Henricus, and Jacobus Sprenger. 2006b. Malleus Maleficarum. Edited and translated by Christopher S. Mackay. Vol. 2: The English Text. Cambridge: Cambridge University Press.
Malleus Maleficarum. Image. Creative Commons via Encyclopaedia Brittanica. Accessed March 8, 2024. https://www.britannica.com/topic/Malleus-maleficarum#/media/1/360358/266591.
The primary source “The Necromancers Handbook” was originally published under the name “Munich Handbook” and was first published in Germany during the 15th century. It is unknown the impact of this text since accessing these types of handbooks during this period was only open to a select few of the upper class. The people who used these types of handbooks were monks, nuns, priests, or clergy of the lower levels. However, a book like this being found among the regular population would have been burned immediately had a member of the clergy or the Inquisition come upon it. This source details spells and the procedures one needs to follow for their magic to work. It helps educate the reader on their “practitioner craft”- or the art of being able to perfect rituals. Throughout the source, two examples stuck out, one being a spell on how to infuse a spirit into a dead body and the other detailing a love spell. The first ritual required a physical object, a ring, with engravings of the demons that would be summoned. They would know to come once the necromancer had put the ring on the dead body and called out to God. The necromancer must state, “I conjure God, all demons inscribed in this ring by the Father and the Son and the Holy Spirit and by almighty God, maker of heaven and earth" (1).
Stadtplan von München, 1680, Munich, Germany, Johann Stridbeck, Public domain, via Wikimedia Commons https://upload.wikimedia.org/wikipedia/commons/c/c6/Muenchen_1680_6.jpg
This incantation calls out not only to demons that are under Satan's authority but also to God. Magic had mostly been associated with the demonic during this period and was seen as an act against God so it was very interesting to see the diverse powers this spell required. The second spell that was addressed in the texts was a love spell intended for men to use against women to gain their love. This text starts by acknowledging that there is a lack of consent between the parties, stating that this will make a woman in love with anybody. The spell even calls for demons to come to earth and take her form so that her friends and family won’t have concerns about where she is. Once the woman has entered the man's dominion she could be forced to stay there for days, weeks, even up to a year, or until the man decides he does not want her anymore. When thinking about this spell in the context of clergy members and other people in high positions of power performing this, it can be seen as predatory.
What stands out about this primary source is the lack of negative connotations towards this kind of magic at this time. It is known that fear of witches and magic grew during the 15th and 16th centuries so this text might have not received as much scrutiny as it would have years later. However, there was always the idea that magic was associated with paganism- the practice of non-Abrahamic religions- and how this resulted in a general fear of heresy. In this text, the reader is able to ascertain that the magic being talked about is not following the pattern of being denigrated. The rituals being performed can all be classified as self-serving, and in some cases nonconsensual, but this does not change the tone of the book. Magic is still seen as a neutral element, something that those who have the book and practice it can use to make their lives easier but they are not looked down upon. Despite this text taking place during a time when Abrahamic religions were punishing those who engaged in practicing magic, this belief is not present anywhere within the document. There were even calls and prayers garnered towards God/Jesus in the spells analyzed above despite the religions these deities belonged to condemning these rituals and magic practices. Again, wavering from the Abrahamic religions, those who engage in these acts are also not looked at as bad people, they are viewed as having the talent to be able to master this. Even the word choice of a “practitioner of magic” or “necromancer” as opposed to “witch” (which could be seen as a slur) is notable as it shows that there were subgroups of people during this time who were able to practice magic without scrutiny. This source offers a different perspective on how people of the medieval age viewed the practice of magic and proves that sentiments surrounding the idea of practicing magic were not all negative. However, this would prove to swiftly change throughout the centuries where more punishments and repression would be incited to combat the practice of magic.
References
(1) Kieckhefer, Richard. “Clerical Magic: A Handbook.” Chapter. In European Magic And Witchcraft, 267. Toronto, Canada: University of Toronto Press, 2018.
The Valais Trial was the first trial in the, “Duchy of Savoy (in today's southeastern France and Switzerland) between 1428 and 1447,” at the start of the medieval period.[1] This led to the killing of what is approximately considered to be 367 people. Though before new witch hunts those killed were for what would be considered maleficium, as the treaty in which that was talked about had not yet been conducted. Though some of the things they were convicted of did fall under that category - these included, “Among the accusations were: flying through the air and plundering wine cellars; the killing of cattle in the shapes of werewolves; invisibility by the use of herbs; the curing of sickness and paralysis by sorcery, where the sickness was passed on to someone else; cannibalism and the abduction and consumption of children; meeting with Satan, who would teach them magic if they renounced Christianity; curses and conspiracy,” many which would be later classified as maleficium.[2]
[1]“The Witch Trials - Valais Witch Trials (France/Switzerland, 1428 - 1447),” Witchcraft, February 27th,2024, http://www.lukemastin.com/witchcraft/trials_valais.html
[2]“The Witch Trials - Valais Witch Trials (France/Switzerland, 1428 - 1447),” Witchcraft, February 27th,2024, http://www.lukemastin.com/witchcraft/trials_valais.html
Perhaps the most controversial trial Joan of Arc has gone down as not only controversial but also highly regarded in the future of the church. Her legacy follows similarities to pagan thoughts like other religious figures. Her legacy was contested by many as her trial is regarded by many because she, “was not killed during the witch-hunting craze period, rather, she was more a victim of politics. Witchcraft was simply a convenient way to get rid of her,” an idea and consequence that so many we condemned too. [1] Though in years after her trial and death she was recognized as a saint though her death will always mark a significant time period in which women were prosecuted for crimes they did not commit.
[1] Lauren Nitschke, “European Witch-Hunting (A Brief History)” The Collector, February 27th,2024,
https://www.thecollector.com/european-witch-hunting/
FIGURE 1: Louis-Dimitrov, Delphine. “Nature in Mark Twain’s Personal Recollections of Joan of Arc: Pastoralism Revisited.” The Mark Twain Annual 17, no. 1 (2019): 88–111. https://doi.org/10.5325/marktwaij.17.1.0088.
A Look at Love Magic in Europe
By Emily Fox
Love magic within the early modern period of Europe is often characterized by women's predominant use of it. Though what is considered as "love magic" varies throughout history, it is generally any kind of magic or ritual that is meant to either start, continue, or break up a relationship. However the magic is not limited to these instances and can be used for any varying degrees of these scenarios. This kind of magic has generally poor connotations during this time, but it is similar to a great amount of the other magics explored. Yet with this, love magic is a unique case study in the way that people have written about said magic and the documents that accompany it. There are very few writings and court cases that deal with crimes surrounding love magic. Though this issue can be a common occurrence when it comes to the examination of magic in early modern Europe, it is especially prevalent when talking about this medium of magic. This section will examine how love magic was perceived based on court cases and documents from the early modern period of Europe and will take a close look at the role that gender played in the characterization of love magic. It will also look into a specific case regarding Laura Coccapani in seventeenth-century Italy and how it relates to the court cases explained previously.
To begin, let’s look into a case that intertwines love magic with the threat to the social order. In 1482, Joan Beverly was brought to court for her supposed networking of men and women into relationships intended for marriage. The courts characterized her as a “bawd,” which is typically a woman who is in charge of a brothel (and is typically a prostitute). Beverly was being painted in a light in which she was seen as irresistible, so much so that even her husband left her out of fear of another gentleman harming him. To protect their reputations, men accused Beverly of enchanting them with love magic and hinted that this could play a role in her entire business. 1 Though the court was more concerned with the sexual and social disorder that Beverly caused, it is strange to see love magic being taken into account in such a way. There is no evidence that Beverly practiced love magic, this situation exemplifies the way that women were treated. Even though men were the ones that were fawning over Beverly, the situation was spun to be her fault and put these men up on a pedestal where they couldn’t have acted this way unless there was some sort of magic afoot. The fact that love magic was considered simply based on men being unable to control themselves around an attractive woman truly showcases how susceptible women were to being accused of using love magic and how worried men were about women having any sort of control over their actions.
To continue with this notion, the case of Thomas Fansome provides an interesting twist on the ways that courts would incorporate love magic into their accusations. Like Beverly, Fansome was put on trial for a crime that was not initially related to love magic, but it ended up being included in the charges. Fansome had pretended to be a physician and fornicator, supposedly putting people at risk with his actions. Yet in the testimony that Fansome gave, he explained to the courts that he was a fornicator, despite the fact that he was married. 3 The courts focused more on his crime of lying and impersonation and made little note of the fact that he actively practiced love magic. 4 Even when men were openly admitting to their use of love magic, it was not taken into account by the courts and was instead put towards a different crime. In both circumstances, these individuals were not directly charged with love magic. However, in Beverly’s case, she never admitted to doing any magic of the sort and it was simply assumed based on the accounts of men.
Finally, the case of Laura Coccapani provides an interesting twist on the previous assumptions and assertions made regarding love magic. In this case, Fra Valerio Trionfanti was accused by his wife Laura Coccapani of casting a spell on her. She claimed that strange things would happen when he was around and this was further speculated with her sudden infatuation with him at the beginning of their relationship. 5 However, the Inquisition ruled that this information may have been due to other forms of magic besides love, with them pointing towards the use of “body magic”. 6 They additionally did not consider him to be a heretic of any sort, but rather someone who was misguided and had made some mistakes. This entire case truly showcases how little women were acknowledged even during this time and how love magic was seen as more severe or considered more malicious when it was associated with women.
Wright, Sharon & Klaassen, Frank. Everyday Magicians: Legal Records and Magic Manuscripts from Tudor England. University Park, Pennsylvania: The Pennsylvania State University Press, 2022.
Wright & Klaassen, Everyday Magicians, p. 62
Wright & Klaassen, Everyday Magicians, p. 65
Wright & Klaassen, Everyday Magicians, p. 63
Watt, Jeffrey R. “Love Magic and the Inquisition: A Case from Seventeenth-Century Italy.” Sixteenth Century Journal 41, no. 3 (Fall 2010): 675–89.
Watt, Love Magic & Inquisition, p. 15
A Basic Guide to the Witches' Sabbath
By Cat Mooney
De Goya y Lucientes, Francisco, Witches' Sabbath (The Great He-Goat), 1821-1823, (Museo del Prado), Public domain image,. https://commons.wikimedia.org/wiki/File:Francisco_de_Goya_y_Lucientes_-_Witches_Sabbath_(The_Great_He-Goat)_-_WGA10108.jpg
What is the witches’ sabbath?
The witches’ sabbath is a concept and conspiracy that emerged in Europe during the late medieval period.[1] At this time in Europe, Christian leaders believed that witches generally operated in groups, and regularly met with their leader, the Devil.[2] This belief in the “witches’ cult” is what lead to the conspiracy of the sabbath.[3] The concept of the sabbath is closely related to the Christian idea of possession, in the sense that the Devil is able to intervene into people’s lives and manipulate them for his own purpose.[4] However, unlike possession, in which a person is unwillingly taken over by the Devil, witches that join the sabbath are knowingly and willingly going against God and agreeing to work for the Devil.[5] In order for witches to join the sabbath, the Devil must invite, tempt, or coerce them into joining. To do this, the Devil may appear to witches in a “terribly evil form,” as black animal such as a bear or ram, or he can even appear as a “very handsome man,” when recruiting witches to join.[6][7] In order to recruit witches to join, the Devil may tempt them promises of good things, but he may also threaten or force people to join.[8] Once in the group, witches will officially give their soul to the devil and participate in the events of the sabbath. These events include having sex with the devil and other witches in the sabbath, demonic pacts, performance of maleficium, and signing one’s name in the devil’s book, sometimes with blood.[9] Some also believed that the sabbath included the murdering of innocent babies and acts of cannibalism.[10] Additionally, the Devil prohibits witches from attending mass and confession once they join the sabbath.[11]
Who is involved?
In Europe, it was believed that women were most likely to be a part of the sabbath, especially those in distress or trouble who could be easily manipulated by the Devil.[12] This assumption was also true for children, as they were seen as very vulnerable targets.[13] However, men could also be part of the sabbath, and were accused in some European trials.[14] It was also believed that witches that were already in the sabbath would recruit others to join, sometimes by using foods or drinks that had the powers to force people to join.[15]
Where and When did the sabbath arise?
The concept of the witches’ sabbath began in medieval Europe. Specifically, the idea of witches gathering in groups controlled by the devil with the goal of “undermining Christianity” emerged in the region surrounding “the arc of the western Alps,” in the 1430’s.[16] The witches’ sabbath also carried over to the European colonies in the Caribbean and the Americas. For instance, in Cuba, the sabbaths consisted of the same events as in Europe, but instead of sabbath they were referred to as a Junta.[17]
Why is the witches’ sabbath significant?
The entire conspiracy of the sabbath and all of the alleged horrific aspects of it ultimately came from the fear the Church had about losing the power and control it had over medieval Europe. The witches’ sabbath stemmed from the paranoia Christian leaders and institutions had surrounding the Devil, and any other outside forces that posed a threat to the religion as a whole. A major factor that contributed to the conspiracy of the sabbath was the anti-Jewish attitude of the medieval Church.[18] During this time, many Christians believed that Jews participated in blood libel, a practice in which they “ritually murdered” Christian babies.[19] This practice is, of course, a threat to the Christian religion. The reason so many people in Europe and European colonies admitted to knowing about or being involved in the sabbath was not because they really met the Devil and made a pact with him, but because they were tortured and coerced by inquisitors to confess.[20] Ultimately, the witches’ sabbath is a reflection of the Church’s desire to keep its power.
[1] Emma Wilby, "Eve's Opinion: Spirit Possession and the Witches' Sabbath in Early Modern Europe," Magic, Ritual, and Witchcraft 18, no. 1 (2023): 80.
[2] Michael D. Bailey, Origins of the Witches' Sabbath (University Park, PA: Pennsylvania State University Press, 2021), 2.
[3] Wilby, "Eve's Opinion," 94.
[4] Wilby, "Eve's Opinion," 81.
[5] Wilby, "Eve's Opinion," 82.
[6] Bailey, Origins of the Witches', 28.
[7] Nicole von Germeten, "Paula de Eguiluz, Seventeenth-Century Puerto Rico, Cuba, and New Granada (Colombia)," in As If She Were Free: A Collective Biography of Women and Emancipation in the Americas, ed. Erica L. Ball, Tatiana Seijas, and Terri L. Snyder (Cambridge, UK: Cambridge University Press, 2020), 48.
[8] Wilby, "Eve's Opinion," 83.
[9] Wilby, "Eve's Opinion," 85.
[10] Bailey, Origins of the Witches', 2.
[11] Bailey, Origins of the Witches', 28.
[12] Wilby, "Eve's Opinion," 83.
[13] Wilby, "Eve's Opinion," 84.
[14] Bailey, Origins of the Witches', 28.
[15] Wilby, "Eve's Opinion," 89.
[16] Bailey, Origins of the Witches', 1.
[17] von Germeten, "Paula de Eguiluz," 48.
[18] Bailey, Origins of the Witches', 3.
[19] Ibid.
[20] Wilby, "Eve's Opinion," 80.