CREATING
VA6.CR.1 Visualize and generate ideas for creating works of art.
VA6.CR.2 Choose from a range of materials and/or methods of traditional and contemporary artistic practices to plan and create works of art.
VA6.CR.3 Engage in an array of processes, media, techniques, and/or technology through experimentation, practice, and persistence.
VA6.CR.4 Incorporate formal and informal components to create works of art.
VA6.CR.5 Reflect on, revise, and refine works of art considering relevant traditional and contemporary practices as well as artistic ideation.
VA6.CR.6 Keep an ongoing visual and verbal record to explore and develop works of art.
PRESENTING
VA6.PR.1 Plan, prepare, and present completed works of art.
RESPONDING
VA6.RE.1 Reflect on the context of personal works of art in relation to community, culture, and the world.
VA6.RE.2 Critique personal works of art and the artwork of others, individually and collaboratively, using a variety of approaches.
VA6.RE.3 Engage in the process of art criticism to make meaning and increase visual literacy.
CONNECTING
VA6.CN.1 Develop personal artistic voice through connecting uses of art within a variety of cultural, historical, and contemporary contexts.
VA6.CN.2 Develop life skills through the study and production of art.
VA6.CN.3 Utilize a variety of resources to understand how artistic learning extends beyond the walls of the classroom.
CONCEPTS:
● Understanding the planning processes of three dimensional artworks
● Understanding the building processes of sculpture
● Reflection of what makes a quality piece of Artwork.
Artists in the 1960s created paintings or sculptures of mass culture objects and media stars, the Pop art movement aimed to blur the boundaries between "high" art and "low" culture. Their main concept is that there is no hierarchy of culture and that art may borrow from any source.
"His image LOVE was first created in 1964 in the form of a card which he sent to several friends and acquaintances in the art world. In 1965, Robert Indiana was invited to propose an artwork to be featured on the Museum of Modern Art's annual Christmas card. Indiana submitted several 12” square oil on canvas variations based on his LOVE image. The museum selected the most intense color combination in red, blue, and green. It became one of the most popular cards the museum has ever offered. Indiana continued to develop his LOVE series, and in 1966, worked with Marian Goodman of Multiples, Inc. to make his first LOVE sculpture in aluminum. In 1970, Indiana completed his first monumental LOVE sculpture in Cor-Ten steel which is in the collection of the Indianapolis Museum of Art.
In addition to being a painter and sculptor, Indiana made posters and prints and also designed stage sets and costumes plays and operas. Indiana's artwork has been featured in numerous exhibitions around the world and is included in the permanent collections of many major museums including the Museum of Modern Art, New York; Tate Modern, London; and the San Francisco Museum of Modern Art.
practice making the letters of your name in block or bubble letters.
plan out your color scheme and pattern you wish to include in your design by coloring a few of your letters in your sketchbook.
think about expressing yourself through your sculpture. giving us a glimse into who you are
colors, patterns and lines can express emotions (warm tones are more vibrant and energizing, cool colors are calming, geometric shapes and lines are more rigid and strict while organic shapes and lines are more fluid and soothing).
Begin drawing and cutting out your letters on the railroad paper provided by your teacher.
Color and design your letters on the front and back using markers, colored pencils and/or paint. Don't apply thick layers of paint since it will warp the paper.
you need to do the front and back because you sculpture will be visible from all sides.
Cut out and design a base for your sculpture using either geometric or organic shapes. Add color with your materials.
Begin using clear tape or a hot glue gun, if available, to attach your letters to your base and one another. Think about composition, color, line, as well as positive and negative space.