Once I had established that most people’s aversion to orange rose from a similar echo chamber; that it wasn’t exactly the color itself but the aesthetics of it when applied to real life, then did I go on to confront the other orange-averse group; seasonals.
“Orange, rusted or dark, looks really good during fall.”, is the first response I receive while in the Starbucks line, with the large posters for orange drinks and advertisements for fall treats adorning the scene. Fellow students roamed the scene with rusted orange shirts and pants with the scent of pumpkin spice permeating the air. The moment couldn’t have been better pieced together, the aesthetic and reason of orange to the public’s eye; fall.
I reflected deeply on the discussion that I’ve engaged in and noticed two possible explanations for the “orange aversion”. One, people choose colors that help them blend in or calm them. It is a known fact there is a psychology to colors, but at the end of the day, it is not specific colors but the meanings we’ve ascribed to them that contribute to how we view them. Orange is often associated with danger signs, construction, and tacky logos of superficial companies. These things may contribute to people’s views on that color. Two, The contrast of orange during fall when most dark and warm colors from nature come together has caused us to naturally associate the color with only being acceptable with the season itself. It is a color that outside of this warm colored season with cold winds, that we find such a vibrant color acceptable. It is for that reason that nostalgia and comfort collide to make this color seen in a more appealing light.