Bio: https://dss-edit.com/

Daniel Scott Snelson is a writer, editor, and archivist working as an Assistant Professor in the Departments of English and Design Media Arts at UCLA, where he serves as faculty for the Digital Humanities, the Laboratory for Environmental Narrative Strategies, and the UCLA Game Lab. His online editorial work can be found on PennSound, Eclipse, UbuWeb, Jacket2, and the EPC. Published books works include Elden Poem (Hysterically Real, 2022), Full Bleed: A Mourning Letter for the Printed Page (Sync, 2019), Apocalypse Reliquary: 1984-2000 (Monoskop, 2018), Radios (Make Now, 2016), EXE TXT (Gauss PDF, 2015), Epic Lyric Poem (Troll Thread, 2014), and Inventory Arousal with James Hoff (Bedford Press/Architectural Association, 2011). With Mashinka Firunts Hakopian and Avi Alpert, he performs as one-third of the academic performance group Research Service. His forthcoming book, The Little Database: A Poetics of Media Formats (University of Minnesota Press, 2025), examines the networked afterlives of media-reflexive works of art and letters.

Info: https://tagvverk.info/2024/08/13/danny-snelson/

BRICKED is an ongoing XR writing environment bearing witness to memory loss. In the summer of 2019, my family orchestrated what would later become a final vacation with my grandmother, who had recently been diagnosed with dementia, and my father, who passed shortly thereafter. In the work, an exhaustive inventory of the objects that populated this trip is accompanied by text fragments on the losses that accumulate within both human and technical memory systems. These samples are arranged in an XR space for the live composition and performance of their contents, providing a model for immersive modes of expanded comics practices.

This version includes soft citations from Lauren Berlant and Kathleen Stewart, Wendy Chun, Hal Foster, N. Katherine Hayles, Habiba Ibrahim, Trevor Owens, Michel Serres, and Mackenzie Wark.