"The National Anthem" illustrates the process by which humans inadvertently learn to perpetuate systems of oppression through engagement with media. At the forefront of the collage, an individual diligently studies the headshots of people of varying races, genders, and ages on a computer screen. Within the grid of portraits, the eyes of many of the individuals of color are painted white to symbolize the obstruction of non-white identities by the strokes of racism. The piece criticizes the tendency of media to force individuals into boxes and broadcast stereotypes, which consumers unconsciously absorb and integrate into their daily practices. The person in the foreground assumes an unconventionally active role in this process, thereby calling attention to the conspicuousness of media biases to viewers who truly pay attention. The uncanny prospect of deliberately teaching oneself how to preserve the fear of "the other" while connecting with media provokes audiences to think critically about their own media interactions.
Everyone has got the fear /
It's holding on
"The National Anthem" - Radiohead