The Catholic Studies Unit requests proposals that address new developments at the intersection of Catholicism and the horror genre. In particular, we are interested in proposals that explore the work of women and minoritized directors and writers in this area and that consider the ways their works challenge or revise standard tropes. Roundtable proposals on a particular manifestation of this phenomenon--say, on the 2019 film St. Maud and its director Rose Glass--would be particularly compelling. Proposals in this vein that help answer the question "Why study Catholic horror?" are also particularly welcome.