1.  “Reframing Ishiguro’s Oeuvre through the Japanese Militarist in The White Countess” Orbis Litterarum 74.6 (2019): 381-91. (AHCI)

2.   “Ripley’s Transgression, Highsmith’s Art.” Critique: Studies in Contemporary Fiction 60.4(2019): 409-18. (AHCI)

3.   “The Menace of Home/Man in Hitchcock’s Rebecca and Under Capricorn.” The Midwest Quarterly 60.2(2019): 121-40. (AHCI)

4.   “The Detective’s Story: Rivaling Kin of the Detective Story.” The Midwest Quarterly 58.4(2017): 371-88. (AHCI)

5.   “Cosmopolitan Alterity: America as the Mutual Alien of Britain and Japan in  Kazuo Ishiguro’ Novels” Journal of   Commonwealth Literature 45.2(2010): 227-43. (AHCI)

6.   “Glimpsing History through Stories: The Second World War Remembered in Kazuo Ishiguro’s Novels” InterCulture 3.3(2006): 1-49.

7.   “Anachronistic Periodization: Victorian Literature in the Postcolonial Era or Postcolonial Literature in the Victorian Era” Postcolonial  Text 2.3(2006): 1-13.

8.   “Chic Clichés: the Reinvention of Myths and Stereotypes in Kazuo Ishiguro’s Novels.” EnterText 5.3(2006): 148-86.

9.   “Making and Marketing Kazuo Ishiguro’s Alterity.” Post Identity 4.2(2005):1-21.

10.  “The Importance of Being London: Looking for Signs of the Metropolis in James Thomson’s City of Dreadful Night” Literary London 3.1(2005): 29 paragraphs.

11.  “Imperial Cartography and Victorian Literature: Charting the Wishes and Anguiof an Island-Empire.” Culture, Theory & Critique 43.1(2002): 1-16.

1.   “Shanghai, the Postmodern Spectacle Kazuo Ishiguro Scripts for The White Countess” Place, Space, Region and Cultural Identity in Anglophone Literatures, Arts and Cultures (hosted by University of Preso, Slovakia) November 20-21, 2018.

2.  “Geography of Suspense: Chance Encounter at Home in Hitchcock’s Films” International Conference on Space and Cinema (hosted by University of Lisbon, Portugal). November 28-30, 2016.

3.  “The Detective’s Story: a Readerly Text Turned Writerly?” Roland Barthes at 100 Conference (hosted by Cardiff University, U.K.). March 30-31, 2015.

4.  “Villainous Victimhood in ‘The Cask of Amontillado’” Evil Incarnate Conference (hosted by Case Western Reserve University, U.S. A.). July 11-13, 2014.

5.   “Old Fear in New Face: Yellow Peril of the twenty-first Century in Sherlock” Transcultural Identity Constructions in a Changing World Conference (hosted by Dalarna University, Sweden). April 2-4, 2014.

6. “Reconfiguration, estrangement and transgression in The White Countess” Screen Studies Conference (hosted by University of Glasgow, U.K.) 28-30 June, 2013.

7.  “Cosmos of Similitude in Ishiguro’s Nocturnes.” Dialogues across Boundaries: Debating Local Cosmopolitanisms Conference (hosted by the Department of English at University of Southampton, U.K.).  November 21-22, 2009.

8.  “Cosmopolitan Alterity: America as the Mutual Alien of Britain and Japan in Kazuo Ishiguro’ Novels.” Workshop of 2008 Research Projects, College of Liberal Arts, National Chung Hsing University.  September 25-26, 2009.

9.  “Shanghai in The White Countess: Production and Consumption of an Oriental City through the Western Cinematic Gaze.” 2008 Editorial Summit and International Conference: Colonial Modernity and Geopolitics of English Studies in East Asia. Taichung, Taiwan. June 6-8, 2008

10. “Glimpsing History through Stories: the Second World War Remembered in Kazuo Ishiguro’s Novels.” Empire, Borderlands, & Border Cultures Conference hosted by California States University, Stanislaus.  Stanislaus, California. March 16-18, 2006.

11. “Subtle Subversion: Mocking Use of Cultural Myths in Kazuo Ishiguro’s Novels.” Making Use of Culture Conference (the Inaugural Conference of the Cultural Theory Institute University of Manchester). Manchester. January 21-23, 2005. (NSC 93-2411-H-005-013)

12. “Double Mockery: America as the Mutual Alien of Britain and Japan in Kazuo Ishiguro’s Novels.” The 12th National Conference of the English and American Literature Association. Hsinchu, R. O. C. December 4, 2004.

13. “Making and Marketing Kazuo Ishiguro’s Alterity.” International Conference of Identities and Alterity (hosted by the Amsterdam School for Cultural Analysis, University of Amsterdam).  Amsterdam. March 24-26, 2004. (NSC 93-2914-I-005-011-A1)

14. “The Rhetoric of Evasion in Kazuo Ishiguro’s Narratives: Finding the Truth in the Winding Path of Lies.” The 11th National Conference of the English and American Literature Association.  Kaohsiung, R.O.C.  March 12-13, 2004

15. “The Importance of Being London: Looking for Signs of the Metropolis in James Thomson’s City of Dreadful Night.”  The Second Annual Conference of Literary London (hosted by Goldsmiths College, the University of London).  London. July 25-27,2003.  (NSC 92-2914-1-005-029-A1)

16. “Replacing Ishiguro and Naipaul at the Temporal Axis of World Literature.” The Third Wenshan International Conference on Language and Literature (hosted by National Chengchi University) Taipei, Taiwan.  October 26-27, 2002

17. “Martha Stewart—Transcendentalist of Material Culture.” American/Popular Culture Association Annual Conference.  Philadelphia, Pennsylvania. April 11-14, 2001.

18. “Reciprocity of Colonial Mimicry: London and its Colonial Other.” The First Annual Conference on Inclusiveness. Fort Worth, Texas.  April 14, 2000.

19. “Imperial Cartography and Victorian Literature—Charting the Wishes and Anguish of an Island-Empire.” Southern Conference on British Studies. Fort Worth, Texas. November 4-5, 1999.

20. “The World in Penelope’s Words—How Accountable Are Women’s Travel Accounts?” The Fourth Congreso Internacional de Las Americas. Puebla, Mexico. September 29--October 1, 1999.

21. “Imagining Readers and American Culture in Ann Landers’s Advice Column.”  American Culture Association/Popular Culture Association Annual Conference.  San Diego, California. April 1-3, 1999.

22. “Emerson and Carlyle: Kindred Spirits across the Atlantic.” Thomas Carlyle: ‘Venerated Friend’ An International Conference.  Waco, Texas, October 24-25, 1997.

Monograph 

       The Margin without Centre: Kazuo Ishiguro. Oxford: Peter Lang, 2010.

Book Chapters

1. “Introduction: Real and Imaginary” Eds. Lisa Bernstein and Chu-chueh Cheng. Revealing/Reveiling Shanghai: Cultural Presentations from the Twentieth and Twenty-First Centuries. New York: SUNY, 2020. 1-13.

2. “Shanghai in The White Countess: Production and Consumption of an Oriental City through the Western Cinematic Gaze” Revealing/Reveiling Shanghai, Eds. Lisa Bernstein and Chu-chueh Cheng. New York: SUNY Press, 2020. 159-75.

3. “Villainous Victimhood in Edgar Alan Poe’s ‘The Cask of Amontillado’” Eds. Malcah Effron and Brian Johnson. The Function of Evil across Disciplinary Contexts. Lanham, MD: Lexington Books, 2017. 11-22.

4.  “Old Fear in New Face: Yellow Peril of the Twenty-first Century in Sherlock” Transcultural Identity Constructions in a Changing World.  Eds. Irene Gilsenan Nordin, Chatarina Edfeldt , Lung-Lung Hu, Herbert Jonsson, and André Leblanc. Frankfurt am Main: Peter Lang, 2016. 257-74.

5.  “Cosmos of Similitude in Nocturnes” Eds. Cynthia F. Wong and Hűlya Yildiz. Kazuo Ishiguro in a Global Context. Burlington, VT: Ashgate, 2015.121-31.

6.  “Frances Trollope’s America and Anna Leonowens’s Siam: Questionable Travel & Problematic Writing” Gender, Genre & Identity in Women’s Travel Writing. Ed. Kristi E. Siegel.  New York: Peter Lang, 2004. 123-65. 

1. 2008 The Margin without Center

2. 2004 陳腔新唱：石黑一雄小說之刻板影像／印象再生