Wood Works - Arranged by Danish String Quartet (2014)
Ye Honest Bridal Couple (Faroe Islands) / Sønderho Bridal Trilogy - Part 1 (Fanø, Denmark)
Ack Värmeland, du Sköna (Värmland, Sweden)
Orava Quartet
In 2014, fuelled by a modest crowdfunding campaign, the Danish String Quartet took to a week-long residency in the Danish countryside with the project of developing arrangements of traditional Nordic music for string quartet. Thus was born Wood Works, a substantial collection of Scadanavian folk music that exists in the blurry space between concert music and folk music. Wood Works is imbued with a vibrant sense of dance and interplay. The musicians sometimes act as a singular sonic unit, at other times are in playful dialogue with one another.
-------
Two Pieces for String Octet, Op. 11 (1924-25) - Dimitri Shostakovich
Prelude
Scherzo
Orava Quartet
Julia Hill / Violin
Rebekah Hall / Violin
Harry Swainston / Viola
Shuhei Lawson / Cello
Taking its impetus from Mendelssohn's famous Octet for Strings, this is an early work within Shostakovich's oeuvre and is filled with a youthful energy and passionate fiery discourse. Despite being a student work (composed when Shostakovich was only 18 years old), in this piece there is already a strong imprint of the musical genius of one of history's great composers. The Prelude opens with a declamatory choral-like figure, a homage to JS Bach. It balances its musical narrative between elegance and characterful humour. The Scherzo is a breathless perpetuum mobile, tumbling this brief yet powerful work to a close.
-------
Piano Quintet in F minor, Op. 34 (1864) - Johannes Brahms
Allegro non troppo
Andante, un poco adagio
Scherzo: Allegro
Finale: Poco sostenuto - Allegro non troppo - Presto, non troppo
Orava Quartet
Alex Raineri / Piano
Composed when Brahms was 29 years of age, the Piano Quintet in F minor is considered to be one of the seminal works of the chamber music canon, a towering masterpiece of intense lyricism and profound romantic sweep.
The first movement is in a sonata-form structure and is imbued with a wealth of material. The exposition alone contains no less than five themes, each of which undergo extensive development. Despite this excess of material, the music is consistently imbued with an intense energy and focus. The second movement takes the listener to a serene space with lush soaring melodies being passed back and forth between the players, with occasional rhythmic intrigues. A spooky cello pizzicato opens the powerful Scherzo movement, a tour de force for the players with virtuosically interlocking semiquavers crashing the music forward with vigour. The finale beings with a mysterious slow opening. Bizarre harmonies flower into gorgeously cantabile singing lines, which in turn melts into a rollicking fast section. The presto that brings the quintet to a close is perhaps one of the most exhilarating musical conclusions within all of Western art music, a testament to the immense impactful orchestral potential that only five players can accomplish.
Program Notes © Alex Raineri
The Orava Quartet has been hailed by Limelight magazine as “the most exciting young quartet on the block” and predicted by The Australian to become “one of Australia’s proudest cultural exports.” Earning a reputation and devoted following for their thrilling performances, the Quartet – brothers Daniel and Karol Kowalik (violin and cello), violinist David Dalseno and violist Thomas Chawner - bring their unique sound and breathtaking intensity to the classics of the string quartet canon.
Selected by Deutsche Grammophon for its historic, first Australian recording release in 2018, received with widespread critical acclaim, Orava Quartet has performed in North America - including Canada in 2019 for the Festival International Hautes-Laurentides and Music and Beyond Festival (Ottawa) - and Asia, the UAE and New Zealand, working closely with the world-renowned Takács Quartet in the USA and winning top prizes at the 2013 Asia Pacific Chamber Music Competition.
Brisbane-based, Orava Quartet performs at venues and festivals around the country including Sydney Opera House’ Utzon Music Series, City Recital Hall Angel Place, Melbourne Recital Centre, Adelaide’s UKARIA, for VIVID Sydney with Sufjan Stevens, the New Zealand and BBC Proms festivals and Melbourne, Queensland, Canberra and Musica Viva Music Festivals. Praise for their live performances includes “gut-wrenching” (ArtsHub), “masterful" (Dominion Post) and "a beauty" (SMH). The Quartet proudly continue in their seventh year as Camerata’s 2021 Artist-in-Residence, performing at Queensland Performing Arts Centre, Empire Theatres Toowoomba, Melbourne Recital Centre, for Musica Viva Tasmania, Brisbane Music Festival, Bangalow Music Festival, UKARIA (Adelaide), Riverside Theatres (Sydney) and tour with Karin Schaupp.
Described by Limelight Magazine as “a soloist of superb virtuosic skill and musicality”, Australian classical pianist Alex Raineri (b. 1993) is internationally active as recitalist, concerto soloist and chamber musician. International performances include tours throughout California, South-East Asia, United Kingdom, Ireland, New Zealand, Germany and Austria. He is the Artistic Director of the annual Brisbane Music Festival and is a passionate exponent of contemporary music having given over 130 World Premieres to date.
Alex has been broadcast on BBC Radio 3, Radio NZ, California Capital Public Radio, ABC Classic FM and all of the Australian MBS Networks. As a concerto soloist he has featured with the Queensland, Tasmanian, Darwin and West Australian Symphony Orchestras, Southern Cross Soloists, Orchestra Victoria, Four Winds Festival Orchestra, Bangalow Festival Orchestra and the Queensland Pops Orchestra.
Alex has been the recipient of a number of major awards including the Kerikeri International Piano Competition and Australian National Piano Award. Alex is the pianist with the Southern Cross Soloists and other notable chamber partnerships include; Andreas Ottensamer, Twoset Violin, eighth blackbird, ELISION, Sara Macliver, Natalie Clein, Greta Bradman, Li Wei Qin, Teddy Tahu Rhodes, Jack Liebeck, Kathryn Stott, Slava Grigoryan, Brett Dean and many others.
Discography includes; Transfiguration (2019), Inventions (2019), I’ll Walk Beside You – Teddy Tahu Rhodes & Southern Cross Soloists (2018 – ABC Classics) and braneworlds – Kupka’s Piano (2017).
Recent recipient of the prestigious New Colombo Plan Scholarship, violinist Julia Hill has flourished into passionate performer of classical music. Guided by former Arditti String Quartet violinist, Graeme Jennings, she was appointed Concertmaster of the Curro Chamber Orchestra at the Australian Youth Orchestra’s National Music Camp 2020 and has achieved an Award with Distinction on her Licentiate of Music, Australia. In December 2020, Julia graduated from a Bachelor of Music from Queensland Conservatorium Griffith University with distinction.
Since moving to Brisbane in 2018 from Hervey Bay, Julia has enjoyed many musical engagements including being appointed Principal Second Violin in Queensland Youth Symphony 2019, and performing alongside professionals in national ensemble, Southern Cross Soloists. In 2019, she performed as a soloist alongside the Indooroopilly Chamber Orchestra and the Sunshine Coast Symphony Orchestra and is looking forward to playing Beethoven’s Romance no. 2 in F major with the Brisbane Concert Orchestra this year. Additionally, she will be curating a series of concerts with emerging ensemble, the Jacaranda String Quartet, and will perform as part of the Brisbane Music Festival as a young artist.
With a 2020 New Colombo Plan Scholarship, Julia has turned to overseas study to propel her love for music. In 2022, she will undertake study, internships and language training in Japan. During her program, she will investigate the role music plays in Japan’s society and is looking forward to collaborating with Japanese musicians and educators as part of her Honours thesis.
Rebekah Hall graduated from the Queensland Conservatorium of Music with a BMus (First Class Honours) in 2018, studying under Michele Walsh. During her studies, she was selected to represent the Conservatorium as a member of a string quartet for the Musical Chairs Festival in Montreal, Canada, and was also concertmaster for a variety of orchestral projects. In her final year, she led the Conservatorium Symphony Orchestra at QPAC for Mahler’s Symphony of a Thousand. She also appeared as a next generation artist with Southern Cross Soloists and performed in Ensemble Q under the baton of Simone Young.
As a passionate orchestral player, Rebekah has been involved in various Australian Youth Orchestra programs, including two international tours to Europe and China. In 2019, Rebekah played in the Momentum Ensemble and participated in the Chamber Players program in Sydney. She also appeared as a soloist with Cadenza Chamber Players, performing Vivaldi’s Four Seasons. In 2020 Rebekah was selected as an Upbeat Artist with Camerata, and performed Symphonie Espagnole with the Moreton Bay Symphony Orchestra.
This year Rebekah is excited to be involved in the Brisbane Music Festival as a young artist. She will also be touring in a piano trio for “A Morning with Bernstein” by Lynch and Paterson, and continuing to perform in various Cadenza Chamber Orchestra programs throughout the year. Rebekah enjoys passing on her love for the violin through teaching, both at her private teaching studio and at several schools in North Brisbane.
Harry Swainston is an enthusiastic and approachable violist who has recently graduated a Bachelor of Performance at the prestigious Queensland Conservatorium Griffith University, having being guided by competition-winning performer and pedagogue, Michele Walsh.
Harry has been invited to perform alongside leading musicians, including the Australian String Quartet, Queensland and Sydney Symphony Orchestras. As a result of his diligence, Harry was awarded a Distinction for his Bachelor of Music, and won the 4MBS Chamber Music Prize. He commences at the Australian National Academy of Music (ANAM) in 2021 under the guidance of Caroline Henbest.
Harry has loved sharing his passion for teaching in Brisbane under the pedagogue guidance of Andrea Messenger OAM. Having led the Queensland Conservatorium Symphony Orchestra, Harry has played with groups such as Ensemble Q, Dots and Loops, Lisa Gasteen National Opera, and the Australian Youth Orchestra. He has also travelled and performed in New Zealand, Japan, Europe and most notably America for the Aspen Music Festival. Harry has been additionally mentored by James Dunham, Choong-Jin Chang, the Borodin and Jerusalem string quartets and others.
Harry is excited to explore the management side of the music industry in Australia and looks forward to meeting new musicians and creatives. Outside of music, Harry enjoys hiking, rock climbing, and anything to do with cats.
Japanese Australian cellist Shuhei Lawson’s (pronounced Shu-hey) performances have taken him to places overseas including New Zealand, the USA and domestically in Australia.
He has performed at festivals including the Australian Festival of Chamber Music 2018 (Townsville), The University of Oklahoma String Academy 2019 (USA), The Adams Chamber Music School 2020 (NZ), and as a 2020 Brisbane Music Festival Young Artist. Through these festivals, Shuhei has performed in masterclasses with leading cellists including Tsuyoshi Tsutsumi, István Várdai and Guy Johnston. He has won many prizes such as the RSL Youth Development Program, the 4MBS Virtuoso Award and the Ross Peters 4MBS Prize.
In addition to performing at a variety of music festivals, Shuhei has also performed with Australia’s leading ensembles such as the Queensland Symphony Orchestra cello section, Queensland Pops Orchestra and members of the Goldner String Quartet.
Shuhei completed a Bachelor of Music at Griffith University, Queensland Conservatorium in 2020 under the guidance Hyung Suk Bae (QSO). His teachers have included Simon Cobcroft (ASO), David Lale (QSO) and Dr Meta Weiss (Boulder, Colarado). He has also benefited by such luminaries as Julian Smiles, György Déri and Yoshika Masuda.
Shuhei will begin his training at the Australian National Academy of Music (ANAM) in 2021 under the guidance of Howard Penny. Outside of music, Shuhei has a passion for cooking and fishing.
The BMF Young Artist program is supported by the Queensland Government through Arts Queensland.
With thanks to; Scott Allen and the team at the Salvation Army Brisbane City Temple for being so wonderfully accommodating with the rescheduling of this event and for being a joy to work with. AJ Hall, for his work as tuner and technician for the Yamaha piano. John Rotar, for speedy assistance with instrumental parts. Elaine Seeto, for her consistent professoinalism assisting operations of the festival. And finally, Jai Farrell + David Spearritt for their wonderful work capturing video and audio of today's event.