Bull In A China Shop (2020) - Samantha Wolf
Angus Wilson / Percussion
Alex Raineri / Piano
Bull in a China Shop is a quirky adventure in bitonality. A slow, serene interlude is bookended by lively ostinato-based sections, with driving sixteenth notes creating a constant sense of motion throughout the piece. Part dance, part meditation, and part rampage, Bull in a China Shop is a messy and exuberant showcase of virtuosity, colour, and groove.
Program Note © Samantha Wolf
-----
Public Figure (2020) - Jodie Rottle
Angus Wilson / Percussion
Alex Raineri / Piano
Public Figure is a reaction to the inundation of news and information reliance as a result of the 2020 Coronavirus Pandemic. I found I became dependent on social media platforms and I began to consume content that I had never before had interest in watching. The internet became an odd and somewhat unwelcomed replacement for in-person social interactions. I still look on with dumbfounded amazement, yet I can’t look away; it is a strange comfort.
The title refers to the influential power that these media platforms offer to anyone who is willing to invest the time into creating themselves as a public figure. Consuming this content can be solitary but extremely noisy, intermittent but relentless. The irony is that this concept of public life is experienced in private. It makes me question: what defines “public”?
Program Note © Jodie Rottle
-----
Dikhthas (1980) - Iannis Xenakis
Julia Hill / Violin
Alex Raineri / Piano
Dikhthas, for violin and piano, was commissioned by the City of Bonn at the request of Hans-Jürgen Nagel, cultural adviser of the City of Bonn, for the thirtieth Beethoven Festival of 1980. It was premiered on June 4, 1980 at the Festival by Salvatore Accardo (violin) and Brune Canino (piano). This piece is like a personage made up of two natures, it is like dual entity (dikhthas). Indeed, these two natures contradict each other although sometimes they merge in rhythm and harmony. This confrontation is realized in a variable dynamic flux which exploits the specific traits of the two instruments.
Program Note © Iannis Xenakis
-----
Therefore I Was (2012) - Ashley Fure
Katherine Philp / Cello
Angus Wilson / Percussion
Alex Raineri / Piano
My grandmother had advanced Parkinson’s disease. Despite its surface manifestations, her sickness was not muscular. Her body worked, her brain worked, but the method of passing messages between the two malfunctioned. She knew how she wanted to move, but she couldn’t make her muscles move. She knew what her emotions were, but she could not grasp their cause. She lived inside a radical disassociation, a gap between intention and execution so extreme that the simplest of actions required inordinate effort. This sense of disassociation pervades Therfore I Was. You’ll see it in the limbs of the cellist as they wrench away from the ordered movements required to sound stable pitches. You’ll hear it as the players strain towards a unified breath around which to coalesce. The music repels between two aesthetic poles: one pulling the instruments towards stillness; the other anchoring their gestures to an anxious, aggressive ground. This movement mirrors the crisis I watched my grandmother endure. The life to which she fiercely clung was brutal and unforgiving. At such times the will to live can seem irrational, even inhumane. And yet, somehow, astonishing, and unabashedly human.
Program Note © Ashley Fure
-----
Intercurrent (2016) - Lachlan Skipworth
Dario Scalabrini / Clarinet
Angus Wilson / Percussion
Alex Raineri / Piano
Intercurrent is a reverse-canon in which the live performance is augmented by the simultaneous playback of a pre-recorded and reversed version of this same material. A palindromic structure allows the additional use of more-traditional canonic functionality through horizontal displacements of the core material between the live and tape parts. The audible result is of the live instruments emerging from the blurred and swirling sounds of their ghostly doubles, against which a dialogue of “imperfections” to the prevailing ten-note patterns can be traced as they weave their way across the surface texture. Intercurrent was commissioned for Ensemble Offspring and my own ensemble (which shares the title of this work) with support from the Department of Culture and the Arts, Western Australia.
Program Note © Lachlan Skipworth
-----
Angus Wilson is an in-demand freelance percussionist performing in a wide range of styles and genres. He has been a regular casual member of the Queensland Symphony Orchestra for 7 years. He is a founding member of ‘Kupkas Piano’ a Brisbane based contemporary music ensemble. Recent performances have been with the Queensland Symphony Orchestra – in locations all around Queensland, Longreach and Mount Isa percussion ensemble tours and ABC studio recordings of four new works with Kupka’s Piano.
Angus has also performed with the Hamburg Philharmonic Orchestra, eighth blackbird, Kroumata Percussion, The Whitlams, Hilltop Hoods and Horrow Show among many others. Some notable festival appearances include; Bangalow Music festival, Bendigo International Festival of Exploratory Music and the Darmstadt Summer Courses for New Music 2014/2016 in Germany.
Angus has performed a significant amount of the contemporary canon of chamber music involving percussion, including Australian premieres of works by composers such as Steve Reich, Morton Feldman/Samuel Beckett, George Aperghis and Beat Furrer. Angus has premiered over 30 new Australian works by composers such as Elliott Gyger, Chris Dench, Liam Flenady, Jakob Bragg and Alan Lawrence.
Angus currently holds percussion tutor positions at Loreto College, St Rita’s College and the Young Conservatorium, Griffith University and works regularly for various music camps, Queensland Youth Orchestra and other teaching engagements.
Described by Limelight Magazine as “a soloist of superb virtuosic skill and musicality”, Australian classical pianist Alex Raineri (b. 1993) is internationally active as recitalist, concerto soloist and chamber musician. International performances include tours throughout California, South-East Asia, United Kingdom, Ireland, New Zealand, Germany and Austria. He is the Artistic Director of the annual Brisbane Music Festival and is a passionate exponent of contemporary music having given over 130 World Premieres to date.
Alex has been broadcast on BBC Radio 3, Radio NZ, California Capital Public Radio, ABC Classic FM and all of the Australian MBS Networks. As a concerto soloist he has featured with the Queensland, Tasmanian, Darwin and West Australian Symphony Orchestras, Southern Cross Soloists, Orchestra Victoria, Four Winds Festival Orchestra, Bangalow Festival Orchestra and the Queensland Pops Orchestra.
Alex has been the recipient of a number of major awards including the Kerikeri International Piano Competition and Australian National Piano Award. Alex is the pianist with the Southern Cross Soloists and other notable chamber partnerships include; Andreas Ottensamer, Twoset Violin, eighth blackbird, ELISION, Sara Macliver, Natalie Clein, Greta Bradman, Li Wei Qin, Teddy Tahu Rhodes, Jack Liebeck, Kathryn Stott, Slava Grigoryan, Brett Dean and many others.
Discography includes; Transfiguration (2019), Inventions (2019), I’ll Walk Beside You – Teddy Tahu Rhodes & Southern Cross Soloists (2018 – ABC Classics) and braneworlds – Kupka’s Piano (2017).
Cellist Katherine Philp’s work ranges from the classics, to cutting edge contemporary art music, as well as improvisation, arranging and composing. She is particularly interested in projects that engage in respectful intercultural collaboration, and actively supports the generation of new works by women and non-binary composers. She regularly appears in ensembles and as a soloist at many Australian festivals including the Australian Festival of Chamber Music, Tyalgum Festival, Bendigo International Festival of Exploratory Music, and the Woodford Folk Festival. Katherine’s performances and arrangements have been broadcast live and recorded for ABC Classic FM and ABC Radio National. She is currently the principal cellist of Camerata – Queensland’s Chamber Orchestra, and maintains a busy and eclectic freelance career.
In 2009 Katherine undertook an Asialink residency (supported by Arts Queensland and Australia Council) at the Tibetan Institute of Performing Arts in Dharamsala, India, where she studied Tibetan classical and folk music. This formative experience has led to 15 years of close collaboration with Tibetan Singer and Instrumentalist Tenzin Choegyal on a series of projects including performances at the Woodford Folk Festival, the Sydney Opera House, Tyalgum Festival, the annual Festival of Tibet at the Brisbane Powerhouse, and recordings for ABC Radio National.
More recently, Katherine has become increasingly acknowledged for her performance of new and experimental music, and has undertaken study with Rohan de Saram and Lucas Fels (of Arditti String Quartet). Recent new music highlights include performances with Melbourne-based Rubiks Collective, performing in a portrait concert of Liza Lim’s works with Arcko Ensemble, While You Sleep (a collaboration between composer Kate Neal and artist/animator Sal Cooper), creating improvised solo cello film scores for film-makers Amiel Courtin-Wilson and Jordan Giusti, and recording with the Australian Art Orchestra.
Katherine has performed and studied in India, the UK, Austria, Germany, Switzerland, taken part in the Impuls Academy and the International Summer Course for New Music Darmstadt, and recently received an award for Best Performer, playing Berio’s Sequenza XIV at the San Marino New Music Project.
Recent recipient of the prestigious New Colombo Plan Scholarship, violinist Julia Hill has flourished into passionate performer of classical music. Guided by former Arditti String Quartet violinist, Graeme Jennings, she was appointed Concertmaster of the Curro Chamber Orchestra at the Australian Youth Orchestra’s National Music Camp 2020 and has achieved an Award with Distinction on her Licentiate of Music, Australia. In December 2020, Julia graduated from a Bachelor of Music from Queensland Conservatorium Griffith University with distinction.
Since moving to Brisbane in 2018 from Hervey Bay, Julia has enjoyed many musical engagements including being appointed Principal Second Violin in Queensland Youth Symphony 2019, and performing alongside professionals in national ensemble, Southern Cross Soloists. In 2019, she performed as a soloist alongside the Indooroopilly Chamber Orchestra and the Sunshine Coast Symphony Orchestra and is looking forward to playing Beethoven’s Romance no. 2 in F major with the Brisbane Concert Orchestra this year. Additionally, she will be curating a series of concerts with emerging ensemble, the Jacaranda String Quartet, and will perform as part of the Brisbane Music Festival as a young artist.
With a 2020 New Colombo Plan Scholarship, Julia has turned to overseas study to propel her love for music. In 2022, she will undertake study, internships and language training in Japan. During her program, she will investigate the role music plays in Japan’s society and is looking forward to collaborating with Japanese musicians and educators as part of her Honours thesis.
Brisbane-born clarinettist Dario Scalabrini has quickly established himself as a passionate and energetic musician in recital, chamber and orchestral settings. 2021 will see him performing both interstate and in Brisbane as he moves to Sydney to complete further studies with Francesco Celata of the Sydney Symphony Orchestra. As a regular performer in the Brisbane music scene Dario has performed with the Southern Cross Soloists, Queensland Pops Orchestra, Ensemble Q and enjoys taking part in local music festivals including the Brisbane Music Festival and Bleach Festival.
Dario graduated from the Queensland Conservatorium Griffith University in 2019 where he was the recipient of the Brisbane Club Award’s Jim Massie Memorial Prize. He studied with the renowned soloist and former Queensland Symphony Orchestra principal clarinettist Paul Dean during this time. As an emerging artist, Dario has been invited to perform in masterclasses with esteemed international clarinettists such as Sabine Meyer, Andrew Marriner and Julian Bliss. 2020 saw Dario perform both online and in person, appearing on Melbourne Digital Concert Hall, Brisbane Music Festival Online and Southern Cross Soloists return to QPAC concert. Dario is excited to feature again as a young artist in the 2021 Brisbane Music Festival.
Hailed by The Australian as possessing a “rare gift as a melodist” and by Limelight as expressing “both exquisite delicacy and tremendous power”, Australian composer Lachlan Skipworth writes across the mediums of orchestral, chamber, vocal and experimental music. His vivid musical language is coloured by three years spent in Japan where his immersion in the study of the shakuhachi bamboo flute inevitably became a part of his muse. This is immediately evident in Skipworth’s major orchestral work of 2018, Breath of Thunder, for the Sydney Symphony Orchestra, Japanese drumming group Taikoz, and shakuhachi grand master Riley Lee. However it was winning the prestigious Paul Lowin Prize for orchestral composition two years earlier which truly established Skipworth’s reputation, leading to a string of major commissions and Skipworth’s appointment as composer-in-residence with the West Australian Symphony Orchestra.
Jodie Rottle is a flutist, composer and improviser. She works in a variety of settings exploring new sound concepts, having performed new and original works across Australia and the United States.
Jodie’s work as a composer explores the sounds of everyday objects alongside traditional instruments. A central theme of her work is the element of surprise, and to achieve this she often skims the outer territories of performance art, puppetry, and comedy. Jodie is a member of Kupka’s Piano (Brisbane) and Dead Language (New York) where she performs and composes new chamber music. She is an alumna of the Manhattan School of Music (MM) and is currently pursuing a PhD at Queensland Conservatorium Griffith University.
The BMF Young Artist program is supported by the Queensland Government through Arts Queensland.
Eternal thanks to the Judith Wright Arts Centre venue and technical staff, with partiuclar gratitude to Tanya Hiroko-Martin and Steven Loxley.