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WELCOME TO PRE-PRODUCTION
WELCOME TO PRE-PRODUCTION
You have now entered Pre-Production!
Over the next two weeks, you will explore the pre-production process as you prepare to create your 2 minute teaser clip for LiveWire
With me, you will be looking at developing the idea in more detail through treatments and the screenwriting process.
Each element of pre-production compliments the other, you should start with a script, which will provide the baseline for your shot list which will then create a visual image for your storyboard.
The Script
The Script
What is a script?
It’s a written document that outlines the dialogue, actions, and directions for a performance or video production.
What does a script look like?
What does a script look like?
INT/EXT
Action
Character
Dialogue
Transition
These are the main things you only need to think about when writing the script, you don't need to think about the visuals, this is just about storytelling.
What is happening, who is saying what?
For the scripting process, I recommend using WritersDuet - it is free to use!
There are plenty of screenwriting software out there to use, that all do the same - if not similar things. If you are interested in screenwriting and would like to get your own, I personally use FadeIn - it is great to use, you only pay once, and you have it for life and on as many devices you want - and if you quote JTC2010 you get 20% off! (only joking) BUT you can just send an email with your student card and you can get it for $59.95. Here is a link
The Social Network (2010, Dir. David Fincher)
Using this scene from The Social Network (2010), I want you to practice your screenwriting skills, and I want you to script out this scene using WritersDuet.
Think about the actions that are happening, the dialogue between the characters, their reactions to one another, and the cuts between the scenes.
Characters:
Mark - Jesse Eisenberg
Eduardo - Andrew Garfield
Sean - Justin Timberlake
Gretchen (Lawyer) - Denise Grayson
You have pitched your ideas, you have created a logline, tagline, and a synopsis. You have familiarised yourself with screenwriting software and the process - now it is time to start writing your scene!
Before you start writing the script, you need to know what is going to happen in your scene and develop the idea further. There is nothing worse than sitting in front of screenwriting software and making it up as you go - it is silly!
You need a TREATMENT!
A treatment is a document that basically outlines the whole story, there is no dialogue in it, you don't need to explain what is being said, but you need to describe WHAT IS HAPPENING.
Once you know what is happening and your scene has some structure you can move to the scriptwriting stage.
Using WritersDuet I want you in your groups to start writing your scene.
A table read is a key step in the creative process where the cast and creative team gather (often around a table) to read through a script out loud from start to finish. It’s usually the first time the dialogue comes to life off the page, allowing actors to explore their characters’ voices and rhythms while helping writers, directors, and producers hear how the scenes flow.
Table reads are a great opportunity to catch awkward lines, clarify pacing, and see how the characters interact. Think of it as a rehearsal for the words before you go into filming.
Why Table Reads Matter:
Why Table Reads Matter:
Test the Script Out Loud
Can hear how the dialogue flows. Sometimes lines that look good on paper sound awkward when spoken.Reveal Character Dynamics
Feel how the characters interact, where the tension or chemistry is, and how relationships develop.Spot Pacing or Structural Issues
It’s easier to catch if scenes drag, jokes fall flat, or plot points are confusing when the whole thing is read aloud in one sitting.Builds Cast Chemistry
Especially with ensemble casts, this is a first step to feeling like a team and getting in sync before hitting the stage or set.Allows for Early Feedback
Writers, producers, and directors can tweak lines, tone, or even whole scenes after seeing what works and what doesn’t in the read.Sets the Tone
It sets a creative and collaborative tone early in the process and helps the cast get into character mentally and emotionally.
In your groups, I want you to record your table read. This will provide opportunity for you to listen back to it, and reflect on it. How does the dialogue sound, does the action flow. Add it your site and reflect on it.
Answer these questions:
Table Read Reflection Questions
Table Read Reflection Questions
Did the pacing of the scenes feel consistent and natural when read aloud?
Were there any moments where the story lagged or felt rushed?
Is every line essential to the tone, character, or plot?
Did the dialogue sound authentic and believable when spoken aloud?
Were the character voices distinct enough from one another?
Was the plot clear and easy to follow just through dialogue and stage direction?
What unanswered question or mystery does the scene introduce?
Were key motivations, stakes, or emotional beats clear without explanation?
What parts of the script do you feel need immediate revision (if any)?
Did anything unexpected arise from the read that gave you a new idea?
Once you have finished your script, you now need to move onto the shot list and storyboard.
The pre-production process follows a natural structure.
The script is everything that happens, the dialogue, the action, the setting. This SHOULD always be your starting point as it provides structure and a backbone to your project.
Once you have finished the script, you move onto the shot list which provides opportunity to showcase what shots you would like, and how you would like it to be filmed. This is where you start to bring the script to life visually, and emphasis close-ups, establishing shots, low-angle shots etc.
After the shot list, this then informs your storyboard, you know what is happening (script), you know how it should be filmed (shot list) now create visuals of this, what will it ACTUALLY look like! The storyboard provides opportunities to show us how you envisage it, and what it will look like when you reach filming.
After completion of your scripts, you now need to create your shot list and storyboard. Use the templates provided below.
Script Consultants
Script Consultants
A script consultant is an expert who provides professional feedback and guidance on screenplays at various stages of development. Their role is to help writers improve their scripts by identifying weaknesses and suggesting improvements in story structure, character development, dialogue, pacing, and marketability.
They serve as an objective professional who evaluates scripts with a critical eye, offering constructive feedback to improve their quality. Unlike script doctors (who rewrite scripts directly), consultants guide writers in making improvements themselves. Their responsibilities can vary depending on the project and the needs of the writer or production team.
Key Responsibilities of a Script Consultant
Key Responsibilities of a Script Consultant
Script Analysis & Feedback – They provide in-depth notes on a screenplay’s strengths and weaknesses, often through script reports or coverage.
Story Structure & Narrative Development – Help refine the three-act structure (or alternative structures), ensuring the story flows logically and engages the audience.
Character Development – Offer insights on character arcs, relationships, motivations, and consistency.
Dialogue & Tone – Improve dialogue authenticity, pacing, and ensure the script maintains a consistent tone.
Genre-Specific Guidance – Consultants who specialize in certain genres (e.g., horror, comedy, action) offer tailored advice for improving genre conventions and audience expectations.
Marketability & Industry Standards – Advise on how well the script aligns with industry expectations, increasing its chances of being sold or produced.
Polish & Rewrites – Suggest revisions or rewrites to elevate the script to a professional level.
Collaboration with Writers & Filmmakers – Work closely with writers, producers, or directors to shape the script into its best possible version.
Peer Review Feedback
Peer Review Feedback
As part of this exercise, you will be reviewing a fellow student's script and providing constructive feedback. The goal of this peer review is to help each other improve storytelling, character development, and dialogue while ensuring the script is clear and engaging. Please be honest, specific, and respectful in your feedback. Use the guiding questions below to analyse the script and suggest improvements where necessary.
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