Faculty Trumpet Recital:
Gifts from Distant Friends
Dr. Matt Swihart
Friday, November 3rd, 7:30 PM
Highland Recital Hall
Building 2000
Program
Boris Ivanovich Antyufeyev
(1889-1968)
Variations for Trumpet and Piano
Dr. Matt Swihart
Dr. Peir-Shiuan Tang, piano
Ben Robichaux
(b. 1991)
Serenade for Euphonium and Piano (2018)
Dr. Matt Swihart
Dr. Joyce WanHsuan Wu, piano
Program Note:
Serenade is an aesthetically mesmerizing work meant to embody the experience I have when drifting off to sleep. When I feel myself dozing off, I experience a pleasing sense of paralysis, while still maintaining awareness that I am awake. Contrary to my understanding of when dreams are supposed to happen in the sleep cycle, I begin to dream during these initial moments of rest often causing sleep talking and walking a mere half hour after laying down to sleep. Eventually this anxious process ends as I lay back down to get a full night’s sleep. This piece captures this bizarre (or perhaps completely normal?) process by first creating a tranquil environment, then leading to a culmination of tension and activity, which gradually transgresses back to the initial serenity. The work personifies an internal struggle that perhaps points to underlying problems in my own mind or is, much more likely, an expression of my own restlessness.
This piece was composed for Eric Dluzniewski.
- Ben Robichaux
benrobichaux.com
Christopher Lowry
(b. 1988)
Fanfare and Ballade for Flugelhorn and Piano (2023)
Dr. Matt Swihart
Dr. Joyce WanHsuan Wu, piano
https://www.world-projects.net/product-tag/chris-lowry/
Liduino Pitombeira
(b. 1962)
Seresta No. 4 for Trumpet and Piano (2001)
1. Modinha
2. Zambê
Dr. Matt Swihart
Dr. Peir-Shiuan Tang, piano
Program Note:
Seresta is the Brazilian denomination for serenade, which appeared in the early 19th century tradition of Portugal. It consists of performing lyrical songs at night while walking through the streets. Two elements are important in the formation of the Brazilian seresta: the vocal style becomes lament-like and the musical language incorporates elements of choro. This two-movement work started as an exercise in 20th century music. The main theme of the first movement, a modinha, which is a Portuguese and Brazilian love song from the 19th century, is built upon interval classes [3,1]. This motive is expanded and varied throughout the entire movement. The second movement is inspired in a very strong Brazilian dance called zambê.
-Liduino Pitombeira
pitombeira.com
Elisenda Fábregas
(b. 1955)
“Repartido en tiempo y en espacio” for soprano, trumpet and piano (2016)
Dr. Matt Swihart
Julia Watkins-Davis, Soprano
Dr. Peir-Shiuan Tang, piano
Program Note:
‘Repartido en tiempo y espacio’ for soprano, trumpet and piano (2016) This composition was written for and dedicated to Antoni Solé, as an homage to Juan Eduardo Cirlot (1916-1973), a poet, musician, art critic and intellectual, very well-known during the postwar in Spain until his death in 1973. It was premiered at Sala Solé Luthiers in Barcelona, December 16, 2016, by Xavier Rivera, piano, Margarita Natividade, soprano, and Guillem Cardona, trompeta. Here is a short excerpt of the music review(translated Spanish to English) written by critic Jorge de Persia.
elisendafabregas.com
“And as a conclusion to the attractive session, the pianist Xavier Rivera, the soprano Margarita Natividade, and Guillem Cardona on trumpet, premiered “Repartido en tiempo y espacio”, a very recent work written for this concert, by the Catalan composer living in Seoul, Elisenda Fábregas . The score conceived from the poem A Osiris by J.E. Cirlot follows the poetry to the letter, reiterating words like “repartido (distributed)” as a thematic unit in the music, acting almost like an echo, as well as some verses at the end, with a careful treatment of nuances that highlight the poetry in a context very well elaborated of piano phrases and flashes of color on the trumpet. It should be noted that this magnificent piece is dedicated to Antoni Solé, the 'alma mater' of these activities.”
Elizabeth Raum
(b. 1945)
Illusion is the Better Part of Life (2022)
1. Illusion
2. Fill the Wine Cup
3. Destiny
4. The Ultimate Illusion (Political Debate)
Dr. Matt Swihart
David Hummel, tuba
Dr. Joyce WanHsuan Wu, piano
Program Note:
21st Century (2023). For trumpet, bass trombone & piano. Illusion is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it's hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality.
Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren't quite sure where you are. Life is full of such deceptions.
Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gaiety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role.
M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.
M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the trumpet is the other. The music is circus-like as befits many heated debates.
– Elizabeth Raum
elizabethraum.com