Hillside Club Concert Series

Welcome to The Berkeley Hillside Club Concert Series. Our goal is to provide a superb venue for musicians and listeners to experience the joy of live music performance. Come join us in our historic and acoustically excellent hall and see why artists and audiences are raving about our Concert Series.

Our concerts are open to the public and generally begin at 8:00 pm (Sunday concerts usually start at 7:00 pm) but please check the individual concert listing for the exact time. Our doors open about one half hour before show time.

TICKETS: Unless otherwise indicated, tickets for our concerts are only available at the door on the evening of the performance.
We have no advance ticket sales or reservations. 

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QUESTIONS: If you have any questions or comments regarding our Concert Series, feel free to write to concerts@hillsideclub.org

PAST CONCERTS: Our Concert Series presents an eclectic mix of musical genres and artists; to see a list of past concerts click here.

Note: Upcoming concerts are listed here in chronological order.
Please scroll down to see all upcoming concerts.

        Harvey Wainapel          Jane Lenoir              Ricardo Peixoto             Brian Rice                  Edinho Gerber           Rogério Souza

The Berkeley Choro Ensemble
In Concert
Duo Violão Brasil

Friday 2 October 2015 at 8:00pm
Admission: $20 general, $15 students & seniors, $10 Hillside Club members
The Berkeley Hillside Club
2286 Cedar Street
Berkeley 94709
Info: 510-845-1350

The Berkeley Hillside Club is delighted to welcome The Berkeley Choro Ensemble, a quartet of brilliant local artists, in a concert of Brazilian music. Joining the ensemble will be Duo Violão Brasil featuring two virtuoso guitarists from Brasil, Rogério Souza and Edinho Gerber. Don't miss these remarkable artists performing in our historic and acoustically-excellent hall.

The Artists:

Berkeley Choro Ensemble
    Harvey Wainapel -
sax & clarinet
    Jane Lenoir - flute
    Ricardo Peixoto - guitar
    Brian Rice - percussion
Duo Violão Brasil
     Rogério Souza
- guitar
     Edinho Gerber
- guitar

About the Concert

Berkeley Choro Ensemble joins forces with Duo Violão Brasil to present a diverse program of compositions showcasing a history of Brazilian Popular Music. The group will appear in duo, trio and full ensemble settings, featuring Duo Guitar, Trio with Ricardo Peixoto, and members of Berkeley Choro in works by some of the great composers in Brazil , including Pixinguinha, Baden Powell,
Ernesto Nazareth, and others.

About the Ensembles:

The Berkeley Choro Ensemble (pronounced "shoro"), is a group of world-class musicians from the SF Bay Area that made its debut in January, 2010, at the Berkeley Public Library. The group celebrates the music, culture and history of Brazil, with a special emphasis on the Choro genre, a style of music which emerged in the 1800's in Brazil, fusing the music of Brazil's European immigrants and the native music of Brazil's indigenous and African-Brazilian population. In particular, the choro sound is somewhat akin to a combination of European classical music, ragtime, and blues. Historically, the choro style influenced Brazil's most famous classical composer, Heitor Villa Lobos, to compose some of the world's most hauntingly beautiful music, the Bachianas Brasileiras. Our repertoire also includes samba, bossa nova, jazz, and the music of Northeast Brazil.

Duo Violão Brasil is the result of guitarists Rogério Souza and Edinho Gerber's reverence for Brazilian guitar, the “violão”, and their desire to explore and expand the musical possibilities of putting two “violões" together. With repertoire from composers like Pixinguinha, Baden Powell, and Tom Jobim, the duo navigates effortlessly through the many styles of 20th century Brazilian popular music while showcasing original works and inventive arrangements.

About the Artists:

From a family of professional musicians, flutist Jane Lenoir grew up in Tampa, Florida, and left home at 15 as a SCHOLARSHIP student to the Interlochen Arts Academy in Michigan and then to Oberlin Conservatory of Music. A performer comfortable in many diverse styles, Jane appears regularly as a soloist, chamber player, orchestral musician, and jazz performer. She first began her study of Brazilian music in 2006, and has since performed with Marcos Silva, Jovino Santos Neto, Hermeto Pascoal, and recorded with Carlos Oliveira and Ceilia Medeiros, Live at Anna's Jazz Island and Brazilian Choro 2009. In 2010 she visited Brazil and studied with Hermeto Pascoal, Jovino Santos Neto, Paulo Sergio Santos, Allessandro Pennezzi and Ted Falcon. She is principal flutist with the Music in the Mountains Festival Orchestra in Grass Valley, and also performs with Sexteto Matiz, an Afro-Cuban ensemble, and numerous jazz, and new music and chamber ensembles in styles ranging from early music (baroque flute) to free improvisation.

Saxophonist/clarinetist Harvey Wainapel (pronounced "wine-apple") has performed with the likes of McCoy Tyner, Joe Lovano, Ray Charles, Dave Brubeck, and Joe Henderson. Besides working with these and numerous other leaders, Wainapel has toured extensively under his own name, and has performed in 22 countries. His heavy involvement with the music of Brazil has led to performances with top-level musicians such as Airto Moreira, Flora Purim, Dori Caymmi, Guinga, and Jovino Santos Neto. Wainapel was a featured soloist on two CDs that were final nominees for Latin Grammy Awards™ "Best Latin Jazz Recording" (with Jovino Santos Neto in 2004 and with Mark Levine in 2003). Harvey has been called "one of the most promising and versatile players of his generation" (All Music Guide to Jazz 1998)

Originally from Rio de Janeiro and based in the Bay Area, guitarist/composer Ricardo Peixoto is among the top representatives of Brazilian guitar in the US, with a fluid melodic style and a keen compositional sense. His performances explore Brazil's rich and diverse traditions, both in his original work as well as in arrangements of Brazilian classics. His approach is grounded both in the jazz and Brazilian music traditions, but always ventures well beyond their borders, combining rich melodies, sophisticated harmonies, and the unmistakable rhythms of Brazil. Ricardo came to the US on a scholarship to the Berkeley School of Music in Boston, and later continued his studies in classical guitar at the SF Conservatory of Music. He has recorded, performed, and collaborated with, among others, Claudia Villela, Flora Purim and Airto, saxophonist Bud Shank, percussionist Dom Um Romão, Toots Thielemans, Dori Caymmi, Guinga, guitarist Carlos Oliveira, Harvey Wainapel, Marcos Silva and Terra Sul. He has performed throughout the US, Europe, Canada, Japan and Brazil.

Percussionist Brian Rice graduated from the Interlochen Arts Academy and Oberlin College Conservatory of Music with a B.M. in Percussion Performance and Ethnomusicology. A well-rounded musician, Brian is a highly acclaimed performer, educator and recording artist adept at numerous musical styles ranging from classical and jazz, to Latin, Afro-Cuban, and Brazilian, to contemporary and experimental music. Brian's study of the Brazilian pandeiro began in 1986 when the Sao Paulo State University percussion ensemble visited Oberlin and percussionist/composer Carlos Stasi, then a student at SPSU, gave Brian a quick pandeiro lesson after the concert. Since then Brian's obsession with the pandeiro has led him to study with Guello, Marcos Suzano, Airto, Claudio Bueno and Clarice Magalhaes, and his prowess on the instrument has led him to perform with numerous Brazilian artists including, Jovino Santos Neto, Paulo Sergio Santos, Danilo Brito, Dudu Maia and Jorge Alabe. It was studies with Marcos Suzano that inspired Brian to expand his use of the pandeiro outside the Brazilian music world and apply it to Balkan, Celtic, Middle Eastern, Spanish, and Cuban music with great effect.

Son of a Brazilian mother and American father, guitarist and composer Edinho Gerber possesses a rich musical vocabulary developed in the two countries where he was raised: the United States and Brazil. Navigating effortlessly between the genres of choro, jazz, samba, and blues, he is always in search of the intersection points within his dual cultural identity. A staple in the Chicago music scene for many years, he was a highly in demand sideman having played with countless U.S. based Brazilian groups, including Som Brasil, Renato Anesi Trio, A Cor do Brasil, and led the samba-jazz group Zona Sul. He has performed in prestigious festivals and concerts in throughout the United States, Russia, and Japan, and currently resides in Rio de Janeiro where he performs regularly with Duo Violão Brasil and is preparing for the upcoming releases of his debut solo album and of an inventive new cross cultural collaboration with Ben Lamar.

Rogério Souza
is a guitarist, composer and arranger from Rio de Janeiro. He is one of the most important representatives of the genuine Brazilian guitar tradition. Has since his professional debut in the early 1980's been involved in big events in the Brazilian popular music, specially the choro and the samba, participating as musician, arranger and music director in tv sessions, recordings and concerts. Rogério has played and recorded with a variety of Brazilian top-artists, including Baden Powell, Sivuca, Raphael Rabello, Turibio Santos, Paulinho da Viola, João Bosco, Ney Matogrosso, Ivan Lins, Elizeth Cardoso, Dona Ivone Lara, Elsa Soares, Zélia Duncan, Leila Pinheiro, Paulo Moura, Guinga, Altamiro Carrilho, Cristóvão Bastos and the choro-group Época De Ouro.

there will be lots more great music coming up over the coming weeks and months:

30 Oct - New Esterházy Quartet - Padre, Guida, ed Amico! - Mozart & Haydn

(Please note that the 23 Oct appearance of Clarinet Thing has been unavoidably cancelled; they will return to our schedule on a date to be announced.)

...and we'll post more info here as it becomes available.