Hillside Club Concert Series

Welcome to The Berkeley Hillside Club Concert Series. Our goal is to provide a superb venue for musicians and listeners to experience the joy of live music performance. Come join us in our historic and acoustically excellent hall and see why artists and audiences are raving about our Concert Series.

Our concerts are open to the public and generally begin at 8:00 pm (Sunday concerts usually start at 7:00 pm) but please check the individual concert listing for the exact time. Our doors open about one half hour before show time.

TICKETS: Unless otherwise indicated, tickets for our concerts are only available at the door on the evening of the performance.
We have no advance ticket sales or reservations. 

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QUESTIONS: If you have any questions or comments regarding our Concert Series, feel free to write to concerts@hillsideclub.org

PAST CONCERTS: Our Concert Series presents an eclectic mix of musical genres and artists; to see a list of past concerts click here.

Note: Upcoming concerts are listed here in chronological order.
Please scroll down to see all upcoming concerts.




               Harvey Wainapel                Jane Lenoir                            Ricardo Peixoto                             Brian Rice

The Berkeley Choro Ensemble
In Concert

Friday 20 March 2015 at 8:00pm
Admission: $20 general, $15 students & seniors, $10 Hillside Club members
The Berkeley Hillside Club
2286 Cedar Street
Berkeley 94709
Info: 510-845-1350

The Berkeley Hillside Club is delighted to welcome The Berkeley Choro Ensemble, a quartet of brilliant local artists, in a concert of Brazilian Choro music. The concert will feature the works by such classic Brazilian composers as Pixinguinha and Jacob do Bandolim, contemporary Brazilian composers, as well as original compositions from ensemble members Harvey Wainapel, Ricardo Peixoto. Don't miss these remarkable artists performing in our historic and acoustically-excellent hall.

The Artists:

Harvey Wainapel - sax & clarinet
Jane Lenoir - flute
Ricardo Peixoto - guitar
Brian Rice - percussion

The Ensemble:

The Berkeley Choro Ensemble (pronounced "shoro"), is a group of world-class musicians from the SF Bay Area that made its debut in January, 2010, at the Berkeley Public Library. The group celebrates the music, culture and history of Brazil, with a special emphasis on the Choro genre, a style of music which emerged in the 1800's in Brazil, fusing the music of Brazil's European immigrants and the native music of Brazil's indigenous and African-Brazilian population. In particular, the choro sound is somewhat akin to a combination of European classical music, ragtime, and blues. Historically, the choro style influenced Brazil's most famous classical composer, Heitor Villa Lobos, to compose some of the world's most hauntingly beautiful music, the Bachianas Brasileiras. Our repertoire also includes samba, bossa nova, jazz, and the music of Northeast Brazil.

The Artists:

From a family of professional musicians, flutist Jane Lenoir grew up in Tampa, Florida, and left home at 15 as a SCHOLARSHIP student to the Interlochen Arts Academy in Michigan and then to Oberlin Conservatory of Music. A performer comfortable in many diverse styles, Jane appears regularly as a soloist, chamber player, orchestral musician, and jazz performer. She first began her study of Brazilian music in 2006, and has since performed with Marcos Silva, Jovino Santos Neto, Hermeto Pascoal, and recorded with Carlos Oliveira and Ceilia Medeiros, Live at Anna's Jazz Island and Brazilian Choro 2009. In 2010 she visited Brazil and studied with Hermeto Pascoal, Jovino Santos Neto, Paulo Sergio Santos, Allessandro Pennezzi and Ted Falcon. She is principal flutist with the Music in the Mountains Festival Orchestra in Grass Valley, and also performs with Sexteto Matiz, an Afro-Cuban ensemble, and numerous jazz, and new music and chamber ensembles in styles ranging from early music (baroque flute) to free improvisation.


Saxophonist/clarinetist Harvey Wainapel (pronounced "wine-apple") has performed with the likes of McCoy Tyner, Joe Lovano, Ray Charles, Dave Brubeck, and Joe Henderson. Besides working with these and numerous other leaders, Wainapel has toured extensively under his own name, and has performed in 22 countries. His heavy involvement with the music of Brazil has led to performances with top-level musicians such as Airto Moreira, Flora Purim, Dori Caymmi, Guinga, and Jovino Santos Neto. Wainapel was a featured soloist on two CDs that were final nominees for Latin Grammy Awards™ "Best Latin Jazz Recording" (with Jovino Santos Neto in 2004 and with Mark Levine in 2003). Harvey has been called "one of the most promising and versatile players of his generation" (All Music Guide to Jazz 1998)

Originally from Rio de Janeiro and based in the Bay Area, guitarist/composer Ricardo Peixoto is among the top representatives of Brazilian guitar in the US, with a fluid melodic style and a keen compositional sense. His performances explore Brazil's rich and diverse traditions, both in his original work as well as in arrangements of Brazilian classics. His approach is grounded both in the jazz and Brazilian music traditions, but always ventures well beyond their borders, combining rich melodies, sophisticated harmonies, and the unmistakable rhythms of Brazil. Ricardo came to the US on a scholarship to the Berkeley School of Music in Boston, and later continued his studies in classical guitar at the SF Conservatory of Music. He has recorded, performed, and collaborated with, among others, Claudia Villela, Flora Purim and Airto, saxophonist Bud Shank, percussionist Dom Um Romão, Toots Thielemans, Dori Caymmi, Guinga, guitarist Carlos Oliveira, Harvey Wainapel, Marcos Silva and Terra Sul. He has performed throughout the US, Europe, Canada, Japan and Brazil.

Percussionist Brian Rice graduated from the Interlochen Arts Academy and Oberlin College Conservatory of Music with a B.M. in Percussion Performance and Ethnomusicology. A well-rounded musician, Brian is a highly acclaimed performer, educator and recording artist adept at numerous musical styles ranging from classical and jazz, to Latin, Afro-Cuban, and Brazilian, to contemporary and experimental music. Brian's study of the Brazilian pandeiro began in 1986 when the Sao Paulo State University percussion ensemble visited Oberlin and percussionist/composer Carlos Stasi, then a student at SPSU, gave Brian a quick pandeiro lesson after the concert. Since then Brian's obsession with the pandeiro has led him to study with Guello, Marcos Suzano, Airto, Claudio Bueno and Clarice Magalhaes, and his prowess on the instrument has led him to perform with numerous Brazilian artists including, Jovino Santos Neto, Paulo Sergio Santos, Danilo Brito, Dudu Maia and Jorge Alabe. It was studies with Marcos Suzano that inspired Brian to expand his use of the pandeiro outside the Brazilian music world and apply it to Balkan, Celtic, Middle Eastern, Spanish, and Cuban music with great effect.





there will be lots more great music coming up over the coming weeks and months:



24 Apr - New Esterházy Quartet - classical string quartet
08 May - Clarinet Thing - clarinet quartet - jazz
31 May - Jupiter Chamber Players - classical string quartet
05 Jun - New Esterházy Quartet - classical string quartet
26, 28, 30 Aug - New Esterházy Quartet - Beethoven's Late Quartets

...and we'll post more info here as it becomes available.