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5: Cantus firmus and canon

The Saint Donation Mass, an interactive digital project directed by M. Jenni Bloxam (Williams College), with demonstrations, images, and analytic commentary on the mass, its structure and context:  ObrechtMass.com

Readings

  • Bloxam, Jennifer. “A Cultural Context fo the Chanson Mass.” In Early Musical Borrowing, ed. Honey Meconi, pp. 7-36. New York: Routledge, 2004. http://www.worldcat.org/oclc/52086242
  • Burkholder, J. Peter. “Johannes Martini and the imitation Mass of the late fifteenth century.” Journal of the American Musicological Society 38 (1985), 470-523. http://www.jstor.org/stable/831477
  • Burn, David J. “"Nam erit haec quoque laus eorum": Imitation, Competition and the "L'homme armé" Tradition.” Revue de Musicologie 87 (2001), 249-287. http://www.jstor.org/stable/947107
  • Cohen, Judith, and Biblioteca nazionale (Naples, Italy). The six anonymous L'Homme armé masses in MS VI E 40 of the Biblioteca Nazionale, Naples . [Rome]: American Institute of Musicology, 1968. http://www.worldcat.org/oclc/149965
  • Fallows, David. ""Prenez Sur Moy": Okeghem's Tonal Pun." Plainsong and Medieval Music 1 (1992), 63-75.
  • Haar, James. “Palestrina as Historicist: The Two 'L'homme armé' Masses.” Journal of the Royal Musical Association 121 (1996), 191-205. http://www.jstor.org/stable/766326
  • Haggh, Barbara. “The Archives of the Order of the Golden Fleece and Music.” Journal of the Royal Musical Association 120 (1995), 1-43. http://www.jstor.org/stable/766450
  • Kirkman, Andrew. "The Invention of the Cyclic Mass." Journal of the American Musicological Society 54 (2001), 1-47. http://www.jstor.org/stable/831854
  • Kirkman, Andrew. The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival. Cambridge and New York: Cambridge University Press, 2010. http://www.worldcat.org/oclc/456170299
  • Lockwood, Lewis. "Aspects of the L'homme Armé Tradition." Proceedings of the Royal Musical Association 100 (1973-74), 97-122. http://www.jstor.org/stable/766178
  • Long, Michael P. "Symbol and Ritual in Josquin's Missa Di Dadi." Journal of the American Musicological Society 42 (1989), 1-22. http://www.jstor.org/stable/831416
  • Perkins, Leeman L. "Ockeghem's "Prenez Sur Moi": Reflections on Canons, Catholica, and Solmization." Musica Disciplina: A Yearbook of the History of Music 44 (1990), 119-83. http://www.jstor.org/stable/20532340
  • Planchart, Alejandro Enrique. “The Origins and Early History of "L'homme armé".” The Journal of Musicology 20 (2003), 305-357. http://www.jstor.org/stable/1555222
  • Prizer, William F. “Brussels and the Ceremonies of the Order of the Golden Fleece.” Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 55 (2001), 69-90. http://www.jstor.org/stable/3686829
  • Prizer, William F. “Music and Ceremonial in the Low Countries: Philip the Fair and the Order of the Golden Fleece.” Early Music History 5 (1985), 113-153. http://www.jstor.org/stable/766450
  • Robertson, Anne Walters. "The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet." Journal of the American Musicological Society 59 (2006), 537-630. http://www.jstor.org/stable/4138533
  • Robertson, Anne Walters. “The Man with the Pale Face, the Shroud, and Du Fay's Missa Se la face ay pale.” The Journal of Musicology 27 (2010), 377-434. http://www.jstor.org/stable/10.1525/jm.2010.27.4.377
  • Taruskin, Richard. “Antoine Busnoys and the "L'Homme armé" Tradition.” Journal of the American Musicological Society 39 (1986), 255-293. http://www.jstor.org/stable/831531
  • Trachtenberg, Marvin. “Architecture and Music Reunited: A New Reading of Du Fay's "Nuper Rosarum Flores" and the Cathedral of Florence.” Renaissance Quarterly 54 (2001), 741-775. http://www.jstor.org/stable/1261923
  • Woodley, Ronald. “Tinctoris's Italian Translation of the Golden Fleece Statutes: A Text and a (Possible) Context.” Early Music History 8 (1988), 173-244. http://www.jstor.org/stable/853840
  • Wright, Craig. "Du Fay's "Nuper Rosarum Flores", King Solomon's Temple, and the Veneration of the Virgin." Journal of the American Musicological Society 47 (1994), 395-441. http://www.jstor.org/stable/3128798
  • Wright, Craig. The Maze and the Warrior: Symbols in Architecture, Theology, and Music. Cambridge, MA: Harvard University Press, 2001. http://www.worldcat.org/oclc/45499547
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Richard Freedman,
Jul 24, 2012, 1:24 PM
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