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11: Crisis of Belief

Digital Facsimiles:
  • Johann Walter, Geystliche gesangk Buchleyn (Wittemberg, [1524]).  Bayerische Staatsbibliothek, Munich:  FACSIMILE
  • Orlando di Lasso, Magnum opus musicum (Munich, 1604).  Royal Library of Denmark, Copenhagen [IMSLP.org]:  FACSIMILE
  • Orlando di Lasso, Seven Penitential Psalms and Laudate Domine, prepared in lavish illumination for Bavarian Ducal Court.  Bayerische Staatsbiblothek, Munich (two volumes):  FACSIMILE 1  FACSIMILE 2
  • Giovanni Pierluigi da Palestrina, Missarum liber primus (Rome, 1554).  Bayerische Staatsbibliothek, Munich:  FACSIMILE
  • Crook, David. “A Sixteenth-Century Catalog of Prohibited Music.” Journal of the American Musicological Society 62 (2009), 1-78.ttp://www.jstor.org/stable/10.1525/jams.2009.62.1.1
  • Crook, David. Orlando Di Lasso's Imitation Magnificats for Counter-Reformation Munich. Princeton: Princeton University Press, 1994. http://www.worldcat.org/oclc/28966569 
  • Diefendorf, Barbara. Beneath the Cross : Catholics and Huguenots in Sixteenth-Century Paris. New York: Oxford University Press, 1991. http://www.worldcat.org/oclc/22623883
  • Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, c.1400-c.1580. New Haven CT: Yale University Press, 1992. http://www.worldcat.org/oclc/26551716
  • Fisher, Alexander J. Music and Religious Identity in Counter-Reformation Augsburg, 1580-1630. St. Andrews Studies in Reformation History. Aldershot, Hants, England ; Burlington, VT: Ashgate, 2004. http://www.worldcat.org/oclc/52554436
  • Fromson, Michele. “Themes of Exile in Willaert's "Musica nova".” Journal of the American Musicological Society 47 (1994), 442-487.http://www.jstor.org/stable/3128799
  • Garside, Charles. "Calvin's Preface to the Psalter: A Re-Appraisal." Musical Quarterly 37 (1951), 566-77. http://www.jstor.org/stable/739611
  • Levy, Kenneth J. "“Susanne un Jour” the History of a 16th Century Chanson." Annales Musicologiques 1 (1953), 375-408.
  • Lockwood, Lewis. The Counter-Reformation and the Masses of Vincenzo Ruffo. [Vienna]: Universal Edition, 1970. http://www.worldcat.org/oclc/227402
  • Macey, Patrick. “Savonarola and the Sixteenth-Century Motet.” Journal of the American Musicological Society 36 (1983), 422-52.http://www.jstor.org/stable/831234
  • Macey, Patrick. Bonfire Songs : Savonarola's Musical Legacy. Oxford and New York: Clarendon Press, 1998. http://www.worldcat.org/oclc/38061704
  • McCarthy, Kerry. Liturgy and Contemplation in Byrd's Gradualia. New York: Routlege, Francis and Taylor, 2007. http://www.worldcat.org/oclc/489067813
  • Monson, Craig A. "Byrd, the Catholics, and the Motet: The Hearing Reopened." Hearing the Motet. Ed. Dolores Pesce. New York and Oxford: Oxford University Press, 1997. 348-74. http://www.worldcat.org/oclc/34244440
  • Monson, Craig A. "The Council of Trent Revisited." Journal of the American Musicological Society. 55 (2002), 1-37.http://www.jstor.org/stable/10.1525/jams.2002.55.1.1
  • Nugent, George. "Anti-Protestant Music for Sixteenth-Century Ferrara." Journal of the American Musicological Society. 43 (1990), 228-91.http://www.jstor.org/stable/831615
  • Oettinger, Rebecca Wagner. Music as Propaganda in the German Reformation. St. Andrews Studies in Reformation History. Aldershot, Hants, England ; Burlington, VT: Ashgate, 2001. http://www.worldcat.org/oclc/46909062
  • Palisca, Claude V. "Bernardino Cirillo's Critique of Polyphonic Church Music of 1549: Its Background and Resonance." Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood. Eds. Jessie Ann Owens and Anthony Cummings. Warren, MI: Harmonie Park Press, 1997. 282-91. http://www.worldcat.org/oclc/35593888
  • Quereau, Quentin W. “Sixteenth-Century Parody: An Approach to Analysis.” Journal of the American Musicological Society 31 (1978), 407-441.http://www.jstor.org/stable/831363

Richard Freedman,
Jul 24, 2012, 2:03 PM