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DC Publishes Grant Morrison's Pitch For 'The Green Lantern'

posted 1 Aug 2018, 11:48 by Ben Hansom

Headline kind of speaks for itself really doesn't it?  From this week's DC Nation #3, the (heavily redacted) original pitch for Grant Morrison and Liam Sharp's upcoming The Green Lantern, launching this November.

Green Lantern as a cosmic police procedural sounds... kind of a boring and obvious take to be honest, but I'm sure Morrison and Sharp will absolutely kill it in the execution.  And of course the prospect of a bunch of cosmic callbacks to DC's past is, as you might imagine, right up my alley.  I absolutely will be doing annotations for it, and if you're very good, I might even get them done on time/finish them.  A tantalising prospect, no doubt...




The Unseen Grant Morrison - How To Become A Werewolf

posted 12 Jul 2018, 10:59 by Ben Hansom

A rarely seen cut-up comic from the back page of Bombs Away Batman!!!, a fanzine put together by Grant Morrison and his bandmates in The Mixers back in 1983.  The panels that make up the bulk of the strip were most likely cut from various Marvel UK reprint titles from the mid to late 1970's, and give a good idea of what teenage Morrison might've been reading around then (lots of Starlin Captain Marvel, clearly).  It's mildly amusing to me that all of these are almost certainly taken from flimsy British reprint books - take a pair of scissors to a *proper* comic??  Never!!

A full list of what comes from where follows after the strip itself, Strictly For The Heads.



Title - "HOW TO BECOME A WEREWOLF!” from WORLDS OF FEAR #10 (Fawcett, 1953).  UK reprint in SPELLBOUND #63, published by L. Miller & Son, ~1965 - Panel 1 – “IT BEGAN WITH ATOMIC WAR!” from ‘Machine Age!’ in JOURNEY INTO MYSTERY #17 (Marvel, August 1954) by Stan Lee (probably) and Sid Check.  UK reprint in PLANET OF THE APES #23 (March 28th 1975) - Panel 2 – “NOW ALL THAT REMAINS IS THE… RAVAGERS!” From CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 3 – “ONCE AGAIN THE DEAD VOID OF SPACE LIES ALONE AND QUIET…”, from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 4 – “…A LAND OF DARKNESS… AND DEEP NIGHT!” from CONAN THE BARBARIAN #23 (February 1973) by Roy Thomas and Barry Windsor Smith.  UK reprint in AVENGERS #102 (August 8th 1975) - Panel 5 – “…AND PERHAPS THAT WAS ALL I NEEDED!” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 6 – “END” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 7 – Electro at the Pyramids, Electro figure by Steve Ditko.  Panel from a Marvel UK recycling competition, appears in AVENGERS #102 (August 8th 1975) - Panel 8 – “KONG! HE SAID HIS NAME WAS KONG!  I KNEW THEY’D DO A REMAKE OF THAT FLICK SOMEDAY – BUT THIS IS TOO MUCH!!” art from CONAN THE BARBARIAN #23 (February 1973), by Roy Thomas and Barry Windsor Smith.  UK reprint in AVENGERS #102 (August 8th 1975), “KONG!” dialogue from AVENGERS #70 (November 1969) by Roy Thomas and Sal Buscema.  UK reprint in AVENGERS #104 (September 13th 1975) - Panel 9 – “THE TRUTH WILL DISPEL ALL CONFUSION.  THE TRUTH WILL SHOW THE ENEMY” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #226 (January 26th 1977) - Panel 10 – “WITH THE WISH COMES THE REALITY!” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 11 – “THE MENTAL CHANGE HAS TO COME FROM WITHIN!” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977) - Panel 12 – “THE APES -- THEY’RE HERE!” from AMAZING ADVENTURES #18 (May 1973) by Gerry Conway, Neal Adams and Howard Chaykin.  UK reprint (with Killraven renamed Apeslayer and dialogue altered from ‘Martians’ to ‘Apes’) in PLANET OF THE APES #23 (March 28th 1975) - Panel 13/14 - “DEATH TO DOCTOR DEATH!”  “BUT IS IT DEATH TO THIS ARCH CRIMINAL?” from DETECTIVE COMICS #29 (July 1939), reprinted in BATMAN: FROM THE 30’S TO THE 70’S (UK version published by Spring Books, 1972) - Panel 15 – “FAREWELL!” from CAPTAIN MARVEL #29 (November 1973) by Jim Starlin.  UK reprint in MIGHTY WORLD OF MARVEL #227 (January 26th 1977)

The Best Grant Morrison Comic of 2018, 'Nuff Said

posted 11 Jul 2018, 04:58 by Ben Hansom   [ updated 11 Jul 2018, 05:12 ]

WildCATS #2 by JP Gluteaux, adapted from Grant Morrison's original script in the Wildstorm: A Celebration of 25 Years hardcover.  Available now from all good Dark Web retailers, where all them drugs and guns are sold,  Verwirrung! 👍🏻




Promoerotic - JLA

posted 10 Jul 2018, 02:47 by Ben Hansom   [ updated 10 Jul 2018, 02:49 ]

Deep Space Transmissions is back from the dead baby!  Gearing up for the rumoured (cough cough) Grant Morrison/Liam Sharp Green Lantern announcement at SDCC, I thought it would be wise to stretch the old blogging muscles again (it's been awhile) before launching headlong into another monthly annotations-fest.  Nothing too strenuous though, so here for your viewing pleasure is a gallery of promotional items for Grant and Howard Porter's JLA run back in the late 90's / early 00's.

All of these items were only available via giveaways or sent directly to retailers for the purposes of promoting the JLA series that began in 1996.  Nothing here was available to buy directly at the time, though all of it has since surfaced on eBay of course (some of it significantly more often than others).  I've tried to restrict myself to stuff that's explicitly tied to the Morrison/Porter JLA run, though there were of course other Justice League promotional items that came out in this period.  As a rule of thumb anything drawn by Barry Kitson is out (as the intention there would be to promote the Kitson-drawn JLA: Year One mini-series), as is anything painted by Alex Ross (who reportedly hated Kyle Rayner with a rare passion and, I think, barely if ever painted anything with the Morrison/Porter Big Seven line-up).  And this Tom Mandrake JLA poster from '98 is actually a page from Martian Manhunter #0, with a JLA logo slapped on it, so that's pretty weird and definitely not what we're looking at here.

For a more comprehensive look at the bigger Justice League merch picture, both around this time and either side of it, head on over to the late lamented Cosmic Teams site here.

Interesting to see that, despite it being DC's biggest selling title at the time, once One Million was over and done with DC basically didn't bother promoting the core JLA title again until Earth 2 came out after Morrison's run had finished.  Is no wonder he jumped ship to go and do X-Men eh?



1" JLA Button given away at the 1996 San Diego Comic Con



B&W uncorrected preview of JLA #2, sent to retailers and letter writers/reviewers.  Similar proofs of #1, #3 and #16 also exist




JLA retailer-only mobile, 1996.  There was also apparently a roll of wallpaper border available, though I can't think I've ever seen a picture of it.


JLA Month promo t-shirt, 1997


JLA #16, "What Does It Take To Join Their Ranks?" Promo poster, 1998


17x22" DC One Million promo poster, from the retailer promo pack, 1998




JLA Earth 2 promo poster, 2000
















B&W uncorrected preview of JLA #1, given away to attendees of the JLA panel at the 1996 San Diego Comic Con


JLA counter stand/book bin, sent to retailers to display JLA #1, 1996



JLA / WildCATS promo poster, 1997





JLA Month "Strength In Numbers!" poster, 1997






DC One Million promo pack - contained a t-shirt, an ad slick, 1x black and white poster, 2x colour posters, a laminated "As Me About the 853rd Century" card and a bundle of "Passport to the 853rd century" fold-ups, 1998




DC One Million promo poster, from the retailer promo pack, 1998


JLA Earth 2 4pg preview giveaway, 2000

Diamond PREVIEWS catalogue cover, September 1996.  Apparently the background colour of issue #1 was changed from red to green so as to not give away where the Pantheon were really from too early

'The World's Greatest Heroes Together Again!"  Retailer promo poster for JLA #1, 1996


JLA Month retailer promo pack, July 1997.  Includes t-shirt, mini-folders, poster and second printings of JLA #10 and #11


JLA Month promo folders.  These are very small, probably only 5x3" or thereabouts, 1997


DC One Million promo t-shirt, 1998



34x22" Large DC One Million promo poster including checklist, 1998

JLA Earth 2 promo bookmark, 2000

The Multiversity Guidebook #1 Annotations

posted 28 Feb 2017, 07:48 by Ben Hansom

Mate, shutting the stable door after the horse has bolted, doesn't even come close...

So, a mere two years late, get yer Multiversity Guidebook annotations right here.  In which Grant Morrison and an all-star squadron of artistic collaborators cohere the DC Universe for the very first time into a singular tale spanning 75 years, more than a million pages and many thousands of chroniclers.  Perhaps the most complex (...sentient?) fictional universe ever created?

DC cosmology given a Zoroastrian polish, Barry Allen cast as Jesus Christ, a framing story inspired by an issue of Kamandi completed in 1977 but not published until 2017 (nearly two years after the Guidebook itself appeared)... this one really has Got It All.  There's even the beginnings of a biting commentary on corporate comics monstrous tendency to eat it's own young, though somewhat fittingly, that thread ends up To Be Continued in Ultra Comics, where the *real* meat is gnawed off the bones...

Let's get down to it then.  The 25,000 or so words that follow took me about two years to write.  Let's hope it doesn't take as long for you to read...

Click here to read more, IF YOU DARE...


The Long and Winding Road - Grant Morrison's 18 Days

posted 5 Jul 2015, 16:02 by Ben Hansom

This week saw the release of the first issue of Grant Morrison's 18 Days from upstart comic book publisher Graphic India, a project 7 years in the making and the cause of some confusion online as to its provenance.  I thought it might be a good idea to get a bit of a chronology up here to iron out once and for all what this book is (and probably isn't) and how it came to be.


18 Days - then called MBX - was first announced in a surprise appearance by Grant Morrison on a Virgin Comics panel at the 2008 New York Comic Convention.  A free-wheeling sci-fi adaptation of the Indian epic poem The Mahabharata - running to more than 74,000 verses and around 1.8 million words in total - Morrison described it thus,

"Like the Beatles took Indian music and tried to make psychedelic sounds…I'm trying to convert Indian storytelling to a western style for people raised on movies, comics, and video games."

A couple of months later Virgin Comics and digital animation shop Perspective Studios announced they'd be debuting footage from MBX at the 2008 San Diego Comic Con - there's a low-quality version still online here, and though I suppose it does look kind of clunky now, but let me tell you young whippersnappers, it actually looked pretty swish back in 2008.  Encompassing a planned "movie" (intended from the beginning to be cut up into shorter episodes if desired) and a video game, there was - initially at least - no plans for a comic book adaptation.  While I don't know for sure I'd imagine this was because at that time Morrison was signed exclusively to DC Comics for his comic book work.  Animation, movies and video games though - all falling outside of Grant's DC contract - were fair game.  No release date was set, but a limited run (1,000 copies) sketchbook was sold at the convention - pulling double duty as a $25 ticket to Virgin's Grant Morrison signing at the Con - featuring excerpts from Morrison's series bible and the complete script for episode one, alongside pages of concept artwork by Indian superstar artist Mukesh Singh.



Not long after SDCC, in September 2008, it was announced that Virgin Comics was to close and, after a management buyout, rename itself to Liquid Comics.  The fate of MBX remained unknown.  Not long after, some foolhardy speculator decided to cash out and put his MBX Sketchbook up on eBay.  I was the only bidder and won it for significantly less than it's $25 retail price.  The script material was brief - the whole sketchbook only runs to 16 pages - but was a cool glimpse at a Morrison project that looked like it would probably never happen.  And you all know how much I dig *that* shit...

Fast forward a couple of years and, in March 2010, Dynamite Entertainment announced they'd be partnering with Liquid Comics to release "an illustrated hardcover book featuring the original scripts created by Grant Morrison for his animated project ‘Grant Morrison’s 18 Days'" - the epic war of the Gods that forms the centrepiece of The Mahabharata lasts for 18 days, hence the retitling.  Released in August 2010, the 120 page book - though awkwardly sized - was immaculately presented.  Featuring the full series bible and complete scripts for episodes 1-3 (each intended to run for 10-15 minutes), the book also featured a ton of previously unseen concept work by Mukesh Singh. 



With no further news on a distribution channel for the proposed animated series, it seemed like the Dynamite book was an attempt to at least make some money off the material that had already been completed.  Morrison didn't do much (any?) publicity for the book though, and it seemed like maybe his involvement with the stalled project had come to an end.

Fast forward once again to SDCC 2013.  Grant Morrison appears on a panel alongside Gotham Chopra and Sharad Devarajan, co-founders of Graphic India - a Liquid Comics-owned "character entertainment company focused on creating leading characters, comics and stories through mobile and digital platforms", where it's announced that Grant Morrison's 18 Days would - finally! - hit the web as an animated series, with the first episode debuting during YouTube's Geek Week in August 2013 alongside a promotional music video by Indian metal band Pentagram.

Though Graphic India reused much (all?) of the MBX CGI material promoting the 18 Days launch, when the series eventually appeared on YouTube the art style had changed dramatically - from Mukesh Singh's intricate paintings to Jeevan J. Kang's much more cartoony/western superhero style.  A more unwelcome change came in the quality of the animation, reduced to the sort of paper-fastener flailing arms and legs of a 1960's Marvel cartoon.  I don't suppose anyone would want the job of Photoshop-animating those concept art paintings to be fair...



Another frustrating feature of the YouTube series was the length of each installment - episode 1 clocked in at three minutes, episode 2 barely hit two.  Graphic India kept up a weekly schedule on new episodes, but you couldn't help feeling like they were just uploading a minute here or there whenever it was finished - an impression not helped by the ongoing story often veering off in wild tangents for weeks at a time.  More salient to this article (I suppose...) is that Grant Morrison is only credited as writer of Grant Morrison's 18 Days for the first two episodes, total running time: about 5 minutes (he does also get a co-writer credit alongside Gotham Chopra on episode 12, and a "Created by"/Executive Producer credit on all of the rest to be fair).  The vast majority of episodes - we're currently on Episode 92 as of this writing, and only just past the end of Day One of the 18 Days War - were written by Chopra/Devarajan and Sarwat Chadda.

Unfortunately, to say the web series has departed somewhat from Devarajan's contention that "most of the Asian epics and themes don't define good and evil in the same very linear way that we see black and white in the West; it's much more about the gray," would be putting it mildly.  The extremely limited voice cast has dictated that all the good guys sound like good guys, while the baddies all sound like mustache-twirling pantomime villains.  The story itself is undoubtedly epic in scope and puts the characters into some complex moral binds, but the delivery has often left much to be desired.

A couple of months back, unencumbered now by exclusive contracts DC or otherwise, Graphic India finally got around to soliciting an 18 Days comic - or soliciting it in the West at least.  It seems that there are already a couple of trade paperbacks of Grant Morrison's 18 Days comics available in India published by Westland Books, running to 288 pages between them (I think that's about 12 regular sized issues?).  Curiously, both the existing Indian books and - more noticeably -  the ongoing YouTube series seemed to have been completely overlooked by the comics internet when the Grant Morrison's 18 Days solicits appeared - with at least one site reporting it as "The Return of Grant Morrison's 18 Days", as though the series had never been seen since the Dynamite book some 5 years ago.



Once again, Morrison hasn't really been involved in the marketing push for this book, and it seems pretty unlikely at this point that he would produce all-new material for Grant Morrison's 18 Days #1 - I'd imagine what we have here is an adaptation of Grant Morrison's 7 year old scripts for 3 ten minute episodes of an animated series, repurposed into a comic series.  That's not to say the book is neither good nor worthwhile...

Just don't expect it to go on for a whole lot longer with a Grant Morrison solo writing credit.

--------

While I was writing this, I found this blurb for an upcoming panel at this year's SDCC - happening this Thursday (9th July) in fact:

"Legendary creator, Grant Morrison (Batman, All Star Superman, 18 Days, The Multiversity) discusses storytelling, global mythology, mysticism, the rise of Indian superheroes and his latest comic launch, 18 Days: The Mahabharata. Morrison will also announce his latest groundbreaking, mythic/sci-fi project with Graphic India for the first time."

So it looks like we'll find out a bit more about Grant's ongoing involvement with Graphic India and 18 Days (and what if any new stuff he's got up his sleeve) later this week.  Should have just saved writing this til after then really shouldn't I?

--------



Crisis on Memory Lane - The Supermen of the Multiverse

posted 20 May 2015, 14:55 by Ben Hansom   [ updated 22 May 2015, 04:58 ]

Was just looking through Final Crisis #7 earlier and it struck me how well a lot of the alt-Supermen there match up with the ones we saw in the Multiversity Guidebook.  Pretty impressive for two comics published six years apart...



This is the first group shot we get of the Supermen of the Multiverse.  Obviously that's Earth 5's Captain Marvel down front with The Question; behind them are (from left to right) Earth 35's Supremo, Earth 34's Savior and Earth 8's Hyperius.  Behind them, again from left to right, are (I think) a pre-New 52 Ultraa (he appears later on in the issue with very red hair and I'm taking that as a decent sign that that's who he's supposed to be), next to him in the headgear might be Earth 11's Wondrous Man (maybe, not very sure at all about that as he kind of looks like the Guidebook version, but nothing at all like the version that apperared in Countdown - also he's supposed to be a Wonder Woman analogue, not a Superman one) and Earth 36's Optiman; and right at the back is Cyclotron from the T.H.U.N.D.E.R. Agents-esque Earth 39.


Things are maybe not so hot with the big double page spread (there are *a lot* of generic Supermen in the background here).  All of the guys from the earlier group shot are here, and you might also be able to pick out the Superman of Earth 23, Sunshine Superman from Earth 47, Earth 10's Overman and Red Son Superman from Earth 30.  A couple that weren't in the Guidebook for one reason or another are a goatee'd Superman way over on the far right, who I think is supposed to be Zod-as-Superman from Earth 15; and old man Superman, who I think is probably a decent bet for Earth Frank Miller's Man of Steel before they swapped that out for a bunch of post-apocalyptic pirates...
 
I think I see Steve Gerber's Omega the Unknown in between Savior and Captain Marvel there.  Oh, and Apollo and Mister Majestic.  Remember those guys??

If you can put a name to the face of any of the others let me know via the usual channels.
 
 
UPDATE: OK, so we can maybe put a few more names to loosely-inked background faces thanks to the Twitter hivemind.  The blonde guy top centre looks like a pretty good bet for The High from Warren Ellis's Stormwatch run (thanks @PaulJonMilne!), and the Superman on the far right with the copious Silver Age neck flesh on display might be the New Frontier Superman from Earth 21 (thanks @DispenseroTruth!).
 
Also, in Superman Beyond #2, Zillo Valla mentions a bunch of alt-Supermen that missed out on the Ultima Thule's jaunt to Limbo - Savior, Guardsman, Icon and Principle.  Earth 34's Savior makes it into this issue but none of the rest do.  Guardsman is probably intended to be an alternate version of Marvel's Sentry, created by Paul Jenkins, Jae Lee and Rick Veitch, so it seems sensible to put him on Earth 8 alongside Hyperius. 
 
Icon, created by Dwayne McDuffie and M. D. Bright, was the Superman of the Milestone comics imprint.  When Final Crisis was published in 2008-9, DC were in the midst of attempting to fold the Milestone characters into their main Earth 0-centric publishing line but I believe that, like the T.H.U.N.D.E.R. Agents, that was part of a licensing arrangement with DC that has since expired. 
 
Principle is likely a nod towards Bob Jacob, Gerard Jones, Len Strazewski, and Norm Breyfogle's Prime from the Malibu Ultraverse, and might well be the character I identified above as Ultraa (Prime also has reddish hair and a similar chest emblem).  The Ultraverse characters are currently owned by Marvel, but they seem happy to let them rot in obscurity due to the possibility that they might (shock! horror!) actually have to pay the creators to use them under the terms they originally signed with Malibu.  I'm going to go ahead and place Principle on the "anything goes" Earth 7, home to analogues of the Ultimate Marvel characters, a bunch of Dark Horse properties and Neil Gaiman's ex-Image now-Marvel character Angela.
 

Awesome Almanac - The Multiversity Guidebook - Part 3

posted 1 May 2015, 15:03 by Ben Hansom

Another day (Dude, it's been nine freakin' weeks since you did the last one of these!), another fifteen alternate Earths (There's nothing on four of these Earths!  This is a total rip-off, I want my money back...)

Half-hearted apologies for the delay, I've been pretty busy.  I am getting bits and bobs done when I can though, so stay tuned for annotations for *all* of The Multiversity issues I haven't got around to yet (i.e. significantly more than half of them...)

Once again, thanks for all the comments and corrections, and please do keep them coming.  Let me know in your customarily brutal fashion if I've missed anything (else), or got something horribly wrong (again) - you can always reach me on the Twitter, or alternatively you can email me here.

Little bit more that four thousand words this time around on Earths 21 through 35. For anyone keeping score at home that means we've passed 10k words on just the guidebook bit of the Guidebook alone, if you know what I mean.  There's quite a bit to say about the story itself as well so this one's probably going to end up like a Stephen King-esque doorstop.  Anyway, that's all to come...

Annotations-o!


Awesome Almanac - A Journey Through The Multiversity Guidebook - Part 2

posted 22 Feb 2015, 13:58 by Ben Hansom

Another day, another nine alternate Earths...

Thanks for all the comments and corrections last time out.  I know I haven't updated anything yet but I will once this all goes into a proper annotations post when it's all done.  As usual, let me know this time around if I missed anything (else) or got something horribly wrong (again) - you can always reach me on the Twitter, or alternatively you can email me here.

*Obligatory joke about checking the spelling and putting some pictures in it when it's properly done*.

A measly three thousand words this time out on Earths 11 through 20.  Kid's stuff...  let's get on with it.



The Unseen Grant Morrison: The ARK Reviews

posted 14 Feb 2015, 06:40 by Ben Hansom   [ updated 14 Feb 2015, 06:45 ]

Not seen since their original publication in Paul Duncan's ARK magazine, here are Grant Morrison's reviews of  Howard Chaykin's Black Kiss (from November 1988's ARK #26), Bryan Talbot's The Adventures of Luther Arkwright (from April 1989's ARK #28), and Peter Milligan and Brendan McCarthy's Strange Days (from June 1989's ARK #29).

Grant obviously wasn't a fan of Black Kiss, but Chaykin's revenge came when he called Morrison "the most pretentious asshole I've ever read" in a Comics Interview piece the following year, recalling a pal of his reading the first page of the Arkham Asylum script to him over the phone.  Chaykin's comments obviously stung Morrison, as he referenced them (naming no names) in his retrospective piece in 2005's 15th Anniversary Edition of Arkham Asylum.

As usual please bear in mind that these reviews were written more than 25 years ago, and that Grant's opinions on these comics might very well be totally different these days...


BLACK KISS



THE ADVENTURES OF LUTHER ARKWRIGHT





STRANGE DAYS




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