Past Issues

Vol. 3, Spring/Summer 2015:

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Vol. 2, Spring/Summer 2014:


Section 1: Music, Media and Mind:

How Does Mindfulness Change our Experience of Sound? by Bruce Galliver
What is the Evolving Relationship Between Music Soundtracks and the Cinematic Experience? by Oscar Liddiard
Abstract    Full Text


Section 2: Genre-Talk:

How has the Commercial Popularization of Traditional American Folk Music Influenced its Contemporary Song Culture? by Rebecca Leach
Abstract    Full Text

How Has Electronic Dance Music Impacted Popular Music and Popular Music Culture? by Stefan Goodwin

Section 3: It Starts at Home:


The Rise of the Home Studio by Jake Day
Abstract    Full Text

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Vol. 1, Spring/Summer 2013:


Section 1: Commercial Music and Sociology

Why Are There so Few Female Producers and Studio Engineers? by Carla Hadland
Abstract        Full Text

Does Songwriting Suffer During Times of Social Complacency?
by Luke De-Sciscio
Abstract        Full Text

How has the Internet Changed the Landscape of the Music Business and has it Been Beneficial or Detrimental to its Different Sectors? by Gareth Evans
Abstract        Full Text

What is, When is, Who is Punk? by Joseph Little
Abstract        Full Text


Gaining Success as a Music Artist: A Theoretical Perspective by James Cooke
Abstract        Full Text


Section 2: Commercial Music and Aesthetics:


Can Music Express Emotion in Films or can it only Express Itself? by Chris Mackin
Abstract        Full Text

Does Timbre in Music Affect our Emotions and How is it Used in Film and Animation? by Leon Pattrick
Abstract        Full Text


Section 3: Commercial Music and Science:

What Causes Absolute Pitch? by Kirsty Folan
Abstract        Full Text

How Do Deaf People in Britain Experience Music? by Stuart Nelson
Abstract        Full Text