Jack Wilms (1957) uses socially critical collages to combat the hardening of society.
Wilms, who comes from the advertising world and socio-cultural work, uses his art as a weapon against the commercialization and hardening of society.
His silkscreens and digital collages, placed in the tradition of Pop Art, merge contrasts and extremes into powerful visual stories with a socially critical charge.
Wilms gives Pop Art his own twist: ‘Pop Art is often impersonal and populist. I want to give it a soul and a conscience’.
He draws inspiration from the raw reality of everyday life, combined with elements from consumer culture,
comics, cartoons, photography and pop/rock music.
The tension between objectivity and subjectivity in his work invites
reflection and discussion.