Art and Textiles
Influencing Each Other
SURFACE DECORATIONS on Chinese textiles often have a painterly quality that uses shadow and colour gradient to portray depth. This pair of Embroidered Blue Silk Sleeve Bands reflects traditional monochromatic ink painting, in which washes of black ink are diluted to create depth and tone. The peony and butterfly patterns are embroidered in white and tones of grey silk floss, making the embroidery reflect a brushstroke painting effect. This tone-on-tone colour design, also named three-blue embroidery, was popular during the Qing dynasty. Artisans of the Suzhou embroidery style created three-blue embroidery inspired by blue-and-white porcelain designs. They used tone-on-tone colours (not limited to blue) in satin stitches to create delicate embroidery artwork.
A common motif seen in textiles and artworks pairs butterflies with flowers, including peonies, which results in the combined symbolism of wealth, honour, good fortune, and longevity. In this album leaf, from Insects album, we can see the butterfly and flower motif used in a scientific botanical painting. While this album leaf was created to introduce foreign flora and insects to Western audiences, the Chinese artisans have still highlighted traditional symbolism. Again, on this Green Silk Yardage for a Woman’s Robe, we see this butterfly and flower motif depicted in embroidery. Peonies are accompanied by chrysanthemums, plum flowers, and various types of butterflies, which imbues the garment with auspicious meaning for the wearer.
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Art and Textiles Influencing Each Other