Der Seiltaenzer, Venedig 1990
Das Narrenschiff 1986 Ship of Fools oil on panel Insel der Illusionen 1986 Island of Illusions oil on panel Selbstbildnis Prometheus 1987/88 Self Portrait Prometheus mixed media Theatrum Mundi 1986 oil Atlantis 1986/87 Aufzug des Bacchus/ Zyklus zur Carmina Burana 1985 Roetelzeichnung Act of Bacchus/ Sequence of Carmina Burana sanguine on paper Die Raetsel der Fastnacht 1984 Conundrums of Carnival oil Ausblick im Winter 1983 Winter View oil Seiltaenzer 1983 Tightrope dancer oil Architekt der vier Elemente 1982 Architect of the Four Elements oil Selbstportrait 1982 self portrait drawing Die Auferstehung 1981 Resurrection oil Melancholie 1979
Melancholy oil Der venizianische Reiter 1979 The Venecian Horseman oil
Die Hoffnung 1979 Hope oil Die venezianische Komoedie 1979/80 Venetian Comedy oil Capriccio 1979 oil Die Speyerer Fastnacht 1978/79 Carneval of Speyer oil Die vier Jahreszeiten 1978/79 Four Seasons oil Triumph des venezianischen Einhorns 1979 Triumph of the Venetian Unicorn drawing Eyn narr 1978 A Jester drawing Homage a Baudelaire 1976 Jesters' Triumph oil Detail aus "Der Triumpf der Narren" Detail of Jesters' Triumph Vision 1975 oil Ohne Titel 1974 Without Title oil Triumph des Mammon 1975 Triumph of the Mammon oil Das Weltenbuch 1974 Book of the Worlds Drawing Der Weltenherrscher 1973 Ruler of the Worlds Drawing Die Toechter des Loth 1973 Daughters of Loth drawing Zyclus: An die Freude von Schiller 1972 Sequence: Ode of Joy by Schiller drawing | Werner Holz grew up in Hettenleidelheim, in the Pfalz region of Germany. After his apprenticeship as a typographer, he studied graphic design in Mainz, Munich and Mannheim, Germany. He worked as a freelance fine artist in Frankenthal and Herxheim am Berg, Germany. Important study trips took him to Bruegge, Gent, Belgium and Venice, Italy. His very detailed old master technique was inspired by Hieronymus Bosch and Pieter Breugel, the Elder. Neomanneristic fantasies and visionary realms, painted sometimes with a single hair marten brush distinguish the style of Werner Holz. He falls into the category of Fantastic and Magic Realism. But he saw himself part of a broader movement- Der Malerei des Phantastischen. The Fine Art of the Imaginary has been present through all centuries. His work is shown in many national and international galleries and is part of private and public collections. The conservative humanist and moralist Werner Holz was genuinely fascinated by foolishness as a counterpoint to ratio and insight. The jester, depicted with or without cap and bell, is the main figure in his paintings and drawings. As a narcissitic being, who walks carelessly next to the abyss, he turns into a self destructive device. Very often the jester symbolizes animalistic lust that leads to mental and spirituell decline. Sometimes he is painted as a wise man who realizes and accepts his destiny and strives for redemption. Werner Holz once wrote: "Maybe one can understand my paintings as "peep holes" into a world of the unspeakable, into a world, where the lightness of thought take visual form, without the limitation of the ordinary." "Those, who want to perceive and understand my paintings, need to leave their every day routine behind and try to approach my work of symbols, figures and dreams with utmost care and patience."
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