627days since
Hamlet

Upcoming Events!


Hamlet:

Fri 10th - Sun 12th September.

Billy Liar:

28th - 30th October.

Don't forget to visit the Hamlet website!

Previous Newsletters

 
 
 
 
 
April 2010
 
Hope everyone had a good Easter and that you're all enjoying this lovely weather! I would like to say a big thank you for everyone that came and supported the Hoedown Launch for Seven Brides, we had approximately 90 people coming through the doors, and everyone agreed it was a fun evening!  We made a small profit that will go towards the show and we also had advance bookings for quite a number of tickets! Tickets are now on sale, see details below. Grab them quick before all the best seats go! This year we are experimenting with table seating and a limited number of seating in rows, to cater for all likes and dislikes, and to pack as many people in,\ for what is sure to be a popular show.
 
In other news, we nearly have a full programme of shows up to the musical next year and are just waiting for the rights to be confirmed. Watch this space for future news.
 
 
 
"Penny and the cast of Seven Brides enjoying the Hoedown!"
 

 
Seven Brides for Seven Brothers
 
TICKETS ARE NOW ON SALE!
 
 CALL 08450529645 TO BOOK OR RESERVE.
 
June 2nd - June 5th 7.30pm

Tickets: £8.50 Concessions (first two nights only): £6.50

You can also book tickets by emailing Chip and Kate at
carpenters264@btinternet.com, or by going to the Watlington Information Centre, 2-4pm every Saturday.

"Adam, the eldest of seven brothers, goes to town to get a wife. He convinces Milly to marry him that same day and they return to his backwoods home. Only then does she discover he has six brothers - all living in his cabin. Milly sets out to reform the uncouth siblings, who are anxious to get wives of their own. Then, after reading about the Roman capture of the Sabine women, Adam develops an inspired solution to his brothers' loneliness..."

Featuring lively dancing and toe-tapping tunes such as:

Bless Your Beautiful Hide
Wonderful Day
Sobbin' Women
 
 
 "Adam (Matthew Austin) and his brothers have lost their boots, can you help them?"


 "The brothers have kidnapped the brides!"
 
 
 
BEST PANTO 2009
 
We are very happy to announce that our recent panto, Robsinson Crusoe, has won the NODA award for 'Best Pantomime of 2009' in our district!
 
A big well done to director Mke Cooke and all the cast and crew!
 
"What a pleasure to witness Watlington Players back on top form in this sphere of entertainment. Colourful costumes, bright sets, effective lighting and clever song selections producing a most enjoyable evening.  Director and cast made good use of a funny script, albeit bearing little resemblance to the eponymous hero’s tale.  There was much to enjoy about this production, three lovely principal dancers, a running gag from three shady pirates, slapstick routines, and some very fine performances from all principal leads.  Hugh Pearce (Dame) was on fine form (despite being under the weather) and linked up well in all the comedy routines.  Main love interest was between Kate Ayres (Polly) and principal boy Megan Abbot (Crusoe).  Both ladies gave first class performances, the former almost stopping the show with her opening number.  Peter Fiddling and Matthew Kerslake as two old sea-salts Fore and Aft had much of the comedy script and both were impressive. Fall guy in all this mayhem was Ian Anderson (Billy Crusoe), his timing frequently being the pay-off to any gag.  A peach of a cameo from Kristen Coucill (Doris) exemplified, at times without speaking, the fine art of comedy.  Musical accompaniment came from a nice little orchestra".



 
 
 
 
 

 
 
 
"The cast of Robinson Crusoe are triumphant!"
 
 
 
"Robinson (Megan Abbott) protects Polly (Kate Ayres), Doris (Kristen Coucill) and Mrs Perkins (Hugh Pearce) from Flotsam (Gemma Brooks) and Jetsam (Debbie Hiles)!"
 

 
Hamlet
 
Friday 10th - Sunday 12th September
 
The B-Company is back with it's most ambitious project yet, William Shakespeare's most celebrated of tragedies: Hamlet.

A mixture of the hyper-theatrical and the cinematic, the remit for this production is to make Shakespeare accessible and enjoyable to those who might have been turned off the Bard by classroom teaching methods. The setting is modern, the pace high, the action frenetic and with as many visual stimulus as possible.

Cast:


Hamlet....................................Matthew Austin
Horatio...................................Em Secker
Claudius................................Steve Brooks
Gertrude................................Carol Storey
Polonius................................Leslie Judd
Rosencrantz/Bernardo........James Golder
Guildenstern/Marcellus........Matthew Kerslake
Laertes..................................David Wagg
Ophelia.................................Megan Abbott
Osric......................................TBA
Priest.....................................TBA
Players..................................Kate Ayres, TBA, Claire Cooper
Gravediggers.......................Chip Carpenter, Adrian Baxter
Ghost of Hamlet's Father.....Alan Lord

Production Crew:

Director......................................Matthew Austin
Production Assistant................Debbie Hiles
Stage Manager.........................TBA
Set Design.................................Matthew Austin
Set Construction........................William Storey, Matthew Austin, TBA
Props...........................................Debbie Hiles
Lighting Technician....................Barry Ayres
Wardrobe....................................Judy Parsons
Makeup Artist........................... ..TBA
Film Crew/Post Production........Ben Diffy, Zara Young, TBA
Publicity Design..........................Zara Young
Underwater Photographer.........Claire Cox
Fencing Choreographer............Paul Stimpson
Additional Choreography..........Emily Cole

If you would like to be involved in any of the 'TBA' roles, please contact director Matthew Austin on 07899865291.

 

Superstition In The Theatre Part Two
By Ginny Robson-Hull


Whistling In The Theatre and 'Break A Leg'

To whistle anywhere in a theatre has always been considered bad luck, but to whistle on stage used to be thought to put a curse on a play and cause subsequent doom. The popular explanation of this goes back to the time when many playhouses were situated near docks, sometimes in hemp warehouses, and seafarers were used as casual labour or extra stage hands.To operate the complex scenery drops and rigging, a coded series of whistles would be used. These would be known and understood by the sailors, who of course operated such rigging on board their own vessels. To whistle on  stage could confuse the crew and might have disastrous results for the actors below, as a sand bag or heavy rope might come crashing down). If you recall in my last article, Sir Laurence Olivier was narrowly missed by a sandbag during a performance of MacBeth, maybe that was a result of 'non naval whistling'?) Personally, I still don't understand how all this whistling above the set didn't confuse both the actors AND the audience, but there you have it, the only explanation I have been able to find.Life certainly seems less hazardous these days with intercom and cue light systems! 

Now when it comes to 'lovies' wishing one another,'Break a leg!', the theories are a lot more interesting.

Going as far  back as Greek theatre, an audience would not clap but stamp their feet in appreciation. Could this have been the origin of the phrase? In other words, 'May the audience stamp so much someone breaks a leg' and by so doing deflect bad luck away from the play. It's not likely, as the phrase only occurs in English and no Greek related languages. 

Neither does the theory that the phrase stems from an incident in American theatre, hold much credulity. It is said that after the assassination of Abraham Lincoln at Ford's Theatre in 1865, John Wilkes Booth, who was at one time an aspiring actor himself, leapt onto the stage, breaking his leg in the process. A logical connection with good luck is non too clear ! 

More likely is the explanation that 'to break a leg' in Shakespearean times meant to lower the leg in a bow, therefore, take a lot of bows. This ties in with other bowing theories. A 'leg' is a term for a rope (another naval connection) so telling someone to 'break a leg' meant to take so many bows that the rope holding the stage curtain would be in danger of snapping. 

Or is it simply a hangover from those superstitious days when spirits had to be appeased? To wish someone to break a leg would be a way of outsmarting the sprites and goblins. Reverse phsychology?

Whatever the origins it's a term some people still use instead of 'Good luck', so I'll finish by wishing all the cast of 'Seven Brides for Seven Brothers', a traditional 'Break a Leg'! 

(Thank you to Ginny for her contribution, if anyone else would like to make one - please email at matt.kerslake@googlemail.com)