Professor of Music
Music Education, Woodwinds, Jazz
Dr. Tracy Heavner, internationally known music educator and
distinguished performance artist, performs in a variety of genres ranging from
classical to jazz. His talents as a saxophonist, clarinetist and flutist are
witnessed on stage as a soloist, chamber ensemble member and within the
orchestra. His professional achievements off the stage are equally impressive
in the areas of education, teaching and scholarship.
Education
Dr. Heavner earned a doctorate degree in music education (D.M.E.)
with a secondary emphasis in jazz
studies from the University of Northern Colorado (1995) and bachelor’s
(B.M.E.) and master’s (M.M.E.) degrees in music education from Appalachian State University in 1983
and 1985, respectively.
Teaching
Dr. Heavner serves on the faculty at the University of South Alabama as
a professor of saxophone, music education and director of jazz studies. As a
member of the graduate faculty, he coordinates the music education program,
supervises music education student teachers and teaches all university
saxophone majors. In the area of jazz studies, he directs the University of
South Alabama Jazz Ensemble and Jazz Combo. He regularly serves as an
adjudicator and clinician in both classical and jazz styles for various music
festivals and competitions and most recently served as the 2010 Alabama
All-State Jazz Ensemble Clinician/Director. He is a Fulbright Scholar Training
Specialist and has been teaching at the University of South Alabama for the
past 16 years.
Dr. Heavner also teaches a large private studio of middle and high
school saxophonists, flutists and clarinetists who consistently place in the
top chairs of honor bands, all-state band and orchestra ensembles. Many of them
also perform in the Mobile Symphony Youth Orchestra. For more information on
applied lessons or to schedule a lesson with Dr. Heavner, email him at theavner@jaguar1.usouthal.edu.
Prior to his current appointment, Dr. Heavner taught in the North
Carolina public school system for six years. His teaching duties included
beginning, intermediate and advanced band, general music, chorus, marching band
and symphony band. His bands received consistent recognition for their
excellence at both regional and national levels with the marching band winning
over twenty-five first place and grand championship awards during his tenure
there.
Performance
Maintaining an active schedule as a soloist, ensemble member,
adjudicator and clinician, Dr. Heavner’s performance styles include both classical
and jazz. As a performing artist for Yamaha,
Cannonball and Beechler music corporations, he regularly performs with the Mobile
and Gulf Coast Symphony Orchestras. Some of his classical performances include
the World Saxophone Congress XIII, the 2002 Biennial Conference of the North
American Saxophone Alliance and recitals at Carnegie Hall, Florida State
University, Furman University, the Eastern Shore Concert Artist Series, and
with the Goliard Ensemble of New York.
In the areas of jazz and commercial music, Dr. Heavner has performed as
a soloist with many well-known celebrities such as Natalie Cole, Smokey
Robinson, Vince Gill, Bob Hope, Don Rickles, Regis Philben, The Temptations,
Lorna Luft, Crystal Gayle, Al Martino, Ed Shaunesshy, Jon Faddis and Bobby
Watson. In 2008, he performed two concerts with the University of South Alabama
Jazz Combo at the world famous Montreux Jazz Festival in Montreux, Switzerland.
In addition, Dr. Heavner is a recording artist for LiveHorns.com, a music
studio that produces live horn tracks for CDs, movie soundtracks and video
games. Two CDs, Introducing Ayiesha Woods, and Mandisa: True Beauty, received Grammy nominations for Best Pop/Contemporary Gospel Album in 2006
and 2008 respectively. In addition, Dr. Heavner recently received several
performing artist honors. In 2005, he was one of only two musicians in the
state of Alabama to receive the Alabama State Council for the Arts Artist
Fellowship Award. In 2006, he appeared on the front cover of the Saxophone
Journal, January/February issue with an in-depth personal interview inside and
in 2007, he was selected as the Phi Kappa Phi Honor Society Artist of the Year.
In 2010, he received the Alabama State Council for the Arts Artist Fellowship
Award for a second time.
Scholarship
Dr. Heavner’s professional endeavors in music research have produced
publications in the following music journals: Southeastern Journal of Music Education, Dialogue in Instrumental Music
Education, International Education Journal, The Instrumentalist, Ala Breve,
Downbeat, Das Schulbuch zwischen Lehrplan und Unterrichtspraxis, Approaching
Cultures Through English and a series of articles regarding saxophone tone
production in the Saxophone Journal. He
also reviews music education textbooks for Prentice Hall Publishers, compact
discs of woodwind literature for The Instrumentalist and grant applications for
the Alabama State Council on the Arts. In addition, he has authored an
innovative aural skills textbook entitled Sight Singing and Rhythmic Reading,
Progressive Exercises for Developing Aural Skills, published worldwide by Edwin
Mellen Press.
Dr. Heavner has presented music research at conferences (and
published studies in conference proceedings) throughout the United States and
Hawaii, and at international conferences around the world including Australia,
Canada, Egypt, England, France, Germany, Hong Kong Ireland, Italy, Malta and
Spain. In 2009, at the International Journal of Arts and Sciences Conference in
Gozo, Malta, he was one of four invited plenary speakers and his research study
was awarded outstanding paper of the conference.
In addition, Dr. Heavner is
a field editor for the Edwin Mellen Press, which entrusts him with the
commissioning, review and selection of manuscripts for book publication. He
also served on the editorial boards for the 2009 International Conference on
e-Commerce, e-Administration, e-Society and e-Education (e-CASE) held in
Singapore and for an inaugural international music conference entitled Music
Education: A Vision for the Future held in Cairo, Egypt in 2010, where he also
by presented his own research. As a part of this conference, the First
International Journal of Music Studies in Egypt, of which he is also an
editorial board member, was founded with the first issue released in May of
2010.
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