DPhil (Oxon) Flat D, 17 Bloomfield Road Highgate, London N6 4ET, UK
1. THE COOK AND THE CHICKPEA
(With acknowledgement to Rumi)
A chickpea leaping out of the pot, no more dry and hard, but ready to sprout; soaked overnight, then boiled fiercely
Yelled with all its might at the cook: “Why are you doing this to me?”
The cook casting the chickpea back in the pot as if guiding a whale stranded on land, breathless, lost back into the ocean for its safety, replied calmly:
“When will you stop thinking only about your self; accept my cooking, careful and constant, as your destiny?
You think I am torturing you, when I am enriching your flavour with spices, salt, garlic, ginger, tomatoes so you can mix with rice and vegetables, and nourish my Master’s family.
Remember the way Gardener tended you while you drank rain in my Master’s garden, for months did nothing but fed on minerals and other nutrients?
You have come a long way from a seed planted in the vegetable garden to the dawn of a new life in a cooking pot, to a taste conjured by me specially for you providing nourishment to humans.
Don’t you know we are all returning, our lives enriched by serving, our home where we are going?”
Michelle L. Brown 2. Market Garden
She
smells bruised onion despite
noon’s chill, sees her kale
as cankered leaves for harvest,
green plagued by cabbage
loopers in the field, growth
a reluctant prayer half-answered.
Culls yonder in a waxy heap,
some trampled beneath rubber
boot heals, their impress already
dark with rot. Her late reaping
gamble a wash, diddling
with toil to squirrel away
a soupcon. She rinses grime
from scarred hands and stops to watch
the faucet drip. Bubbles form, break
where the drops fall, a nesting doll
of tin cans within her muddy
reflection. She asks the plastic
owl on the fencepost whether
Jenn ever reached Nepal.
The silent bastard never tells,
but this crop won’t pick itself,
so she unpacks her pimento cheese
sandwich, Cheetos, green apple
and thermos of sweet tea.
She eats fast and sets her bearing back
to deliberate, hard-earned neutral.
Udo Hintze
3.The English Language: A Modern Babel
How lucky we are we speak English.
The World uses English like fish use water.
It is the language of Hollywood, Wall Street,
The United Nations and the Olympics;
It is England’s most reliable export.
From the shores of a tiny island in the North Sea,
English is a seed that has grown into a tree and
prospered,
And covered the world,
Feeding the nations of the world,
And from that single tree, all the birds of the
world nest.
English spreads forth its wings
Like a mighty eagle,
Casting a long shadow on the landscape.
Wherever this imperial language has landed,
It has absorbed and been absorbed
Like a black hole,
But not disappearing into oblivion
But existing in parallel universes,
Amongst the peoples of the globe;
Aboriginals, Africans, Asians and Native
Americans,
Creating a rainbow of Englishes,
Half-brothers and sisters stretching around the
world.
And although English is an Old World resident
It masquerades with New World clothing.
English then becomes a second language.
For example, in Massachusetts, the English there
Do not say, “Lake
Chargoggagoggmanchauggagoggchaubunagungamaugg”
They just call it Lake Webster.
English is a juggernaut gathering speed with every
step.
English has carved out routes in the mountains,
Mapped out paths in desert,
And hacked a way through the jungles of the world.
Going back is like digging into the layers of Time
itself,
Uncovering ancient civilizations
And there we see the layers of meaning,
The strata of connotations, and the formation of
lexicons,
Built upon the backs
Of words, of words, of words
From other languages
(stanza continued)
Like Latin, Greek, and Sanskrit
Amongst the pantheon of lesser gods
Like French, German, Spanish, and Arabic
So “true” English is only is spoken in drips and
dribs,
But at least we can be thankful to the Dutch,
That our Boss is not our Master.
And the English Lion has no master
Because it never rests.
Indeed, it surrounds and enfolds its prey at all
times
And all places.
For example, in the 19th century
A Bengali playwright once said:
“I like to write a satire…
I like to show the creatures of my race,
Who go to England
And forget their traditions,
And come back dressed like foreigners…
I like to hold them up to ridicule
Their clothes,
Their habits,
And all their tomfoolery.”
English the kind of creature Darwin would have
appreciated,
A kind of super-organism,
Self-aware and constantly evolving,
Evolving like the former red parts
Of the British Empire as depicted
On old Imperial dominion maps.
England is a noun, it is a place on the map.
But English is a noun and an adjective, too.
So it is the entire map, too.
It is the painter and painting merging,
Becoming one,
And not just the red parts,
Stained with the blood of violence and war,
But with life-blood,
Flowing into the mother’s womb,
Creating new life!
So do not fool yourself
By placing blame of this global
Tsunami on the British.
Just ask around and see for yourself,
(stanza continued)
That English is our commonwealth,
And it was not a British Empire
But an English one.
J. P.
Dancing Bear
4. Trial
by Light:
(Poem Starting with a Line by Michelle Boisseau)
I have lived in thwarts and starts, a gray trial
lawyer, a pacing beast in the courtroom with a red
briefcase.
My satchel of motions, almost painted,
with a can of Crimson Justice (who makes up these
names
for paint?). I was going to
mention the animal rights activist here
but it is so contrived
that I stopped myself
at the courthouse steps, got out of the vehicle
and looked everywhere but inside.
If I wrote about the anima of the activist
it would be like leaving a love note
on the surface of the mirror to myself. Dear
me,
the metaphors were coldly delicious
written in lipstick—Firehouse Brick (who makes up
these names for makeup?)—hearts
to dot the Is—I mean if I'm going to do this,
I gotta do it right!
Naturally I would leave
it
up for a month so visitors could speculate
about the mystery writer
who is me. Jealous
that I get the messages
on bathroom mirrors
which have only been seen in movies.
I feel like smoking cigarettes again
so I can go out for a pack
and depart
like the period below the question mark.
Here I am and gone
on to
start another
life with the same face. I knew a man once
when he was at the end of his third career.
He declared his transition day was coming.
Within a week he was gone. He had been
a chemist, a botanist, and a chef
and vanished to
write himself
as a playwright. I know I said if I
wrote about
someone it was really me, but
I never phoenixed myself.
Too scared to
dowse myself in fuel, spark the match
and pyre anew. I admired
guys like that. But only as the river
adores the sky, smart enough to know
it's not me that I reflect.
J. P. Dancing Bear
5. The Borrowing
for Beckian Fritz Goldberg
if you allow yourself to let go: to concentrate on
a dot in the sky:
until you are part of the dot: just behind its
mind: then you can see
your own life below: the body stretched out in the
open field: and you
can watch the other people around the nearby
miles: up here you can
hear the heart of airplanes: before this was lost
to your earthly ears
with the voice of wind: fanning your feathers out
to catch another
thermal: you rise: the white houses below looking
like mouse skulls:
and where your earthbound eyes had thought the
land was relatively
flat: you can see every grassy buckle and wavy
hill: you feel the
bird-mind impulsing: as it takes an interest: your
own body having not
moved in a while: you ghost out: a skydiver: back
to the familiar
fragrance of grass and soil
Robert William Gaglione
6. "mowing
the grass"
they thrive
under the droning
within hum of ancient hymns
legend-fed in a compost of their belief
others open
like moonlit perennials
sprawled beneath blistered cover
kneeling in fields
with all which freedom brings
relighting heaven and earth green
rooting out
mowing down
rounding up
clearing away
mimicking those moving on
this very morning
wildflowers aim skyward
amongst the shells and shattered stone
C. J. Sage, Editor The National Poetry Review Post Office Box 2080 Aptos, California 95001-2080
7. Lamb Fence jumper, yet devout avoider
of low obstructions in your path,
water walker you are not.
Your mild way is counted,
follow-the-leader, and by coveters
your wooly coat is woven.
Gate gazer (your herds
from highlands & countrysides),
the flesh is culled from your soft carcass.
o shyer away from shadows,
decliner of darkness and loud address,
bearer of bell at the throat,
you are all ascent and incline
toward the sunlight. You walk away
from haste and toward stillness.
At rest alongside the greatest beast,
your belly is to the earth,
and your little ear.
8. Crane / Crane
Urgent bird, mathematical
machine, you copulate
the hill and go in seconds
over her head.
Nest builder, stick tosser,
bog dweller, bog culler,
your beak is a plier;
your head is all jaw.
There was once a leg
and a brace whose parts
collided. The two
may never square again.
River sleeper, sky climber,
wiry crier, erect opponent,
raiser & razer, wild walk-and-wielder,
your tract demands you
homonym, namesake, antonym, kin.
Anastasia Voight
9. Chartreuse Lust
The wood wound path’s detritus
is smirched with green-grit flotsam.
As our steps disturb the verdant dust,
even the newest jetsam
is chalked with chartreuse lust.
Such delicto flagrante would disgust
if done by most any other.
But a tree is a dissembling lover.
No love-thrust, no convulsed spatter
betrays arborous ardor.
Only wind-shiver stirs
spring cones in carnal quiver.
Ram Sharma
10. OCTOPUS
Man has become octopus,
entangled in his own clutches,
fallen from sky to earth,
new foundation was made,
of rituals, customs and manners,
tried to come out of the clutches,
but not
waiting for doom`s day.
K. K. Srivastava 11.Unhappiness
Terrible unhappiness, the wonder of it death wish pushed on us unhappiness and life two sides of one darkness darkness is no experiment. * The outside pressing malignance of light flies numbed with waiting for long appallingly we feel like a dying coal receding slowly. * Newness of the room always the same vying for the most helpless thoughts of unending roads keep musicing us. * Life needs big hands to tackle it’s vagaries what alters these vagaries credulous and waning stillness answers really matter little. * Happiness is no virgin let us not suspend assertions of existence, dawning on itself is not waking to ourselves. * In the idea of distance limping away is no anodyne unhappiness is a secret art though evolved so much we still stand so still. * It stands it sways where it stands all that is left before us is horizon our screams don’t reach there.
Adrienne J. Odasso
12. New
City
I've
spent some time in this quiet afterlife
dreaming journeys just beyond my reach.
The men by the waterside watch me
as I watch them, lift their eyes to seek
my knees as I flick ash against the sky.
There is nothing here that I could want
more than wishing for this silence. I'll teach
my mind to be still, my thoughts to swim
below in the breezes skimming askance
the brook. My stillborn poems will haunt
this small and squared space long after
I'm gone. I turn from my watch alone
to close the latch, desiring little else
than plum-skin and smoke between my teeth.
Skye Leslie
16 Cervantes Circle Lake Oswego, OR 97035 skyelesli@gmail.com 503.961.4112 13. Resuscitation
I want to tell you my story mouth to mouth. I want to whisper struggles - feel your lips go soft in understanding and when my voice grows stronger I can tell of the mountains - how at a point in my climb my breath went crystal, became the ice in my veins.
I want our margins to match and stretch in smile. In the knowledge that our dance is not complete until we’ve merged sorrow with celebration.
I want you to know the salt of my words; the gall which has risen. That there were days when my speech corroded and rust, lodged in my throat like the birds who built nests in base of a chimney.
More, I want my transformation to be visible like a chrysalis hanging from a pear tree bough, with internal wings beating, beating against its encompassing shroud.
I want the honey which lies now on my tongue to pour down your throat as my recollection now song. |