Hi Frank,
Apologies for the delay in getting back to you, a few health issues at my end, plus I might add, the glorious rediscovery of FILM ...
Ah, Fuji press comes with such a beautifully wide colour gamut.
Now, I'm totally stunned to hear that you feel some sort of failure can be expected in my Nikon D70 after only 16 months! What sort of product is this?
I have in my possession a Nikon F manufactured in 1963, a Nikon FE manufactured in 1978 and ten manual Nikkor lenses: 15mm f5.6, 20mm f4.0, 28mm f2.0, 35mm f2.0, 50mm f1.2, 55mm f3.5micro, 85mm f1.8, 105mm f2.5, 180mm f2.8, and 500mm f8, all purchased between about 1965 and 1977. Many of them directly from TA MacAlister. All were AI modified in the UK in 1978. The 15mm f5.6 was the first ever such lens imported into NZ by your company.
All of the equipment mentioned above and numerous Nikon film camera accessories are still functioning perfectly for me. I'm a dedicated Nikon user.
How is it that Nikon Digital cameras have such a short life span?
It's curious too, in the golden days of film, TA Mac's didn't need an in house repair department!
I understood from information found on the Internet that the shutter in the D70 was tested to 100,000 exposures. Why is it then that electronic components in this camera are not able to last at least as long as the mechanical shutter? They're just sitting there, doing nothing!
Is this planned obsolescence perhaps?
Should I be looking towards Canon? There's a large amount of anecdotal evidence out there suggesting that hoards of professionals have, or are moving in that very appealing direction ...
You obviously have some judgment about the number of exposures I've taken, but can I point out that when my D70 was finally returned after it's first repair, the original fault and new ones appeared after I had taken only eleven additional exposures.
It was the weekend and I was out of town on a photographic job for a Website at the time, so I really had no choice but to continue shooting as best I could, taking shots until often, when it became necessary, due to one fault or another, I'd have to turn the camera off, remove the CF card, replace the CF card, turn the camera on, and so on. It was incredibly tedious, time consuming, and very frustrating. I was working like this for 10-12 hrs so this would explain the additional 1200 odd exposures that you've noted.
The new faults that I experienced occurred throughout the whole time I was on this job.
I did come by your premises early the next week but from memory it was at about twenty to five in the afternoon and I'd forgotten that TA Mac's enjoyed 'Gentleman's Hours' and so of course you were closed.
When I eventually got the camera to your premises, I told Greg (?) the person at the counter that the original fault was still present and I also described in some detail what the new issues were, however none of the pertinent points I raised seem to have made it as far as your job sheet, a copy of which you've attached?
The wildly swinging white balance, for example, had never happened before, and I fail to see how a mere eleven exposures could produce such a fault?
I had a CD with me containing images showing the dramatic shift in white balance between adjacent shots, all taken at slightly different focal lengths. Greg seemed disinterested in my evidence though, and declined to keep the CD.
You may be interested to know that I have worked professionally in electronics since 1963, initially for Radio NZ in Auckland as a radio technician, then later at the NZBC's Head Office Engineering Section in Wellington, installing Microwave equipment and Band I and Band III high power TV Transmitters throughout the North Island. Subsequently I worked at TVNZ in Shortland St as an audio and lighting technician and TV Engineer.
From my experience, new faults that occur immediately after some electronic repair has been made are more often that not due to some damage or disturbance that occurred during that first repair.
I am interested to know therefore what safety procedures your staff take in replacing delicate electronic components and parts in Nikon cameras. For example, do you have an air filter system? Are your camera repairs carried out in a positive air pressure environment? What brand of anti-electrostatic wristbands are used by your technicians? Do they always use them?
At the company I currently work for, two of the Directors each purchased D70s when they first landed in the country and subsequently one of the Directors purchased a further D70.
One of these Directors had the same focus issues I'd had but as he knows someone at TA Mac's further up the feeding chain than I do, he managed to get his D70 completely replaced! The other Director here has shared with me recently that both of his D70's have similar focus problems to mine.
This makes four out of four D70s that have failed in some way, and all within an 18 month time frame. Not particularly impressive statistics I would have thought, even though you calmly claim that "The Nikon D70 camera is a very reliable camera."
I'm totally disillusioned now by this D70 product made by Nikon.
Perhaps the most surprising and deeply disturbing fact though was being told by staff at TA MacAlister that two of the technicians in the Service Centre felt that the new problems WERE somehow related to the original fault or faults, and they filled out the quotation form accordingly. You apparently then changed the paper work noting that there was NO connection ... Thus leaving me with your $700 bill.
Obviously without seeing a D70 Service manual for myself I can't really comment either way. I can however repeat what I said above, and that is that problems occurring
immediately after work is done on electronic equipment, is generally the result of that work done ...
Do not proceed with this repair. For the money you are asking, I can stroll into Camera House, buy a Sony CyberShot digital camera with a brilliant Zeiss zoom lens, get absolutely stunning 8 Megapixel pictures, and still have change in my pocket for lunch!
As a loyal Nikon user and consumer for over 40 years I intend to write to the CEO of Nikon in Japan detailing my deep concerns about their D70, moreover, I will also be relaying the manner in which I have been treated by TA MacAlister here in New Zealand.
I'm bitterly disappointed, but I will delay sending the letter to allow you a chance to respond.
Mark Fountain*
+ 64 1 234 567 cell
+ 64 1 234 5678 DDI