※ 갤러리아 백화점에 설치한 건축 조명 시스템 프로젝트에 UNStudio와 같이 Co-work한 곳과 어떤 모듈들을 이용해서 구성했는지 조사해보기 * http://www.unstudio.com/ Seoul, South Korea
UNStudio와 같이 Co-work한 곳은 5,000개의 Xilver™ RainDrop™RGB LED fixtures를 사용하였다. Xilver™ RainDrop™RGB LED fixtures는 튼튼하고, 스타일리쉬한 디지인과 함께 방수형 하우징을 갖추고 있으며, RGB컬러아웃풋 및 밝기조정 가능하다. <spec> Download (PDF) Beam angle: 360 x 170 deg. Connector: Proprietary 8-pin locking connector, IP65 Power: 5 Watt max. Power consumption: 150 mA at 48V DC Control: Designed for XilverTM X-900TM Intelligent Powersupply 대당 900의 모듈을 지원하므로 6대지원 했을것으로 예정 Size: 80 mm dia x 58 mm h Weight: 175 gr (excl. cable and connector) Materials: Polycarbonate dome, aluminum powder coated housing Operational temperature range: -10 to +60° C Ingress Protection: IP65 미세먼지 인입막아줌, 분사기로 물을 뿌리는 환경에서의 방수충족하는 패키지 (5000 waterproof, color-changing Xilver™ RainDrop™ RGB LED fixtures were used provide this unique exterior, which is completely encapsulated in 80 cm-diameter frosted glass discs, each backlit by these fixtures..... This matrix of colour-changing light sources enables the creation of a vivid play of colors and graphics across the store's exterior. Controlled over DMX-512 from a custom hardware and software control system, the network handles 32 lines with a total of some 15,000 DMX channels. Each Xilver™ RainDrop™ RGB LED fixture acts as an individual RGB video screen pixel, allowing the entire building to be covered with still or moving videos and bitmaps complete with additional Effects.)
-> RainDrop 의 spec 을 보면 하나의 X-900 에 100 개 까지, 케이블 당은 30 개까지 연결이 가능하다고 하는 걸로 보았습니다.
만약에 그렇다면 5000 개의 RainDrop 에는 5000/100 = 50 개의 X-900 을 써야 하는 걸까요?
저는 "the network handles 32 lines with a total of some 15,000 DMX channels" <- 요 부분이 아직 잘 이해가 안 갑니다.
32 lines 가 뭘 의미하는 걸까요
※ 여러가지 사례 찾아보면서 만들고 싶은 것 아이디어 생각해보기. * realities:united (berlin, germany)
* Jason Bruges Studio (LONDON) wind to light, 2007
BBC 1Xtra(Cold Cathode Fluorescent lamps and LED surfaces,2007, LONDON)
55Baker Street(LED?, 2008, LONDON) 발광을 위해선 꼭 빛나야하는 것은 아니다 반사!!!
* Project Blinkenlights. - 맛뵈기소스오픈 빌딩자체내의 전구가 아닌, 일반 투광기를 사용한듯하다.
<ARTs, Design> * Haque Design + Research, <Sky Ear>, 2004.(LONDON)
* lights on, <audio visual performance>, 2009.(Linz, Austria)
* Moritz Waldemeyer. 크리스탈과 엘이디, 빛도 굴절될 수 있다?
* nendo, <Naoshima Standard>, 2006.10〜2007.04.
* Emmett Feldman <Laser cave Prototype>, 2009. - Interactive Audio Visual installation.(VDMX) VDMX는 DMX와 별개의 툴이름이다.
<solution> * ag4, <solution>. - media fascade Gmbh
Kiefer Technik Showroom, Graz
In a city where good architecture is practically de rigueur, Graz still manages to surprise and inspire with the strength and sheer variety of its built environment. In fact, the city’s stable of progressive architects seems intent that it should not simply rest on its laurels as a UNESCO World Heritage site. Leading the charge is architectural outfit Ernst Giselbrecht + Partner. Since founding the firm in 1985, principal Ernst Giselbrecht has parlayed his passion for light – filtered and mechanically controlled light to be precise – into a series of bold and generously lit public buildings. Thanks to his training as both architect and mechanical engineer, the Giselbrecht oeuvre is extensive, covering everything from clinics, railway stations and schools to research facilities and university extensions. His most recent work for Kiefer Technic is a high water mark for these ideals. A manufacturer of doors and equipment for hospital operation theatres and stainless steel furniture, Kiefer asked for an airy showroom – overlooking a park – that showed off the firm’s products to best effect. Giselbrecht’s solution was to clad the entire southern end of the showroom with a wall of white aluminium louvre panels that open and shut using an array of electronically-controlled horizontal hinges. The result is a building whose facade gracefully morphs in a series of concertina folds depending on the light requirements and warmth tolerance of those inside. The system can be programmed to display countless patterns and configurations, giving what could have been a humdrum office a fascinating animated facade. via: e-architect.co.uk, giselbrecht.at Touch (Dexia 타워, 벨기에)  터치는 벨기에 디지털 디자인 & 아트 Lab인 Lab[au]이 만든 프로젝트로 Dexia 타워에서 실현된 대표적인 인터랙티브 아트 작업이라고 할 수 있다. 빌딩의 옆에 설치된 <Rogier>라는 부스 앞에서 사람들은 자신들이 원하는 모습을 터치스크린을 통해 입력하고, 입력된 데이터는 건물의 파사드를 통해 구현된다. 직접적인 입력행위가 건물의 표면으로 반영되는 과정은 상호작용을 중요시하는 미디어아트의 성격을 잘 드러내고 있다고 할 수 있다. 하나의 구성이 완성되면, 스냅샷의 형태로 이 그림은 전자엽서의 형태로 전송된다. 사람들은 Dexia 타워 홈페이지에서 자신이 만든 전자엽서를 확인하고 인쇄하거나 할 수도 있다. FLARE
kinetic ambient reflection membrane
FLARE is a pneumatic building facade system. The FLARE system consists of a number of tiltable metal flake bodies. An infinite array of flakes can be mounted on any building or wall surface in a modular system of multiplied 4x4 FLARE units. Each metal flake reflects the bright sky or sunlight when in vertical standby position. Aegis Hyposurface decoi
The Aegis Hyposurface is an outstanding piece of technics. It was designed by deCOi Architects and recieved the Feidad (= Far Eastern International Digital Architectural Design) Award 2001. It is still a remarkable design approach. The idea behind is, that due to the different positions of the small metall tiles, the reflection of the surrounding light is changing. In this way a tremendous poetic way of displaying patterns and shapes is possible.The Prototype consists out of about 1000 of these metall tiles. They are moved by “telescopic fingers” which reach a speed up to 60 km/h and have a stroke of 50 cm. Look at the following movies:Hyposurface01.AVI Hyposurface02.AVI
More about this all you can find in the following book: Liu, Yu-Tung ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
 Designed by Mark Francis Tynan & William Hailiang Chen, ResoNet visualises the resonant frequencies inherent in the natural environment, via the interaction of the public and surrounding elements detected by a LED net. By using Low-Fi techniques ResoNet creates a cascade of light triggered by the vibrations detected across the structure.
   The installation spans 40 metres and consists of hundreds of fibres which react to the movements and sounds made by the visitors. When humans are present, the landscape physically changes its appearance, based on the recorded data. The data is collected using embedded microphones and presence sensors, and causes the fibres to light up, accordingly.
 Audience, conceived by rAndom International, is an installation consisting of around 64 head-size mirror objects. Each object moves its head in a particular way to give it different characteristics of human behaviour. Some chat amongst themselves, some shy away and others confidently move to grab your attention.
One hundred identical sculptural elements, arranged in ten by ten grid, are rotated at slightly differing speeds by computer-controlled motors. The elements slowly shift in and out of synchronization. When the motors are just out of sync, huge waves ripple across the space. When completely in sync, the work appears almost solid then suddenly almost invisible.
AntiVJ
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삶의 영역으로 들어온 경관조명 트렌드 - 월간 팝사인 2009년 8월호
경관조명의 국내 트렌드에 대한 내용입니다.
가든파이브의 경관조명에 관련한 내용을 찾다가 보았습니다.
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some very good research is goin' on here!!!
맨 위에 UNStudio 사례에 대해서 생각을 해 보았는는데요.
RainDrop 의 spec 을 보면 하나의 X-900 에 100 개 까지, 케이블 당은 30 개까지 연결이 가능하다고 하는 걸로 보았습니다.
만약에 그렇다면 5000 개의 RainDrop 에는 5000/100 = 50 개의 X-900 을 써야 하는 걸까요?
저는 "the network handles 32 lines with a total of some 15,000 DMX channels" <- 요 부분이 아직 잘 이해가 안 갑니다.
32 lines 가 뭘 의미하는 걸까요