Stuart Mealing
Having had no site for a couple of years I now find the occasional need to refer someone to a CV.
Below therefore is a summary (presented in the third person to distance myself a little from the pretension of uploading it).
Perhaps some pictures will be added later - but I doubt it. Thanks for visiting!
With a first class honours degree in fine art he exhibited widely for twenty years, primarily working with mixed media and then photography, before taking a post-graduate degree in computing. After that his own work concentrated on relationships between computers, drawing, artificial intelligence and creativity and on iconic language and was manifest mainly through written material. He achieved around seventy outputs including five books, a number of book chapters and journal papers and a range of exhibitions etc. which included a one-man show at the Serpentine Gallery in London and a portfolio in the British Journal of Photography. Throughout this time he lectured at a number of universities and art schools, was appointed a Reader in Computers and Drawing and became a recognised expert in the field of visual computing. He was also a founding editor of the journal Digital Creativity, a founding member of both the Centre for Visual Computing and the Feral Drawing Group, a PhD supervisor and examiner, an external examiner on Masters awards at other universities (including the National Centre for Computer Animation) and was made an honorary Research Fellow at Exeter University. At the time he took early retirement in 2006 Stuart Mealing was in post at the University of Plymouth (in Exeter) and had, until recently, been in charge of research in Art & Design at the university. In that capacity he coordinated a research unit of over seventy staff for about six years and controlled a budget of approximately a third of a million pounds per year. He also completed the quinquennial RAE return made during that time and later compiled the HEFCE submission which earned around a further million pounds for the three year period during which he left. Outside
of academia he has been involved at a high level in
several sports, having represented Great Britain at under-20s rowing,
been a
member of the Welsh National fencing squad and having become a qualified
fencing coach at all weapons. When an injury curtailed his fencing he
took up
distance running, later became a BSAC qualified diver, and then settled
for
gentler activity - maintaining a regular presence at the gym, swimming
in
foreign seas when the opportunity arose and walking on nearby
Devon moors. Following an introductory course in 2010 he is also trying his
hand at sailing and can now often be found either in his recently acquired Laser or floating alongside it. In the past he has been Chair of Wales’s Ffotogallery, a founding committee member of his local, award-winning, community-run village shop and a charity fund-raiser. Among the less publicised moments in his life were several months working at a Cardiff steelworks, the completion of a deservedly unpublished novel and two appearances as a film extra - one in Judy Garland’s final film and another more than forty years later in Toya Wilcox’s latest.
He
currently occupies his quieter time with reading the Guardian, writing and image making, travelling,
and with Japanese reiki and ken-zen-sho. The latter practice brings together zen swordwork, zazen and zen brushwork (the
three being practised together because it has been recognised over the
centuries that all three aspire to the same state of ‘mushin’ or ‘no mind’).
This interest has also led him on several recent trips to Japan and seems likely to do
so at regular intervals in the future. He happily remains good friends with Sybil, from whom he has been separated for some years, and now has a new partner Jane.
last updated 29/03/2011 |