Foundations of Creative Writing, English 625

English 625 Syllabus, Fall 2010

Foundations of Creative Writing, English 625

Prof. Susan M. Schultz, Prof. Adam Aitken
Fall, 2010
Kuykendall 214; Kuykendall
Office hours: Wednesday 10-12 and by appointment on T.TR (SMS)


Room 216 Hours - Wednesday, Thursday 10 - 3. Please email to make appointments
adamaitken@optusnet.com.au



There will be four units this semester:
--Philosophical backgrounds (3 weeks)
--Literature & place (4 weeks)
--Small Press Publishing (3 weeks)
--Pedagogy (1 week)
--Two weeks for workshopping your final projects
You are responsible for knowing what's on the syllabus, even as it's likely to change over the course of the semester.

Requirements
--Attendance: it's crucial that you come to classes because that is where a lot of the thinking will go on.  Come prepared to discuss the material.  You may miss one class without an excuse.  Beyond that, you need one.
--Participation on a class blog.  Write the equivalent of one or two typed pages a week in response to the readings.  End each post with one discussion question for the week.  Get these in one full day before class meets.  You will be invited onto the blog at the very beginning of the course.  Say yes, then send your posts to http://foundations-schultz.blogspot.com
The blog also includes among its "pages" this syllabus, resource materials, and announcements.  Bookmark the blog and look at it frequently.
--Conferences.  Come see me at least once, preferably twice during the semester to talk about your work, my work, our work.
--Presentation on a small press that you choose in the first two weeks of the semester.  Order a publication or two from the press, or ask for review copies.  After interviewing the editor of the press, you'll talk to the class about the press's history, its mission, its marketing and distribution.  You'll also do a reading of something published by the press, either a poem or a short section of a story or an essay.  Come up with a writing exercise based on your sense of the press's mission and style.  If you would like to discuss a press not on the list here, please talk to me early on.
--Final project: a 20 page essay (or its equivalent) presented in the form of a small press booklet inspired by a press you encounter this semester.  The equivalent may be something on the order of 1) a walk (using Kaia Sand's book as a model); 2) a statement of your poetics in mixed genre form; 3) a detailed plan for a course in creative writing.  You will present your work (with students in other 625s) at the end of the semester at a colloquium.
--Extras: attend as many literary events as you can, whether the MIA series in Chinatown (usually on the second Wednesday of the month), the Biography series on campus, colloquia by students and faculty, slam poetry events.  Tell us about them and their relevance to the course on the blog.
--Kokua:
If you reasonable accommodations because of the impact of a disability, please 1) contact the KOKUA Program (V/T) at 956-7511 or 956-7612 in room 013 of the QLCSS; 2) speak with me privately to discuss your specific needs. I work frequently with the people at Kokua.
 --Cell phones & laptops: Cell phones off in class, please.  Laptops are more complicated.  Please use them for class work only, including research ("what's that word mean?" and so on), but don't stray into the seductive world of Facebook, &etc.

Readings (available at Revolution Books)

Gizelle Gajelonia, 13 Ways of Looking at TheBus (Tinfish Press)
Craig Santos Perez, from unincorporated territory [hacha] (Tinfish Press)
Hazel Smith, The Writing Experiment (Allen & Unwin)
Jill Yamasawa, Aftermath (Kahuaomanoa Press)
Kaia Sand, Remember to Wave (Tinfish Press)
Kathleen Stewart, Ordinary Affects (Duke UP)
William Carlos Williams, In the American Grain (New Directions)

Readings (on-line): find below
There will be occasional xeroxes, which I will distribute well in advance.

Schedule

Tuesday, August 24:  Introductions, ambitions (mine, yours).  Exercises!

Tuesday, August 31:  Kathleen Stewart, Ordinary Affects.
Also watch this video before class.  It's one of the 32 short films about Glenn Gould.
Tuesday, September 7
Read Plato, Sidney, Shelley, and Bernstein on-line.  Read (Riding) Jackson (xerox)
Plato on poetry, from The Republic, Book X
Sir Philip Sidney, A Defence of Poesie
Percy Byssche Shelley, A Defence of Poetry
Charles Bernstein, "A Defence of Poetry"
Tuesday, September 14
Read Wordsworth, Eliot, Brathwaite, Ho`oamanwanui
William Wordsworth, "Preface" to Lyrical Ballads
T.S. Eliot, "Tradition and the Individual Talent"
Kamau Brathwaite, "History of the Voice, 1979-1981" (you can find the pdf on-line by googling the name and the title)
Ku`ualoha Ho`omanawanui, Ha, Mana, Leo (Breath, Spirit, Voice): Kanaka Maoli Empowerment through Literature:[Check in through Project Muse, via the UH library system]
Tuesday, September 21
William Carlos Williams, In the American Grain.
Tuesday, September 28
Read essays on place
Lucy R. Lippard, "Being in Place," from The Lure of the Local (xerox)
Selections from KAILUA, Kailua Historical Society
Ku`ualoha Ho`omanawanui, "'This Land is Your Land, This Land Was My Land': Kanaka Maoli vs. Settler Representations of `Aina in Contemporary Literature of Hawai`i"
Dennis Kawaharada, response to Ho`omanawanui
Find those last two links here on a blog post by Susan M. Schultz
Nandita Sharma & Cynthia Wright on Settler Colonialism.  Find here
Tuesday, October 5: Read sections of books by Craig Santos Perez, Kaia Sand, and Adam Aitken: I will assign sections for small groups of you to work on and become "authorities" on.  Also read Gizelle Gajelonia's chapbook. Craig Santos Perez will be visiting our class; Gizelle Gajelonia will already be there.
Tuesday, October 12: Guests galore! Kaia Sand, Jules Boykoff and Adam Aitken!  Readings, provocations, conversations and food.  Read Boykoff's essay on Sand and Mark Nowak (pdf).
[Wednesday evening at 7:30 attend the M.I.A. reading series in Chinatown.  Readers will include Kaia Sand, Jules Boykoff, and yours truly.]
Tuesday, October 19
Small Presses
Presentations on the following presses:
Achiote (edited by Craig Santos Perez, publishes chapbooks of work by ethnically diverse experimental poets).
Kahuaomanoa (edited by Brandy Nalani McDougall et al, publishes books by graduates of the UH English department)
Dusie Press (Susana Gardner's co-op press)
1913 Press (edited by Sandra Doller in SoCal)

Tuesday, October 26
Press presentations
BlazeVox (Geoffrey Gatza, editor: publishes lots of books of various genres by young writers, including at least two who've graduated from UHM)
Singing Horse (Paul Naylor, San Diego), poetry that "is not archly experimental"
Starcherone (Ted Pelton, Buffalo): micro-press fiction publishing
Essay Press (Catherine Taylor et al, Ithaca, NY): experimental non-fiction prose
Tuesday, November 2: Holiday: Election Day
Tuesday, November 9
Press Presentations
FC2 (now published via the University of Alabama Press): experimental fiction
Salt (Chris Hamilton-Emery, UK: publishes a huge number of books in all genres)
University of Hawai`i Press (contact person: Masako Ikeda)
Bamboo Ridge Press
Tuesday, November 16
Pedagogy
Read Hazel Smith's The Writing Experiment
Tuesday, November 23
Workshop on your final projects
Tuesday, November 30
Workshop on your final projects
Tuesday, December 7
Presentation of final projects, debriefing, party!