1063days since
Opening Reception

About‎ > ‎

Art Work

Salute!     Preview to the July 3rd
opening at the Accidental Gallery
1579 N. Milwaukee Ave. Suite 350
Flatiron Arts Building, Chicago, IL
6-10pm


Elise Robison
"Plastic Betsy Ross Flag"
500 quilted plastic bags
120"x78"
Elise Robison, a patriotic southerner from rural North Carolina, began making flags with colleague Alee Peoples in 2005. Robison is interest in flags as aesthetic objects, and out of curiosity for their polarizing effect on people. Robison's "Plastic Betsy Ross Flag" and "Consumer Banners" from 2008 combine traditional American flags with Elise's modern quilted shopping bag technique to illustration how plastic America has become.

Elise works with plastic because she finds it aesthetically pleasing and out of concern for the environmental consequences posed by unrecycled plastic. As plastic from landfills breaks down and enters the water system, it leaks harmful dioxins known to disrupt the reproductive, hormone and endocrine systems in humans.







Alee Peoples
"American Flag"
(in reverse)
nylon, thread, grommets and pole
72" x 48"
Alee Peoples uses iconic visual language of flags as a platform to be taken out of context. She borrows historical signage and erodes easily recognizable signs to question their original authority and instant meaning. By mixing different types of recognizable cultural or industrial visual codes such as street signs or warning labels, Alee plays with the inevitable closure that occurs in our mind to highlight failure in simple communication.







Alex Fedirko
"43"
oil on canvas
50"x70"
With the election coming around the corner, (this painting was completed in October of 2008), and all the historical significance surrounding the 44th president, I thought what better than the 43 US Presidents.  So began the painting.  It wasn't until I started working on it that various elements began to surface.  It brought back adolescent memories of memorizing the presidents and learning about the eras of each term that reflected a significant moment in history.  It was also interesting to see the style change from term to term.   The gray at the bottom is symbolic of the unknown direction that the US is going.  It is dated pre-President Obama so he will not be painted in, one day id like to paint another with President Obama.   







Joe McDonough
McDonalds #4 (framed)
acrylic on canvas
23"x14"
Joe McDonough really likes McDonalds. A few months ago he was excited to receive coupons in the mail for a free Big Mac. Included, also, were coupons for McDonalds new Snack Wraps, and McDonalds Breakfast Cinnamon Melts. Both of these items were tasty to the utmost and he enjoyed eating them. To no one's surprise, he also enjoyed eating the Big Mac, although he's never understood why ketchup isn't included in the sandwich.

Joe made these four paintings about McDonalds and what McDonalds means to the American landscape. He holds no grudge against McDonalds and see the March of Progress as essentially being the March of The Golden Arches. To Joe that is a beautiful thing. He can't wait to see what McDonalds does next for our country.







Matt Hilker
"In the Company Of"
Oil on Canvas
36" x 48"
Matt Hilker is a prolific Chicago artist who excels at capturing the character of individual faces while exploring the space between group and person. His images contribute to the basic human desire to document personal experience through the memory of standing next to someone, in addition to painting plainly generatonal changes in look, stature and style.








Alexis Petroff
"Migration"
framed guash painting
on archival cotton paper

20"x25"


Alexis Petroff was born in Bordeaux, France in 1955. At the age of seven he moved to Paris. Five years later his family relocated to New York City where they joined an uncle who was attending art school. Alexis describes the experience of immigration to the U.S. as “…being deposited onto another planet by a spaceship - a total mind fuck.” Based on these early experiences, identity - from the vantage point of the immigrant, becomes an important subject.






Jeanine Hill-Soldner"
"Memories of an Era, Reflections of Our Time
72"x60"
Jeanine is an artist and a daughter dealing with a loss that resonates with many across the country. She is a firm believer that art heals and that we dream through our individual memories and in many ways live out our lives in accordance with our previous experiences. This work was developed from family snapshots and photos taken during Hill-Soldner's Father's first tour of duty during the Vietnam War in order to establish a narrative around stories that should be told. The orange skies represent Agent Orange, a dioxin based herbicide that was liberally sprayed in Vietnam from 1961-1970. 

The men in the paintings and photos are members of the Bravo Company 3rd Recon Battalion, United States Marine Corps.  These were the first ground troops to enter Vietnam in 1965.  This work is dedicated to Hill-Soldner's Father, all of those who have gone to war, those who have not returned, and their families.






Michelle Nolan
"Miss July 2009"
Digital Photo
Michelle Nolan is a people Photographer, known for her elegantly surreal visual style and her innate ability to elicit her subject's deepest secrets into her photos. In 2009, artist Elise Robison appeared with her quilted "Plastic Betsy Ross Flag" as Miss July, for the "Tyk-Thought You Knew" bike calendar benefit for the Chicago Women's Health Center.








Mike Runge
"Untidy State of America"
mold grown on plexiglass
6.5" x 10"
Aspiring art teacher who settled in Indianapolis upon returning from his National Guard tour of duty in Iraq, Runge is predominately a sculptor known for his puppet making and irrefutable whimsical optimism. Community and performance are major driving forces in Runge's work. Runge's events are inclusive to create an environment where creativity thrives in addition to his larger puppet works requiring up to 15 individuals to operate. The work this Salute! show is focused on Runge's interpretation of the political climate before the 2008 election and documentation of his time at war with photographs and cartoon letters.







The National Vietnam Veterans Art Museum
Founded in 1981 by a few Vietnam combat veterans who put together a historical collection of art inspired by combat and created by veterans. The rare collection blossomed in the post-war era and has now grown into the National Vietnam Veterans Art Museum (NVVAM), the world’s only museum with a permanent collection focusing on the subject of war from an artistic perspective. Visitors express that this perspective is a universal message to all generations, and cultures.The artwork presented at the Museum provides a unique viewpoint on the controversial subject of war to all visitors. It is a tenuous and reflective balance of beauty and horror, giving unique insight into the psyche of combat veterans and consequential hindsight war leaves on its survivors. Selections from the NWAM will be on display for Salute! Art Show.





John Turner of Combat Paper
"Saw"
paper made from US Marine uniform
12"x14"
Through papermaking workshops veterans use their uniforms worn in combat to create cathartic works of art. The uniforms are cut up, beat and formed into sheets of paper. Veterans use the transformative process of papermaking to reclaim their uniform as art and begin to embrace their experiences as a soldier in war.






Stuart Hall
"Fleurs de Guerre"
paper maché flowers installed to field artillery
2008
Stuart Hall served in the Navy and is now a political artist who takes fun art seriously. This piece was a temperary voting day instillation intended to remind us that America is a country that is still at war. The "Fleurs" were placed with field artillery at several Chicago locations without permission but no one seemed to mind.







Mitchell Lara
"Up against the Bulkhead"
Mitchell Lara served as a Sergeant in the United States Marine Corps and participated in up-to-your-armpits combat for the campaign in the war in Iraq. Mitchell is a painter who has  been reintroducing himself to art after his 8 year tour of duty in the Marines. His pieces for this show are inspired by the frustration, anxiety of war and long rush to get there. Surviving the war brought the realization that freedom can only be granted once it is taken away.







Michael Wasniowski
Collage
13"x19"
In my collage; I incorporate magazine and newspaper clippings as well as my own photographs and illustrations. Thematically my work in this media is primarily social commentary. Since I was a child I enjoyed constructing things out of the materials my father had lying around his shop including wood, metal, plexiglas, plaster and cement. I also spent alot of time drawing and designing things like fonts, logo's, cars, clothing and working with mechanical things like bicycles. During my teenage years I began to experiment with screen printing and photography.






Andrew Herner
"Civil Service and the Nature of Progress"
photo
30"x38"
As an artist Herner's primary concern is that his work have a strong sociological relevance. His images engage in a visual dialogue and explore what a new narrative will be for future generations by reordering and breaking up historical sequence from time to time. He often pins different ideologies against one another to leave the answer to his new future narrative open.






Jacqueline Patrice
"Working Class Hero"
 Oil on Canvas
28"x36"
Jacqueline Patrice is self taught painter who uses the medium as a voice to express what otherwise would be pent up inside. Highly influenced by metaphysical ideas and the romanticized world she lives in, she sees the blank canvases as pages in the story book of her imagination. Known predominantly as a portrait artist, Patrice treats the process like stepping inside a person, and is inspired by the mystery of her subjects personality.






Mathew Morgan
"Lincoln Memorial Statue"
Acrylic
24"x48"
Mathew Morgan is a self taught artist who studied classical voice and piano with intentions of becoming a professional musician, until in 2004 he was diagnosed with a severely disabling chronic illness. Mathew found himself compelled to draw and paint after struggling toward recovery while house bound for nearly two years. Having taught himself to draw from cartoons, Morgan began his art endeavor as a hobby to pass the time while lying in bed and ended up focusing on art as a serious vehicle for expression and emotional catharsis. Mathew is still struggling with his illness everyday, but has found he is much stronger and more able to focus on artwork professionally. His paintings incorporated images of people, places and things that hold a position of importance in his daily life. He chooses vibrant colors and a slightly less than realistic perspective to represent an unencumbered version of reality that avoids being bogged down in the minutiae of daily living.






Peter Bullock
"A Few Brave Men"
collages composed of old US postage stamps and oil paint
7"x8"
Peter Bullock includes materials such as candy wrappers, postage stamps, and foreign currency in his painting, separating them by color and enhancing them with oils. The resulting paints can be viewed on a number of levels: as the total interplay of form and color; as the interaction of elements and textural values within the painting; and at the most intimate voyeur level as the incorporated objects themselves. This juxtaposition of object and art in a revised visual context creates a new paradign of art and reality.







Carolina Reyes
"Not Winning the War"
Painting








Cherie Tymkiw
"Bhutto"
India Ink Painting with Collage
Since the beginning of civilization, atrocities and conflict have occurred constantly; what has changed in our era is the speed, convenience and aggressiveness of commerce to accelerate our opportunities to learn about them. Through our culture we are acclimated to the absurdity of viewing strife as simultaneously interrupted and distracted by products to bring serenity to our unbalanced individualistic worlds. By this corporate ran system, an audience may never notice the effort put into manipulating our viewpoints - to explain a story in a certain angle or a certain amount (be it video, words on a page, or photographs), to keep us informed but as well detached. My work responds to this awareness by mimicking tactics used by news media. The appropriated images ask for your attention, aiming to lure you in with the attraction of realism battling against commodity to win your gaze.      






Contact Salute!

 Kevin Lahvic - Flatiron Artist's Association
kevin@kevinlahvic.com

Stuart Hall - the accidental gallery
stuarthll@mac.com

Elise Robison - Miss July 2009
Elise@rapidtransitcycles.com