Recommended Sites

www.bartelby.com
Reference Materials
(Dictionaries etc.)

http://owl.english.purdue.e
du/owl/resource/557/15/
MLA Citation Guidlines

http://www.loc.gov/poetry/
180/
A poem for every
day of the school year

www.poets.org
More great poetry

http://grammar.ccc.com

mnet.edu/grammar/
Guide to Grammar
and Writing
(Explanations, examples,
Quizzes)




Recent site activity

Ms. Roy's Magnet English

April 23-27

Rehearsals and Star Testing

Monday, April 30, 2012 / Tuesday, May 1, 2012

SSW: Describe what your favorite actors do to convincingly portray their characters. 

Discussion: Characteristics of good acting

            Ways to ping one word per line

Lines should be memorized today

Rehearsal

Costume and prop planning

HW:

Rehearse

Gather costumes and props

Drama performances will be W 5-9 for B-day and Th 5-10 for A-day.  Invite your parents, grandparents, neighbors, now. 

Dress rehearsal for final grade M 5-7 /T 5-8

Make invitations for extra credit.  Bring paper and electronic copies next class.

Monday, April 16 / Tuesday, April 17

Drama Day 1

SSW: Respond to the following quote from the 1762 New Hampshire House of Representatives: (Plays have a) “peculiar influence on the minds of young people and greatly endanger their morals by giving them a taste for intriguing, amusement and pleasure.”  Agree?  Disagree?  Does this have relevancy today?  Did it hold true at the time?  Should we be exposing you to drama?  Why or why not?

SSW sharing

Due today:

  • Parental narrative
    • See your checklist
  • Play or $7

HW: read any introductory material about play

Intro to Reader’s Theatre

            HO

            Break play into thirds

            Select parts for the day

 Reader’s Theatre

            Acting

            On your feet

            In character

            Body Language

            Facial Expressions

 Small Group Discussion

            Introduction and Plot

 ·         Tips for drama essays

    • Thesis

o   Quote text

o   Be specific

o   Be analytical

o   Strong TS w/ title and author and thesis

  HW:   

  • 1 pp typed essay on intro and plot

·         Post to forum

·         Invite parents to performances on Th 5-10 / F 5-11

Mister Pip Day Nine Thurs, April 12 / Friday, April 13, 2012

Online discussion of Mister Pip

-          Follow instructions and formatting guidelines in handout

o   Under handouts section of my Kealing.org page

§  Online discussion categories and instructions for Mister Pip

§  Keep this document open while you are posting and check that you are doing so correctly

HomeworkReminder:

Parental Narrative (with author’s note) and adult edit due next class

·         Make sure that you include everything that is listed on the back of the rubric

 

Bring $7 for drama book

-      


Tuesday, April 10, 2012 / Wednesday, April 11, 2012

Mister Pip Day Eight

Dear writers,

SSW: State rules of dialogue writing.  Use Mister Pip as a model.  Think about style and grammar and function.

 

SSW sharing

 

HW:

 

Due next time / Th / F

·         $7 for drama book

·         revised parental narrative

·         adult edit of parental narrative: comments and signature on rubric

·         Completed reading and annotation of Mister Pip

Due M / T:

·         Final parental narrative including everything detailed on rubric 

Note: all late work / missing work is due by end of office hours on Tuesday; all quizzes must be made up by 4th period on Wednesday

Extra Learning/extra credit

  • Mindset
  • Great Expectations
  • Museum or Cultural Event

 Participation Report.

 Full Name:

 Participation: # (in a box) 2nd box: grade / 2 out of 50

 

Write a persuasive paragraph with evidence about why you deserve this grade

 

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

  clocking

Revision Exercise

 Partner #1:  Dialogue

Partner Name:_____________

  • Read the entire parental narrative.
  • Take out the dialogue rules handout.
  • Make any corrections regarding dialogue rules on the narrative.  Look closely.  You should not miss any mistakes.
  • Discuss your corrections with the author.

 Partner #2:  Theme

Partner Name:___________

 Read the entire parental narrative.

  • What is the definition of theme?
  • What do you think the theme(s) is of the parental narrative?   Explain your thoughts using specific examples from the text.
  • Come up with ways to make the theme clearer.  Write notes in the space provided.
  • What motifs does the author use to support the theme?  What other motifs could they add to strengthen the theme?

 Partner #3:  Effective Writing Techniques

Partner Name:____________

  Circle and label effective writing techniques within the narrative.  In the margins, explain how each technique enhances the narrative.

  • Look for places where effective writing techniques should be included but are not.  In the margins, offer suggestions on how to incorporate these techniques.
  • What techniques did the writer use well?  How did they impact you as a reader?
  • What suggestions do you have for integrating other characteristics of effective writing?

 Partner #4: Micro edit for grammar

Partner Name:__________

 Eradicate ROs and FRAGs.

  • Check for commas after intro clauses.
  • Homonyms.

 Partner #5:  Lead

Partner Name:__________

 What makes a good lead?  Why?

  • Does the author of this narrative have a great lead?  Explain.  What can the author do to create a better lead?
  • Read the entire parental narrative
  • Offer suggestions for how to improve the lead and / or for other parts of the story that might make a better starting point.  Think about in medias res.

  Partner #6:  Conclusion

Partner Name:____________

 ·         What makes a great conclusion?

·         Does the author have an impressive conclusion?  Why or Why not?

·         Along with the author, come up with an even better conclusion. The conclusion should end with a bang and reveal the theme.  Write the new and improved conclusion in the space provided.

 Use any remaining time for revision.

W 4-4 / Th 4-5-12

Mister Pip Day Seven

 SSW: List metaphors, similes and motifs from Ch. 20-23.

 Reading Quiz

 Discussion

 Peer Editing of PN

 HW:

  • Finish reading and annotating Mr. Pip
  • Revised draft of PN

Mister Pip Day 6 M4-2 / T 4-3-12

 Due today:

  • Annotations

 SSW:  We are in a one-room schoolroom on an island.  We’ve been studying Mr. Bradbury’s Fahrenheit 451.  The only copy on the island has been destroyed.  Recreate, from memory, the story.  Capture as many of Mr. Bradbury’s words as you can.  Collect the fragments.

 Pair sharing

 Discussion:

·         What do you notice about what you did and did not remember?

·         What do you believe is the function for stories?

·         What connection can you make b/n how you use stories and what you remembered?

 Szymborska’s “Joy of Writing”

·         Disc: what does this poem have to do w/ you and writing yr parent’s story?

 Form Drama Groups, sign up and turn in money for plays to Ms. Roy

·         Piano Lesson

·           Rhinoceros

    • A4 - Jonah, John, Zach, Kendrick

·          Arcadia

    • A4 - Jonathan, Jasmine, Becky, Eva, Stephen, Victor

·         Raisin in the Sun

·         Our Town

o   Mikayla, 1A

·         Night Thoreau Spent in Jail

o   Ink, Neil, Kiernen !A

·         Shakespeare

o     As You Like It

  • A4 - Will, Emery, Nina, Frank, Daniel, Amir

o    A Midsummer Night's Dream

  • A4 - Claire, Morgan, Ashley, Lucas, Nick, Noah

o   King Lear 1A

§  Tabitha, Luca, Nicole, Asena, Gisela


·         Gogol’s Inspector General

o   1A Odalis, Ryan, Anna, Roberto, Cara, Rebekah

o    A4 - Tony, Alex, Jennifer, Alondra, Hugh, Chloe

·         Cyrano de Bergerac

o   1A Hannah, Jacob, Sam, Michael, Keishaun 

Disc: Mister Pip

 Rubric for parental narrative / wisdom story

 Peer editing of parental narrative / wisdom story

 Writing time or reading and annotating time

 Annotations check / conference

 HW:

    • Read and annotate through p. 210 / end of ch 23
    • Next class: revised, polished draft ready to peer edit
    • Write story in first person from parent’s p.o.v.
    • Maintain the essential and emotional truth and theme
    • Do not worry about accuracy
    • Change, add, omit to create a work of literature
    • Create dialogue
    • Add motifs
    • Add figurative language

Th3-29/F3-30

Mister Pip Day 5

 Take notes on definition of motif on yr literary devices page

 motif (moh-TEEF): a recurring object, concept, or structure in a work of literature. A motif may also be two contrasting elements in a work, such as good and evil. In the Book of Genesis, we see the motif of separation again and again throughout the story. In the very first chapter, God separates the light from the darkness. Abraham and his descendants are separated from the rest of the nation as God's chosen people. Joseph is separated from his brothers in order that life might be preserved. Another motif is water, seen in Genesis as a means of destroying the wicked and in Matthew as a means of remitting sins by the employment of baptism. Other motifs in Genesis and Matthew include blood sacrifices, fire, lambs, and goats. A motif is important because it allows one to see main points and themes that the author is trying to express, in order that one might be able to interpret the work more accurately. See A Handbook to Literature, The Concise Oxford Dictionary of Literary Terms. Robert Bean, Student, University of North Carolina at Pembroke

 MOTIF: A conspicuous recurring element, such as a type of incident, a device, a reference, or verbal formula, which appears frequently in works of literature. For instance, the "loathly lady" who turns out to be a beautiful princess is a common motif in folklore, and the man fatally bewitched by a fairy lady is a common folkloric motif appearing in Keats' "La Belle Dame sans Merci." In medieval Latin lyrics, the "Ubi sunt?" [where are . . .?] motif is common, in which a speaker mourns the lost past by repeatedly asking, what happened to the good-old days? ("Where are the snows of yesteryear?" asks Francois Villon.) The motif of the "beheading game" is common in Celtic myth, and so on. Frequently, critics use the word motif interchangeably with theme and leit-motif. See also folkloric motif.

 (moh-TEEF) In literature, art, or music, a recurring set of words, shapes, colors, or notes. In the poem “The Raven,” by Edgar Allan Poe, for example, the word nevermore is a motif appearing at the end of each stanza. Likewise, the first four notes of the Fifth Symphony of Ludwig van Beethoven are a motif that is developed and reshaped throughout the work.

 SSW: Using yr book and annotations, write about the motifs in Mister Pip.  Start yr focus on Ch. 8.  Reflect on the motifs associated w/ Pip and w/ Dolores.  Be prepared for a discussion prep activity and discussion over Ch 8-15.

 Discussion Prep Ch 8-15

 Discussion Prep Grading and Discussion of Mister Pip

 Disc: Options for Drama Groups

·         Piano Lesson

·         Raisin in the Sun

·         Night Thoreau Spent in Jail

·         Shakespeare

·         Gogol’s Inspector General

·         Cyrano de Bergerac

·         Pygmalion

·         Our Town

·         Select a challenging play and be ready to persuade a group of your colleagues to join you in reading, analyzing and performing it; bring $ for drama book on M/T 

  Read and annotate Mister Pip

HW:

  • read and annotate through p. 166 / end of Ch. 19
  • notice and appreciate a spot of beauty like Daniel’s grandmother’s blue
  • think about what play you want to perform for our upcoming drama unit
  • continue writing wisdom story
    • Next class: completed second or third draft ready to peer edit
    • Write story in first person from parent’s p.o.v.
    • Maintain the essential and emotional truth and theme
    • Do not worry about accuracy
    • Change, add, omit to create a work of literature
    • Create dialogue
    • Add motifs
    • Add figurative language
  • Research and ruminate about which play you want to perform
  • Select a challenging play and be ready to persuade a group of your colleagues to join you in reading, analyzing and performing it;
  • bring $ for drama book on M/T

Friday, March 3-23/ Monday, March 3-26 Mister Pip Day 4

SSW: What character(s) have you befriended as Matilda befriends Pip?  What did the characters have in common w/ you?  What impact did they have on your life, emotionally and intellectually?  Explain.  What’s it like to have a friend from a book?  How is that the same and how is that different from other friendships?

SSW Disc

Oral storytelling of parental narrative

Criteria for writing story

·         1st person narrator = parent or grandparent who told you the story

·         Extensive dialogue

·         Fictionalized version

·         Remain true to theme and essential truth / emotional truth

  • think of a motif that fits w/ your parent’s story
  • identify the theme of your parent’s story
  • ask parent to retell the story if necessary

Examples of motifs to add to story

Discussion Prep:  Reviewing yr book and yr annotations, write questions for today’s lively discussion.  Write two categories of questions:  1) questions that have specific and definite answers that are alluding you / confusing you and 2) open-ended, deep-probing questions that will carry our discussion in interesting and profound directions.  Be sure to include ?s about the conflict on the island and about Great Expectations.

Lively discussion

HW:

  • Read and annotate through Chapter 15 (page 122 in the paperback edition) by class after STAAR testing, Th 3-29 / Fri 3-30

·         start writing wisdom story: 2 page typed double spaced due class after STAAR, 2nd draft, Th 3-29 / Fri 3-30

·         study for a quiz on ch. 8 -15

W3-21/Th 3-22

Mister Pip Day Three

SSW: What is the difference between wisdom and education?  How are these concepts dealt with in Mister Pip?  In your own life, who has served as a source of wisdom?  How?  Who has supported your education?  How?  Have you ever faced a conflict like Matilda and Dolores faced over folk wisdom versus formal education?  Do you find these concepts at odds?  Why / why not?  Do you value one over the other?  Why?  Examples?

SSW sharing and discussion of Mister Pip

Printing and Signing of Letters to Charities

Mailing of Letters and Checks

 Story telling challenge:

Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class

 Independent work time:

  • Finish research on background issues of Mister Pip
  • Read and annotate Mr. Pip

 HW:

  • Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class
  • Read and annotate through Chapter 10 (page 73 for the paperback edition) by F3-23/M3-26
  •  Bring your book to your testing pod so you can read and annotate and study when you finish the STAAR test
  • Read and annotate through Chapter 15 (page 122 in the paperback edition) by Th3-29/F3-30 

Mister Pip Day Two Monday, March 19/ Tuesday, March 20

SSW: Prepare for a quiz and discussion on the first 4 chapters of Mr. Pip.  Write down what you want to discuss, both in terms of questions and insights and parts that you admire as a fellow writer.

Reading Quiz on Ch 3-4

Grading of Quiz and Disc of Ch 3-4

Reading and Annotating

Read and annotate Ch 5-6

Research / familiarize yourself with background info for Mister Pip

  • Great Expectations
  • Bougainville
  • read article about Bougainville: www.speedysnail.com/pacific/bougainville.html
  • Background info on Bougainville and copper mining and all places listed in book and civil war

Portfolios on extended deadline due today

  • Post links on forum
  • Turn in paper copies, stapled of:
    • Rubric
    • Metacognitive letter self edit
    • Adult edit

Readers’ Gallery of Art

·         Final call for money

·         Letter to charities

Number chapters of Mister Pip 

HW: finish reading and annotating Ch 5-6; study for quiz

Thursday, March 8, 2012/ FRIDAY :) March 9, 2012

Mister Pip Day One

 SSW: You find yourself on a small, isolated island.  You are asked to become the new schoolteacher.  What one book will you teach to the children who know little of the outside world?  Why?  What will you want them to learn from the book?

Disc SSW

Oral Reading and Annotation of Mr. Pip, Ch 1-2

Collect bids from Readers’ Gallery

HW:  Read and annotate Ch 3 and 4; prepare for a challenging quiz: talk to someone about your reading: your dog, a colleague, or your imaginary friend;

List of things to annotate for and think about:

·         Fixed vs. growth mindset

·         Attitude of islanders towards white people

·         Cultural norms

·         Literary devices

·         Vocab to know and love

If you didn’t turn in your portfolios today, they are do next time. If electronic, post link on forum.

Turn in your rubric when you turn in your portfolio,

Also turn in your adult edit and metacognitive letter self-edit.

Tuesday, March 6, 2012 / Wednesday, March 7, 2012

 Updates:

  • Readers’ Gallery of Art: absolute deadline for money collection = Th/Fri
    • Letter to charity
      • A1: Nikki, Anna,
  • Museum chaperone thank you cards:
    • A1: Rebekha and Roberto
  • Things that should have been turned in to sub:
    • Museum activity sheets
    • Art essay
    • Choreopoem and self-evaluation
  • Ink Blot
    • Extended deadline until spring break
    • Turn in to InkBlot  box with completed form or email to InkBlot
      • Do NOT email to me
  • Portfolios
    • Review of expectations and purpose
    • Brainstorm characteristics of effective writing to use
    • Questions and answers
  • Metacognitive self-edit handout
    • Fill out the handout and be prepared to turn that in next class for a grade

 

HW: revise metacognitive letter and table of contents

      • Get adult edit on metacognitive letter and t.of c,
        • Written comments and a signature
      • Portfolio due next classs ( can have an extension until after spring break if you like, but we are not going to spend any more time in class after today)
      • Bring Mister Pip next class or $11 if you ordered one from me

Th 2-23 / F 2-24


Dear Students,

I have gone to Houston to be with my cousin and her daughter at Texas Children’s Hospital.  Please be as amazing and wonderful as you always are.  Please see Mr. Webster or Ms. Hart or a neighboring teacher if you have a question or a problem.  Please help the sub and help each other.

Thanks,

Ms. Roy

Collection of art $ -- bid sheet committee: collect money, store in envelope and record and give to Mr. Webster before end of class to lock up; allow students to go to other classes to collect $ and deliver art during SSW

SSW:  If you could commission any artist to create a work of art for your home, who would you commission and what would you ask them to make?  Why? 

SSW sharing

DUE TODAY:

    • museum packets
      • organize into alphabetical order by last name and turn in to class bin

prepare to peer edit art essay

  • review rubric and criteria for art essay (handout)
  • review analytical paragraph recipe (on your feet...)
  • review info for topic sentence
    • art title, artist, museum, + thesis about the art
  • remember to have a well embedded quote
  • get at least 2 amazing peer edits


peer edit art essay

revise art essay

post final copy on forum before next class

bring a final printed copy to class to turn in next class

select pieces to submit to Ink Blot

fill out forms and submit to box

study vocab to know and love
            be ready for a quiz at any time
if there is time remaining…

watch more of art dvd already in computer (A-day students continue from where left off; B-day students start at beginning)

HW: write in agenda book

·         post polished art essay on forum

·         bring $11 or Mister Pip

·         submit to InkBlot

·         study vocab to know and love

 

Tuesday, February 21, 2012/ Wednesday, February 22, 2012

Welcome back, Museum-Goers

Tuesday, February 21, 2012/ Wednesday, February 22, 2012

 

SSW:  Which museum was your favorite?  Why?  Which works of art do you especially want to remember?  Why?  What surprised you?  What did you learn? Which works of art did you want to take home with you?  Why?  What questions do you have about the art and the museum?  What would you like to discuss today about the art and the museums?

 Discussion of museums and works of art

 Writing about art

·     Review Rubric

·     Review Analytical Writing Recipe

Announcements:

·     Need a letter to the charities about Readers’ Gallery of Art to go w/ check

·     Final draft of writing about art due next class

·     Museum activities due today (keep to help with writing and turn in with final next time)

·     Thank you notes for chaperones

·     Collect all of your major writing for the year and plan to bring to class after spring break

o Electronic copies are fine

·     Bring $11 next class for Mister Pip by Lloyd Jones or your own copy

o Note: we are switching from The Tiger’s Wife to Mister Pip; I'll explain in class

Thursday, February 16th

MUSEUM TRIP

HW: Finish museum packet

Tuesday, February 14, 2012 / Wednesday, February 15, 2012

Good morning, Museum-goers,

Hey kiddos, jot down the key words from the journal, so I can switch to projecting the art.  Thanks

J:  First, describe in detail the painting by William H. Johnson.  Second, list the elements of art the artist’s uses (line, color, shape, etc.).  Third, analyze the artist’s use of elements of art to create meaning.

Steps of art analysis

Museum Etiquette

Fieldtrip Procedures

Museum preview slideshow

HW:

  • Collect straggling bids; deliver art
  • Order / buy / borrow a copy of Mister Pip by Lloyd Jones or bring $11 by next class (NOTE: we’ve had to change from The Tiger’s Wife to Mister Pip; I will explain in class)
  • One page of research notes on a work of art at one of the museums; become the expert for your group


2-13-12 (A-day only)

SSW: If you had a completely free day and could do anything that you wanted, what would you do?  Poetry or prose.

Poetry Open Mike

Readers’ Gallery of Art Collection and Reminders to Bidders

Novel Selection input

Vocab to Know and Love

HW:  

·         Collect $ for Readers’ Gallery of Art

·         Vocab to know and love

·         Late novel ideas due by 1 pm. Tuesday

·         All other late work due by end of the day on Tuesday

Thursday, February 9, 2012 / Friday, February, 10, 2012

If turning in late (or absent) art, please set-up yr art and artist’s statement and self-evaluation of your art and your rubric so that I may grade it.  We also need a volunteer to photograph art.

 

SSW:  Evaluation of the Reader’s Gallery (on clean paper to turn in)

§  What did you learn?

§  What did you like / dislike?

§  Suggestions for improvement

§  Should we do this again next year and / or similar events this year?  Why?

·         2 Self-evaluations of your 1) presentation of art during the  Gallery 2) Committee work

 Be specific and persuasive about what you did for each

·         19 amazing; leader in committee; product is polished and effective; explained art articulately and enthusiastically to everyone; all deadlines met or early for committee 

·         17 solid; participated well in committee; presented art to those who asked;  effective product; deadlines met

·         15 weak; had to be prompted to work in committee; contributed slightly less than fair share; spoke about art w/ less detail; wandering focus

 

 

Poetry self evaluation w/ rubric

            annotate

 

Poetry open mike

 

Class novel input

 

HW: collect bids; deliver art AFTER money is turned in; post poem and 2 comments to forums;

 

Friday, February 3, 2012 / Monday, February 6, 2012

SSW:  If you could take a trip anywhere with anyone where would you go?  What would you do? What would you see?  Craft a poem.

Announcements:

·         Wislawa Szymborska, my favorite poet, and Nobel Laureate died on Wednesday

·         InkBlot

o   Everyone will get a grade for submitting one piece of great writing to InkBlot

o   Extra credit for each additional piece of great writing

Readers’ Gallery Prep

·         Is there anything left to do?

·         Finish grading art and artist’s statements

·         Photography

·         Make sure everything is printed before you get to class

·         Day of Gallery: set up 6 things:

o   Art

o   Artist’s statement

o   Poem, short story, or novel excerpt

o   Pen

o   Bid sheet

o   placard

Spring Novel Selection Input

InkBlot selection and entries

Poetry revision and editing

Poetry grazing

·         Poetry180 and poets.org

HW:         

  • Remind your families, friends, teachers, administrators, etc. about the Readers’ Gallery of Art next class
  • Make sure you have all of your materials printed and ready to go before the day of the gallery
  • Revise, edit, peer edit, and polish your sonnet
  • Revise, edit, peer edit, and polish your poem of choice
    • Due with multiple revisions + 2 macros + 2 micros + author’s note for Poetry Café on 2-9/2-10

Wednesday, February 1, 2012/Thursday, February 2, 2012

 SSW:   What does your committee still need to do before the Readers’ Gallery of Art?  What do you need to do ?  Also, use your rubric to evaluate your art.  Check off the criteria that you met and use that to determine your grade.  Write a brief written defense of your evaluation.

 Committee Reports

 Committee Meetings

  • Make sure all teachers and classes know everything they need to go
  • Make sure google docs are shared
  • Make sure your art, décor, supplies, etc. are neatly stored in appropriate place
  • Make sure everything is ready
    • Remind your adults
    • Neatly printed copy of
      • Artist’s statement
      • Poem or novel excerpt
      • Artist’s placard

 Readers’ Gallery Rehearsal

 Teacher conferences

 Next class:

  • Rough Draft of Poem of Choice Due
  • Sonnet due

Class after next: Tues, Feb. 7 / Wed. Feb. 8: Readers’ Gallery

Class after that: Thursday, Feb 9 / Friday, Feb. 10: Poetry Cafe

Monday, January 30, 2012 / Tuesday, January 31, 2012

SSW: Reflect back on yr poems.  Which one do you want to polish up for yr poem of choice to read at our Open Mic / Poetry Café on Feb 9/10?  Why?  What do you want to do to polish it up.  Make sure you are referring to the rubric.

Reminder: first bike club ride on Thursday

Instructions:  Everyone needs to take out artist’s statement and notes: things to always get right.  At the start of each round, pass paper to left.  Each time you get a new paper, write # of round and yr name.  Quickly and silently mark yr edits.  This needs to move quickly and silently. 

·         Round 1: lead and title. (about 90 seconds)

o   Title (Artist’s Statement for ____________ and byline

o   First sentence should have:

§  Author’s name

§  Title in “” for short stories

§  Title italicized for novels

§  Title of art in “”s

o   Don’t forget apostrophe in artist’s statement

·         Round 2: (about 5-7 minutes)

o   Clear and detailed explanation of art?  What else should the artist explain?  Comment on anything that is not clear or needs further elaboration.  Stay seated, but look at the person’s art, what did they leave out of their explanation?

·         Round 3: punctuation (about 5 mins)

o   Commas after introductory clauses

o   Quotations correctly punctuated and cited

o   NO ROS nor FRAGs

·         Round 4: (about 5 mins)

o   Get out your notes on things to always get right; check for these things (it’s/its, their/there/they’re)

·         Round 5: (about 4 mins)

o   Conclusion: How strong is the artist’s conclusion about her art and her interpretation of the story?  What does she need to add? 

Return papers to artists; quickly check that you understand comments

Input on spring novel selection

·         Lloyd Jones’ Mister Pip

·         Mariel Barbery’s The Elegance of the Hedgehog

·         Tea Obreht’s The Tiger’s Wife

If you checked out a book from me and are finished with it, please return it

If you need a book to read, please check out a new one

Sonnet writing and editing

Poem of choice revising and editing

Committee meetings as needed

HW: put the finishing touches / revisions on

·         art

·         artist’s statement

·         both are due next class / W / Th

·         invite family and school adults to Gallery

·         permissions slips must be turned in next class

·         return books borrowed for novel idea

W 1-26 / Th 1-27-12


SSW: Review your rubric for the Readers’ Gallery of Art.  What do you still need to do to finish / improve your art and your artist’s statement?  What does your committee still need to do.

Poems about English for yearbook

            Our yearbook staff would like to feature some short poems by students on the English page of the yearbook. 

Here are the guidelines:

Poem should be no more than 12 lines

Poem may rhyme, but does not have to

Recommended forms include (but aren't limited to) Haiku, Limerick, Sonnet

Poem must be about English at Kealing, could be about a specific project, teacher, class, or just the subject of English education in general. 

We will pick as many as 5 (depending on variety, etc.)

Please tell students to submit their work via email to yearbook.kealing@gmail.com.  Please ask them to include the subject line "Poem submission" and make sure they've included their full name with the entry.

Submissions are due by this Friday, 1/27, end of day.

Peer editing with electronic comments of artist’s statement

      Make sure that topic sentence contains

§  Author’s name

§  Title in “” for short stories and poems

§  Title italicized for novels

§  Title of art in “”s

o   Don’t forget apostrophe in artist’s statement (title)

Sonnets

From your poetry packet, read p.7 about sonnets.  Mark the rhyme scheme on the 2 sonnets: start w/ the letter a and label the end of lines based on rhyme scheme.  Introduce a new letter for each new rhyme. Pay attention to the rhythm of the sonnet.  Mark the rhythm.

An iambic foot is an unstressed syllable followed by a stressed syllable. The rhythm can be written as:

da

DUM

A line of iambic pentameter is five iambic feet in a row:

da

DUM

da

DUM

da

DUM

da

DUM

da

DUM

It's possible to notate this with a '˘'(Breve) mark representing an unstressed syllable and a '/'(Forward Slash) mark representing a stressed syllable[1]. In this notation a line of iambic pentameter would look like this:

˘

/

˘

/

˘

/

˘

/

˘

/

The following line from John Keats' Ode to Autumn is a straightforward example:[2]

To swell the gourd, and plump the hazel shells

We can notate the scansion of this as follows:

˘

/

˘

/

˘

/

˘

/

˘

/

To

swell

the

gourd,

and

plump

the

ha-

zel

shells

We can mark the divisions between feet with a |, and the caesura (a pause) with a double vertical bar ||.

Sonnet writing

Committee meetings for Reader’s Gallery

Planning for indiv art projects

Novel Idea commenting

HW:

  • Art
  • Committee work
  • Revise artist’s statement
  • Work on sonnet

T 1-24 / W 1-25-12


SSW: Write a poem about something that you want to do, or something that you would never do, or something that you regret doing or not doing.

OR Write a poem about English class to submit to the Kealing yearbook for extra credit.  They need it by this Friday.  No more than 12 lines.

  • Committee meetings for Reader’s Gallery
  • Writing and editing your artists’ statement
  • Planning for indiv art projects

 Novel Idea commenting

 HW:

  • Art
  • Committee work
  • Rough draft of artist’s statement due next class

Friday, January 20, 2012 / Monday, January 23, 2012

Welcome, artists, philanthropists, writers,

Objective / Big Picture Questions:

·         How can you create deep and meaningful visual art that demonstrates your interpretation of a text?

·         What are the steps and techniques of writing an analytical essay explaining your artistic interpretation of the text that you selected?

Turn in permission slips for our fieldtrip to the San Antonio museums on Th. February 16

SSW: Consider the text that you selected as inspiration for your Readers’ Gallery of Art. Why did you select this text?  What makes this text great literature?  Why does it resonate so powerfully with you?  What is the message you carry forth from the text?  How will you represent the message in your art?  How will you represent the author’s style in your art?  What do you want your audience to see in your art and in the original text?  How will you make your art a window into the text? How will you make your art an analytical commentary on the text? Describe your artistic decisions in vivid detail.  Review the rubric and assignment to make sure you’re on track.

Poem of the day

Sharing and discussion of SSW

·         Paired share and problem solving about Readers’ Gallery Art Project

o   How can you and your partner add symbolism, analysis, depth, theme and commentary to your art?

o   What artistic elements can you use in your art to create meaning and add depth?

Artist’s statement

  • What is it?
  • What is its purpose?
  • How can a great artist statement help us achieve our goals?
  • What writing techniques can you use to strengthen your writing?
    • Review embedding quotes

·         Why?

·         How? What should you do and not do?

·         Note: embed at least one quote in your artist’s statement

Review recipe for an analytical essay

  • Recipe physical routine
  • Paired creation of a concrete detail, commentary, commentary set about your art

Individual Analysis:

What quote(s) from the text will you highlight in your art and your artist’s statement?  If you are using a novel as inspiration, what excerpt (1 page) will you display along with your art? 

Committee meetings

  • Use royenglish.proboards.com to communicate and save rough and final drafts of documents
  • Seek my approval before publication and distribution

Teacher-students conferences on art projects and on committee work

Post Novel Idea 3 to royenglish.proboards.com if you haven’t already done so

HW:

  • Committee Work
  • Art project for Readers’ Gallery
  • Review dates in agenda from last class
    • Mon 1-30 / T 1-31 Artist’s Statement due
    • T1-31 / W 2-1 Last day to turn in permission slips & $
    • W 2-1/Th 2-2 Art and revised Artist’s Statements due; Gallery rehearsal
    • T 2-7/W 2-8 Readers’ Gallery of Art
    • Thurs 2-9/ Friday 2-10 Poem of Choice; Open Mic/Poetry Cafe;
    • Thursday, February 16 Fieldtrip to San Antonio museums

 

Wednesday, January 18, 2012 / Thursday, January 19, 2012

SSW:  What charity do you want to raise money for w/ the Readers’ Gallery of Art?  Why?  Which committee do you want to work on?  Why?

            Readers’ Gallery of Art Committees:

Sign up on royenglish.proboards.com today

·         Charity contact and info

·         Invitations

·         Set-Up and Ambience

·         Bidding/Donations/Money Collection

·         Inviting School Adults and Classes

·         Publicity

·         Live Music

 Gallery Planning

            Charity Selection

            Committee sign-up

Committee work time

·         Use proforum to communicate written documents and plans with one another and with me and with other groups

 Peer edit Novel Idea 3

 Novel Idea, Poetry,  and Readers’ Gallery Due Dates: Write down in yr agenda on the date they are due.  Start inviting your families to the Readers’ Gallery today. 

·         By now, you should have selected your poem and gathered your materials and started on your Readers’ Gallery art

·         Today  Novel Idea 3 due for peer edit

·         Revise and post on royenglish.proboards.com by next class

·         Fri 1-20/M1-23 Novel Idea 3  posted

o   + 2 comments on Novel Idea 1 or 2

§  post on someone’s who has less than 2 comments


  • Mon 1-30 / T 1-31 Artist’s Statement due
  • W 2-1 Last day to turn in permission slips & $
  • W 2-1/Th 2-2 Art and revised Artist’s Statements due; Gallery rehearsal
  • T 2-7/W 2-8 Readers’ Gallery of Art
  • Thurs 2-9/ Friday 2-10 Poem of Choice; Open Mic/Poetry Cafe;
Thursday, February 16 Fieldtrip to San Antonio Museums

Friday, Jan. 13/ Tuesday, Jan. 17

SSW: What is the greatest unsolved mystery?  Craft a few lines of poetry about it.

Line Breaks Activity

Conference / Approval of Text and Art Concept for Readers’ Gallery of Art

Video Clip: Akira Kurosawa’s Dreams: “The Peach Orchard”

Write a poem inspired, directly or indirectly by Dreams, paying close attention to line breaks; polish and finish for hw

Research:  What charity do you want to raise money for w/ the Readers’ Gallery of Art?  Why?

HW:

·         start planning and gathering materials for Readers’ Gallery

·         start making your art

·         be prepared to pitch charity idea next class

·         bring Novel Idea #3 completed and polished to class next time for peer edit and posting

·         finish poem of the day

·         ongoing: vocab to know and love

January W 11 / Th 12, 2012

SSW:  Think about your favorite food.  Write some lines of poetry about your favorite food.  Use sound devices and metaphors and similes.

SSW Sharing

Poetry HW sharing

Girl Writing a Letter

Intro Readers’ Gallery of Art

  • Rubric
  • Handout / overview
Wr WS: Sts. select work of visual art with a character and write a poem about that character; use all of your poetry-writing muscles

Coming soon: Spring Novel Selection:

·         Mister Pip

·         Elegance of the Hedgehog

·         The Tiger’s Wife

HW:

  • finish / revise poem
  • optional / extra credit: join Kealing group on goodreads
  • work on novel idea
  • select a charity that you want to lobby for Readers’ Gallery of Art
  • start looking for a poem that speaks to you and inspires you to create art
  • start gathering ideas and materials for Readers’ Gallery of Art

Monday Jan. 9/ Tuesday Jan. 10

Hello, poets!

SSW:  What are your reading goals for this year?  What changes would you like to make to your reading habits?  To your reading diet?  If you want to do a reading challenge, like I do, what categories would you like to do?  Titles?  Authors?  Types of books that you want to read this year?  What do you want to get out of your reading?

Sharing of SSW and HW poems 

Rd and discuss “Eating Poetry”

Learn Sound Devices from packet

            Work w/ a partner

Classwork / HW:

  • brainstorm activity  or object you enjoy
  • brainstorm verbs that are not normally associated w/ the activity/object/idea, i.e. Mark Strand’s “Eating Poetry”
    • singing swimming eating breathing flying
  • craft into a poem
  • sprinkle liberally w/ sound devices
  • label each device
Progress Check: Independent Reading

Revised due dates:     

            Second due today

            Third due

            Sharing about Books

 Peer editing and posting of novel idea #2

 Vocab to Know and Love quizzes

 Discussion about novel to read in spring:

·         Mister Pip

·         The Tiger’s Wife

·         The Elegance of the Hedgehog

 HW:

  • finish sound devices / strange verbs poem a la “Eating Poetry”
  • Work on novel idea and vocab to know and love

Thursday, 1-5-12 / Friday, 1-6-12

Happy New Year! 

SSW:  Describe in vivid detail the food you cooked over the vacation.

A: need tech aids for B4

Need volunteers for magnet showcase next Thursday 6-8

Read Billy Collin’s “Introduction to Poetry”

Carefully consider the poem.

What is Mr. Collin’s message about poetry?

Do you agree or disagree?  Why?

What should we do with poetry during the upcoming unit?  Why?  What would you like to do and learn?

A:  Abstract / metaphor poem due next time

Disc “Introduction to Poetry” and students’ reactions

Disc in gps:  Define poetry

Class disc and notetaking: Defn poetry

Brainstorm concepts learned in 8th grade

Practice writing random metaphors with table

Novel idea reminders

  • Second: Monday, 1-9-12/Tuesday 1-10-12
    • Polish before you come to class
    • You will have 10 minutes to peer edit and post in class
  • Third: Wed. 1-18/ Thursday 1-19

HW:

  • Brainstorm abstract concepts studying in other courses
  • Write a poem using 4-8 metaphors about an abstract concept

            Due next class

  • Work on vocab to know and love
    • Review old list and be ready for quiz starting next class
    • Start new list 25 new words w/ definitions and sources

Mon. 12-20 / Tues. 12-21-11

Career Counseling with Ms. Miloy

Poetry Slam with Mr. Webster and Ms. Hart’s Classes

    first grade of next six weeks

    absent students need to present first class next semester

Novel Idea #1 Posting and Responses

Reminder: Novel Idea #2 is due the second class of the new year: M1-9/ T 1-10

                Novel Idea #3 is due W1-18/Th1-19.

HW: With a family member, prepare a dish for a family dinner

Bonus A-day / A-day only/ Friday 12-16-11

Post novel Idea #1 on forums

Respond to other readers’ posts (make sure to read the posting guidelines first)

Read challenging novel

Work on extra credit

Work on poems for poetry slam next time

Wednesday, December 14, 2011 / Thursday, December 15, 2011

 Participation Report.

 Full Name:

 Participation: # (in a box) 2nd box: grade / 2 out of 50

 Write a persuasive paragraph with evidence about why you deserve this grade

 95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

Viewing “Louder than a Poem” Poetry Slam Documentary

 Posting Novel Idea 1 if forums are ready?

 All extra credit due BEFORE Monday at 7 a.m.

·         Cultural event or museum analysis

·         November Thirty Days to Change Media Goals

 Poetry Workshop:

            Write a poem about your research topic to present in a poetry slam next time Mr. Webster and Ms. Hart’s class

 HW: finish, polish, and practice poem for the slam

Bring challenging novel to read

Bring your novel idea 1 electronically to post on the forum

Monday, Dec 12/ Tuesday Dec 13

Congratulations, Researchers, on your completed research paper

SSW: Reflection on research process

·         What did you love about the process?

·         What are you proud of?

·         Are you prepared for a life of scholarly research? How so?

·         What did you learn about research?

·         What will you do differently next time you research?

·         What do you suggest I do differently next time?

·         How did research change yr thinking?

·         What are you going to do with your new found expertise?

Disc on research papers

 Ceremonial Turning in of Research Papers

 Reminder: How to Ask for a Teacher Recommendation

·         Ask Politely

·         Ask at a good time for the teacher

·         Explain your goals

·         Complete a Self Evaluation

o   Copy the rec form

o   Student fills it out

§  Reminds me how wonderful you are

§  Tell me amazing things I don’t know about you that are relevant

§  Fill everything out

§  Not the time to be humble

·         Ask early; I’d like all recs the first week of December

·         If it’s an AISD school, I’ll send it school mail and do not need an envelope

·         Otherwise, please provide an addressed and stamped envelope

·         Fill out any and all basic, identifying info: your NAME, grade, class grades for each six week, school, student #, etc.

 HW:

·         finish novel idea #1 if you didn’t finish in class

·         Get peer or adult edit on novel idea #1

Thursday 12-8-11 / Friday 12-9-11

Congratulations, Researchers, on your completed research paper

Benchmarks

Optional extension:

            You may turn your research paper in today or you my chose to continue to work on it and turn it in next time with no penalty.

Ceremonial Turning in of Research Papers

Adult Edit Grade

Extension: Novel Idea Writing Part 1 will be due at the end of next class (not at the beginning).

HW:

·         Recharge yourself after all of your hard work on the research paper

·         OR optional extension: improve your research paper

·         Be ready to do Novel Idea 1 in class next time

o   You should have at leasat 1/3 of book read.

o   Bring your book for reading and writing time.

Tues 12-6 / Wed. 12-7-11

SSW: Become the building inspector.  Read the rubric (in your research packet). Review notes on parenthetical documentation, recipe for body paragraph, plagiarism, things to always get right, etc.  Jot down any questions you have about writing a research paper and / or about the rubric.  Read your builder’s draft and give yourself a building inspection self edit using the rubric and things to always get right notes .  Write down your feedback.  Be sure to include what you did well and what you need to improve.

Class discussion about any ?s students have about research paper with other students answering based on notes.  What do you need to improve?  What are you doing well? 

(Remember to track yr participation.)

Take notes:

\Plagiarism conditions:

·         Missing all or part of your works cited

·         Missing any citations for paraphrases

·         Missing any citations for direct quotes

·         Missing any quotation marks for direct quotes

·         Everything from a source must be cited.

·         If in doubt, cite it. 

Plagiarism results:

1.      Zero on paper

a.       Major drop / failing for six weeks

2.      Crying

3.      Parent / teacher / director conference

4.      Loss of trust

5.      Loss of reputation

6.      Guilt

7.      Loss of ethics / integrity 

Genre conventions for nonfiction, formal, scholarly research paper:

·         Less emphasis on imagery (exception intro and conc)

·         Matter of fact

·         Logical

·         Formal

o   Avoid slang, contractions

o   Conversational language

·         Avoid you or I / my or we

o   Exception: intro or concl

·         Cut: “I believe that”/”I think that”

·         Practical and focused

·         Clear and concise

·         Not the time for figurative language

·         Be sure to specify who “we” is

o   Which govt and which level

o   Corporations

o   Individuals

o   Charitable organizations

Introductions (1 paragraph / .5 page):

·         Hook reader

·         Powerful thesis –last sentence of intro

·         Intriguing or powerful quote

·         Cool or alarming fact; attention-getting

·         Set tone and scope of issue

·         Create strong visual in reader’s mind

·         Why should reader care?

o   Make a connection

·         Background info – give context about scope of issue

Conclusion (1 paragraph / .5 page)

·         Restate (rephrase) thesis (usually at beg. of conclusion)

·         Thought-provoking

·         Call to action

o   Urge reader to get involved

o   Explain how they can be part of solution

·         Profound “quote”

·         Summarize paper; problem and solutions

Clocking Research Paper

Finish writing intro and conclusion paragraphs

àCompleted rough draft of body paragraphs should already be done; finish and improve as needed

    • Don’t forget works cited
  • Make an appointment for an adult edit if you have not already done so
    • Adult edit is due the day paper is due, but you need to get it early enough to make revisions
    • Make yr apt early to keep yr adult cheery
  • Final paper inc works cited is due next time Thurs 12-8 / Fri 12-9
  •  

Due next time:

·         final paper, 3-5 pps, typed double-spaced + works cited

  • remember: lack of proper citations and or works cited = plagiarism = 0
  • adult edit: comments and signature

Friday, 12-2 / Monday, 12-5-11

SSW: Review the recipe for an easy A on a research paper.  Label the parts of your first body paragraph: TS, cd, cm., and CS.  Self-edit your first body paragraph.

Start writing yr second body paragraph

Peer edit

Q and A

  • What are people doing well?
  • What needs improvement?
  • What ?s do you have?

Wr WS: Write the rest of the body paragraphs of your paper.

Teacher Conference / Grade:

  • Improved / late outlines

HW: finish writing all body paragraphs (everything but intro and conclusion)

  • Should be 3+ pps typed

Wed. 11-30-11 / Thursday 12-1-11

SSW: What questions do you have about the research process, note cards, bib cards, thesis statements, outlines, etc?  What do you need help with?  What do you need to work on / improve?  How is everything going?  What have you done to put yourself on the path to autopilot?  Are you ready to turn on the autopilot or do you need to go back and work on previous steps?  Explain.

 HW Wave:

  • Outline

Read Parenthetical Documentation and Sample Paper

 Parenthetical documentation notes

·         Every sentence in your paper that has info from a note card needs parenthetical documentation.

o   Includes direct quotes

o   Includes paraphrases

·         At the end of the sentence add (first key word from the bib source page#).

·         If you have 2 sources w/ same author, you’ll need to add more info to distinguish sources (Roy, Cycling 37) and (Roy, Garlic and Poetry 478).

·         2 citations in a row from same source, for 2nd one, skip first key word and go right to p #

o   If no p#, restate first key word

·         Do not put a url in the () citation in place of p#

·         Blah blah blah (Webster 35) and blah blah blah (Hart 42).

 2-3 embedded quotes in EACH body paragraph

  • Do NOT quote entire sentences
  • Use ellipses to trim wds from mid quote

 EVERYTHING needs to support thesis

·         If NOT, cut it

All evidence / facts needs to be followed by ANALYSIS and COMMENTARY

 NOT writing a REPORT

 Recipe for great body paragraph for an easy A research paper

·         Topic Sentence (TS) (The umbrella that covers your entire paragraph)

o   DO NOT refer to yrself or to the paper

o   Simply state the overview of the paragraph.

o   Provide transition b/n topics

·         Concrete detail(c.d) (smoothing the way to the thesis with facts)

o   Fact from research

o   Info from front of yr notecards

o   () citation

·         Commentary (comm.) (punching the fact home with analysis)

o   your analysis of the c.d.

o   explanation of how c.d. supports  your thesis

o   should already be on back of your note cards

o   guide your reader to come to same conclusions you came to

o   this is where you use your power

·         commentary

·         repeat c.d/comm./comm. 3X

·         concluding sentence – persuasive summation of paragraph (duct tape that connects back to the umbrella and connects to the next umbrella and reinforces the point of the paragraph)

o   include transition to next paragraph

 Fill in gaps; revise thesis and outline so you can go on autopilot

 Write

 Peer edit

 Revise

 Teacher conference on revised thesis and outline

 Extra Credit:

  • Participate in the Kealing Spelling Bee next Thursday from 3-4
  • From Text to Image: Graphic Stories

For 6th, 7th, and 8th grade writers

December 10, 10 a.m. to 12 p.m.

Writers work tirelessly with words, hoping to create a vivid image in the reader’s mind.   But in this workshop, it’s the images that bring the stories to life.  You’ll learn how graphic artists conceive of both the visual and the written elements of storytelling, and you’ll create your own stories in graphic form.

Jeff Pethybridge, a long-time teacher and writer who runs a wonderful reading series here in Austin, will be teaching this workshop.

All of our Saturday writers are invited to submit their work for publication in our online journal, Unbound (www.badgerdog.org/Unbound). 

These workshops are pay-what-you-can, and you can checkout more information on our website: http://badgerdog.org/youthprograms/saturday-workshops

 HW:

  • get adult edit(s) on yr thesis and outline
  • rough draft of one Roman numeral from yr outline
  • Works Cited
  • make an appt TODAY w/ an adult for edit of your paper due T 12-6 / W 12 -7
  • make some time to relax read your challenging nove

M 11-28/T 11-29-11

SSW:  Get ready to have a 60 second meeting w/ President Obama summarizing your research.  To do so, review yr notecards.  Look for patterns.  Divide them into three stacks.  Then, summarize the findings from each stack into one sentence.  This should lead to you stating the three most important things that Pres. Obama needs to know about your topic.  Make sure that you include your stand and solutions. 

Share w/ a colleague

Practice thesis statements

·         Student of the month

·         Year round school

·         Change minimum age for driving

Q and A on thesis statements

Lesson: Outling

·         Read and Discuss “Outlines” p. 6 of packet

Workday:

·         Thesis statement revisions

·         Outlining

·         Researching

Today in class:

·         Conference w/ Roy on thesis statement

·         Organize your note cards into outline order

·         Type your outline of entire paper

o   Get to at least lowercase letters in some areas

o   Consistently reach numbers

o   Remember to include front and back of notecards

  • a good outline will be 2-3 pps. singlespaced

·         Due next time:

o   Outline for entire paper

Parenthetical documentation notes

·         Every sentence in your paper that has info from a notecard needs parenthetical documentation.

o   Includes direct quotes

o   Includes paraphrases

·         At the end of the sentence add (first key word from the bib source page#).

 

Outline

I.

            A.

                        1.

                        2.

                        3.

            B.

                        1.

                        2.

                                    a.

                                                i.

                                                ii.

                                    b.

                                                i.

                                                ii.

 

Teacher conference / grade: thesis statement

 

HW:

·         Finish Outline

·         Finish all research: 5-8 bib cards; 30-80 notecards

·         Revise thesis

Thursday, 11-17-11/ Friday, 11-18-11

SSW: (followed by Disc):  Joy of Research

What cool info have you found?

Have you found the joy of research?  Explain.  What’s yr plan for completing yr research?

Introduce thesis from map of the land handout (p. 7 in research packet)

  • W/ table partners rate sample thesis statements 1-5
  • Make notes of roman numerals and how to improve
  • Wh cl disc
  • What does thesis remind you of?
  • Thesis courtroom analogy

 Review bib and note cards

Peer edit of bib and note cards

Disc common mistakes-tell students to take notes about what they need to improve

 Teacher conference:

Take a grade out of 20 points on their bib and note cards; spot check one or two cards and make sure they are meeting the criteria in the packet; leaders can help you with this if you like

·         Bib and note cards

·         Thesis starting pt

 Research time and thesis writing and revising time

HW due next time:

·         Revise  thesis

·         Research to minimum of 20 note cards

Tuesday, 11-15-11/ Wed., 11-16-11

SSW:  What issue did you select to research?  Why?  What do you hope to find out?  What do you already know?  What is your burning question?  Who can you consult to see if your topic is appropriately broad and to recommend outstanding resources?

SSW sharing

 Announcements:

            Performances next time:

      • A1: Tyson’s monologues
      • A4: Conrad’s monologues
      • B1: none, so you can get ahead on your homework or read your challenging novel
      • B2: McCallum Fine Arts Academy; first half of class in theatre; walk together and sit together
  • Wednesday is my Mom’s birthday so I’m taking off Th and Fri to visit my parents in Dallas; I have a great sub lined up; I need to student volunteers to help her lead the class

 Note card and bib card review and check

 Topic Approval

 Research / create bib and note cards

 Focus on:

·         problem and solution

·         how the issue impacts society

·         This is NOT a report

·         But an analytical paper

 Due at end of class today:

 2 bib and 5 notecards

 HW:

  • min of 10 notecards from at least 2 sources due
  • end of next class, at least 20 notecard + 3 bib total

Thursday, 11-10-11 / Monday, 11-14-11

SSW: What is the issue that is dealt w/ in yr article?  What are some possible solutions?  Why?  What would you have to find out / know to discover if the solutions are feasible?  How would you find out?  How would these solutions change our world for the better?

Disc

  • SSW Sharing
  • What is research?
  • Why is it amazing?
  • Why have some people had a bad experience w/ research?
  • How to conquer the world
  • How to write yr paper on auto pilot
  • Testimonials

Lessons

  • Bib cards
  • Note cards
  • Credible sources
  • Objectivity
  • Civility

Write a bib card and 3 note cards from yr social issues article.

Lesson: How to ask for a teacher recommendation

•           If you want a teacher rec from me,

  • Make a copy of the form and fill out a self-evaluation                     
    • This is not the time to be humble
      • Remind me of all of the wonderful things about you
      • Tell me about all the wonderful things I don’t know about you
      • Pitch yourself
  • Bring me your form, your self evaluation and politely ask for a recommendation
  • If the rec is for an AISD school, I do not need an envelope; I will send it school mail.
  • Otherwise, please included a stamped, addressed envelope.

HW:

  • Topic and back-up topic
  • Gather and bring hard copies of research materials
  • Get index cards

Tuesday, November 8, 2011 / Wednesday, November 9, 2011

SSW: Participation: # (in a box); box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting;

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

SSW Round 2: Letter to Roy:  How are you doing?  What do you need? What are you reading?  Answer about both English class and about life?

TED Talk Video: Pick something you’ve always wanted to do and do it for thirty days

S.M.A.R.T. goals check in

Reading of Challenging Novel

Hw: Bring a current events article (hard copy) about a current social issue that you care about.

Friday, November 04, 2011 / Monday, November 7, 2011

SSW: You may only ask three questions for the next year.  You may repeat the questions and ask a a variety of people.  What will you ask?  Why?  To whom will you address your questions?

SSW sharing

Poetry Moment

Sci Fi Presentation Rehearsals: 10 minutes

Sci Fi Presentations

Reading of Challenging Novel

  HW:

·         Read your challenging novel

·         Keep up your S.M.A.R.T. goals

  • Bring your novel so we can read in class next time

Extra credit opportunities:

·         HRC exhibit: Banned Books

·         Cactus Café, Monday night: lecture on censorship

·         Austin ISD Pow Wow at Burger Center on Saturday

Wednesday, 11-2-11 / Thursday, 11-3-11

SSW: Write about your experience the past two days with your SMART media goals.

Due today: Corrections Checklist for short story

            Post SMART media goals on index card in the hallway

See me for a book rec if you haven’t picked a challenge novel yet

Kealing Writing Manual

  • Keep in your English notebook; use for all your classes
  • Note: grammar rules last two pages
    • Parenthetical documentation and bibliographic citations in the middle

Tech and media article presentations and discussions

Science Fiction Project Workday

HW:

  • finishing touches on sci fi project; presentations next class; you will have 10 minutes at the beginning of class to rehearse
  • bring your challenging and perfect-for-you book to class starting next time

Monday, October 31/ Tuesday, November 1 2011

SSW: Think about what you want for your best self in terms of how you spend your time.  Think about Bradbury’s critique of media and technology.  Think about how, ideally, you want to spend your time.  Think about how and when and why you want to interact with media and technology and with people and nature.  How will you allow yourself time for daydreaming, exercise, socializing, homework, family, hobbies, beliefs, and everything that is important to you?

Discussion

Class Commitment?

Reading and Sharing of Technology Articles

·         Posted on handouts section of my website in F451 Technology and Media Articles folder

Science Fiction Project Work Time

·         Review Criteria

·         Teacher Approval of Topic and Product

 Peer Check of Corrections Checklist for Short Story

·         Turn in if perfect

·         Fix and turn in next time if it needs improvement

HW:

·         work on your science fiction project; bring whatever materials you and your group need to work on it in class next time; presentations will be F/M

·         fix your corrections checklist

·         read your group’s assigned technology article and take notes; be ready to present key ideas to class

·         start on SMART media goals

o   tell people

o   post your goals

o   do it!

o   Enjoy

·         Last day for extra credit / late work / make up work is next Tuesday. 11-8

·         Study vocab to know and love; be ready next week

Thursday, October 27/ Friday, October 28 2011

SSW: Review our theme chant.  What do you think is the theme for F451?  Defend your answer with evidence from the text.  Make sure that your theme meets all of the criteria of our chant.  Do you agree or disagree with Bradbury?  Why?

Quiz on Section III

Discussion on F451

Science Fiction  Project

Fahrenheit 451 Culminating Project

Bradbury wrote Fahrenheit 451 because he was concerned that media was having a mind-numbing impact on society.

Now it’s your turn to select an aspect of society that you are concerned about and provide a science fiction or satirical critique.

Work in a group with 2 or 3 colleagues who share your concerns.

You will present your project on Friday, 11-4/Mon. 11-7

Criteria:

  • Depth of thought
  • Analysis of the problem
  • Critiques a current issue using satire or science fiction
  • Purposeful / effective selection of genre / medium
  • Clarity of message
  • Effective and equal participation of each group member in both production and presentation
  • Professionalism
  • Wow! factor

  ·         Brainstorming

·         Grouping

·         Work time

HW:

·         work on your science fiction project; bring whatever materials you and your group need to work on it in class next time; presentations will be F/M

·         Find a challenging book to read; see me if you want a recommendation or want to check out a book from my library

·         Corrections Checklist for short story due next class

Tuesday, Oct.25/Wed., Oct. 26, 2011

SSW: Write about you and your family’s TV and media habits? Amount? When? Together / separately? What do you watch?  Policies for media and homework, media and food.  Also reflect on your time log.  What would Bradbury think about the way you are spending your time?

Discussion on TV, media, technology and our daily lives

Discussion of first half of  section III.

Vocab to Know and Love Practice and Studying

HW:  

·        Finish reading and annotating F451;

·        Study for a quiz over section 3

·        Work on vocab to know and love

·        Mull it over: Do you want to make any changes (big or small) in the ways in which you consume media and/or the amount of time that you spend consuming media?  What do you want to do instead? 

Let's All Go to the Texas Book Fest (an extra credit opportunity)

Hey Reading Hornets,

This Saturday and Sunday is the Texas Book Festival at the State Capitol.

It's free and has many cool events that you and your family might enjoy: readings and panels by adult and young adult authors, live music, book signings, fair food, cooking demonstrations, books vendors, activities and readings for children.  Google's going to have a variety of e-readers that people can test out.

This video recap from a couple of years ago gives students a good sense of the scope of the festival and shows a diverse group of teenagers enjoying the activities: http://www.youtube.com/watch?v=0hgDtorsSNs.

Here's the schedule of events: http://www.texasbookfestival.org/Calendar.php



I'm excited about Colson Whitehead (The Illusionist, Sag Harbor), Amitav Ghosh (Sea of Poppies), Butch Hancock of the Flatlanders, Russell Banks (The Sweet Hereafter), Alan Hollinghurst (The Line of Beauty), Susan Orlean (New Yorker columnist, The Orchid Thief), Chad Harbach (The Art of Fielding), Jaimy Gordon (Lord of Misrule), neuroscientist David Eagelman and the moonlight tour of the Texas State Cemetery.

Prominent young adult authors I noticed on the list: Jay Asher, Libba Bray, Louis Sachar, John Szieska, David Rice, and Kathy Reichs.  I know there are many more.

Several Sat. night events, Lit Crawl, on the eastside, mainly for adults, but there's also "A Convergence of Souls" with about 20 young adult authors at the State Cemetery at 9:00 p.m.

Hope to see you at the book fest.

Take care,

Sharon Roy
8th Magnet English
Academic Mentor
Video Game Production
Kealing Middle School

Friday, October 21, 2011 / Monday, October 24, 2011

SSW: Review your annotations for quiz

Quiz: Sections 1 and 2

Discussion of Sections 1 and 2, springboarded by quiz

Explore Texas Book Festival opportunities

HW:

  • Time log for 2 days
  • Read and annotate through p. 139 : “Then, holding the suitcase…”

Wednesday, October 19/Thursday, October 20

SSW: Although many readers, critics, publishers, and educators talk and write about Fahrenheit 451 as a book about censorship, Bradbury claims the book is not about censorship.  If we trust Bradbury that the book is not about censorship, what is it about?  Provide evidence from the text.  Integrate quotes.

Graded discussion of SSW and the novel

Read “Fahrenheit 451 Misinterpreted” from the L.A. Times

http://www.laweekly.com/2007-05-31/news/ray-bradbury-fahrenheit-451-misinterpreted/

Study for quiz

o   Predict what will be on the quiz

o   Discuss your annotations and insights with other readers

Hw: Read and annotate through the end of section 2; p.110

·         Study for reading quiz on sects 1 and 2

Monday 10/17-Tuesday 10/18

 SSW: Imagine you are looking at a picture of yourself in 2030.  Describe the picture in great detail.  Who is in the picture?  What are you doing?  Where are you?  Use Bradbury as a model for vivid writing: incorporate metaphors, similes, and symbols and use imagery.

At yr tables, select major points/epiphanies that you want to share with the class.

Wh cl sharing /discussion

Debate

            Reread last paragraph on p. 59 about why the fireman burn books

                        Prepare arguments for a debate about burning offensive books

Hw: Read and annotate through p. 91: “Montag was in the dark street again, looking at the world.”

Thursday, October 13 / Friday, October 14, 2011

Dear Readers and Writers,

I am out sick today.  Please be amazing for the sub and for each other.  Please select two students who have recently demonstrated leadership in discussion to lead the class activities and discussions.  Thank you.  Enjoy your discussions.

Take care,

Ms. Roy

SSW:  Discussion prep. 15-20 minutes  Review your annotations of Fahrenheit  451.  Write down your I-don't-get it questions.  Write down two deep questions that will generate discussion and debate that you want to discuss in class today.  Write down a few insights that you have about the book that you would like to share in class.

10 minutes

The English dept wants your help selecting new electives for next year. (This is real, not an exercise.  I will share your ideas with the department and Ms. Cooper.)


Brainstorm at your table ideas for English or interdisciplinary electives at KMS.

Each student then choose one idea that they SERIOUSLY recommend.

Place name and period on a clean sheet of paper with

Cool name for elective

Sentence describing what students would study/explore in elective

Sentence describing why students would want to take elective


Collect papers and turn in to class's bin.


15-20 minutes

Small group discussion at your tables:

  •     Answer one another's I-don't-get-it-questions
    • Remember to return to the text for evidence
  •     Share vocab to know and love from this section
  •     Share your deep discussion questions and pick one to explore in whole class discussions
Whole class discussion:
  • Discuss any unresolved I-don't-get-it-questions
  • Discuss your group-selected deep questions
    • Again, return to the text for evidence
  • Share and analyze good examples of Bradbury's use of literary devices from your annotations
If there is any time remaining (there shouldn't be if the discussion has been lively and thorough), read and annotate and work on learning vocab to know and love

HW: 

  • Read and annotate through the end of the first section
  • Review your annotations of entire first section and prepare for a reading quiz on entire first section
  • Prepare for another lively class discussion
  • Add to and use your vocab to know and love
    • remember to use two or three of the strategies recommended by your peers who made A's
    • prepare for vocab to know and love requiz as needed






Tuesday, October 11/Wednesday, October 12, 2011

 SSW: Write about your reaction to Fahrenheit 451 so far. Look at your annotations for tips. Be sure to include the three lenses: literary, literal, and thematic.  Talk about plot developments, literary devices, and the overall message/connection to the real world.  Write down any I-don’t-get-it-questions and write a couple of deep, philosophical questions that will generate discussion and debate.

Discussion of Fahrenheit 451 in small table groups

·         I don’t get it ?s

·         Vocab to know and love

Wh Cl Disc

Reading and Annotating

Vocab to Know and Love Requiz

Grammar Gladiator Tie Breakers

HW: by next class, read and annotate through p. 48 “ He did not open the window.”

    

Thursday, October 6 / Friday, October 7, 2011

Turn in your Short Stories and Top Ten Correction Checklist and Grammar Gladiator Sentences

 Short Story

ORDERING

1.   Rubric with blanks filled, unstapled on top

2.   Final Draft

a.    Underline all examples of characteristic of effective writing

3. Self-Evaluation / Analysis based on rubric and fully justifying score / give specific evidence as support

4. Author’s Note

5. All previous drafts, from newest to oldest

6. Brainstorming, notes, etc.

7. Evidence of revision (clocking sheets, macro/micro edits

peer responses, etc.)

 Corrections checklist

·         Staple all:

·         1. Corrections checklist

·         2.Rubric

·         3.. Corrected copy

·         4. Original final

·         5. Rough drafts, etc

Two neat stacks, alphabetical order by last name

 3rd stack: grammar gladiator sentences, do not need to be alphabetized

 

Grammar Gladiators

 Fahrenheit 451

Whole class reading, annotating and discussion of Fahrenheit 451

·         Annotate for 3 lenses:

o   Literal: Major plot and character developments

o   Literary: Figurative language / allusions / characteristics of effective writing (metaphors, similes, show don’t tell, hyperbole, personification, anthropomorphism, repetition, parallelism,

o   Thematic: Message / Theme / Connection to our world

o   Vocab to Know and Love

 HW: Read & annotate to page 32.

Tuesday, October 4, 2011 / Wednesday, October 5, 2011

SSW: Author’s Note and Self Evaluation for short story.  On clean sheet of paper to turn in tomorrow, write your Author’s Note.

In the Author’s Note, you will reflect on the process and experience of writing a piece, and explain the

writing itself. Be clear and concise.

Discuss what you were trying to accomplish

with the piece.

Explain the theme of the piece and how

you communicated it.

Discuss your problems, frustrations, surprises,

and successes.

Discuss any new things that you tried as a

writer, and reflect on the process and experience.

Tell which, if any, vocabulary words you

used in the piece.

Discuss the strengths and weaknesses of

the piece.

Tell me anything else I should know about

the piece or process.

ORDERING

1. Rubric with blanks filled, unstapled on top

2. Self-Evaluation / Analysis based on rubric and fully justifying score / give specific evidence as support

3. Author’s Note

4. Final Draft

5. All previous drafts, from newest to oldest

6. Brainstorming, notes, etc.

7. Evidence of revision (clocking sheets, macro/micro edits

peer responses, etc.)

Due today:

  • Corrections checklist 

Announcements:

  • Extra Credit Opportunities:

·         Texas Book Festival: Sat 10-22 and Sun 10-23

 

Prep / Research / Teaching for Grammar Gladiators

 

Grammar Gladiators

 

Self Micro edits

 

Peer micro edits—

            Need two peer + 1 adult edit

 

 HW: revise  / polish short story

  • If needed, make corrections to corrections checklist
  • Make sure you have the following ready to turn it at the beg. of class tomorrow
    • 2 peer micro edits w/ comments and names and signatures
    • 1 adult micro edit w/ comments and names and signatures
    • all three rounds of clocking
    • rubric completely filled out
      • characteristic of effective writing
        • underline thorough evidence of that within the story
      • theme
        • meets our theme chant
    • author’s note + self evaluation

Bring Fahrenheit 451 every day starting next class

 

 

 

 

 

Friday, 9-30 / Mon., 10-3, 2011


SSW: It’s time for a grammar intervention.  Review your feedback from me on the Top 10.  Consider that, as well as other feedback you have received about your writing.  What are your grammatical strengths and weaknesses?  What grammar rules do you need to learn and or review?  What aspects of your writing do you want to improve, grammatically and / or stylistically speaking?  What is your plan for doing so?

Add to editing notes:

Agr      agreement

T          tense

You     don’t use you when you mean I

Wdy    wordy

I           italics

Reminders: 

  • Teen Book Fest Sat. for extra credit
  • Bring Fahrenheit 451 on Th/F (or $7 to Ms. Roy on Mon 10-3; let me know by today if you want a scholarship)

Happy Second Six Weeks    

·         New seats

·         Grades

·         A-handshakes

Grammar Research

·         Use Webster grammar site on left column of my web page

·         Use Writer’s, Inc. or Writesource 2000

Top 10 corrections

            Start in class; finish for h.w., if you don’t finish in class

            Follow all instructions carefully:

                        Note italics at bottom of page

Short Story  Clocking / Macroediting / Conferencing

HW:

  • Top 10 Corrections
    • Bring it for Grammar Gladiators next class—study website
    • Bring 3 sentences with your authentic mistakes
  • Revise your short story; micro edit next class
  • Schedule an adult edit of your short story
  • Extension: final + adult edit due Th 10-6 / Fri 10-7

Wed 9-28 / Thurs 9-29

Welcome, writers

Read rubric for short story

Announcement: Teen Book Fest this weekend for extra credit

            Scott Westerfield

SSW: Work on your short story. Go where you need to go to construct.  Attic. Architect’s office. Building site.  Invite the building inspector only if you’re ready.

Participation Report.

Full Name:

Participation: # (in a box) 2nd box: grade / 2 out of 50

Write a persuasive paragraph with evidence about why you deserve this grade

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

Read and discuss handout on leads and in medias res

Book Talks

HW:

  • Completed rough draft of the short story you’ve selected to polish; work w/ madwoman, architect, and builder to get it ready for the building inspector at the beginning of next class
  • Rewrite lead so it’s in medias res
  • Extension: add/ to and use vocab to know and love; be ready to have it graded any time now
  • Final short story due on 10-4/10-5
  • Get a copy of Ray Bradbury’s Fahrenheit 451 by next week, 10-6/`0-7; let me know if you need me to get you a copy.  I will order books on Monday.  Bring me $7 cash by Monday if you would like me to order you a book.  Let me know if you would like a scholarship.

Monday, September 26 / Tuesday, September 27, 201

Welcome, annotating readers

Phase one: Madwoman in the attic: 

·         She’s a little crazy

·         She doesn’t care what anyone thinks

·         She doesn’t care how she looks

·         She’s just rocking out, letting her crazy thoughts spill out on paper or in your ear

·         She doesn’t care about rules.  She forbids you to think about grammar.

·         She doesn’t care about how things turn out.  She forbids you think about how good the story will be as a finished product.

·         She’s free

·         She has many stories to tell

 Become the mad woman in the attic and write about an interesting place and/or a unique character.  Or ask the mad woman to tell you a story you’ve always wanted to know or write.  You can be the mad woman or just listen to her and write down the story she tells you. Remember to stay in mad woman mode.  If you end up going in another direction, go with it. 

Phase two: The architect

·         She’s a designer

·         She thinks big

·         She looks at the raw materials and site that the madwoman offered and brainstorms what could be built there

·         She sees potential

·         She thinks about what needs to be added and subtracted

·         She is a bold visionary

·         She plans (but does not build) a structure

·         She offers multiple possible plans

As the architect, create a few design proposals based on the madwoman’s raw materials and site.  You may collaborate with another architect.  Write yr plans down. Consider elements such as theme, characters, mood, plot, setting, special features, style, point of view, genre.

Turn to neighbor and share architectural proposals

Phase three: the builder

  • She does the heavy lifting.
  • She takes the architect’s plans and the madwoman’s raw materials and builds something that will appeal to a buyer.  She takes into account the city’s building codes.  She employees innovative and ecofriendly building practices.
  • If the builder rejects the plans of the architect and/or the raw materials of the madwoman, she must go back and ask the madwoman and/or architect for some new raw materials and / or plans.  Warning: do NOT criticize the madwoman; she will bite you and put you in a paralyzing choke hold.

Phase four: The building inspector.

  • She checks that everything is safe and stable and well-built.  She does an energy audit.  She identifies any problems with the structure. She makes sure that all construction is solid.  She identifies and orders a fix for anything that is dangerous, leaking energy, aesthetically unappealing, inefficient, etc. She makes sure that the architectural plan is being followed, that the city building codes are followed, that the madwoman’s resources are well used, that the buyer will be happy.

Continuation of discussion of Steven Millhauser’s “The Other Town”

·         Share themes that you wrote for homework

·         Building on those themes, how does “The Other Town” function as social commentary?  What does the other town symbolize?

·         HW: Become the builder.  Make a story out of the architect’s plans and the madwoman’s raw materials.  Go back to the architect and the madwoman as needed.  Build about 2 pages typed double spaced of a max. 4 page typed double spaced story.

Thursday, September 22 / Fri, September 23, 2011

Welcome, annotating readers 


SSW: Review your annotations of Stephen Millhauser’s “The Other Town.”  Make a list of the key issues of the story.  Pick one of those key issues to focus on.  What do you think is Millhauser’s message to the reader about that issue?

Write in agenda, HW:

    • write and polish a statement of theme from “The Other Town”; check against our defn;
    • scene from a story with magic realism (written in the madwoman in the attic zone)
  • Reminder: all late, missing, revised for regrade, and extra credit assignments due by the end of the day on Tuesday, 9-27, as that is the last week of six weeks
  • Vocab to know and love –25 words due W 9-28/Th9-29

Add to literary terms notes:

·         Magical realism: Art or literature with a kind of heightened reality in which elements of the miraculous could appear while seeming natural and unforced.

  • Omniscient: all-knowing; a type of 3rd person narration
  • Mood: state of mind or emotions of characters
  • Tone: the implied attitude of the writer toward the subject and the characters
  • Theme: the author’s main message about a key issue or idea; a universal truth; a complete sentence; beyond plot; debatable
  • Diction: Vocabulary choices made by an author to create nuanced meaning
  • Irony: incongruity b/n what is expected and what actually happens

Close re-reading and annotation sharing and analysis of “The Other Town” in expert groups

    • Answer one another’s ?s
    • Identify multiple examples yr assigned lit element
    • Analyze how yr element impacted the story and the theme
    • Start forming statements of theme
  • 1 Diction
  • 2 Fig lang / imagery
  • 3 P.o.v./mood/
  •  4 p.o.v / tone
  • 5 Irony
  • 6 syntax

Jigsaw groups

Theme chant

Wh Cl Discussion: “The Other Town” and Magic Realism

Theme chant

Wh Cl Discussion: “Old” and Magic Realism

Introduction of Old Woman in the Attic and the problems she solves for writers

HW: Go into the attic.  Listen to the madwoman. Spill out in writing some ideas for a story or two or three in which something magical or supernatural is treated in an everyday, nonchalant fashion.  You are not allowed to worry about spelling, grammar, where the story is going, if it’s good.  If you do the madwoman may flee or throw you out of the attic or she may bite you.

 

Tuesday, Sept. 20 / Wed., Sept. 21, 2011

 SSW: Using your rubric, evaluate your final product.  Check off the items on the rubric that you did well.  Give your final top ten a score (1-5) based on the rubric. Write an analytical paragraph justifying that score.  Remember to stay focused on the rubric criteria.

 Turn in Top Ten:

Rubric w/ name on it LOOSE on top

STAPLE everything w/ FINAL on TOP from NEWEST to OLDEST

            Place your self evaluation right after your FINAL

            Include rough drafts

                        Peer edits

                        One paragraph

                        List

                        Brainstorming

STAR 3 entries that you especially want feedback on

STACK alpha order by last name on front table

5 minutes rehearsal / set-up

Creative Presentations of one of Top 10 Influential Stories

Read and annotate Steven Millhauser’s “The Other Town”

Booktalks

HW: read and annotate Steven Millhauser’s “The Other Town”

 If you haven’t yet done your booktalk, be prepared to go next time.

Friday, September 16, 2011 / Monday, September 19, 2011

SSW: Top 10 Self-Evaluation: Using your rubric, evaluate your Top 10.  What are you doing well?  What will you improve?  How will you improve it?

On a clean sheet of paper that you will turn in today, evaluate your sacred silent writing performance for the six weeks.

Sacred Silent Writing: box 1: out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

Teaching assistances collect papers and turn in to your class’ bin. 
Homework Wave: 

  • revised draft of Top Ten
  • organized, labeled and dated SSW and HW for grade check
  • Due next time:
final Top 10 with rubric

and self-evaluation

all drafts from newest on top to oldest on the bottom

amazing, entertaining presentation of one of your Top 10 Entries

Due time after next: 

  • Reading and annotation of Steven Millhauser’s “The Other Town” 

Make a new section / page in your English notebook (near lit devices, etc.) and take notes:

Top Ten Mistakes to Avoid

·         A lot

·         You

·         Intro clause, ________.

·         ;

·         :

·         sp: definitely

·         really

·         its/it’s

·         it/ this --? Unclear pronoun

·         citation punctuation

·         paragraphs

Take notes:

Corrections to Common Mistakes

Things to Always Get Right

·         Italicize and capitalize titles of books and of long works

·           “ and capitalize titles of shorter works

o   not just in citations, but also in text

·         It’s = it is; its = possessive

·         Comma after introductory clause

o   Ex: In English class, I learned to use commas properly. When providing extra information at the beginning of a sentence, set it off with a comma.

·         Comma between two independent clauses joined by coordinating conjunction: and, but, so

o   I taught my students well, so they became great writers.  I taught my students about citations, but they still forgot the end punctuation.

·         Affect / effect

o   Affect = action; effect = result

o   I can affect my students by assigning homework; the effect of this action is that they will get smarter.

·         Citations end w/ a period.

·         Italicize titles of books and long works

·         Shorter works, put titles in “ ”s

·         Capitalize all key words in a title

·         A lot is two words and is a weak phrase.  Use only sparingly, only in dialogue.

·         Its = ownership

·         it’s = it is

·         to = preposition

·         too = also, excessive

·         two =2

·         their  = ownership

·         there = place

·         they’re = they are

·         Punctuate Dialogue

o   Jane said, “Blah blah.”

o   “Blah blah,” Jane said.

·         A à an before a vowel

·         Independent clause = phrase that

stands alone as a complete sentence

·         Ex.  I rode my bike to school.

·         Dependent clause = phrase that

modifies (or is added to) an independent clause

·         Ex.  In the morning, I rode my bike to school.

·         Introductory clause introduces the sentence; provides extra info.

·         ; to combine 2 closely related independent clauses

·         I rode my bike to school; I don’t have my car today.

·         ; to separate items in complex lists

·         : works as an =

·         Ms. Finklea gave me a copy of my favorite book: East of Eden.

·         ! use incredibly sparingly

·         commas in list  (I am buying eggs, bread and milk. )

·         Last, First. “Title.” As told to the author.

Roy, Rose. “Stories My Mother Told Me.”As told to the author. Oral Story.

·         Remember to use the updated MLA citations and state medium at end (i.e. print, oral story, film, etc.)

·         End punctuation to citation.  Don’t forget the period at the end of the citation.

·         Reverse indent citations.  Alphabetize entries by first key word of citation.  Single space your analytical blurbs, skipping a space b/n each citations and each entries.  Do not number the entries.  Do not indent the paragraphs.

·         Most important:

o   No more Run-Ons

o   No more Sentence Fragments

·         Check out the grammar website link on my kealing.org page

·         Guide to Grammar

o   http://grammar.ccc.commnet.edu/grammar/

o   It has explanations and quizzes for all kinds of grammar issues

o   Please use if you are having trouble with R.O.s, Frags, or commas

Take notes and use these editing comments today and forever after.

Editing comments

K         akward

P          punctuation

C         capitalization

Sp        spelling

Gd       good

R.O.  run-on

Frag     frag

  • SSW / HW check next class:

1. SSW: Brain (August 22)

2. SSW: Poem, who we are (August 24)

3. SSW: Advice for parent (8/26)

4. SSW: Cloning (August 28)

5. SSW: Biggest Problem 9/1

6. SSW: Best Friend (9/6

7.HW: Revised Best Friend or Character Sketch 9/8

8. SSW: Stories (9/10)

9.HW: Top Ten List With One Analytical Explanation9/12

10. SSW: Passionate topic (9/14)

11. SSW: Super Power (9/16)

Top Ten Peer Edits

    Get at least two peer micro edits.

Read and Annotate Steven Millhauser’s “The Other Town” by Th 9-22/Fri9-23

  • Research Magic Realism

W9-14/Th9-15-11

 Welcome, writers.

Agenda out.

HW out.  

SSW:  If you could have any superpower what would it be? Why? What would you do with it?

A:

  • complete draft of Top Ten list for microedit due today
  • revised draft due F9-16/M9-19
  • final draft of Top Ten due on  T9-20/W9-21 
  • present/explain yr interpretation and analysis of one of your top ten influential stories on T9-20/W9-21
    • need an amazing handmade/ homemade visual, auditory or interactive aidàa performance
  • SSW / HW check next class:

1. SSW: Brain (August 22)

2. SSW: Poem, who we are (August 24)

3. SSW: Advice for parent (8/26)

4. SSW: Cloning (August 28)

5. SSW: Biggest Problem 9/1

6. SSW: Best Friend (9/6

7.HW: Revised Best Friend or Character Sketch 9/8

8. SSW: Stories (9/10)

9.HW: Top Ten List With One Analytical Explanation9/12

10. SSW: Passionate topic (9/14)

11. SSW: Super Power (9/16)

 P.S. Homework and SSW will both be checked so make sure that you have both.

P.P.S SSW entries need to be approximately 1 page long. 

Q & A

  • Top Ten
  • Rubric
  • Presentations
  • Citations

 

Peer Editing

Self Editing

 Self Eval w Rubric

 Student-Teacher Conference on one entry for a grade

 Revision

 Research Citations

Mon., 9-12-11/ Tues., 9-13-11

Students as Teachers:

A1: Jacob and Odalis

A4: Morgan and Zach

SSW:  Free write for 10 minutes about something that you feel passionately about.  Enjoy.

Poetry moment: Read and briefly discuss a poem from Poetry180

SSW sharing / discussion

HW wave:

  • Top Ten paragraph
  • Menagerie annotations
    • Fill out a no assignment sheet and leave on my desk, if you are missing anything

Bib Citation Mini-Lesson

·        review HO

·        Q & A

Wr. Workshop

·        Review Rubric and Ms. Roy’s “Top Ten”

  • what did you notice?
    • personal, specific, deep
    • shows what’s most important to Ms. Roy
    • NO SUMMARY
    • Analytical
    • A few well-integrated quotes
  • When writing your blurbs, focus on:
    • Hook
      • Have a good lead
      • Do not write: “I chose this story because…” or “This story influenced me to …”
    • Details (rich and interesting)
    • Depth (of connection, influence)
    • Clarity & Conciseness
    • No summary
  • Peer Editing of list and paragraph

·        Check against above criteria

·        Give feedback

 

Write HW in agenda book

  • HW: Top 10 rough draft due next time
    • 10 completed, typed blurbs with annotations
    • follow format of my sample

 

Writing Workshop:

            Work on blurbs and citations

 

When there’s about 35 minutes left in class,

Discussion of “Menagerie”

  • As you discuss, keep a running list of Characteristics of Effective Writing

 

Last 10 minutes,

4 Booktalks

Pick 4 people to booktalk next time

HW: Top 10 rough draft due next time

  • 10 completed, typed blurbs with annotations
  • follow format of my sample

Thurs 9-8-11/Friday 9-9-11

SSW:  What role do stories play in your life?  In society?  Why?  Use examples to illustrate your explanation. (In other words, why do we tell stories, listen to them, read them, watch them, etc.)

 Poetry moment

 SSW sharing / discussion

HW Wave: character sketch

Discussion – compare 2 versions 

Odds and Ends:

·         Educating the T letters

·         4 Book Talks

·         progress reports

·         progress check _____’s Vocab to Know and Love

Wr WS/ HW:  Creating Top 10 List

Brainstorm: List of Top Ten Influential Stories

o   Brainstorm genres

·         Brainstorm long list

·         Select ten

·         Variety of genres

·         At least 5 books

Explain in a well-written paragraph the influence one story has had on you

Present Top Ten Assignment, Rubric, and Sample

Project overview- a list of story citations with explanations of how story influenced you

  • purpose:
    • bib and expressive writing skills
    • good get to know you/vivid picture of you
    • figure out who you are and why you are who you are

·         style

§  do not open with “I chose this b/c...”

·         notice criteria for each score

·         genre

§  books, films, oral stories, music

§  open to visual art/ music w/o words

§  not events

HW due next time:

  • Finish your list of top 10 influential stories.
  • Pick one of the stories on your list and write about WHY you chose it. Do NOT summarize the story. Rather, explain the connection between the story and your life. How did the story influence you? change your point of view?
  • Read and annotate “Menagerie”

Recommended reference site:

Bartleby.com

Handouts conveniently located in the handout section:

  • Top Ten Rubric
  • MLA Citation Guide
  • Ms. Roy’s Top Ten Influential Stories

Tues 9-6/Wed 9-7-11

SSW:  Write about your best friend from second grade (or thereabouts).  Describe them in vivid detail. 

Poetry moment

SSW sharing / discussion

annotation lesson

 Read and annotate  “Salvador Late or Earlly"

Disc of “Salvador”

·         Notes: Characteristics of Effective Writing

·         Notes: Literary Devices 

·         4 Book Talks

Wr WS/ HW:  Write a character sketch.  (It could be a revision of your SSW about childhood friend or it could be something else.)  Include some of the characteristics of effective writing that Cisneros modeled.

Check the handout section of this website for:

  • Salvador Late or Early
  • Annotations Note Guide for all classes 

 

Thursday, September 1, 2011 / Fri., September 2, 2011

SSW:  Write about the biggest problem facing you or the world.

Problem solving 

·      Book talk Criteria

2

o   1 sentence summary

o   a few sentences of analysis of writing and story

o   why people should read the book

o   who would like

o   what you got out of the book

o   no major spoilers

o   pick one brief passage to read to hook us and to anchor yr discussion

 

Schedule Book talks 

10 mins prep and rehearsal for Presidential Committee Presentation

Presidential Panel

HW: READ. Select something for independent reading.  Enjoy.

Prepare for your book talk.

 

Tuesday, August 30 / Wednesday, August 31, 2011

Greetings, readers.

Review ethos, pathos, logos.

SSW: Take a stand for or against cloning.  Use ethos, pathos, and logos.

Straggling Intro Poem Presentations

HoS discussion

Creation of President’s Panels

            Create policy for Matt; Be persuasive: use ethos, pathos, logos

            HW:

·         Bring HoS to class next time

·         Prepare for President’s Panel

F/M 8/26-8-27/11

 

REMEMBER:  key to happy teacher = 10 minutes of Sacred Silent Writing. 

Thank you.  The Management.

 

Out: agenda, hw, paper or journal for SSW

SSW: What advice would you like to give your parents (ie. about life, raising their child(ren), books to read, music to listen to)? Explain.

 

SSW sharing

 

Take out:

·        Agenda book

·        Educating the Teacher Letter

                                                               i.      Final draft on top of

                                                             ii.      First draft

 

Announcements:

Loose ends:     

o       Restroom

o       Tardies

o       Office Hours: Tuesday

o       No Assignment Sheets

o       Syllabus

 

·        Adds/ drops: openings in software design

o       Recruiting more girls

o       Tech aids

·        Bring House of Scorpions next class for activity; review the book and your annotations

 

Intro Poem Completion and Revision

 

Practice Names

           

             Preferences Sharing

 

HW:

  • bring polished copy of intro poem to post in room
study HoS text and annotations in preparation for discussion and activity next class

Wednesday, August 24, 2011 / Thursday, August 25, 2011

Welcome, Writers 

 

Poem of the Day: Wislawa Szymborska’s “Possibilities”

 HAPPY SACRED SILENT WRITING

  •  

 

SSW: Listen to “Possibilities” by Wislawa Symboska.  Then, write a poem to share w/ the class that shows us who you are to help us get to know you and to keep us entertained.

 

TAKE OUT:

·        Agenda books

·        Educating the Teacher pre-writing and rough draft

·        Ed Tchr HO

·        House of Scorpions summer reading assignment

 

HANDOUTS:

        • letter
        • syllabus

 

Write in your Agenda:

Due Next Time:      

·        final copy + drafts of Ed T

  • show parent(s)

o       letter

o       syllabus

o       rules

 

  • House of Scoripions summer reading
  • Names Quiz next week on Th/F

 

HW wave:   

  • rd of ed t

 

No Assignment Sheets

 

SSW sharing 

 

Read and discuss (if not finished)

  • Course letter
  • Syllabus
  • Rules and Procedures
  • Computer Policies

 

Educating the Teacher

·        Review mission

·        Questions?

·        Brainstorm suggestions for revision

·        notes

 

Q&A on Class Procedures

 

HW:

·         Educ T letter due tomorrow, first draft + revised draft

·        House of Scorpions annotations

·        Straggling commitment letters

 

 

 

Materials:          

Day One HOs

No Assignment sheets or NB

 

If extra time,

Student info sheet

 

Monday, August 22, 2011/ Tuesday, August 23, 2011

SSW: Write about your brain.

Reading: Robert Fulghum's "The Brain"

    Individual Reflection

    Sharing and Discussion

Names Game

Course Letter

Syllabus

Rules and Procedures

HW: Educating the Teacher: first draft due next class/W/Th, second/final draft due F/M;  bring House of Scorpion annotations starting F/M

May 24, 2011 – May 25, 2011

·          Group Presentations
·         Individual Presentations

May 20, 2011 – May 23, 2011

·          Group Presentations
·         Individual Presentations

May 18, 2011 – May 19, 2011

·         Graphic Novel Unit
HW:
·          Be sure that your graphic novel includes a strong sense of theme that is apparent to readers. Bring revised version to class. Complete the final draft of your graphic novel. Be prepared to share it with the class.

May 16, 2011 – May 17, 2011

·         Graphic Novel Unit
HW:
·          Decide which literary devices will be used in your graphic novel. Integrate them into your draft.

May 12, 2011 – May 13, 2011

·         Graphic Novel Unit
HW:
·          Use the ideas generated in your group discussion and “Tips for Writing Your Own Graphic Novel” to revise your plans. Be sure to consider the way in which dialogue, thoughts and sounds work together with images and their layout to create plot, mood and tone. Bring your progress with you to class.

May 10, 2011 – May 11, 2011

·         Graphic Novel Unit
HW:
·         Begin to work on your graphic novel excerpt. Read and consider “Tips for writing your Own Graphic Novel.” Come up with a concept and tentative story line. Bring an outline or set of preliminary sketches that can act as a rough draft for what you will create.

Friday May 6, 2011 – Monday May 9, 2011

· Grammar Gladiators

· Independent Reading

· Poetry in a Pocket

HW:

· Independent Reading

· Study for dialogue quiz


Wednesday May 4, 2011 – Thursday May 5, 2011

·         Portfolios due

·         Portfolio show case

 

HW:

3B’s HW –

·          three typed sentences for grammar gladiators

·         Independent reading

o   Bring book to read

4B’s HW –

·         Independent reading

o   Bring book to read

·         Select and prepare poem for dramatic reading

 

Monday May 2, 2011 – Tuesday May 3, 2011

SSW: Metacognitive self-edit using handout

Portfolio peer editing

Portfolio revision

Revise any lingering 8th grade pages

Last chance to turn in perfect 8th grade page:Tuesday, May 3, 2010 at 7:30

Due next class:

· Portfolio

· Rubric with grade and self-evaluation

· Adult edit and at least 2 peer edits

o Name, signature and comments

Thursday April 28, 2011- Friday April 29, 2011

·         Work on Portfolios

·         Conference with peer about progress

·         Conference with Ms. Roy

 

Homework:

·         Pretend( have it finished by, but not actually due) portfolios are due Monday/Tuesday

o   Bring final copy for peer editing

·         Final Copy due Wednesday May 4, 2011/Thursday May 5, 2011

·         Revise magnet opus sheet and bring to Ms.Roy by 7:30 am Friday

·         Adult edit Metagognative Letter and Table of Contents 

Monday/Tuesday: April 17/18 2011


·         Final Dress Rehearsal  

HW:

·         Improve your performance

·         Remember to invite at least 1 person to your play 

Wednesday/ Thursday: April 19/20 2011


·         Day of Performance

HW:

Bring metacognitive letter and portfolio to peer edit  

Friday April 15 2011

SSW: What is your character feeling and thinking during your scene? How will you show that?

·         Submit film to the film festival  to Mr. Webster

·         Inviting teachers

·         Performance April 21st Thursday

·         Next time;  Last Dress rehearsal

·          Invite at least one person to be in the audience who knows and loves you in the audience  

·         Dress Rehearsal

 

 

HW:

·         Improve your performance 

Text Box

Welcome, actors.

 

Wed., April 13/Thurs., April 14

 

Participation Report.

 

Full Name:

 

Participation: # (in a box) 2nd box: grade / 2 out of 50

 

Write a persuasive paragraph with evidence about why you deserve this grade

 

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

 

Readers’ Theatre and Rehearsals

 

Give yourself a grade in a box out of 20. 

Justify yr grade in a persuasive paragraph.

 

19 group leader; enthusiastically performing; full on acting and projecting; always focused; gesturing; encouraging others; offering suggestions and explanations

17 solid reading; some acting; focused

14 mainly reading; occasionally wavering focus

 

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

 

Rehearsals

 

HW:

·         Distribute invitations

·         Memorize ALL lines and cues

·         Act

·         Plan guestures, body language, movements, changes in voice, tone, volume, pacing, pauses, etc.

Monday, April 11, 2011 / Tuesday, April 12, 2011


 

SSW: Write your lines down from memory

 

Brainstorm ways to ping important words and phrases.

 

Brainstorm ways to add variety to your acting.

 

Write down your plan for pinging your lines.

 

Rehearsals

 

Memory check

 

HW: rehearse; when you come to class next, not only should your lines be fluidly memorized, but you should have your pings, your pauses, your gestures and your movements down 

Thursday April 7th/ Friday April 8th

·         ·         April 20th/21st: we will perform the plays for an audience of parents, student, teachers, and administrators.

 

·         Monday April 18th/ Tuesday April19th : Final dress rehearsal

o   Final grade for performances

 

·         Thursday 14th/Friday 15th :  dress rehearsal

 

·         Tonight’s homework :

o   April 20th/April 21st : invite relatives

o   Finish memorizing your lines

o   Bring props and costumes in cloth bag or pillow case

 

·         Monday 11th/ Tuesday 12th: All late work and missing work will be due

·         If you post something late on Google groups, let Ms. Roy know, so she can grade it

·   Portfolios are on the backburner

 

·         On April 26th/ 27th : be ready to peer edit metacognitive letters and portfolios  

 

Rehearsals 

Friday: 04/01/11

Friday: 04/01/11

o   Drama day 4

o   Finish acting out the play

HW:

Character choice and why

o   Post by Sunday 4:00 p.m

o   Scene selection: Persuasive paragraph about which scene you should act out in your play

§  Due by Saturday 10:00 p.m 

o   Drama essay 4 postponed

 §  Work on portfolios

 o   Vocab to know and love check on Tuesday

Wednesday: 03/30/11- Thursday:03/31/11


SSW: Work On Portfolios

·         Drama day 3:

    §  Reading

§  Discussion

HW:

§  Drama Day 3 Essay

 

§  Post on Google Groups

 

·         Work on Portfolio

Monday: 03/28/11 – Tuesday: 03/29/11


SSW: Work on Portfolios

Due today:

·         Vocab to know and love (except 4th period)

·         Straggling money for drama books

·         Drama Essay #1

o        Post on google groups

§         Group posts by your play and class period

Drama Day 2

HW:

·         Drama Essay #2

o        Post on Google groups

·         Work on your portfolio,  esp. metacognitive letter and table of contents blurbs

Thursday3/24/11-Friday3/25/11

Due today:

Parental Narrative

1.       Rubric, filled out and loose on top

2.       Author’s Note stapled on top

3.       Final draft

4.       All drafts newest to oldest

5.       Clocking at back 

·         Annotations for Mister Pip

Loose end: Letter to charity

Continue online discussion

·         Make sure you are posting in a variety of categories

·         Provide evidence of your analysis of the book

Portfolio Work Time

Distribute drama books for $6

Start Drama: Day 1

HW:

·         Work on portfolios

·         Drama essay #1 due at beginning of next class

Tuesday, March 22, 2011 / Wednesday, March 23, 2011

Portfolio Assignment

-          Handout

-          Rubric

-          Purpose

Online discussion of Mister Pip

-          Follow instructions and formatting guidelines in handout

o   Under handouts section of my Kealing.org page

§  Online discussion categories and instructions for Mister Pip

§  Keep this document open while you are posting and check that you are doing so correctly

Homework: March 22, 2011

-          Reminder: Parental Narrative (with author’s note) due next class

-          Work on portfolio

-          Start rough draft of metacognitive letter due

-          Bring $6 for drama book

-          Bring materials for portfolio; I will give you time to work on it next class

Friday, March 11, 2011 / Monday, March 21, 2011


 

Dear writers,

 

SSW: State rules of dialogue writing.  Use Mister Pip as a model.  Think about style and grammar and function.

 

SSW sharing

 

HW:

 

            Due at end of class (Friday only):

·         Submit to Ink Blot

Due next time:

·         $6 for drama book

·         collection of yr writing from this year; from Eng, outside classes, independent

·         NO new homework over spring break
(but if you’re behind use this time to get caught up)

·         Completed reading and annotation of Mister Pip

Due  Th/F after spring break:

·         Final parental narrative

 

Extra Learning/extra credit

  • Mindset
  • Great Expectations
  • Joy Luck Club
  • Museum or Cultural Event
  • Ink Blot Submission

 

Clocking

Revision Exercise

 

Partner #1:  Dialogue

Partner Name:_____________

  • Read the entire parental narrative.
  • Take out the dialogue rules handout.
  • Make any corrections regarding dialogue rules on the narrative.  Look closely.  You should not miss any mistakes.
  • Discuss your corrections with the author.

 

Partner #2:  Theme

Partner Name:___________

 

  • Read the entire parental narrative.
  • What is the definition of theme?
  • What do you think the theme(s) is of the parental narrative?   Explain your thoughts using specific examples from the text.
  • Come up with ways to make the theme clearer.  Write notes in the space provided.
  • What motifs does the author use to support the theme?  What other motifs could they add to strengthen the theme?

 

Partner #3:  Effective Writing Techniques

Partner Name:____________

 

 

  • Circle and label effective writing techniques within the narrative.  In the margins, explain how each technique enhances the narrative.
  • Look for places where effective writing techniques should be included but are not.  In the margins, offer suggestions on how to incorporate these techniques.
  • What techniques did the writer use well?  How did they impact you as a reader?
  • What suggestions do you have for integrating other characteristics of effective writing?

 

Partner #4: Micro edit for grammar

Partner Name:__________

 

  • Eradicate ROs and FRAGs.
  • Check for commas after intro clauses.
  • Homonyms.

 

Partner #5:  Lead

Partner Name:__________

 

  • What makes a good lead?  Why?
  • Does the author of this narrative have a great lead?  Explain.  What can the author do to create a better lead?
  • Read the entire parental narrative
  • Offer suggestions for how to improve the lead and / or for other parts of the story that might make a better starting point.  Think about in medias res.

 

 

 

Partner #6:  Conclusion

Partner Name:____________

 

·         What makes a great conclusion?

·         Does the author have an impressive conclusion?  Why or Why not?

·         Along with the author, come up with an even better conclusion. The conclusion should end with a bang and reveal the theme.  Write the new and improved conclusion in the space provided.

 

Use any remaining time for revision.

 

 

 

Wed. 3-9/Thurs 3-10

SSW: List metaphors, similes and motifs from Ch. 20-23.

 Reading Quiz

 Discussion

 Drama Selection

 Peer Editing of PN

 

HW:

·     Finish reading and annotating Mr. Pip by class after spring break (finish before spring break if you don't want homework)

·     Revised draft of PN

Submit to InkBlot by Friday

M 3-7/ T 3-8

Due today:

Annotations

Museum activities

Art analysis essay

 SSW:  We are in a one-room schoolroom on an island.  We’ve been studying Mr. Bradbury’s Fahrenheit 451.  The only copy on the island has been destroyed.  Recreate, from memory, the story.  Capture as many of Mr. Bradbury’s words as you can.  Collect the fragments.

Pair sharing

Discussion:

What do you notice about what you did and did not remember?

What do you believe is the function for stories?

What connection can you make b/n how you use stories and what you remembered?

Szymborska’s “Joy of Writing”

Disc: what does this poem have to do w/ you and writing yr parent’s story?

Disc: Options for Drama Groups

Piano Lesson

Raisin in the Sun

Night Thoreau Spent in Jail

Shakespeare

Gogol’s Inspector General

Cyrano de Bergerac

Announcements:

Need straggling auction $ turned in

Letter to charity

Thank you cards for chaperones

Turn in books you borrowed from me for novel idea; check out new books for spring break; look at google groups novel ideas for ideas

Submit to Inkblot before Friday

Select a challenging play and be ready to persuade a group of your colleagues to join you in reading, analyzing and performing it

 Disc: Mister Pip

Writing time or reading and annotating time

Annotations check / conference

Turn in:

Museum handouts

Essay

HW:

Read and annotate through p. 210 / end of ch 23

Next class: completed rough draft ready to peer edit

Write story in first person from parent’s p.o.v.

Maintain the essential and emotional truth and theme

Do not worry about accuracy

Change, add, omit to create a work of literature

Create dialogue

Add motifs

Add figurative language

Research and ruminate about which play you want to perform

Thursday, March 3, 2011 / Friday, March 4, 2011

Welcome back, Museum-Goers

SSW:  Which museum was your favorite?  Why?  Which works of art do you especially want to remember?  Why?  What surprised you?  What did you learn? Which works of art did you want to take home with you?  Why?  What questions do you have about the art and the museum?  What would you like to discuss today about the art and the museums?

Discussion of museums and works of art

Drama Options and Selection

·        August Wilson’s Piano Lesson

·        Edmund Rostand’s Cyrano de Bergerac

·        Gogol’s Inspector General

·        Shakespeare

·        Loraine Hainsberry’s Raisin in the Sun 

Writing about art

  • Review Rubric
  • Review Analytical Writing Recipe

Dialogue

Announcements:

  • Need a letter to the charities about Readers’ Gallery of Art to go w/ check
  •  
  • Final draft of writing about art due next class
  • Museum activities due today (keep to help with writing and turn in with final next time)
  • Thank you notes for chaperones
  • Collect all of your major writing for the year and plan to bring to class after spring break
    • Electronic copies are fine

Wed 3-2-11 A-day only

Wed., 3-2-11

A-day only

SSW: What character(s) have you befriended as Matilda befriends Pip?  What did the characters have in common w/ you?  What impact did they have on your life, emotionally and intellectually?  Explain.  What’s it like to have a friend from a book?  How is that the same and how is that different from other friendships?

 SSW Disc

 Readers’ Gallery Collection

 SSW:  Evaluation of the Reader’s Gallery (on clean paper to turn in)

§         What did you learn?

§         What did you like / dislike?

§         Suggestions for improvement

§         Should we do this again next year and / or similar events this year?  Why?

·        Self-evaluation of your 1) participation in Gallery and 2)its preparation / committees

·        Be specific and persuasive about what you did for each

·        19 amazing; leader in committee; product is polished and effective; explained art articulately and enthusiastically to everyone; all deadlines met or early for committee 

·        17 solid; participated well in committee; presented art to those who asked;  effective product; deadlines met

15 weak; had to be prompted to work in committee; contributed slightly less than fair share; spoke about art w/ less detail; wandering focus

Oral telling of parent’s stories

HW: start writing wisdom story: 2 page typed double spaced

·        1st person narrator = parent or grandparent who told you the story

·        Extensive dialogue

·        Fictionalized version

·        Motifs

·        Remain true to theme and essential truth / emotional truth

Tues., 3-1-11

Fieldtrip to McNay, SAMA and Witte Museums in San Antonio 

Friday, February 25, 2011 / Monday, February 28, 2011

Good morning, Museum-goers, 

Hey kiddos, jot down the key words from the journal, so I can switch to projecting the art.  Thanks

SSW:  First, describe in detail the painting by William H. Johnson.  Second, list the elements of art the artist’s uses (line, color, shape, etc.).  Third, analyze the artist’s use of elements of art to create meaning.

Steps of art analysis 

Museum Etiquette

Fieldtrip Procedures

Museum preview slideshow

 Oral telling of parent's story

HW: nothing new: make sure you can tell your parent’s story and that you have a good motif and that you’re caught up w/ Mr. Pip and everything else

 

For class after museum fieldtrip: have 2 pages typed of rough draft of parent’s story

W / Th 2-22/23

 Take notes on definition of motif on yr literary devices page

 motif (moh-TEEF): a recurring object, concept, or structure in a work of literature. A motif may also be two contrasting elements in a work, such as good and evil. In the Book of Genesis, we see the motif of separation again and again throughout the story. In the very first chapter, God separates the light from the darkness. Abraham and his descendants are separated from the rest of the nation as God's chosen people. Joseph is separated from his brothers in order that life might be preserved. Another motif is water, seen in Genesis as a means of destroying the wicked and in Matthew as a means of remitting sins by the employment of baptism. Other motifs in Genesis and Matthew include blood sacrifices, fire, lambs, and goats. A motif is important because it allows one to see main points and themes that the author is trying to express, in order that one might be able to interpret the work more accurately. See A Handbook to Literature, The Concise Oxford Dictionary of Literary Terms. Robert Bean, Student, University of North Carolina at Pembroke

 

MOTIF: A conspicuous recurring element, such as a type of incident, a device, a reference, or verbal formula, which appears frequently in works of literature. For instance, the "loathly lady" who turns out to be a beautiful princess is a common motif in folklore, and the man fatally bewitched by a fairy lady is a common folkloric motif appearing in Keats' "La Belle Dame sans Merci." In medieval Latin lyrics, the "Ubi sunt?" [where are . . .?] motif is common, in which a speaker mourns the lost past by repeatedly asking, what happened to the good-old days? ("Where are the snows of yesteryear?" asks Francois Villon.) The motif of the "beheading game" is common in Celtic myth, and so on. Frequently, critics use the word motif interchangeably with theme and leit-motif. See also folkloric motif.

 

(moh-TEEF) In literature, art, or music, a recurring set of words, shapes, colors, or notes. In the poem “The Raven,” by Edgar Allan Poe, for example, the word nevermore is a motif appearing at the end of each stanza. Likewise, the first four notes of the Fifth Symphony of Ludwig van Beethoven are a motif that is developed and reshaped throughout the work.

 

SSW: Using yr book and annotations, write about the motifs in Mister Pip.  Start yr focus on Ch. 8.  Reflect on the motifs associated w/ Pip and w/ Dolores.  Be prepared for a discussion prep activity and discussion over Ch 8-15.

 

Discussion Prep Ch 8-15

 

Discussion Prep Grading and Discussion of Mister Pip

 

Read and annotate Mister Pip

 

Before students begin independent work, announce homework and remind them to write it in their agendas

HW:

  • read and annotate through p. 166 / end of Ch. 19
  • think of a motif that fits w/ your parent’s story
  • ask parent to retell the story if necessary
  • be prepared to tell story next class
  • notice and appreciate a spot of beauty like Daniel’s grandmother’s blue
  • think about what play you want to perform for our upcoming drama unit
  • collect any straggling Readers’ Gallery Funds

Thursday, February 17, 2011 / Tuesday, February 22, 2011

Mister Pip Day 4

 SSW: What is the difference between wisdom and education?  How are these concepts dealt with in Mister Pip?  In your own life, who has served as a source of wisdom?  How?  Who has supported your education?  How?  Have you ever faced a conflict like Matilda and Dolores faced over folk wisdom versus formal education?  Do you find these concepts at odds?  Why / why not?  Do you value one over the other?  Why?  Examples?

SSW sharing and discussion of Mister Pip

Story telling challenge:

Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class

 

Independent work time:

  • Finish research on background issues of Mister Pip
  • Submit to Ink Blot
  • Post poems and comments to google groups
  • Readers’ Gallery collection and thank you cards
  • Read and annotate Mr. Pip

HW: Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class

 Read and annotate through Chapter 15 (page 122 in the paperback edition) by W/Th

T2-15-11/W2-16-11

SSW: What character(s) have you befriended as Matilda befriends Pip?  What did the characters have in common w/ you?  What impact did they have on your life, emotionally and intellectually?  Explain.  What’s it like to have a friend from a book?  How is that the same and how is that different from other friendships?

SSW Disc

Readers’ Gallery Collection

Post Poems on front wall

 Participation Report.

 Full Name:

 Participation: # (in a box) 2nd box: grade / 2 out of 50

Write a persuasive paragraph with evidence about why you deserve this grade

 

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

 

Discussion Prep:  Reviewing yr book and yr annotations, write questions for today’s lively discussion.  Write two categories of questions:  1) questions that have specific and definite answers that are alluding you / confusing you and 2) open-ended, deep-probing questions that will carry our discussion in interesting and profound directions.  Be sure to include ?s about the conflict on the island and about Great Expectations.

 

Lively discussion

 Reminder: all misssing work and extra credit is due by end of day, Tuesday, 2-15-11

HW:

  • Read and annotate through Chapter 10 (page 73 for the paperback edition) by Th2-17/T2-22
  • Read and annotate through Chapter 15 (page 122 in the paperback edition) by W2-23/Th2-24

 

Friday 2-11/ Mon 2-14


Mister Pip Day Two

 

SSW: Prepare for a quiz and discussion on the first 4 chapters of Mr. Pip.  Write down what you want to discuss, both in terms of questions and insights and parts that you admire as a fellow writer.

 

Reading Quiz on Ch 3-4

 

Grading of Quiz and Disc of Ch 3-4

 

Reading and Annotating

 

Google groups

  • Read comments to novel ideas

·         Post responses and new comments

·         Look for books to read next

·         Post poem

o   Post 2 comments on others’ poems

 

Ink Blot submissions

·         Each student needs to submit at least one amazing piece of writing (poetry or prose)

·         Extra credit for every submission after first of amazing writing

 

Post clean hard copy w/ name of poem on the wall next class

 

Read and annotate Ch 5-6

 

Research / familiarize yourself with background info for Mister Pip

  • Great Expectations
  • Bougainville
  • read article about Bougainville: www.speedysnail.com/pacific/bougainville.html
  • Background info on Bouganville and copper mining and all places listed in book and civil war

 

Collect bids from Readers’ Gallery

 

HW: finish reading and annotating Ch 5-6; study for quiz; all late/absent work and extra credit due by Tuesday afternoon

 

 

 

Monday, February 7, 2011 / Tuesday, February, 8, 2011

Happy Life-After-Snow-Day!

If turning in late (or absent) art, please set-up yr art and artist’s statement and self-evaluation of your art and your rubric so that I may grade it.  We also need a volunteer to photograph art. 

SSW:  Evaluation of the Reader’s Gallery (on clean paper to turn in)

§         What did you learn?

§         What did you like / dislike?

§         Suggestions for improvement

§         Should we do this again next year and / or similar events this year?  Why?

·        Self-evaluation of your 1) participation in Gallery and 2)its preparation / committees

·        Be specific and persuasive about what you did for each

·        19 amazing; leader in committee; product is polished and effective; explained art articulately and enthusiastically to everyone; all deadlines met or early for committee 

·        17 solid; participated well in committee; presented art to those who asked;  effective product; deadlines met

·        15 weak; had to be prompted to work in committee; contributed slightly less than fair share; spoke about art w/ less detail; wandering focus

Poetry self evaluation w/ rubric

Poetry open mike

New Google Groups: sign up today

Google groups: read comments to novel ideas and add new comments

HW: collect bids; deliver art AFTER money is turned in; bring Mr. Pip to class every day; post novel ideas 1,2, and 3 to new google groups (if you have any problems just bring an electronic copy to next class; 

Tues. 2/01/11 - Wed. 2/02/11

   SSW:   What does your committee still need to do before the Readers’ Gallery of Art?  What do you need to do?  Also, use your rubric to evaluate your art.  Check off the criteria that you met and use that to determine your grade.  Write a brief written defense of your evaluation.

Committee Reports

Committee Meetings

  • Make sure all teachers and classes know everything they need to go
  • People outside of this class cannot read keeling.org google docs even if you share it w/ them
  • Make sure your art, décor, supplies, etc. are neatly stored in appropriate place
  • Make sure everything is ready
    • Remind your adults
    • Neatly printed copy of
      • Artist’s statement
      • Poem
      • Artist’s placard

Readers’ Gallery Rehearsal

Teacher conferences

Last call: orders for Mr. Pip = $12

Next class: Readers’ Gallery

M/T: poem is due for open mike; start bringing Mister Pip to class; don’t start reading yet; also Novel Idea #3 is due on M/T – bring an electronic copy; I’ll set up a new system for posting

 

Friday, January 28, 2011 / Monday, January 31, 2011

SSW: Reflect back on yr poems.  Which one do you want to polish up for yr poem of choice to read at our Open Mic / Poetry Café on Feb 7/8?  Why?  What do you want to do to polish it up.  Make sure you are referring to the rubric.

 Review recipe for nonfiction paragraph.  Think back to the research paper.

 

Peer Edit Artist’s Statement

 

Committee meetings

 

HW: put the finishing touches / revisions on

·     art

·     artist’s statement

·     both are due next class / T /W

·     invite family and school adults to Gallery

W 1-26-11 / Th 1-27-11

Good morning, artists, philanthropists, writers, readers,

 

W 1-26-11 / Th 1-27-11

 

Review criteria and rubric for art and artist’s statement for Readers’ Gallery

 

Review Embedded “”s

 

Q and A

 

Revist the text and yr annotations that your art is based on.  Look for inspiration for adding nuance and depth and complexity.  Also find at least 2-3 great “”s to embed in your artist’s statement.

 

SSW: Write your artist’s statement.  Explain your art.  Explain your interpretation of the story.  Explain your artistic decisions. Select 2 or 3 quotes from the story you read to embed in your artist’s statement.  Build on what you wrote last week.

Review Poem of Choice Rubric

 

Poem of Choice Selection and Editing

 

Committee meetings

 

Repost Novel Idea 2 to Google Groups

·     I know there was a problem; not sure why; seems to be working now; let’s try again

·     All my posts / comments on your work were lost

 

Reminder: Due dates:

 

·     W1-26/Th1-27 Novel Idea 2 due

o + 2 comments on Novel Idea 1

§ post on someone’s who has less than 2 comments

 

·     Fri 1-28 / M 1-30 Artist’s Statement due

·     T1-31/W2-1 Art and revised Artist’s Statements due; Gallery rehearsal

·     Th2-3/F 2-4 Readers’ Gallery of Art M2-7 / T 2-8 Novel Idea 3 due

·     Mon 2-7/ T2-8 Poem of Choice; Open Mic/Poetry Cafe; Start bringing Lloyd Jones’ Mr. Pip to class everyday

 

M 1-24 / T 1-25

M 1-24 / T 1-25

SSW: Write a poem about something that you want to do, or something that you would never do, or something that you regret doing or not doing.

 From your poetry packet, read p.7 about sonnets.  Mark the rhyme scheme on the 2 sonnets: start w/ the letter a and label the end of lines based on rhyme scheme.  Introduce a new letter for each new rhyme. Pay attention to the rhythm of the sonnet.  Mark the rhythm.

An iambic foot is an unstressed syllable followed by a stressed syllable. The rhythm can be written as:

da

DUM

A line of iambic pentameter is five iambic feet in a row:

da

DUM

da

DUM

da

DUM

da

DUM

da

DUM

It's possible to notate this with a '˘'(Breve) mark representing an unstressed syllable and a '/'(Forward Slash) mark representing a stressed syllable[1]. In this notation a line of iambic pentameter would look like this:

˘

/

˘

/

˘

/

˘

/

˘

/

The following line from John Keats' Ode to Autumn is a straightforward example:[2]

To swell the gourd, and plump the hazel shells

We can notate the scansion of this as follows:

˘

/

˘

/

˘

/

˘

/

˘

/

To

swell

the

gourd,

and

plump

the

ha-

zel

shells

We can mark the divisions between feet with a |, and the caesura (a pause) with a double vertical bar ||.

˘

/

 

˘

/

 

˘

/

 

˘

/

 

˘

/

To

swell

|

the

gourd,

||

and

plump

|

the

ha-

|

zel

shells

  • Committee meetings for Reader’s Gallery

Planning for indiv art projects

Novel Idea 1 commenting

HW:

  • Art
  • Committee work
  • Novel Idea 2; see handout 

Thursday, January 20 / Friday, January 21

SSW: What makes your text that you selected to create your art for the Readers’ Gallery of Art amazing literature?  Why did you select this text?  Why does it resonate so powerfully with you?  What is the message you carry forth from the text?  How will you represent the message in your art?  How will you represent the author’s style in your art?  What do you want your audience to see in your art and in the original text?  How will you make your art a window into the text?  Describe your artistic decisions in vivid detail.  What quote(s) from the text will you highlight in your art and your artist’s statement?  If you are using a novel as inspiration, what excerpt (1 page) will you display along with your art.  Review the rubric and assignment to make sure you’re on track.

 Paired share and problem solving

 Post Novel Idea 1 to Google Groups

Committee meetings

 

HW: Committee Work

            Art project for Readers’ Gallery

    see dates in agenda from last class

 

 

Tuesday, January 18, 2011 / Wednesday, January 19, 2010

SSW:  What charity do you want to raise money for w/ the Readers’ Gallery of Art?  Why?  Which committee do you want to work on?  Why?

      Readers’ Gallery of Art Committees:

Sign up on yr class’s google doc today

·     Charity contact and info

·     Invitations

·     Set-Up and Ambience

·     Bidding/Donations/Money Collection

·     Inviting School Adults and Classes

·     Publicity

·     Live Music

 

Gallery Planning

      Charity Selection

      Committee sign-up

Committee work time

·     Google aps: docs and groups orientation and guidelines

·     Peer edit Novel Idea 1

 

Novel Idea, Poetry,  and Readers’ Gallery Due Dates: Write down in yr agenda on the date they are due.  Start inviting your families to the Readers’ Gallery today. 

·     By now, you should have selected your poem and gathered your materials and started on your Readers’ Gallery art

·     Th 1-20/Fri 1-21Novel Idea 1 due

o   Revise and post on google groups

·     W1-26/Th1-27 Novel Idea 2 due

o   + 2 comments on Novel Idea 1

§     post on someone’s who has less than 2 comments

 

·     Fri 1-28 / M 1-30 Artist’s Statement due

·     T1-31/W2-1 Art and revised Artist’s Statements due; Gallery rehearsal

·     Th2-3/F 2-4 Readers’ Gallery of Art M2-7 / T 2-8 Novel Idea 3 due

·     Mon 2-7/ T2-8 Poem of Choice; Open Mic/Poetry Cafe; Start bringing Lloyd Jones’ Mr. Pip to class everyday

 

Thursday, Jan. 13/ Friday, Jan. 14

SSW: What is the greatest unsolved mystery?  Craft a few lines of poetry about it.

 Line Breaks Activity

 Video Clip: Akira Kurosawa’s Dreams: “The Peach Orchard”

 Write a poem inspired, directly or indirectly by Dreams, paying close attention to line breaks; polish and finish for hw

 Research:  What charity do you want to raise money for w/ the Readers’ Gallery of Art?  Why?

 HW:

·         start planning and gathering materials for Readers’ Gallery

·         be prepared to pitch charity idea next class

·         bring electronic copy of rough draft of Novel Idea next class

·         finish poem of the day

·         get a poem or text for Readers’ Gallery

·         get Mr. Pip or bring me $12

January T 11 / W 12, 2010

SSW:  Think about your favorite food.  Write some lines of poetry about your favorite food.  Use sound devices and metaphors and similes.

SSW Sharing

Girl Writing a Letter

 

Intro Readers’ Gallery of Art

 

Wr WS: Sts. select work of visual art and write a poem inspired, directly or indirectly; use all of your poetry-writing muscles

 

HW:

  • finish / revise poem
  • arrange to get copy of Mr. Pip
    • bring me $12 to order a copy
  • optional: join Kealing 888 challenge on google groups
  • work on novel idea
  • select a charity that you want to lobby for for Readers’ Gallery of Art
  • start looking for a poem that speaks to you and inspires you to create art
  • start gathering ideas and materials for Readers’ Gallery of Art

 

January F 07 / M 10, 2011

Hello, poets!

SSW:  What are your reading goals for this year?  What changes would you like to make to your reading habits?  To your reading diet?  If you want to do a reading challenge, like I do, what categories would you like to do?  Titles?  Authors?  Types of books that you want to read this year?  What do you want to get out of your reading?

Sharing of SSW and HW poems

Rd and discuss “Eating Poetry”

Learn Sound Devices from packet

            Work w/ a partner

Classwork / HW:

  • brainstorm activity  or object you enjoy
  • brainstorm verbs that are not normally associated w/ the activity/object/idea, i.e. Mark Strand’s “Eating Poetry”
    • singing swimming eating breathing flying
  • craft into a poem
  • sprinkle liberally w/ sound devices
  • label at least one ex of each device

  • Progress Check: Independent Reading

Revised due dates:  

First Response due W1-19 / Th 1-20

            Second due T1-26/ W1-27

            Third due M2-7/T2-8

            Sharing about Books

 

HW:

  • finish sound devices / strange verbs poem a la “Eating Poetry”
  • Get personal reading copy of Mr. Pip

            Do you want me to order book for you?  Bring $12 next week.

  • Work on novel idea

 

 

 

 

 

Wednesday, 1-5-11/Thursday, 1-6-11


 

Happy New Year!

 

SSW:  What is your tech / media use resolution for the next 30 days?  What will you do with your extra time?

 

Read Billy Collin’s “Introduction to Poetry”

Carefully consider the poem.

What is Mr. Collin’s message about poetry?

Do you agree or disagree?  Why?

What should we do with poetry during the upcoming unit?  Why?  What would you like to do and learn?

 

A:  Abstract / metaphor poem due next time

           

Disc “Introduction to Poetry” and students’ reactions

 

Disc in gps:  Define poetry

 

Class disc and notetaking: Defn poetry

 

Gather gmails for google groups

 

Novel idea reminders

  • First: 1-19/20
  • Second: 1-27/28
  • Third: 2-3/4

 

HW:

  • Brainstorm abstract concepts sts studying in other courses
  • Write a poem using 4-8 metaphors about an abstract concept

            Due next class

  • Work on vocab to know and love
    • 25 new words w/ definitions and sources

Tuesday 1-4-2010

KIVA investing

Novel Idea Reading

Friday, December 10, 2010 / Monday, December 13, 2010

Participation Report. 

Full Name:

Participation: # (in a box) 2nd box: grade / 2 out of 50

Write a persuasive paragraph with evidence about why you deserve this grade

 

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

Work on your science fiction projects.  We will present next class.  You will have 15 minutes to pull things together, polish and rehearse.

Turn in annotations today if you have not already done so.

All missing work due today.

Wednesday, December 8/ Thursday, December 9, 2010

SSW: Think about what you want for your best self in terms of how you spend your time.  Think about Bradbury’s critique of media and technology.  Think about how, ideally, you want to spend your time.  Think about how and when and why you want to interact with media and technology and with people and nature.  How will you allow yourself time for daydreaming, exercise, socializing, homework, family, hobbies, beliefs, and everything that is important to you?

Discussion

Class Commitment?

Science Fiction  Project

·         Rubric

·         Brainstorming

·         Grouping

·         Work time

HW: work on your science fiction project; bring whatever materials you and your group need to work on it in class next time; presentations will be W/Th

Monday, December 6 / Tuesday, Dec. 7

SSW: Write about your and your families’ TV habits? Amount? When? Together / separately? What do you watch?  Policies for TV and homework, TV and food.  Also reflect on your time log.  What would Bradbury think about the way you are spending your time?

Discussion on TV, media, technology and our daily lives

Reading quiz: Burning Bright

Discussion of section III.

HW: Read and take notes on the article your group was assigned.  Be prepared to teach your article’s key points to the class.  Articles are on my Kealing.org site under HANDOUTS section, listed by title of article.

Thursday, Dec. 2 /Fri, Dec 3

Reading Benchmarks

Advice for reading quizzes

                Stop every few pages and talk to pet or person, real or imaginary.

                Write and exchange quiz questions.

High school self-evals for teacher recs

                I’d like all teacher recs this week

Hw: Finish reading, annotating, and think about 451.  Anticipate quiz ?s.

Study for quiz next time.

Track your time for 1 school day and weekend day:  What are you doing for 2 24 hour periods?  Fill out forms.  

Tues, Nov.30 / Wed. Dec 1st

SSW: In vivid Bradburian detail, write about preparing the food for Thanksgiving. 

Reading Quiz

Discussion

HW: Read, annotate and think about up to p. 145, break mid-page, “…where he was walking now.”

 

Wednesday/Thursday Nov. 17th/ 18th


 

SSW: Write about your reaction to Fahrenheit 451 so far. Look at your annotations for tips. Be sure to include the three lenses: literary, literal, and thematic.  Talk about plot developments, literary devices, and the overall message/connection to the real world.

Discussion of Fahrenheit 451 in small table groups

Reading and Annotating

Next class: 7th grade monologues and 1950s presentations

HW: by Monday, 11-29 / Tuesday, 11-30, read and annotate all of section 1 and section 2, through 110

Thanksgiving homework: Cook something with/ for a family member. It does not have to be on Thanksgiving Day. 

Monday, November 15, 2010 / Tuesday, November 16, 2010


SSW:  Tell me everything you know about the 1950’s in the U.S.A.

Fahrenheit 451 background

           

Whole class reading, annotating and discussion of Fahrenheit 451

·         Annotate for 3 lenses:

o   Literal: Major plot and character developments

o   Literary: Figurative language / allusions / characteristics of effective writing (metaphors, similes, show don’t tell, hyperbole, personification, anthropomorphism, repetition, parallelism,

o   Thematic: Message / Theme / Connection to our world

o   Vocab to Know and Love

Research on the 1950’s

·         The Cold War : Cris, Amy

·         The Second Red Scare: Lydia, Quinn

·         McCarthyism: Kameron, Alex S

·         Korean War: Lien Fon, Joann

·         Nuclear Power and Weapons: Daniel, Terannce

·         Reconstruction after WWII: Kevin,

·         Fashion: Mansa, Laura

·         Gender Equality: Sophia, Willow

·         Social Changes: Francisco

·         Economics: Hernan, Ethan

·         Racial Issues / Civil Rights Movements: Bobbie, Katie Rae

·         Literature: Eryl, Pia

·         Movies: Lilliana, Chris

·         Music: Johnny, Leah Elena

·         Science and Technology: Tripi, Jacob

o   Space Program

·         Foreign Affairs and Politics: Fabian

·         Education: Dhruv, Alex C.

·         World Events: Nick

·         Entertainment: Charlotte, Leyla

·         Social Classes: Inga, Favio

·         Baby Boom: Evan, John

·         Suburbs: Audrey, Sammy

·         Middle Class

·         GI Bill: Veteran’s College Benefits: Justin

·         Television: Manvi, Hope

·         Household Appliances: Gwyneth,  

·         Rock and Roll / Pop Music

·         Cars/ Transportation: Basab

·         Futurism: David

HW: Read and annotate through  middle of p. 32 up to “The flutter of cards”

  • Research on 1950s
  • 3rd only: straggling permission slips by TUESDAY
  • 3rd: bring sack lunch
  •  

Thursday 11-12-10/ Friday 11-13-10

Congratulations, Researchers, on your completed research paper

 SSW: Reflection on research process

·         What did you love about the process?

·         What are you proud of?

·         Are you prepared for a life of scholarly research? How so?

·         What did you learn about research?

·         What will you do differently next time you research?

·         What do you suggest I do differently next time?

·         How did research change yr thinking?

·         What are you going to do with your new found expertise?

 

Disc on research papers

 

Ceremonial Turning in of Research Papers

 

Adult Edit Grade

 

How to Ask for a Teacher Recommendation

·         Ask Politely

·         Ask at a good time for the teacher

·         Explain your goals

·         Complete a Self Evaluation

o   Copy the rec form

o   Student fills it out

§  Reminds me how wonderful you are

§  Tell me amazing things I don’t know about you that are relevant

§  Fill everything out

§  Not the time to be humble

·         Ask early; I’d like all recs the first week of December

·         If it’s an AISD school, I’ll send it school mail and do not need an envelope

·         Otherwise, please provide an addressed and stamped envelope

·         Fill out any and all basic, identifying info: your NAME, grade, class grades for each six week, school, student #, etc.

 

Artistic Interpretation of Research

 

Research Presentations

 

Intro to Fahrenheit 451

·         No Spoilers Oath

 

·         Fahrenheit 451 book check; put your name on spine NOW

 

HW:

·         Recharge yourself after all of your hard work on the research paper

·         Get teacher rec stuff together and do self-eval by end of Nov.

·         Bring Fahrenheit 451 or $

·         Finish artistic representation, if you didn’t finish in class

Tuesday, Nov. 9 / Wed., Nov. 10

Dear researchers, 

SSW:  Reflect on your research and paper-writing process, as well as your thesis, outline, and rough draft and rubric.  How is everything going?  What are you pleased with?  What are you struggling with?  What are you confused about?  What do you need to accomplish today in class?  What do you need to accomplish by next class?  How will you do so?

Q and A

Peer Editing

·     Intro and conclusion

·     Parenthetical docs and wc

·     Recipe: cd. Comm., TS, CS

Revision

Due next time:

·     final paper, 3-5 pps, typed double-spaced + works cited

  • remember: lack of proper citations and or works cited = plagiarism = 0
  • adult edit: comments on rubric and paper and signature on rubric
  • bring Fahrenheit 451

Thurs 11-4 / Fri 11-5-2010

Participation Report.

 Full Name:

 Participation: # (in a box) 2nd box: grade / 2 out of 50

 Write a persuasive paragraph with evidence about why you deserve this grade

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

 Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas 

Sacred Silent Writing: Become the building inspector.  Read the rubric (in your research packet). Review notes on parenthetical documentation, recipe for body paragraph, plagiarism, things to always get right, etc.  Jot down any questions you have about writing a research paper and / or about the rubric.  Read your builder’s draft and give yourself a building inspection self edit using the rubric and things to always get right notes .  Write down your feedback.  Be sure to include what you did well and what you need to improve.

 

Class discussion about any ?s students have about research paper with other students answering based on notes.  What do you need to improve?  What are you doing well? 

(Remember to track yr participation.)

 

Take notes:

 

Genre conventions for nonfiction, formal, scholarly research paper:

·        Less emphasis on imagery (exception intro and conc)

·        Matter of fact

·        Logical

·        Formal

o       Avoid slang, contractions

o       Conversational language

·        Avoid you or I / my or we

o       Exception: intro or concl

·        Cut: “I believe that”/”I think that”

·        Practical and focused

·        Clear and concise

·        Not the time for figurative language

·        Be sure to specify who “we” is

o       Which govt and which level

o       Corporations

o       Individuals

o       Charitable organizations

 

Introductions (1 paragraph / .5 page):

·        Hook reader

·        Powerful thesis –last sentence of intro

·        Intriguing or powerful quote

·        Cool or alarming fact; attention-getting

·        Set tone and scope of issue

·        Create strong visual in reader’s mind

·        Why should reader care?

o       Make a connection

·        Background info – give context about scope of issue

 

Conclusion (1 paragraph / .5 page)

·        Restate (rephrase) thesis (usually at beg. of conclusion)

·        Thought-provoking

·        Call to action

o       Urge reader to get involved

o       Explain how they can be part of solution

·        Profound “quote”

·        Summarize paper; problem and solutions

 

HW due next time:

  • Finish writing intro and conclusion paragraphs

àCompleted rough draft of body paragraphs should already be done; finish and improve as needed

    • Don’t forget works cited
  • Fahrenheit 451 should have been ordered long ago; bring to class starting Thurs 11-11 / Fri 11-12
  • Make an appointment for an adult edit if you have not already done so
    • Adult edit is due the day paper is due, but you need to get it early enough to make revisions
    • Make yr apt early to keep yr adult cheery
  • Final paper inc works cited is due Thurs 11-11 / Fri 11-12
  • Start bringing Fahrenheit 451 to class starting Thurs 11-11 / Fri 11-12

 

Peer editing thesis and body paragraphs

5 peer edits w/ 5 different students for: (10-15 minutes for each round)

1) clear and concise; word choice

2) follows recipe (review notes as a class); 

label cd and commentary and TS and CS

3) micro edit for top ten mistakes (review notes as a class); eradicate all run-ons and frags;  commas after intro classes

4) everything supports and proves thesis 

5) correct parenthetical documentation and appropriate genre conventions

Sentence (Bouska 34).

 

Revise thesis and body paragraphs

 

Write intro and conclusion paragraphs

 

 

Tues 11-2 / Wed 11-3


SSW: Review the recipe for an easy A on a research paper.  Label the parts of your first body paragraph: TS, cd, cm., and CS.  Self-edit your first body paragraph. 

Start writing yr second body paragraph

 

Peer edit

 

Q and A

 

·     What are people doing well?

·     What needs improvement?

·     What ?s do you have?

 

Wr WS: Write the rest of the body paragraphs of your paper.

HW: finish writing all body paragraphs (everything but intro and conclusion)

·     Should be 3+ pps typed

·     Stragglers: order Fahrenheit 451 or ask me to order one

 

Th 10-28 / Friday 10-29


SSW(A-day only): What questions do you have about the research process, note cards, bib cards, thesis statements, outlines, etc?  What do you need help with?  What do you need to work on / improve?  How is everything going?  What have you done to put yourself on the path to autopilot?  Are you ready to turn on the autopilot or do you need to go back and work on previous steps?  Explain.

 

HW Wave:

·     Outline

 

Return and Discuss Corrections Checklist

 

 

Read Parenthetical Documentation and Sample Paper

 

Parenthetical documentation notes

·      Every sentence in your paper that has info from a note card needs parenthetical documentation.

o  Includes direct quotes

o  Includes paraphrases

·      At the end of the sentence add (first key word from the bib source page#).

·      If you have 2 sources w/ same author, you’ll need to add more info to distinguish sources (Roy, Cycling 37) and (Roy, Garlic and Poetry 478).

·      2 citations in a row from same source, for 2nd one, skip first key word and go right to p #

o  If no p#, restate first key word

·      Do not put a url in the () citation in place of p#

·      Blah blah blah (Webster 35) and blah blah blah (Hart 42).

 

 

 

2-3 embedded quotes in EACH body paragraph

·     Do NOT quote entire sentences

·     Use ellipses to trim wds from mid quote

 

EVERYTHING needs to support thesis

·     If NOT, cut it

 

All evidence / facts needs to be followed by ANALYSIS and COMMENTARY

 

NOT writing a REPORT

 

Recipe for great body paragraph for an easy A research paper

·     Topic Sentence (TS)

o DO NOT refer to yrself or to the paper

o Simply state the overview of the paragraph.

o Provide transition b/n topics

·     Concrete detail(c.d)

o Fact from research

o Info from front of yr notecards

o () citation

·     Commentary (comm.)

o yr analysis of the c.d.

o explanation of how c.d. supports  yr thesis

o should already be on back of your note cards

o guide yr rdr to come to same conclusions you came to

o this is where you use your power

·     commentary

·     repeat c.d/comm./comm. 3X

·     concluding sentence – persuasive summation of paragraph

o include transition to next paragraph

 

Fill in gaps; revise thesis and outline so you can go on autopilot

 

Write

 

Peer edit

 

Revise

 

Teacher conference on revised thesis

 

HW:

·     get adult edit(s) on yr thesis and outline

·     rough draft of one Roman numeral from yr outline and Works Cited

(fix mistake in packet)

·     make an appt TODAY w/ an adult for edit due 11-2/11-3

·     Fahrenheit 451 should have been ordered by now; tell me today if you need me to order a copy and/or if you need a scholarship

 

 

W10-27 B-day only

 

SSW: What questions do you have about the research process, note cards, bib cards, thesis statements, outlines, etc?  What do you need help with?  What do you need to work on / improve?  How is everything going?  What have you done to put yourself on the path to autopilot?  Are you ready to turn on the autopilot or do you need to go back and work on previous steps?  Explain.

 

HW Wave:

·     Outline

 

Return and Discuss Corrections Checklist

 

HW:

·     revised thesis statement

·     adult(s) edit your thesis statement and outline

·     revised (at least) 2 page, typed, single-spaced outline

·     one day extension on rest of project

 

 

 

M 10-25 / T 10-26-10

Dear B-day students, 

I’m sorry that I can not be here with you today.  I’ve had to leave this afternoon to attend a funeral service.  Please be amazing and work hard on your outlines.  Please help each other out w/ your thesis statements and outlines.  I will be back tomorrow and will hold office hours on Tuesday.  Please attend office hours if you need some help with your research.

I look forward to seeing you soon.

Take care,

Ms. Roy

SSW:  Get ready to write have a 60 second meeting w/ President Obama summarizing your research.  To do so, review yr notecards.  Look for patterns.  Divide them into three stacks.  Then, summarize the findings from each stack into one sentence.  This should lead to you stating the three most important things that Pres. Obama needs to know about your topic.  Make sure that you include your stand and solutions.

Share w/ a colleague

Q and A on thesis statements

Lesson: Outling

·        Read and Discuss “Outlines” p. 7 of

Workday:

·        Thesis statement revisions

·        Outlining

·        Researching

Teacher conference / grade: thesis statement

B-day students: please peer conference on your thesis statements; review the criteria in the packet; offer suggestions

HW:

·        Finish Outline

·        Finish all research: 5-8 bib cards; 30-50 notecards

·        Revise thesis

·        You should have ordered Ray Bradbury’s  Fahrenheit 451 and Lloyd Jones’ Mr. Pip by now.

Th 10-21/F10-22

SSW (followed by Disc):  Joy of Research

What cool info have you found?

Have you found the joy of research?  Explain.  What’s yr plan for completing yr research?

 

Introduce thesis from map of the land handout

·     W/ partner rate sample thesis statements

·     Make notes of roman numerals and how to improve

·     Wh cl disc

·     What does thesis remind you of?

·     Thesis courtroom analogy

 

Review bib and note cards

 

Peer critique of bib and note cards

 

Teacher conference:

·     Bib and note cards

·     Thesis starting pt

 

Research time

 

HW due next time:

 

·     Revise  thesis

·     Research to minimum of 20 note cards

·     Order Fahrenheit 451; need to have it in class on 11-11/11-12; order Lloyd Jones’ Mr. Pip for spring

 

 

Tuesday, 10-19-10/ Wed., 10-20-10


SSW:  What issue did you select the issue to research?  Why?  What do you hope to find out?  What do you already know?  What is your burning question?  Who can you consult to see if your topic is appropriately broad and to recommend outstanding resources?

 

SSW sharing

 

Notecard and bibcard review and check

 

Topic Approval

 

Research / create bib and note cards

 

Focus on:

·     problem and solution

·     how the issue impacts society

·     This is NOT a report

·     But an analytical paper

 

Due at end of class today:

 

·     2 bib and 5 notecards

 

HW:

·     bring research materials to class next time;

·     min of 10 notecards from at least 2 sources due

·     end of next class, at least 20 notecard + 3 bib total

 

 

 

Thursday, October 14 / Friday, October 15, 2010


SSW1 (B-day only):  SSW:  Assemble your short story.  Rubric loose on top.  From top to bottom: final, building inspector, drafts from oldest to newest, prewriting.  Make sure your rubric is completely filled out.  Check your theme against the theme chant.  Annotate your story on the final copy for the characteristic of effective writing.  Turn in in alpha order.

 

TURN IN:

  • Short story
  • Corrections Checklist for Top 10

 

SSW2 (all students):  What is the issue that is dealt w/ in yr article?  What are some possible solutions?  Why?  What would you have to find out / know to discover if the solutions are feasible?  How would you find out?  How would these solutions change our world for the better?

 

Disc

  • SSW Sharing
  • What is research?
  • Why is it amazing?
  • Why have some people had a bad experience w/ research?
  • How to conquer the world
  • How to write yr paper on auto pilot
  • Testimonials

 

Lessons

  • Bib cards
  • Note cards
  • Credible sources
  • Objectivity
  • Civility

 

Write a bib card and 3 note cards from yr social issues article.

 

Select leaders for next week

 

HW:

  • Topic and back-up topic
  • Gather and bring hard copies of research materials
  • Get index cards

 

A-day only:

·         Turn in learning comments

 

B-day only:

Small group discussion: Flannery O’Connor’s “A Good Man is Hard to Find”

·         I-don’t-get-it ?s

·         Irony examples

·         Color imagery

·         Catholic allusions

Wh cl disc:

·         Epiphanies

·         Theme

 

 

Wednesday, 10-13-10, A-day only


SSW: Halloween stories

SSW:  Assemble your short story.  Rubric loose on top.  From top to bottom: final, building inspector, drafts from oldest to newest, prewriting.  Make sure your rubric is completely filled out.  Check your theme against the theme chant.  Annotate your story on the final copy for the characteristic of effective writing,

 

TURN IN:

  • Short story
  • Corrections Checklist for Top 10

 

Small group discussion: Flannery O’Connor’s “A Good Man is Hard to Find”

  • I-don’t-get-it ?s
  • Irony examples
  • Color imagery
  • Catholic allusions

Wh cl disc:

·         Epiphanies

·         Theme

 

Grammar Gladiator Face Off

 

HW: Remember to bring article about a current event or issue that you feel passionately about

 

 

Friday, October, 08 / Monday, October, 11, 2010

 

Writers, please be as amazing and hard-working as always.  Please ensure that Ms. Hare has an enjoyable day.

 

SSW: On a clean sheet of notebook paper, so you can turn it in next class.  Meet with your building inspector.  Ask her to prepare a thorough and insightful inspection report of your construction.  Remind her to heed the buyer’s criteria (rubric), best practices w/in the industry (characteristics of effective writing) and building codes (grammar and language conventions, esp Things to Always Get Right). 

 

HW: WRITE in AGENDA BOOKS

  • HW: short story FINAL + all rough drafts + FILLED OUT RUBRIC
    • Revise short story based on inspector’s report and micro edits and rubric (don’t forget: in medias res, theme, self-selected characteristic of effective writing, slice of life.)  Final draft that Ms. Roy is going to grade is due next time.  Also will turn in all drafts and brainstorming and rubric and building inspector’s report.
  • Bring in an article to share about a current event or issue that you feel passionately about.  Select an issue that you want to do something about.  (Don’t just bring in article that strikes you as strange.  Bring one in about an issue that you really care deeply about, that you want to see a change made, and that you want to be a part of changing)
  • Finish reading and annotating Flannery O’Connor’s “A Good Man is Hard to Find”

 

Book talks: everyone who has not presented needs to go today

  • Each should be 2-3 minutes.
  • Have a volunteer serve as timer: signal students when it’s been two minutes and when it’s been three
  • Grading criteria (out of 20 points)
    • 20        amazing; enthusiastic; detailed and compelling analysis; well-selected quotes; persuasive
    • 17        solid; more informative than persuasive
    • 14        weak; lacks enthusiasm; reasons for reading / analysis is general and/or vague

 

Microedits from 3 different people

Rotate papers at tables; about 8 minutes per round

Round 1: R.O’s and Frags

Round 2: Commas (esp. intro clauses)

Round 3: General Grammatical Edit or Writer’s Choice: Writer can specify grammatical weakness and editor can look for that

  • Eradicate all R.O.s and FRAGs
  • Make sure all intro clauses and transitions are followed by commas
  • Write on story: Edit #1 by ___________, etc.

 

Oral Reading and Discussion of Flannery O’Conner’s

·         Read Flannery O’Connor’s “A Good Man is Hard to Find”; read again and annotate for (write these items on top margin of text)

·         Irony

·         Imagery

·         colors

·         Symbolism (esp. religious / Catholic)

·         Allusions (esp. Catholic)

·         Add to your Vocab to Know and Love

 

 

 

 

 

 

 

 

 

Thursday, October 7, 2010 / Tuesday, October 12, 2010

 

SSW: Imagine you are looking at a picture of yourself in 2030.  Describe the picture in great detail.  Who is in the picture?  What are you doing?  Where are you?

 

Due today:

  • Learning comment
  • Corrections checklist
  •  

Announcements:

  • Reminder: we’ll finish all booktalks next week
  • sub next class: need leaders to help teach
  • Extra Credit Opportunities:

·         Hispanic Futures Conference on Sat. 10-23 sponsored by City of Austin

·         Texas Book Festival: Sat 10-16 and Sun 10-17

 

Prep / Research / Teaching for Grammar Gladiators

 

Grammar Gladiators

 

Self Micro edits

 

 HW: revise  / polish short story

  • If needed, make corrections to corrections checklist

 

 

Tuesday Oct 5, Wednesday Oct 6 2010

 

SSW: It’s time for a grammar intervention.  Review your feedback from me on the Top 10.  Consider that, as well as other feedback you have received about your writing.  What are your grammatical strengths and weaknesses?  What grammar rules do you need to learn and or review?  What aspects of your writing do you want to improve, grammatically and / or stylistically speaking?  What is your plan for doing so?

 

Add to editing notes:

Agr      agreement

T          tense

You     don’t use you when you mean I

Wdy    wordy

I           italics

Happy Second Six Weeks     

  • New seats
  • Grades
    • A-handshakes
    • Learning comment from parent and student inc. goal for this six weeks and reflection on last due next time

 

Grammar Research

·         Use Webster grammar site on left column of my web page

·         Use Writer’s, Inc. or Writesource 2000

 

Top 10 corrections

 

            Start in class; finish for h.w., if you don’t finish in class

            Follow all instructions carefully:

                        Note italics at bottom of page

 

Short Story Macroediting / Conferencing

 

HW:

    • Learning comment from parent and student inc. goal for this six weeks and reflection on last due next time

Top 10 Corrections

    • Bring it for Grammar Gladiators next class—study website
    • Revise your short story; micro edit next class (or possibly class after next)
    • Note: we’ll finish all booktalks on Fri/M

 

 

Tuesday Oct 5, Wednesday Oct 6 2010


SSW: It’s time for a grammar intervention.  Review your feedback from me on the Top 10.  Consider that, as well as other feedback you have received about your writing.  What are your grammatical strengths and weaknesses?  What grammar rules do you need to learn and or review?  What aspects of your writing do you want to improve, grammatically and / or stylistically speaking?  What is your plan for doing so?

 

Add to editing notes:

Agr      agreement

T          tense

You     don’t use you when you mean I

Wdy    wordy

I           italics

Happy Second Six Weeks     

  • New seats
  • Grades
    • A-handshakes
    • Learning comment from parent and student inc. goal for this six weeks and reflection on last due next time

 

Grammar Research

·         Use Webster grammar site on left column of my web page

·         Use Writer’s, Inc. or Writesource 2000

 

Top 10 corrections

 

            Start in class; finish for h.w., if you don’t finish in class

            Follow all instructions carefully:

                        Note italics at bottom of page

 

Short Story Macroediting / Conferencing

    • Learning comment from parent and student inc. goal for this six weeks and reflection on last due next time

Top 10 Corrections

    • Bring it for Grammar Gladiators next class—study website
    • Revise your short story; micro edit next class (or possibly class after next)
    • Note: we’ll finish all booktalks on Fri/M

 

 

Friday, Oct 1, 2010 / Monday, October 4, 2010

Greetings, Writers

 

SSW: Go to the architect’s office. State the theme of your short story.  Explain how you are supporting that theme.  Decide what else you need to do to support the theme.  Decide what you need to cut.  Plan to cut anything that does not support the theme.

 

Theme Chant

      Memorize

 

Discussion of Themes

 

Clocking Short Story

 

Discuss Angela Carter’s “The Tiger’s Bride”

 

Book Talks

 

HW: Revise your short story.  Go back to mad woman, architect, builder, and building inspector as needed.  Story should be completely polished and publication ready for the beginning of class.  We will be doing micro edits. 

Fill out top of yr rubric:

·     Theme

·     Characteristics of effective writing—select one that you want to work on and polish your story to focus on that characteristic.

 

Tues 9-28 / Wed 9-29

 

Welcome, writers

 

Read rubric for short story

 

SSW: Work on your short story. Go where you need to go to construct.  Attic. Architect’s office. Building site.  Invite the building inspector only if you’re ready

 

Open Note Quiz: Eudora Welty’s “Why I Live at the P.O.”

 

Participation Report.

 

Full Name:

 

Participation: # (in a box) 2nd box: grade / 2 out of 50

 

Write a persuasive paragraph with evidence about why you deserve this grade


95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

 

Teach leads and in medias res

 

Oral Reading, annotating and discussion of “Tiger’s Bride”

 

Book Talks

 

HW:

·     Completed rough draft of the short story you’ve selected to polish; work w/ madwoman, architect, and builder to get it ready for the building inspector at the beginning of next class

·     Rewrite lead so it’s in medias res

·     Finish reading and annotating “Tiger’s Bride”

·     Add to vocab to know and love from “Tiger’s”

 

 

Monday, September 27 / Tuesday, September 28

Welcome, annotating readers

 

Phase one: Madwoman in the attic: 

·         She’s a little crazy

·         She doesn’t care what anyone thinks

·         She doesn’t care how she looks

·         She’s just rocking out, letting her crazy thoughts spill out on paper or in your ear

·         She doesn’t care about rules

·         She doesn’t care about how things turn out

·         She’s free

·         She has many stories to tell

 

Become the mad woman in the attic and write about an interesting place and/or a unique character.  Remember to stay in mad woman mode.  If you end up going in another direction, go with it.

 

Phase two: The architect

·         She’s a designer

·         She thinks big

·         She looks at the raw materials and site that the madwoman offered and brainstorms what could be built there

·         She sees potential

·         She thinks about what needs to be added and subtracted

·         She is a bold visionary

·         She plans (but does not build) a structure

·         She offers multiple possible plans

 

As the architect, create a few design proposals based on the madwoman’s raw materials and site.  You may collaborate with another architect.  Write yr plans down. Consider elements such as theme, characters, mood, plot, setting, special features, style, point of view, genre.

 

Turn to neighbor and share architectural proposals

 

Phase three: the builder

  • She does the heavy lifting.
  • She takes the architect’s plans and the madwoman’s raw materials and builds something that will appeal to a buyer.  She takes into account the city’s building codes.  She employees innovative and ecofriendly building practices.
  • If the builder rejects the plans of the architect and/or the raw materials of the madwoman, she must go back and ask the madwoman and/or architect for some new raw materials and / or plans.  Warning: do NOT criticize the madwoman; she will bite you and put you in a paralyzing choke hold.

 

 

Phase four: The building inspector.

  • She checks that everything is safe and stable and well-built.  She does an energy audit.  She identifies any problems with the structure. She makes sure that all construction is solid.  She identifies and orders a fix for anything that is dangerous, leaking energy, aesthetically unappealing, inefficient, etc. She makes sure that all construction is solid.  She makes sure that the architectural plan is being followed, that the city building codes are followed, that the madwoman’s resources are well used, that the buyer will be happy.

 

Add to literary terms notes:

Tone: the implied attitude of the writer towards the subject and the characters

 

Mood: state of mind or emotion of the characters

 

Eudora Welty’s “Why I Live at the P.O.”

            Review Annotations for tone and key issues; start thinking about theme

In your table groups, discuss:

·         “I-don’t-get-it” ?s

·         Decide what Welty’s tone is and back up your decision w/ evidence

·         Find key issues

·         Use key issues as building blocks; write statements of theme

·         Identify and take notes on characteristics of effective writing that you could emulate

·         Discuss the architectural decisions she made and how they create meaning; take notes

 

·         HW: Become the builder.  Make a story out of the architect’s plans and the madwoman’s raw materials.  Go back to the architect and the madwoman as needed. 

 

 

Thursday, September 23 / Fri, September 24

Welcome, annotating readers 

SSW: Review your annotations of “Old Man.”  Make a list of the key issues of the story.  Pick one of those key issues to focus on.  What do you think is Marquez’ message to the reader to about that issue?

Group work: As a 2 table group, answer one another’s I-don’t get-it ?s from yesterday’s SSW?

Wh Cl Disc of deep ?s and key issues

Add to literary terms notes:

·         Magical realism: Art or literature with a kind of heightened reality in which elements of the miraculous could appear while seeming natural and unforced.

·         Theme: the author’s main message about a key issue or idea; a universal truth; a complete sentence; beyond plot; debatable

  • Omniscient: all-knowing; a type of 3rd person narration
  • Mood: state of mind or emotions of characters
  • Tone: the implied attitude of the writer toward the subject and the characters
  • Theme: the author’s main message about a key issue or idea; a universal truth; a complete sentence; beyond plot; debatable
  • Diction: Vocabulary choices made by an author to create nuanced meaning
  • Irony: incongruity b/n what is expected and what actually happens

Write and polish a statement of theme from “Old”; check against our defn;


Read biography of Gabriel Garcia Marquez at:  http://www.biblio.com/authors/625/Gabriel_Garcia_Marquez_Biography.html

Reminder: all late, missing, revised for regrade, and extra credit assignments due by the end of the day on Tuesday, 9-30, as that is the last week of six weeks.

Theme chant

Whole Class Discussion: “Old” and Magic Realism

Introduction of Old Woman in the Attic and the problems she solves for writers

HW: Go into the attic.  Listen to the madwoman. Spill out in writing some ideas for a story or two or three in which something magical or supernatural is treated in an everyday, nonchalant fashion.  You are not allowed to worry about spelling, grammar, where the story is going, if it’s good.  If you do the madwoman may flee or throw you out of the attic or she may bite you.

Tuesday, September 21, 2009 / Wed, Sept. 22

 

SSW: Review your annotations for Marquez’ “A Very Old Man with Enormous Wings.”  Prepare for discussion by writing both “I-don’t-get-it” questions and deep, open-ended discussion-generating questions.  Also, write down the most important insights that you made as a reader that you want to share. 

Turn in Top Ten:

 

Rubric w/ name on it LOOSE on top

 

STAPLE everything w/ FINAL on TOP from NEWEST to OLDEST

            Include rough drafts

                        Peer edits

                        One paragraph

                        List

                        Brainstorming

 

STACK alpha order by last name on front table

 

5 minutes rehearsal / set-up

 

Creative Presentations of one of Top 10 Influential Stories

 

Discuss Marquez’ “Very Old Man w/ Enormous Wings”

 

Booktalks

 

HW: read and annotate Eudora Welty’s “Why I live at the P.O.”

Friday, September 17, 2010 / Monday, September 20, 2010

 

SSW: Top 10 Self-Evaluation

 

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

 

 

 

Due today:

  • 2 comments about your learning in English class; one from you, one from parent
  • revised draft of Top Ten
  • organized, labeled and dated SSW and HW for grade check

 

Due next time:

  • final Top 10
    • with rubric
    • and self-evaluation
  • amazing, entertaining presentation of one of your Top 10 Entries
  • Reading and annotation of Gabriel Garcia Marquez’s “Old Man

 

 

 

 

 

Top Ten Mistakes to Avoid

·      A lot

·      You

·      Intro clause, ________.

·      ;

·      :

·      sp: definitely

·      really

·      its/it’s

·      it/ this --? Unclear pronoun

·      citation punctuation

·      paragraphs

 

Corrections to Common Mistakes

 

Things to Always Get Right

 

·     italicize and capitalize titles of books and of long works

·       “ and capitalize titles of shorter works

o   not just in citations, but also in text

·     It’s = it is; its = possessive

·     Comma after introductory clause

o   Ex: In English class, I learned to use commas properly. When providing extra information at the beginning of a sentence, set it off with a comma.

·     Comma between two independent clauses joined by coordinating conjunction: and, but, so

o   I taught my students well, so they became great writers.  I taught my students about citations, but they still forgot the end punctuation.

·     Affect / effect

o   Affect = action; effect = result

o   I can affect my students by assigning homework; the effect of this action is that they will get smarter.

·     Citations end w/ a period.

 

·     Italicize titles of books and long works

·     Shorter works, put titles in “ ”s

·     Capitalize all key words in a title

 

·     A lot is two words and is a weak phrase.  Use only sparingly, only in dialogue.

 

·     Its = ownership

·     it’s = it is

 

·         to = preposition

·         too = also, excessive

·         two =2

 

·         their  = ownership

·         there = place

·         they’re = they are

 

·         Punctuate Dialogue

o       Jane said, “Blah blah.”

o       “Blah blah,” Jane said.

 

·         A à an before a vowel

 

 

·         Independent clause = phrase that

stands alone as a complete sentence

·         Ex.  I rode my bike to school.

 

·         Dependent clause = phrase that

modifies (or is added to) an independent clause

·         Ex.  In the morning, I rode my bike to school.

 

·         Introductory clause introduces the sentence; provides extra info.

 

·         ; to combine 2 closely related independent clauses

·         I rode my bike to school; I don’t have my car today.

 

·         ; to separate items in complex lists

 

·         : works as an =

·         Ms. Finklea gave me a copy of my favorite book: East of Eden.

·         ! use incredibly sparingly

 

 

·         commas in list  (I am buying eggs, bread and milk. )

 

·         Last, First. “Title.” As told to the author.

Roy, Rose. “Stories My Mother Told Me.”                As told to the author. Oral Story.

 

 

·         Remember to use the updated MLA citations and state medium at end (i.e. print, oral story, film, etc.)

 

·         End punctuation to citation.  Don’t forget the period at the end of the citation.

 

·         Most important:

 

o       No more Run-Ons

o       No more Sentence Fragments

·         Check out the grammar website link on my kealing.org page

·         Guide to Grammar

o       http://grammar.ccc.commnet.edu/grammar/

o       It has explanations and quizzes for all kinds of grammar issues

o       Please use if you are having trouble with R.O.s, Frags, or commas

 

 

Editing

K         akward

P          punctuation

C         capitalization

Sp        spelling

Gd       good

R.O.  run-on

Frag     frag

 

 

Reference materials: dictionary, thesaurus, guides to mythology, etc.

            http://www.bartleby.com/

 

  • SSW / HW check next class:

1. SSW: Brain (August 8/23)

2. SSW: Poem, who we are (August 8/25)

3. SSW: Advice for parent (8/27)

4. SSW: House Of The Scorpion Questions (August 8/31)

5. SSW: What it is: Dreams (9/2)

6. SSW: Best Friend (9/7)

7.HW: Revised Best Friend

8. SSW: Stories (9/9)

9.HW: Top Ten List With One Summary

10. SSW: Passionate topic (9/13)

11. SSW: Super Power (9/15)

 

 

Top Ten Peer Edits

 

SSW Check

 

Read and Annotate Gabriel Garcia Marquez’s

 

Research Magic Realism

W9-15/Th9-16-10

Welcome, writers.

Agenda out.

HW out. 

 SSW:  If you could have any superpower what would it be? Why? What would you do with it?


A:

  • complete draft of Top Ten list for microedit due today
  • revised draft due F9-17/M9-20
  • final draft of Top Ten due on  present/explain one excerpt on T9-21/W9-22
    • need an amazing visual, auditory or interactive aid

 

  • present/explain yr interpretation and analysis of one of your top ten influential stories on F9-19/M9-22
    • need an amazing visual, auditory or interactive aid
  • Signed and commented gradesheet due next time
    • Comment for you: about yr learning and accomplishments
    • Comment from yr parent to you: about yr learning and accomplishments
  • SSW / HW check next class:

1. SSW: Brain (August 8/23)

2. SSW: Poem, who we are (August 8/25)

3. SSW: Advice for parent (8/27)

4. SSW: House Of The Scorpion Questions (August 8/31)

5. SSW: What it is: Dreams (9/2)

6. SSW: Best Friend (9/7)

7.HW: Revised Best Friend

8. SSW: Stories (9/9)

9.HW: Top Ten List With One Summary

10. SSW: Passionate topic (9/13)

11. SSW: Super Power (9/15)

 

P.S. Homework and SSW will both be checked so make sure that you have both.

P.P.S SSW entries need to be approximately 1 page long. 

 

Q & A

  • Top Ten
  • Rubric
  • Presentations
  • Citations

 

Peer Editing

 

Self Editing

 

Self Eval w Rubric

 

Student-Teacher Conference on one entry for a grade

 

Revision

 

Research Citations

 

 



Monday, September 13, 2010 / Tuesday, September 14, 2010

SSW:  Free write about something that you feel passionately about.  Enjoy.

 Poetry moment

 SSW sharing / discussion

 A:

  • complete draft of Top Ten list for microedit due next time, W9-15/Th9-16
  • revised draft due F9-17/M9-20
  • final draft of Top Ten due on  present/explain one excerpt on T9-21/W9-22
    • need an amazing visual, auditory or interactive aid
  • 3 book talks
  • HW wave:
    • “First Day” annotations
    • Top 10 paragraph

Present Top Ten Assignment, Rubric, and Sample

Project overview- a list of story citations with explanations of how story influenced you

  • purpose:
    • bib and expressive writing skills
    • good get to know you/vivid picture of you

·        style

§         do not open with “I chose this b/c...”

·        notice criteria for each score

·        genre

§         books, films, oral stories, music

§         open to visual art/ music w/o words

§         not events 

 

Bib Citation Mini-Lesson

·        review HO

·        Q & A

·        Revise to meet new MLA guidelines

 

(35)      Wr. Workshop

  • read examples silently
  • what did you notice?
    • personal, specific, deep
  • writing time
  • Focus:
    • Hook
    • Details (rich and interesting)
    • Depth (of connection, influence)
    • Clarity & Conciseness
    • No summary

 

Peer Editing of list and paragraph

·        Check against above criteria

·        Give feedback

 

Wr WS:

            Work on blurbs and citations

Discussion of “First Day”

HW: Top 10 rough draft due next time

 

Thurs 9-9/Friday 9-10

SSW:  What role do stories play in your life?  In society?  Why?  Use examples to illustrate your explanation. (In other words, why do we tell stories, listen to them, read them, watch them, etc.)

 Poetry moment

 SSW sharing / discussion

HW Wave: Revised childhood memory

Discussion – compare 2 versions

 

Odds and Ends:

·        Educating the T letters

·        3 Book Talks

·        451 annotations

·        intro poems

·        info sheets

·        commitment sheets

·        progress reports next time

 

  • Start _____’s Vocab to Know and Love

 

·         

 

Wr WS/ HW:  Creating Top 10 List (30)

 

Brainstorm: List of Top Ten Influential Stories

o       Brainstorm genres

·        Brainstorm long list

·        Select ten

·        Variety of genres

·        At least 5 books

Explain in a well-written paragraph the influence one story has had on you

 

  • Read and Annotate Edward P. Jones’  “First Day”
  • Discuss

 

Notes: Characteristics of Effective Writing

 HW due next time: Pick one of the “stories” on your list and write about WHY you chose it. Do NOT summarize the story. Rather, explain the connection between the story and your life. How did the story influence you? change your point of view?

Recommended reference site:

Bartleby.com

Tues 9-7/Wed 9-8-10

SSW:  Write about your best friend from second grade (or thereabouts).

Poetry moment

SSW sharing / discussion

 annotation lesson

 Read and annotate  “Lucy”

Disc of “Lucy”

·        Notes: Characteristics of Effective Writing

·        Notes: Literary Devices 

Odds and Ends:

·        Educating the T letters

·        3 Book Talks

·        HoS annotations

·        intro poems

·        info sheets

·        commitment sheets

Wr WS/ HW:  Revise SSW about childhood friend; include some of the characteristics of effective writing that Cisneros modeled

 

Thursday, September 2, 2010 / Fri., September 3, 2010

SSW:  Write about dreams.  Inspired by What It Is by Lynda Barry

 

·        Book talk Criteria

o       1 sentence summary

o       a few sentences of analysis of writing and story

o       why people should read the book

o       who would like

o       what you got out of the book

o       no major spoilers

o       pick one brief passage to read to hook us and to anchor yr discussion

 

Schedule Book talks

 

10 mins prep and rehearsal for Presidential Committee Presentation

 

Presidential Panel

 

HW: READ. Select something for independent reading.  Enjoy.

 

Tuesday, August 31 / Wednesday, September 1, 2010

Greetings, readers.


 

SSW: Write 3 open-ended (level 3) questions that you want to discuss today about House of Scorpions. Also jot down any level 1 and 2 questions that you need answered.

 

Straggling Intro Poem Presentations

 

HoS discussion

 

Creation of President’s Panels

 

            HW:

·        Bring HoS to class next time

·        Prepare for President’s Panel

           

 

F/M 8/27-8-28/10

REMEMBER:  key to happy teacher = 10 minutes of Sacred Silent Writing. 

Thank you.  The Management.

 

Out: agenda, hw, paper or journal for SSW

(10)           SSW: What advice would you like to give your parents (ie. about life, raising their child(ren), books to read, music to listen to)? Explain.

 

SSW sharing (10)

 

Take out:

·        Agenda book

·        Educating the Teacher Letter

                                                               i.      Final draft on top of

                                                             ii.      First draft

 

(5)  Announcements:

Loose ends:      (5)

o       Restroom

o       Tardies

o       Office Hours: Tuesday

o       No Assignment Sheets

o       Syllabus

·        Signed commitment sheets / student info sheets

·        Adds/ drops: openings in software design

o       Recruiting more girls

o       Tech aids

·        Bring summer reading next class for activity; review the book and your annotations

 

Intro Poem Completion and Revision

 

Practice Names (5)

           

             Preferences Sharing

 

HW:

  • bring polished copy of intro poem to post in room
  • study HoS text and annotations in preparation for discussion and activity next class

Wednesday, August 25 / Thursday August 26

Welcome, Writers 

HAPPY SACRED SILENT WRITING:

 

Poem of the Day: Wislawa Szymborska’s “Possibilities”

  • Listen to “Possibilities”

 

SSW: Write a poem to share w/ the class that shows us who you are  and that you can share w/ the class to help us get to know you and to keep us entertained

                   TAKE OUT:

·        Agenda books

·        Educating the Teacher pre-writing and rough draft

·        Ed Tchr HO

·        House of Scorpions summer reading assignment

HANDOUTS:

·        commitment sheet

        • letter
        • syllabus
        • rules

 

Write in your Agenda:

Due Next Time:      

·        final copy + drafts of Ed T

  • show parent(s)

o       letter

o       syllabus

o       rules

  • parent and student signature
  • commitment
  • straggling summer reading
  • Names Quiz next week on Th/F

 

HW wave:   

  • rd of ed t

 

No Assignment Sheets

 

SSW sharing 

 

Read and discuss (if not finished)

  • Course letter
  • Syllabus
  • Rules and Procedures
  • Computer Policies

 

Educating the Teacher

·        Review mission

·        Questions?

·        Brainstorm suggestions for revision

o       notes

 

Q&A on Class Procedures

HW:

·         Educ T letter due tomorrow, first draft + revised draft

·        House of Scorpions annotations

·        Straggling commitment letters

 

 

 

Materials:          

Day One HOs

No Assignment sheets or NB

 

If extra time,

Student info sheet

Monday, August 23, 2010 / Tuesday, August 24, 2010

SSW: Write about your brain.

Reading: Robert Fulghum's "The Brain"

Individual Reflection

Sharing and Discussion

Names Game

Course Letter

Syllabus

Rules and Procedures

HW: Educating the Teacher; signed commitment letter; bring House of Scorpion annotations

Tuesday, May 4, 2010 / Wednesday, May 5, 2010

May the 4th be with you!

 SSW: 1st only: writing about images and past inspired by Lynda Barry’s What it is?

4th and 5th: review and write about literary devices you learned this year

SSW sharing

Next class: Laying the Foundations test for a grade

Review game for laying the foundation

Lit mag editor selection

HW: study literary terms for LTF; perfect your lit mag piece

Good sites for LTF review

http://www.tnellen.com/cybereng/lit_terms/

http://www.apstudynotes.org/english/rhetorical-terms/

Friday, April 30 / Monday, May 3, 2010

SSW: inspired by Lynda Barry’s What it is?; write about past, imagination, and images 

SSW sharing

 Poem in Your Pocket Sharing and explanation of why

 Lit Mag overview

 HW: bring electronic and paper copy of perfected piece for lit mag 

April 15, 16, 19

Drama Performances

HW: select piece for lit mag

April 20-23

TAKS

M 4-12 / T 4-13

Notes on acting

Rehearsals

HW: memorize first half of lines, get costume

Wed., April 14 / Thurs., April 15

Welcome, actors. 

Participation Report.

 

Full Name:

 

Participation: # (in a box) 2nd box: grade / 2 out of 50

 

Include Summary Total per Category of Table of Participation Marks for this six weeks

 

Write a persuasive paragraph with evidence about why you deserve this grade

 

95 always volunteer; contribute brilliant thoughts; build on the ideas of others;  ask ?s; act as a leader in small group activities; always focused; always maximize effective use of time; actively support and encourage learning and participation of others

85 occasionally volunteer; answer ?s when called on; always listen and take notes; completely focused on topic and activity; participate fully in small group activities; do not interfere with others’ learning and participation

75 rarely participate in whole class discussion, but follow along and take notes; wavering focus: sometimes distracted and/or distracting; interrupts others; negative attitude or influence;

 

Readers’ Theatre and Rehearsals

 

Give yourself a grade in a box out of 20. 

Justify yr grade in a persuasive paragraph.

 

19 group leader; enthusiastically performing; full on acting and projecting; always focused; gesturing; encouraging others; offering suggestions and explanations

17 solid reading; some acting; focused

14 mainly reading; occasionally wavering focus

 

Sacred Silent Writing: box out of 100; box 2: out of 50

Justify yr grade in a persuasive paragraph.

95 always writing; producing valuable writing; putting full thought and energy into writing; exercising your creative muscles; struggling; pushing yourself beyond; intense; focused; passionate

85 usually writing for most of the time; occasionally off-task; occasionally stopping early; putting most of your thought and energy into your writing

75 not maximizing writing time; distracted and or distracting; putting minimal thought and energy into your writing; conventional; complacent; maintaining rather than struggling and growing; stop writing when out of ideas

 

Rehearsals

 

HW:

·     Distribute invitations

·     Memorize ALL lines

·     Act

·     Plan guestures, body language, movements, changes in voice, tone, volume, pacing, pauses, etc.

Thursday, April 8 / Friday April 9

Welcome back from TAKs

 

SSW: Work on Drama Essay 3

 

Due now:

  • Turn in portfolios with rubric w/ boxes checked off and grade assigned
  • Post Drama Essay 2

 

Disc and notetaking on what makes a good scene

 

Finish readers’ theatre performance of play

 

Start writing scene pitch

 

HW:

·        Post Drama Essay 3

·        Post a persuasive proposal about what scene you should perform and what role you should play; make sure you have convincing reasons

·        We need invitations (extra credit)

 

April 6 / April 7

TAKs Math / TAKs Reading -- Get commended on both

Thursday, April 1 / Monday, April 5, 2010


 

Review portfiolio handouts and rubrics

 

Q and A on portfolios

 

Portfolio peer editing

 

Drama Day 3: read and act

 

HW:

  • portfolios due Thursday, April 8 / Friday, April 9
  • Post link on google groups as reply to portfolio links discussion OR print out and submit in a notebook
  • Drama performances will be Thursday, April 22 / Friday, April 23.  Invite your parents, grandparents, neighbors, now. 
  • Make invitations for extra credit.  Bring paper and electronic copies next class.

 

 

Tuesday, March 30, 2010/Wednesday, March 31, 2010

SSW: Metacognitive Letter Self Edit

Use the form on Kealing.org (Attachment is located under the "Handouts" section found in the sidebar to the left.)

 

Due now: post drama day 1 essay to google groups if you have not already done so

 

Drama Day 2: read and act

 

HW: portfolio extension in order to achieve greater quality:

Tonight: work on metacognitive letter and portfolio

Next class we will peer edit metacognitive letters and portfolios

In order to allow you to focus your time and energies on your portfolio, I will postpone drama essay 2.

Drama performances will be Thursday, April 22 / Friday, April 23.  Invite your parents, grandparents, neighbors, now. 

Make invitations for extra credit.  Bring paper and electronic copies next class.

Fri 3-26 / Mon 3-29

SSW: Portfolios

Drama Day 1: See handout

HW: post drama essay 1 on google groups; one thread per group
work on portfolios; we'll edit portfolios next class and turn in at end of week

Wednesday, March 24, 2010 / Thursday, March 25, 2010


 

SSW: Author’s Note for Parental Narrative including self-evaluation using rubric

 

Turn in parental narrative

 

Work on portfolio

 

Drama handout

            Overview and calendar

 

Reader’s Theatre

 

HW: work on portfolio, especially metacognitive letter

Bring $6 for drama book

Monday, March 22, 2010 / Tuesday, March 23, 2010

Welcome back, writers, from Spring Break

 

SSW:  Reflect on the amazing amount of money that you and your colleagues raised for your charity.  How do you think your fundraising for donations impacted others? What charitable works do you aspire to do in the future?

 

Portfolio introduction

  • Taking stock
  • Celebrating your growth
  • Celebrating your skills
  • Capturing your 8th grade self
  • Setting goals
  • Collecting and preserving your best work

 

Portfolio work day

 

Drama book distribution ($6)

 

Peer editing of portfolio work and parental narratives

 

Ink Blot is extending deadline:

·        Continue to submit

 

HW:

  • straggling drama money: $6
  • finishing touches final parental narrative
  • work on portfolio

           

Thursday, March 11, 2010 / Friday, March 12, 2010

 


Dear writers,

 

SSW: State rules of dialogue writing.  Use Mister Pip as a model.  Think about style and grammar and function.

 

SSW sharing

 

HW:

            Due now:

·        Museum activity

            Due at end of class:

·        Submit to Ink Blot

Due next time:

·        $6 for drama book

·        collection of yr writing from this year; from Eng, outside classes, independent

NO Homework over spring break
(but if you're behind, use this time to catch up)

Due W/ Th after spring break:

Final parental narrative



Extra Learning/extra credit

  • Mindset
  • Great Expectations
  • Financial Fitness Essay Competition
  • Museum or Cultural Event
  • Ink Blot Submission

 

Clocking

Revision Exercise

 

Partner #1:  Dialogue

Partner Name:_____________

  • Read the entire parental narrative.
  • Take out the dialogue rules handout.
  • Make any corrections regarding dialogue rules on the narrative.  Look closely.  You should not miss any mistakes.
  • Discuss your corrections with the author.

 

Partner #2:  Theme

Partner Name:___________

 

  • Read the entire parental narrative.
  • What is the definition of theme?
  • What do you think the theme(s) is of the parental narrative?   Explain your thoughts using specific examples from the text.
  • Come up with ways to make the theme clearer.  Write notes in the space provided.
  • What motifs does the author use to support the theme?  What other motifs could they add to strengthen the theme?

 

Partner #3:  Effective Writing Techniques

Partner Name:____________

 

 

  • Circle and label effective writing techniques within the narrative.  In the margins, explain how each technique enhances the narrative.
  • Look for places where effective writing techniques should be included but are not.  In the margins, offer suggestions on how to incorporate these techniques.
  • What techniques did the writer use well?  How did they impact you as a reader?
  • What suggestions do you have for integrating other characteristics of effective writing?

 

Partner #4: Micro edit for grammar

Partner Name:__________

 

  • Eradicate ROs and FRAGs.
  • Check for commas after intro clauses.
  • Homonyms.

 

Partner #5:  Lead

Partner Name:__________

 

  • What makes a good lead?  Why?
  • Does the author of this narrative have a great lead?  Explain.  What can the author do to create a better lead?
  • Read the entire parental narrative
  • Offer suggestions for how to improve the lead and / or for other parts of the story that might make a better starting point.  Think about in medias res.

 

 

 

Partner #6:  Conclusion

Partner Name:____________

 

·        What makes a great conclusion?

·        Does the author have an impressive conclusion?  Why or Why not?

·        Along with the author, come up with an even better conclusion. The conclusion should end with a bang and reveal the theme.  Write the new and improved conclusion in the space provided.

 

Use any remaining time for revision.

 

 

 

Tuesday, March 9 / Wednesday, March 10, 2010

SSW: You have been asked to share your wisdom with Mr. Watts’ class.  What will you share with the class?

 

Due now: Analytical Writing about Art posted to Google Groups

 

Review Mr. Pip for culminating oral discussion

 

Discussion

 

  • Theme of Mr. Pip
    • Post to Google Groups
  • Life Lessons from Mr. Pip

 

 

 

Reminder: Bring all your significant writing from the year next class

Submit to Ink Blot

 

 

HW: Polish Parental Narrative

  • Bring a finished, polished electronic copy
  • We will peer edit and make minor revisions and turn in at end of class next class

 

 

 

 

Friday, March 5, 2010 / Monday, March 8, 2010

Welcome back, Museum-Goers


SSW:  Which museum was your favorite?  Why?  Which works of art do you especially want to remember?  Why?  What surprised you?  What did you learn? Which works of art did you want to take home with you?  Why?  What questions do you have about the art and the museum?  What would you like to discuss today about the art and the museums?

 

Discussion of museums and works of art

 

Drama Options and Selection

·        August Wilson’s Piano Lesson

·        Edmund Rostand’s Cyrano de Bergerac

·        Gogol’s Inspector General

·        Shakespeare

·        Loraine Hainsberry’s Raisin in the Sun

 

Writing about art

  • Review Rubric
  • Review Analytical Writing Recipe

 

Dialogue

 

Announcements:

  • Final draft of writing about art due next class
  • Museum activities due today (keep to help with writing and turn in with final on Friday)
  • Thank you notes for chaperones
  • Collect all of your major writing for the year and bring to class starting next time
    • Electronic copies are fine
  • Parental Narrative due 3-11/3-12

 

           

 

Monday, March 1 / Tues, Mar. 2, 2010


Good morning, Museum-goers,

 

Hey kiddos, jot down the key words from the journal, so I can switch to projecting the art.  Thanks

 

J:  First, describe in detail the painting by William H. Johnson.  Second, list the elements of art the artist’s uses (line, color, shape, etc.).  Third, analyze the artist’s use of elements of art to create meaning.

 

Steps of art analysis


Museum Etiquette

 

Fieldtrip Procedures

 

Museum preview slideshow


How to think about and enjoy modern art

 

HW: revise parental narrative

  • Post to Mr. Pip discussion

·        Bring all art handouts and notes to museum and to next class

Thursday 2-25-10/Friday 2-26-10

Online discussion of Mister Pip

 

Peer editing of parental narratives

 

HW:

·        Revise parental narrative

o       Add dialogue

o       Add motifs

·        Continue to post on google groups re: Mister Pip

Tues 2-23/24-10

Parental Narrative Progress Check and Q and A

  • Rubric

 

SSW: Become the architect.  Write a plan for your parental narrative that allows you to push yourself as a writer, will provide a challenge for you to struggle with, and will meet the requirements of the rubric.  Remember you need to honor the emotional truth of your parent’s story.  Also remember what Szymborska wrote about in the “Joy of Writing:”  You have the “power of preserving,” but also not a thing will happen unless “you say so.”

 

Pair Share

 

SSW Disc

 

 

Writing Workshop

            Parental Narrative

Grade conference

  • A handshakes

 

Mister Pip ?s: Pair Share

 

Mister Pip Reading and annotation

 

HW:

·        finish reading and annotating Mister Pip

·        finish rough draft of parental narrative

·        if you have outstanding money for Reader’s Gallery, turn in ASAP

·        if you haven’t turned in your permission slip to yr math teacher, turn in ASAP

·        comment on grades from you and from a parent

W / Th 2-17/18

 


Take notes on definition of motif on yr literary devices page

 

motif (moh-TEEF): a recurring object, concept, or structure in a work of literature. A motif may also be two contrasting elements in a work, such as good and evil. In the Book of Genesis, we see the motif of separation again and again throughout the story. In the very first chapter, God separates the light from the darkness. Abraham and his descendants are separated from the rest of the nation as God's chosen people. Joseph is separated from his brothers in order that life might be preserved. Another motif is water, seen in Genesis as a means of destroying the wicked and in Matthew as a means of remitting sins by the employment of baptism. Other motifs in Genesis and Matthew include blood sacrifices, fire, lambs, and goats. A motif is important because it allows one to see main points and themes that the author is trying to express, in order that one might be able to interpret the work more accurately. See A Handbook to Literature, The Concise Oxford Dictionary of Literary Terms. Robert Bean, Student, University of North Carolina at Pembroke

 

MOTIF: A conspicuous recurring element, such as a type of incident, a device, a reference, or verbal formula, which appears frequently in works of literature. For instance, the "loathly lady" who turns out to be a beautiful princess is a common motif in folklore, and the man fatally bewitched by a fairy lady is a common folkloric motif appearing in Keats' "La Belle Dame sans Merci." In medieval Latin lyrics, the "Ubi sunt?" [where are . . .?] motif is common, in which a speaker mourns the lost past by repeatedly asking, what happened to the good-old days? ("Where are the snows of yesteryear?" asks Francois Villon.) The motif of the "beheading game" is common in Celtic myth, and so on. Frequently, critics use the word motif interchangeably with theme and leit-motif. See also folkloric motif.

 

(moh-TEEF) In literature, art, or music, a recurring set of words, shapes, colors, or notes. In the poem “The Raven,” by Edgar Allan Poe, for example, the word nevermore is a motif appearing at the end of each stanza. Likewise, the first four notes of the Fifth Symphony of Ludwig van Beethoven are a motif that is developed and reshaped throughout the work.

 

SSW: Using yr book and annotations, write about the motifs in Mister Pip.  Start yr focus on Ch. 8.  Reflect on the motifs associated w/ Pip and w/ Dolores.  Be prepared for a discussion and quiz over Ch 8-15.

 

Discussion Prep Ch 8-15

 

Discussion Prep Grading and Discussion of Mister Pip

 

Read and annotate Mister Pip

 

Before students begin independent work, announce homework and remind them to write it in their agendas

HW:

  • read and annotate through p. 166 / end of Ch. 19
  • think of a motif that fits w/ your parent’s story
  • ask parent to retell the story if necessary
  • be prepared to tell story next class
  • notice and appreciate a spot of beauty like Daniel’s grandmother’s blue
  • think about what play you want to perform for our upcoming drama unit
  • collect any straggling Readers’ Gallery Funds

Thursday, February 11, 2010 / Tuesday, February 16, 2010

Thursday, February 11, 2010 / Tuesday, February 16, 2010

Mister Pip Day 4

 

SSW: What is the difference between wisdom and education?  How are these concepts dealt with in Mister Pip?  In your own life, who has served as a source of wisdom?  How?  Who has supported your education?  How?  Have you ever faced a conflict like Matilda and Dolores faced over folk wisdom versus formal education?  Do you find these concepts at odds?  Why / why not?  Do you value one over the other?  Why?  Examples?

 

SSW sharing and discussion of Mister Pip

 

Story telling challenge:

Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class

 

Independent work time:

  • Finish research on background issues of Mister Pip
  • Submit to Ink Blot
  • Post poems and comments to google groups
  • Readers’ Gallery collection and thank you cards
  • Read and annotate Mr. Pip

 

HW: Talk to your parents and ask them to tell you a story about a time in their lives when they had an epiphany or gained some wisdom.  The epiphany / wisdom may come from an event, an experience, or from listening to a story that someone else told them; do NOT write anything down; be prepared to tell the story next class

 

Read and annotate through Chapter 15 (page 122 in the paperback edition) by W/Th

Friday 2-5 / Mon 2-8

Sub plans for Roy / Bolton

Friday 2-5 / Mon 2-8

Mister Pip Day Two

 

SSW (10 mins): In honor of counselor’s week, write Ms. Miloy a note of appreciation.  Deliver your note on your way to lunch or leave for me to deliver.  OR free write.

 

Reading Quiz on Ch 3-4

  • Heading on back
  • On front: Title: Mister Pip Ch 3-4 Quiz
  • Answers on front
  • Students may NOT use books; use cover sheet

 

Grading of Quiz and Disc of Ch 3-4

·        Shuffle papers and redistribute, without revealing names on back, to grade and discuss: write on front: Graded by … Total correct / 16

·        During discussion, students should refer to text for evidence


Finish poetry open mic

 

Announcements followed by work time:

  • read article about Bougainville: www.speedysnail.com/pacific/bougainville.html

 

Research / familiarize yourself with background info for Mister Pip

  • Great Expectations
  • Bougainville
  • Copper mining
  • British colonialism
  • Papau, New Guinea

 

Google groups

  • Read comments to novel ideas

·        Post responses and new comments

·        Look for books to read next

·        Post poem

o       Post 2 comments on others’ poems

 

Ink Blot submissions

·        Each student needs to submit at least one amazing piece of writing (poetry or prose)

·        Extra credit for every submission after first of amazing writing

 

Post clean hard copy w/ name of poem on lowest track of corkboard on the walls

 

Read and annotate Ch 5-6

 

HW: finish reading and annotating Ch 5-6; study for quiz and discussion

 

 

T2-09 / W 2-09-10

SSW: What character(s) have you befriended as Matilda befriends Pip?  What did the characters have in common w/ you?  What impact did they have on your life, emotionally and intellectually?  Explain.  What’s it like to have a friend from a book?  How is that the same and how is that different from other friendships?

 

SSW Disc

 

Readers’ Gallery Collection

 

Discussion Prep:  Reviewing yr book and yr annotations, write questions for today’s lively discussion.  Write two categories of questions:  1) questions that have specific and definite answers that are alluding you / confusing you and 2) open-ended, deep-probing questions that will carry our discussion in interesting and profound directions.  Be sure to include ?s about the conflict on the island and about Great Expectations.

 

Lively discussion

 

HW:

  • Read and annotate through Chapter 10 (page 73 for the paperback edition) by Th/T
  • Read and annotate through Chapter 15 (page 122 in the paperback edition) by W/Th

 

W2-03-10/Th2-04-10


 

SSW: You find yourself on a small, isolated island.  You are asked to become the new schoolteacher.  What one book will you teach to the children who know little of the outside world?  Why?  What will you want them to learn from the book?

 

Disc SSW

 

Oral Reading and Annotation of Mr. Pip, Ch 1-2

 

Background info on Bouganville and copper mining and all places listed in book and civil war

 

Read and annotate Ch 3 and 4

 

Due today: gradesheets w/ 2 comments

 

Gallery of Art Money Collection and Art Distribution

 

Next class: Ms. Bolton is subbing while I attend memorial service in Indianapolis; please be amazing, hard-working, and helpful; need 2 teaching assistants

 

HW: finish reading and annotating Ch 3-4; study for quiz

Mon 2-1 / Tues 2-2

If turning in late art, please set-up yr art and artist’s statement and self-evaluation of your art and your rubric so that I may grade it.  We also need a volunteer to photograph art.

 

SSW:  Evaluation of the Reader’s Gallery (on clean paper to turn in)

§         What did you learn?

§         What did you like / dislike?

§         Suggestions for improvement

§         Should we do this again next year and / or similar events this year?  Why?

·        Self-evaluation of your 1) participation in Gallery and 2)its preparation / committees

·        Be specific and persuasive about what you did for each

·        19 amazing; leader in committee; product is polished and effective; explained art articulately and enthusiastically to everyone; all deadlines met or early for committee 

·        17 solid; participated well in committee; presented art to those who asked;  effective product; deadlines met

·        15 weak; had to be prompted to work in committee; contributed slightly less than fair share; spoke about art w/ less detail; wandering focus

 

Poetry self evaluation w/ rubric

 

Poetry open mike

 

HW: collect bids; deliver art AFTER money is turned in; bring Mr. Pip to class every day; Signed and commented gradesheet

 

 

 

Tues 1-26 / Wed 1-27

Readers' Gallery of Art Rehearsals

Finishing Touches

Student / Teacher Conferences on Art and Artist's Statements

HW:
remind guests about gallery
if needed, make corrections / improvements to artist's statement
poem of choice due M / T
bring Mr. Pip starting on M / T

Friday, January 22, 2010 / Monday, January 25, 2010

Friday, January 22, 2010 / Monday, January 25, 2010

 

SSW:

 

  • Poem about abstract concept w/ metaphors
  • Thanksgiving cooking (poem or prose)
  • Eating poetry (strange verb noun combos)
  • Ssw: struggle spaceship
  • Poem based on art
  • Superhero / childhood character w/ irony
  • Woody Guthrie (optional)
  • vocab
  • Sound devices
  • Poem about goal word for 2010 (or prose)
  • sonnet

 

SSW: Reflect back on yr poems.  Which one do you want to polish up for yr poem of choice to read at our Open Mic on Feb 1st/2nd?  Why?  What do you want to do to polish it up.  Make sure you are referring to the rubric.

 

Review recipe for nonfiction paragraph.  Think back to the research paper.

 

Peer Edit Artist’s Statement

 

Committee meetings

 

HW: put the finishing touches / revisions on

·        art

·        artist’s statement

·        both are due next class / T /W

·        invite family and school adults to Gallery

W 1-21-10 / Th 1-22-10

Good morning, artists, philanthropists, writers, readers,

 

Review criteria and rubric for art and artist’s statement for Readers’ Gallery

 

Review Embedded “”s

 

Q and A

 

Revist the text and yr annotations that your art is based on.  Look for inspiration for adding nuance and depth and complexity.  Also find at least 2-3 great “”s to embed in your artist’s statement.

 

SSW: Write your artist’s statement.  Explain your art.  Explain your interpretation of the story.  Explain your artistic decisions. Select 2 or 3 quotes from the story you read to embed in your artist’s statement.  Build on what you wrote last week.

Poem of Choice Rubric

 

Poem of Choice Selection and Editing

 

Committee meetings

 

Reminder: Due dates:

·        W 1-20 / Th 1-21 Novel Idea 3 due

  • Fri 1-22 / M 1-25 Artist’s Statement due
  • T1-26/W1-27 Art and revised Artist’s Statements due; Gallery rehearsal
  • Th1-28/F 1-29 Readers’ Gallery of Art
  • Mon 2-1/ T2-2 Poem of Choice; Open Mic; Start Lloyd Jones’ Mr. Pip

 

 

 

 

 

F 1-15 / T 1-19


 

SSW: From your poetry packet, read p.7 about sonnets.  Mark the rhyme scheme on the 2 sonnets: start w/ the letter a and label the end of lines based on rhyme scheme.  Introduce a new letter for each new rhyme. Pay attention to the rhythm of the sonnet.  Mark the rhythm.

An iambic foot is an unstressed syllable followed by a stressed syllable. The rhythm can be written as:

da

DUM

A line of iambic pentameter is five iambic feet in a row:

da

DUM

da

DUM

da

DUM

da

DUM

da

DUM

It's possible to notate this with a '˘'(Breve) mark representing an unstressed syllable and a '/'(Forward Slash) mark representing a stressed syllable[1]. In this notation a line of iambic pentameter would look like this:

˘

/

˘

/

˘

/

˘

/

˘

/

The following line from John Keats' Ode to Autumn is a straightforward example:[2]

To swell the gourd, and plump the hazel shells

We can notate the scansion of this as follows:

˘

/

˘

/

˘

/

˘

/

˘

/

To

swell

the

gourd,

and

plump

the

ha-

zel

shells

We can mark the divisions between feet with a |, and the caesura (a pause) with a double vertical bar ||.

˘

/

 

˘

/

 

˘

/

 

˘

/

 

˘

/

To

swell

|

the

gourd,

||

and

plump

|

the

ha-

|

zel

shells

 

 

 

  • Committee meetings for Reader’s Gallery

 

Planning for indiv art projects

 

Novel Idea 2 commenting

 

HW:

  • Art
  • Committee work
  • Novel Idea 3; see handout inc sample book review: NY Times’ Life of Pi

 

 

W 1-13/-10 / Th 1-14-10

SSW: What makes your text amazing literature?  Why did you select this text?  Why does it resonate so powerfully with you?  What is the message you carry forth from the text?  How will you represent the message in your art?  How will you represent the author’s style in your art?  What do you want your audience to see in your art and in the original text?  How will you make your art a window into the text?  Describe your artistic decisions in vivid detail.  What quote(s) from the text will you highlight in your art and your artist’s statement?  If you are using a novel as inspiration, what excerpt (1 page) will you display along with your art.  Review the rubric and assignment to make sure you’re on track.

 

Paired share and problem solving

 

Committee meetings

 

HW: Committee Work

            Art project for Readers’ Gallery

    see dates in agenda from last class

 

Monday, January 11, 2010 / Tuesday, January 12, 2010

Monday, January 11, 2010 / Tuesday, January 12, 2010

 

SSW:  What charity do you want to raise money for w/ the Readers’ Gallery of Art?  Why?  Which committee do you want to work on?  Why?

 

            Readers’ Gallery of Art Committees

·        Charity contact and info

·        Invitations

·        Set-Up and Ambience

·        Bidding/Donations/Money Collection

·        Inviting School Adults and Classes

·        Publicity

·        Concessions for Charity

·        Live Music

 

Gallery Planning

            Charity Selection

            Committee sign-up

Committee work time

 

·        Post a comment on Google Groups about 2 other people’s Novel Idea one

 

Novel Idea, Poetry,  and Readers’ Gallery Due Dates

 

·        W1-13/Th1-14 Novel Idea 2 due

·        M1-18 MLK day; no school

·        W 1-20 / Th 1-21 Novel Idea 3 due

  • Fri 1-22 / M 1-25 Artist’s Statement due
  • T1-26/W1-27 Art and revised Artist’s Statements due; Gallery rehearsal
  • Th1-28/F 1-29 Readers’ Gallery of Art
  • M 2-1 / T 2-2 Poem of Choice due; start Lloyd Jones’ Mr. Pip – bring Mr. Pip to class every day starting on 2-1/2

 

 

Th 1-7 / F 1-8

Salutations, poets.

 Sacred Silent Writing:  List and describe images triggered by one (or more) of the following words: struggle, spaceship, sludge, or stream or a word of your choice.  After developing a robust list, craft yr response into a poem.  Integrate sound devices.

SSW sharing

Peer editing of Novel Idea Part I

Posting of Novel Idea Part I to Google Groups

 Poetry Inspired by Art

 Poetry to Inspire your Art for Reader’s Gallery of Art

Readers' Gallery of Art Overview and Rubric Handouts

    Q and A

HW:

o       If you didn’t finish in class, finish / polish poem inspired by art

o       If you didn’t post in class, post novel idea #1

o       Find poem or text for Reader’s Gallery of Art if you haven’t already done so

o       Make sketch

o       Start gathering materials for your art

 

 

Tues. Jan. 5 / Wed. Jan 6

January T 05 / W 6, 2010

Welcome back, writers.  Happy New Year!

 

New Seats

 

SSW: In what area of your life do you want to experience growth?

What one word or concept  do you want to focus on in 2010?  Pick a word that will guide your year, your growth, your mindset.  Brainstorm a list of possibilities.  Select one.  Write about how your life will be in 2010 as you use this word as a touchstone to guide your life.

 

SSW Sharing

 

Progress Check: Independent Reading

            First Response due Th 1-7 / Fri 1-8

            Second due W 1-13/ Th 1-14

            Third due W1-21/ Th 1-22

            Sharing about Books

 

Google groups for Novel Idea

 

Get personal reading copy of Mr. Pip

 

Girl Writing a Letter

Wr WS: Sts. select work of visual art (from art cards or bookmarked museum sites) with a character and write a poem about that character; use all of your poetry-writing muscles

 

HW:

  • bring polished electronic copy of Novel Idea part one to class next time
    • we will quickly peer edit and correct and post to our new google groups next class
  • select a work of art to use as inspiration for a poem (I will give you time to write the poem next class)
  • arrange to get copy of Mr. Pip
    • let me know if you need me to get you a copy
  • optional: join Kealing 888 challenge on Shelfari

 

Thursday 12-10 / Friday 12-11

Thursday, December 10, 2009/ Friday, December 11, 2009

 

Good morning, counselors, witnesses, and members of the jury.

 

Finish trials

 

SSW: Read Billy Collin’s “Introduction to Poetry”

Carefully consider the poem.

What is Mr. Collin’s message about poetry?

Do you agree or disagree?  Why?

What should we do with poetry during the upcoming unit?  Why?  What would you like to do and learn?

 

A:  Abstract / metaphor poem due next time

           

Disc “Introduction to Poetry” and students’ reactions

 

Disc in gps:  Define poetry

 

Class disc and notetaking: Defn poetry

 

HW:

  • Brainstorm abstract concepts sts studying in other courses
  • Write a poem using 4-8 metaphors about an abstract concept

            Due next class

  • Will check this six weeks’ vocab to know and love next time
    • 25 new words w/ definitions and sources

 


Tuesday 12-8 / Wednesday 12-9

Trial Prep (10 minutes)

Trials

HW: select challenging novel, get teacher and parent approval, start reading

W 12- 2 / Th 12 -3

Finish benchmarks

Finish Steinbeck Writing Contest

OMM Discussion

HW: letter to Roy
How are you doing (in life and in English class)?
What are you reading?
What do neeed (in life and in English class)?

Mon 11-30 / Tues 12-1

Welcome back.

SSW (1st period only): Describe in vivid detail the dish you helped make for Thanksgiving.

4th and 5th periods turn in:
Harvest Gypsy response
Character notes
casting
reader response
style analysis

Steinbeck writing contest

HW: student and parent comment on grades and learning
write 3-5 thought-provoking questions for discussion of OMM





Th / F 11-18

Reading Benchmarks

7th grade monologues

HW: none (unless behind on OMM assignments)
Classwork & Homework