<Simone>Of course as a dancer you think a lot about the structure of your body
and how your body’s structure’s changing in the space.
When I am dancing I often imagine myself, my skeleton, or my organs, how they
move in that moment and how I can influence that structure.
I think I can choreograph organs, but its not really for the audience but more for
my own self experience that may improve my way of performing.
It is very difficult to judge if it just imagination of if it is really true... </Simone>
<Cesar> In architecture like in the body, there are soft parts like organs, and hard
parts like bones. Hard parts movements are obvious, soft parts movements are
more difficult to read and interpret. An Open Architecture blurs the boundaries
between the soft and the hard space in the action, the choreography.
<Simone> Of course the skills of a good dancer is to research that and get
every time further that day, that body doesn’t have fixed boundaries hopefully.
Of course in theory yes, but in your mind, your body shouldn’t have boundaries.
As you go on with working and researching you should push these boundaries
further.</Simone>
<Cesar> Even the body, that common sense holds as an enclosed acting entity is
a territory to explore and expand.</Cesar>