1964 JUKE BOX
Music from 1964 http://upchucky.com/music-jukes/1964/player.html
BILL REESE
Reese, Mr. Bill
453
English & Languages 335a HM East Central University Ada, OK LINDA WILLAMS REESE
Reese. Dr. Linda
563
History 238d HM East Central University
Ada, OK
SynopsisSettlement on the Oklahoma frontier, which began as abruptly as a pistol shot on a starting line, produced a collision of cultures. Women of Oklahoma, 1890-1920, uses primary sources, particularly diaries and letters, to tell the stories of white, black, and Native American women who crossed racial and cultural barriers to work together, first in domestic concerns and later in community and national affairs. Linda Williams Reese tells of political activist Kate Barnard, who became Oklahoma's Commissioner of Charities and Corrections but fell from political grace, of Alice Robertson, who in 1920 abandoned the acceptable female endeavors of teaching and charity work to become a representative to the U.S Congress, and of Isabel Crawford, missionary to the Kiowas, who confided to her journal, "There are different kinds of hardships and those of the heart and spirit are harder to bear." Examining educational opportunities for frontier women, Reese describes the Cherokee Female Seminary, in Tahlequah, and Oklahoma Industrial Institute and College for Girls. She looks at the status of women in early all-black communities, recounting the cultural influence of Zelia Page Breaux, and at the social and political influence of newspaperwomen Elva Shartel Ferguson, Lucia Loomis Ferguson, and Edith Cherry Johnson. The personal stories of pioneering Oklahoma women cross boundaries of race and class; their attitudes and concerns cross the bridges of time and place. Women of Oklahoma, 1890-1920, is a significant contribution to the history of women, Oklahoma, cultural and inter-racial relations, and the American West. LARRY HARRAL
SANDY MCGEE
ROY HARKEY
His Website:www.gigmasters.com/blues/RoyHarkey
ALAN MUNDE
NORMAN HIGH SCHOOL CLASS OF 1964 FACEBOOK GROUP LARRY BERGLAN
SUZY MASON
http://bestillmyheart.typepad.com/my_weblog/2008/06/norman-transcript-review-former-oklahoma-university-student-publishes-novel.html
JIM STALLINGS
Jim Stallings is a cultural anthropologist (Ph.D., University of Virginia)
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with an interest in myth, ritual and narrative; he is a long-time student of literature and studied with James Dickey, Robert Penn Warren, and Larry Heinemann, among other teachers. He is a bookdoctor in fiction and a senior news editor with a major publishing company. He has written novels, scripts, short stories and poems. Through his editorial services company Mockingbird Press he has critiqued hundreds of novels and scripts and line-edited many fictional works; he has ghosted novels, novelizations, scripts, treatments and stories. His Mockingbird Press bookdoctor clients have been nominated for literary prizes like the Pushcart Prize and one client remained on the NY Times bestseller list for nine months and won a movie production contract. Jim lives in San Antonio with his wife Laurie. He likes books, music, good food, brandy and cigars, leisurely walks and lively conversation.