Lamy 27

Germany's contender to the Parker 51

Introduction

It was a brisk winter day in December 1951, as a heavy snow blanketed the winding roads outside the city proper of Heidelberg, Germany. It would have been a beautiful sight for the middle aged man to behold for a while, if it weren't for his pressing urgency to travel early that morning. Dr. C. Josef Lamy was in a hurry to get to the office, as several production issues that cropped up the night before were delaying the manufacture of the first pen that would bear his name--the Lamy 27. The start of a book on the history of Lamy? No... just a little flight of my imagination.

 

Lamy (pronounced "LAM-mee" [accent on 1st syllable]), the internationally known German pen company based in Heidelberg, is best known for making pens that are sleek, highly functional, minimalist in design, and innovative in functionality. Several of their designs over the years have won many awards, with the Lamy 2000 being the most recognized of all. It is that pen which has defined the modern day theme and design foundation of Lamy. It also marked the changing of leadership from C. Josef Lamy to his son Manfred. In essence, Lamy has viewed this change as the birth of the modern day company, to the point where little recognition is given to their products made before that time (the Lamy 27 is mentioned but once on their website). I find this a shame, because Lamy had made some very respectable writing instruments prior to the 2000, one of which was the Lamy 27.
  

Company Background

In 1930, C. Joseph Lamy ceased working for the Parker Pen Company and started manufacturing his own fountain pens in Heidelberg Germany, initially under the brand name "Orthos". In 1949, production of a newly designed series called "Artus" commenced. Then in 1952, the company switched its name to "Lamy", remaining as an independent family-owned enterprise. The company proved its innovative prowess in the very first year of the Lamy brand with the completely novel LAMY 27 fountain pen series. And in 1966, upon the succession of leadership by Joseph Lamy's son Dr. Manfred Lamy, the distinctive style of Lamy Design was born with the model 2000. With an annual production of over 6 million writing instruments and a turnover exceeding €50 million Lamy today is not only the market leader in Germany but also ranks among the German design brands whose products hold a special position worldwide. October 26, 2006 commemorated the 40th year milestone anniversary of Lamy's modern day design history. Dr. Manfred Lamy retired on November 10, his 70th birthday. Although he has a son and a daughter, neither is particularly interested in following in his footsteps. As a result, for the first time in its long history, Lamy will be led by a non-family member, Bernhard Rösner.

 

Lamy 27 Background

 

The Lamy 27 was introduced in 1952, largely based on the pen Lamy had previously co-created with Artus. It was an extraordinary best seller, a streamlined pen with a semi-hooded Osmium tipped nib. The 27 was produced in 12 varieties from plastic models like the 27e for 20DM (Deutschmarks) to luxury models like the 27n with a gold cap for 39DM (there were also intermediate models for 25DM and 30DM). This was not cheap for an unknown trademark at the time (source from 1955), with pricing very similar to Montblanc and Pelikan pens. The 27 was the first LAMY pen which was made under the name of the producer, whereas the previous names had been "Orthos" and post-WWII "Artus". The understated looking pen had a revolutionary and patented system of inlaid micro segments around the feed, which made the ink flow insensitive to air pressure or temperature changes (called the "Tintomatic" system, a design which is the foundation for many of Lamy's feeds today). The Lamy 27 was likely made until the late 1960's. When Dr. Manfred Lamy took over the firm from his father C. Josef Lamy in 1966, he made some fundamental changes in the product lines and in the overall design by hiring several key designers like Gerd Müller (designer of the 2000). It was Dr. Lamy's vision that defined what Lamy is today, so much so that little is spoken of pens made prior to that time. In fact, if you were to ask a Lamy representative what was the first pen that Lamy produced, you will be told it is the model 2000. Despite this, I feel the 27 is a beautifully understated example of fine pen making and deserves some recognition.  It also heavily influenced the 2000, so much so that you can really see it shares a lot of the same design elements.

 

First Impressions 

The Lamy 27 is a very capable pen, displaying a classic design and innovative functionality. Although the overall design was not that unusual for its time, there were some striking exceptions (such as the nib section).

 

 

Pros: Semi-hooded nib that resists drying out, rapid interchangeable nib design, readily found oblique nibs, usable ink windows, above average ink capacity, dependable piston filler mechanism, and portable size. 
Cons: Nib size is stamped on the barrel, which becomes invalid upon changing the nib to a different size; piston filler on the 27n does not have a fluted grip; pen body is slightly more susceptible to scratches than if it was made from Lucite or Makrolon.
 
   Size & Appearance
    The Lamy 27 captures classic styling of the late 40's/early 50's. It shares a very similar design to the Parker 51, enough that the 51 must have had an influence on design choices. Size wise, the Lamy 27m is a touch longer than the Parker 51 posted (based on my personal vacumatic copy).  By the way, yes--you can exchange the caps between a 27m and a 51.  They seem to fit quite well.  The interesting thing is that on the 27 the ink window peaks out with the 51 cap on, so you can check your ink level without cap removal.  ;-)
 
                           51            27m            27n
Cap Diameter:   12.0mm    12.0mm       11.0mm
Uncapped:         12.5cm      12.5cm        12.3cm
Capped:             13.8cm      13.5cm        13.3cm
Posted:              15.1cm      16.0cm        15.1cm
 

 
    There were two prominent model variations: the 27n and 27e. The 'e' denotes a plastic cap, while the 'n' indicates a metal cap. The metal caps came in brushed aluminum, brushed aluminum with gold accents, fully chrome, and all rolled gold. There are two basic line patterns on the caps. All of them have clips that are secured by a colored 'jewel' screw piece at the top of the cap.
 

 
    The bodies of the Lamy 27 came in a variety of colors (exact number unknown), of which I have seen just five: teal, burgundy, black, blue, and cocoa. Three are shown below. Clearly, with 17 different colors the Parker 51 won out on color variations!
 

 

 
    There are a few other interesting variations to note. There was a model 27m that features a slightly longer barrel and wider girth (essentially matching the Parker 51). Rather than the bottom section of the pen serving as the screw knob for the piston, a blind cap would be removed to reveal a thinner fluted knob for turning the piston. Apparently this model had a lower production run than the 27n, as few are found today. Also, there was an even more limited version of the 27m, having "Heidelberg" imprinted on the cap (there does not seem to be any other distinctive features). I stumbled upon one quite by accident and I subsequently learned these details from a German pen seller.
 

       Heidelberg cap band inscription

       Top cap is a 27n, bottom one is a 27m
 

       The 27n has an integrated piston screw, while the 27m has a blind cap that reveals the piston screw
 
    Another notable variation was a fully rolled gold model, much like the Parker 51 Presidential. But instead of the wavy lines as seen on the 51, this model had evenly spaced groupings of straight lines. One interesting design note: small elliptical cuts were made in the barrel to reveal the ink windows, thus avoiding the typical segmented ink window section--the barrel would remain one contiguous section (aside from the piston screw section).

        Fully rolled gold profile; uncapped and capped

       Uncapped, closeup

       Rear view uncapped, with box

    As the model progressed in its later years, the streamline shape was squared off a bit. The black dome jewel was replaced with a black disk with a white inset circle and a black "L" prominently in the center.  LAMY also changed the model designation, discarding the letter after 27 and adding a two digit suffix (30, 31, 32).  From what I've observed, it appears that '30' means plastic cap, '31' is a steel cap, and '32' is a gold cap.   Later on, the model '99' was introduced that was based on the Lamy 27, but with some cheaper elements for a lower price point (in fact, it looks almost exactly the same--in one case, I obtained a Lamy 99 that looks nearly 100% like a Lamy 27, except for the thin clutch ring).
 

       LAMY 27 32 - a later model with squared off ends.
       Notice the nib/feed unit is the same shape/size as the LAMY 2000. 
 

       The LAMY 27 32 featured a redesigned cap with obvious "L" for LAMY.
        (This same logo would appear as a flat disc on the barrel end of the LAMY 2000).

 
 

        A small assortment of my LAMY 27 collection.
 
 
    Design & Features
    The 27n is nicely weighted, almost the same as a Parker 51. The tapered design allows for easy posting of the cap without undue pressure, and thus avoiding noticeable scratches. The push-on cap has an excellent inner clutch that "clicks" firmly onto the clutch ring when capping the pen, and slides off with simple effort. Four evenly spaced rounded rectangular ink windows are located just behind the clutch ring and do a marvelous job of telling you how much ink is left in the pen (some early versions had squared off ink windows). The nib section easily removes for cleaning and interchange. The filling mechanism is a piston design.
 

 
    Filling Mechanism
    The Lamy 27 is not an above average pen in size, but the efficient piston filler design allows it to store an above average quantity of ink--1.5 ml to be exact (.1 ml more than the 2000!). The piston screw turns firmly but easily, flushing and drawing ink with reliable efficiency. I have yet to encounter a Lamy 27 with a faulty piston, and based on the age of these pens, I'd say the mechanism has proven its design worthy. Aside from observing the ink level in the ink windows, you can also see the piston when it is fully extended.


    Nib & Performance
    Lamy produced the 27 with the following nib sizes: EF, F, FK, M, B, BB, BBB, OF, OM, OB, and OBB. This was usually stamped on the blind cap (some export examples do not have it). The oblique nibs are easily found at auction and on German pen selling websites. I don't know if this has anything to do with the kind of font that was typically used in German lettering in the early part of the 20th century. But this is a definite asset, as oblique nibs for the Parker 51 are extremely hard to find and thus command considerably high prices. I have not yet encountered a Lamy 27 nib that I would describe as scratchy or toothy--they are consistently smooth writers. The semi-hooded nib resists drying out, almost as well as a Parker 51. When capped, the seal is strong enough so that you can leave the pen for long periods without requiring flushes to restore the pen to a usable state. (Note: please excuse the 'rough' look of the OBB nibbed pen--I have not had a chance to thoroughly polish it yet).

       Lamy 27 blind caps
 

       Lamy 27 oblique nibs sample

       Lamy 27 nib upclose

    The built-in feed contained in the nib section features a "Tintomatic" design that is resistant to air pressure and temperature changes, allowing consistent ink flow under all circumstances. So far, I have found this to be true. You can see a portion of the ink feed design in the parts image displayed below. Note: In the image below, you can see 'Platinum' stamped on the nib. I don't know if that means platinum was used in the tipping material, as the remainder of the nib is definitely gold. Also notice that 'C. Josef Lamy' is imprinted on the barrel--this may be a rare example of an early Lamy 27.

       Lamy 27 parts, including feed, and 'C. Josef Lamy' imprinting (NOTE: nib is incorrect)
 
 

 

    Nib and feed from a Lamy 27m (same design on the Lamy 27n, though slightly larger)

 

 

   Nib and feed from a later model Lamy 27 32, with squared off ends.  The notable improvement is the nib is now held onto the feed with tabs, so it doesn't fall off when servicing the section.  This design is the same as the Lamy 2000 nib and feed, so you could interchange them.


    Writing Samples


    Cost & Value
    The Lamy 27 was not cheaply priced back in its time, but that should be of little concern today. Depending on the luck of the bidding pool and relative shipping costs for a given Lamy 27 auction, you can at times obtain these pens for a reasonable cost.  Usually for USA only auctions, I've bought these for anywhere from $30 to $75 (depending on how poorly described or titled the pen was). For auctions by well established German pen sellers, these pens can command prices a little less than comparable condition Parker 51's. I have seen several of them close on auction recently at prices like $55, $61, $75, $82, and $96 (lowest for 'M' nib, highest for 'OBB' nib). The fully rolled gold model was much more expensive!

    Summary
    If Lamy had a stronger marketing campaign in the USA during the 1950's, I really believe the 27 could have displaced the Parker 51 as "the world's most wanted pen". Here you have a pen with two key features over the 51: a very usable ink window and a highly reliable piston filler mechanism. Yes, the Parker 51 Aerometric filler is less complicated and very reliable, but it doesn't match the ink capacity of the Lamy 27. And there's nothing more annoying than running out of ink when you least expect it--not a problem for the 27 with its ink level indicator. Plus, the form factor, balance, and nib performance are exemplary. For anyone who enjoys Parker 51's, a Lamy 27 should definitely be in their collection.
 
One last note: I really do like the Parker 51! It is a pen that definitely has its own merits and I will always have several in my collection. As the title of this article said, "Contender to the Parker 51"—both pens are prized writing instruments.  :-)