Introduction
It was a brisk winter day in December 1951, as a heavy snow blanketed
the winding roads outside the city proper of Heidelberg, Germany. It
would have been a beautiful sight for the middle aged man to behold for
a while, if it weren't for his pressing urgency to travel early that
morning. Dr. C. Josef Lamy was in a hurry to get to the office, as
several production issues that cropped up the night before were
delaying the manufacture of the first pen that would bear his name--the
Lamy 27. The start of a book on the history of Lamy? No... just a little flight of my imagination.
Lamy (pronounced "LAM-mee" [accent on 1st syllable]), the internationally
known German pen company based in Heidelberg, is best known for making
pens that are sleek, highly functional, minimalist in design, and
innovative in functionality. Several of their designs over the years
have won many awards, with the Lamy 2000 being the most recognized of
all. It is that pen which has defined the modern day theme and design
foundation of Lamy. It also marked the changing of leadership from C.
Josef Lamy to his son Manfred. In essence, Lamy has viewed this change
as the birth of the modern day company, to the point where little
recognition is given to their products made before that time (the Lamy
27 is mentioned but once on their website). I find this a shame,
because Lamy had made some very respectable writing instruments prior
to the 2000, one of which was the Lamy 27.
Company Background
In 1930, C. Joseph Lamy ceased working for the Parker Pen Company and
started manufacturing his own fountain pens in Heidelberg Germany,
initially under the brand name "Orthos". In 1949, production of a newly
designed series called "Artus" commenced. Then in 1952, the company
switched its name to "Lamy", remaining as an independent family-owned
enterprise. The company proved its innovative prowess in the very first
year of the Lamy brand with the completely novel LAMY 27 fountain pen
series. And in 1966, upon the succession of leadership by Joseph Lamy's
son Dr. Manfred Lamy, the distinctive style of Lamy Design was born
with the model 2000. With an annual production of over 6 million
writing instruments and a turnover exceeding €50 million Lamy today is
not only the market leader in Germany but also ranks among the German
design brands whose products hold a special position worldwide. October
26, 2006 commemorated the 40th year milestone anniversary of Lamy's
modern day design history. Dr. Manfred Lamy retired on November 10, his
70th birthday. Although he has a son and a daughter, neither is
particularly interested in following in his footsteps. As a result, for
the first time in its long history, Lamy will be led by a non-family
member, Bernhard Rösner.
Lamy 27 Background

The Lamy 27 was introduced in 1952, largely based on the pen Lamy had previously co-created with Artus. It was an extraordinary best
seller, a streamlined pen with a semi-hooded Osmium tipped nib. The 27
was produced in 12 varieties from plastic models like the 27e for 20DM
(Deutschmarks) to luxury models like the 27n with a gold cap for 39DM
(there were also intermediate models for 25DM and 30DM). This was not
cheap for an unknown trademark at the time (source from 1955), with
pricing very similar to Montblanc and Pelikan pens. The 27 was the
first LAMY pen which was made under the name of the producer, whereas
the previous names had been "Orthos" and post-WWII "Artus". The
understated looking pen had a revolutionary and patented system of
inlaid micro segments around the feed, which made the ink flow
insensitive to air pressure or temperature changes (called the
"Tintomatic" system, a design which is the foundation for many of Lamy's feeds today). The
Lamy 27 was likely made until the late 1960's. When Dr. Manfred Lamy
took over the firm from his father C. Josef Lamy in 1966, he made some
fundamental changes in the product lines and in the overall design by
hiring several key designers like Gerd Müller (designer of the 2000).
It was Dr. Lamy's vision that defined what Lamy is today, so much so
that little is spoken of pens made prior to that time. In fact, if you
were to ask a Lamy representative what was the first pen that Lamy produced, you
will be told it is the model 2000. Despite this, I feel the 27 is a
beautifully understated example of fine pen making and deserves some
recognition. It also heavily influenced the 2000, so much so that you can really see it shares a lot of the same design elements.
First Impressions
The Lamy 27 is a very capable pen, displaying a classic design and
innovative functionality. Although the overall design was not that
unusual for its time, there were some striking exceptions (such as the
nib section).

Pros: Semi-hooded nib that resists drying out, rapid
interchangeable nib design, readily found oblique nibs, usable ink
windows, above average ink capacity, dependable piston filler
mechanism, and portable size.
Cons: Nib size
is stamped on the barrel, which becomes invalid upon changing the nib
to a different size; piston filler on the 27n does not have a fluted grip; pen body is slightly more susceptible to scratches
than if it was made from Lucite or Makrolon.
Size & Appearance
The Lamy 27 captures classic styling of the late 40's/early 50's. It
shares a very similar design to the Parker 51, enough that the 51 must
have had an influence on design choices. Size wise, the Lamy 27m is
a touch longer than the Parker 51 posted (based on my personal vacumatic copy). By the way, yes--you can exchange the caps between a 27m and a 51. They seem to fit quite well. The interesting thing is that on the 27 the ink window peaks out with the 51 cap on, so you can check your ink level without cap removal. ;-)
51 27m 27n
Cap Diameter: 12.0mm 12.0mm 11.0mm
Uncapped: 12.5cm 12.5cm 12.3cm
Capped: 13.8cm 13.5cm 13.3cm
Posted: 15.1cm 16.0cm 15.1cm

There were two prominent model variations: the 27n and 27e. The 'e'
denotes a plastic cap, while the 'n' indicates a metal cap. The metal
caps came in brushed aluminum, brushed aluminum with gold accents, fully chrome, and
all rolled gold. There are two basic line patterns on the caps. All of them
have clips that are secured by a colored 'jewel' screw piece at the top
of the cap.

The bodies of the Lamy 27 came in a variety of colors (exact number
unknown), of which I have seen just five: teal, burgundy, black, blue,
and cocoa. Three are shown below. Clearly, with 17 different colors the
Parker 51 won out on color variations!


There are a few other interesting variations to note. There was a model
27m that features a slightly longer barrel and wider girth (essentially
matching the Parker 51). Rather than the bottom section of the pen
serving as the screw knob for the piston, a blind cap would be removed
to reveal a thinner fluted knob for turning the piston. Apparently this
model had a lower production run than the 27n, as few are found today.
Also, there was an even more limited version of the 27m, having
"Heidelberg" imprinted on the cap (there does not seem to be any other
distinctive features). I stumbled upon one quite by accident and I
subsequently learned these details from a German pen seller.

Heidelberg cap band inscription

Top cap is a 27n, bottom one is a 27m

The 27n has an integrated piston screw, while the 27m has a blind cap that reveals the piston screw
Another notable variation was a fully rolled gold model, much like the
Parker 51 Presidential. But instead of the wavy lines as seen on the
51, this model had evenly spaced groupings of straight lines. One
interesting design note: small elliptical cuts were made in the barrel
to reveal the ink windows, thus avoiding the typical segmented ink
window section--the barrel would remain one contiguous section (aside
from the piston screw section).

Fully rolled gold profile; uncapped and capped

Uncapped, closeup

Rear view uncapped, with box
As the model progressed in its later years, the streamline shape was
squared off a bit. The black dome jewel was replaced with a black disk
with a white inset circle and a black "L" prominently in the center. LAMY also changed the model designation, discarding the letter after 27 and adding a two digit suffix (30, 31, 32). From what I've observed, it appears that '30' means plastic cap, '31' is a steel cap, and '32' is a gold cap. Later on, the model '99'
was introduced that was based on the Lamy 27, but with some cheaper
elements for a lower price point (in fact, it looks almost exactly the
same--in one case, I obtained a Lamy 99 that looks nearly 100% like a
Lamy 27, except for the thin clutch ring).

LAMY 27 32 - a later model with squared off ends.
Notice the nib/feed unit is the same shape/size as the LAMY 2000.

The LAMY 27 32 featured a redesigned cap with obvious "L" for LAMY.
(This same logo would appear as a flat disc on the barrel end of the LAMY 2000).

A small assortment of my LAMY 27 collection.
Design & Features
The 27n is nicely weighted, almost the same as a Parker 51. The tapered
design allows for easy posting of the cap without undue pressure, and
thus avoiding noticeable scratches. The push-on cap has an excellent
inner clutch that "clicks" firmly onto the clutch ring when capping the
pen, and slides off with simple effort. Four evenly spaced rounded
rectangular ink windows are located just behind the clutch ring and do
a marvelous job of telling you how much ink is left in the pen (some
early versions had squared off ink windows). The nib section easily
removes for cleaning and interchange. The filling mechanism is a piston
design.

Filling Mechanism
The Lamy 27 is not an above average pen in size, but the efficient
piston filler design allows it to store an above average quantity of
ink--1.5 ml to be exact (.1 ml more than the 2000!). The piston screw
turns firmly but easily, flushing and drawing
ink with reliable efficiency. I have yet to encounter a Lamy 27 with a
faulty piston, and based on the age of these pens, I'd say the
mechanism has proven its design worthy. Aside from observing the ink
level in the ink windows, you can also see the piston when it is fully
extended.

Nib & Performance
Lamy produced the 27 with the following nib sizes: EF, F, FK, M, B, BB,
BBB, OF, OM, OB, and OBB. This was usually stamped on the blind cap
(some export examples do not have it). The oblique nibs are easily
found at auction and on German pen selling websites. I don't know if
this has anything to do with the kind of font that was typically used
in German lettering in the early part of the 20th century. But this is
a definite asset, as oblique nibs for the Parker 51 are extremely hard
to find and thus command considerably high prices. I have not yet
encountered a Lamy 27 nib that I would describe as scratchy or
toothy--they are consistently smooth writers. The semi-hooded nib
resists drying out, almost as well as a Parker 51. When capped, the
seal is strong enough so that you can leave the pen for long periods
without requiring flushes to restore the pen to a usable state. (Note:
please excuse the 'rough' look of the OBB nibbed pen--I have not had a
chance to thoroughly polish it yet).

Lamy 27 blind caps

Lamy 27 oblique nibs sample

Lamy 27 nib upclose
The built-in feed contained in the nib section features a "Tintomatic"
design that is resistant to air pressure and temperature changes,
allowing consistent ink flow under all circumstances. So far, I have
found this to be true. You can see a portion of the ink feed design in
the parts image displayed below. Note: In the image below, you can see
'Platinum' stamped on the nib. I don't know if that means platinum was
used in the tipping material, as the remainder of the nib is definitely
gold. Also notice that 'C. Josef Lamy' is imprinted on the barrel--this
may be a rare example of an early Lamy 27.

Lamy 27 parts, including feed, and 'C. Josef Lamy' imprinting (NOTE: nib is incorrect)
Nib and feed from a Lamy 27m (same design on the Lamy 27n, though slightly larger)
Nib and feed from a later model Lamy 27 32, with squared off ends. The notable improvement is the nib is now held onto the feed with tabs, so it doesn't fall off when servicing the section. This design is the same as the Lamy 2000 nib and feed, so you could interchange them.

Cost & Value
The Lamy 27 was not cheaply priced back in its time, but that should be
of little concern today. Depending on the luck of the bidding pool and
relative shipping costs for a given Lamy 27 auction, you can at times
obtain these pens for a reasonable cost. Usually for USA only auctions, I've bought these for anywhere from $30 to $75 (depending on how poorly described or titled the pen was). For auctions by well established German pen sellers, these
pens can command prices a little less than comparable condition Parker
51's. I have seen several of them close on auction recently at prices
like $55, $61, $75, $82, and $96 (lowest for 'M' nib, highest for 'OBB'
nib). The fully rolled gold model was much more expensive!
Summary
If Lamy had a stronger marketing campaign in the USA during the 1950's,
I really believe the 27 could have displaced the Parker 51 as "the world's
most wanted pen". Here you have a pen with two key features over the
51: a very usable ink window and a highly reliable piston filler
mechanism. Yes, the Parker 51 Aerometric filler is less complicated and
very reliable, but it doesn't match the ink capacity of the Lamy 27.
And there's nothing more annoying than running out of ink when you
least expect it--not a problem for the 27 with its ink level indicator.
Plus, the form factor, balance, and nib performance are exemplary. For
anyone who enjoys Parker 51's, a Lamy 27 should definitely be in their
collection.
One last note: I really do like the Parker 51! It is a pen that
definitely has its own merits and I will always have several in my
collection. As the title of this article said, "Contender to the Parker
51"—both pens are prized writing instruments. :-)