Loetz and Bohemian Glass

Loetz Page 1

Asträa, Astartig, Chiné, Diaspora, Formosa, Glatt, Martelé 

Loetz Asträa Vase 
 
1904 Series II Prod. Nr. 1364 Candia Silberiris Astartig
 
Astartig (branch) glass used a highly iridescent gold finish over Candia glass, usually freeform pieces, with small protrusions pulled from the body of the glass 

   Loetz Creta Chiné Vase

 

   Loetz Pink Chiné

 

Loetz Creta Chiné

 

 Creta Silberiris Diaspora

 Pink Diaspora
 
This color of Diaspora is quite rare. The outer finish is a bright silver. Creta pieces are much more common.

 Candia Silberiris Diaspora

 Candia Silberiris Diaspora

 Creta Diaspora

 
 1898-9 Com. 346/371 Creta Glatt Christopher Dresser
 

 1898 Com. 346/444 Creta Glatt Max Emanuel

 1898-9 Com. 346/686 Creta Glatt (C. Dresser)

 1898-9 Com. 346/348 Creta Glatt

 Series II Prod. Nr. 680 Olympia Glatt
 
Design by Robert Holubetz for E. Bakalowitz Söhne, Vienna
 
 1893-6 Prod. Nr. 6640 Olympia Glatt
 

 1899 Prod. Nr. 7871/1 Bronce Glatt

 1899 Prod. Nr. 7891/8" Bronce Glatt Tulpenvase

 1900 Series II Prod. Nr. 250 Bronce Glatt

 1900 Com. 346/365 Luna Glatt Max Emanuel

Creta Martelé JIP Vase 

Creta Formosa
 
Formosa has wandering threading that stands out from the surface of the glass. The threading is silvery blue. Most common are the greens, but you can find pinks as well as other variants of this decor.
 

                        

 
Loetz Asträa Vase
 
Asträa uses Candia, a clear or very pale amber glass, with a finish that has a slight gold tinge to it, with lots of larger honey colored spots

        Loetz Asträa Vase
 
Loetz Creta Chiné
 
One of the more common colors offered by Loetz was the Creta, or Crete Green. Chiné refers to the fine threaded decoration added to it.
 

Loetz Creta Chiné Series 1 Prod. Nr. 6978

 
 Creta Silberiris Diaspora
 
Silberiris refers to the addition of a highly iridescent finish, either silver, pale blue, or a deeper blue as seen in this Diaspora. Diasporas have a deeply cratered surface. Kralik also made a type of diaspora, but their craters tended to be shallower, and often showed mold lines on the pieces.
 

 Candia Silberiris Diaspora

 Candia Silberiris Diaspora

 Creta Diaspora
 
Creta Diaspora
 
 1900-01 Series II Prod. Nr. 1/652 Creta Glatt
 
Glatt refers to the smooth finish on these pieces. Very satiny to the touch, with a hint of iridescence. These came in many colors, including Creta, Olympia (a very pale green), Bronce (bronze), Luna (blue top fading to clear at the bottom) as well as some others.

 Creta Glatt w/Ormolu

 1898-9 Prod. Nr. 346/374 Creta Glatt (M. Emanuel)

 1898-9 Com. 346/348 Olympia Glatt

 1900 Series II Prod. Nr. 242 Olympia Glatt (M. Emanuel)
 
1898-9 Com. 346/475 Bronce Glatt (M. Emanuel)
 

 Bronce Glatt

 Bronce Glatt

 Series II Prod. Nr. 240 (Com. 346/700) Bronce Glatt

 Unknown Color Glatt C. Dresser

Bronce Martelé 
 
Martelé (hammered) pieces have a textured webby appearance. Many companies had their own similar versions of this decor, so pieces often have to be identified by shape.

Pink Formosa