stuff about stories

What's on this page:

1.  The 7 Elements of (nearly) All Stories
2.  There are only 7 Stories (it is claimed)

1.  The 7 Elements of (nearly) All Stories

Did you know that all, okay, nearly all stories have to have the following ingredients. 

1. Normality (1)
    This is where and when the story takes place.  Another word for this is setting.
2. The Hero
    This doesn't mean someone who is brave.  It's just the person, or animal, or even thing at   
    the centre of the story.

3. The Agent of Change
    This is the person or thing that changes things, which is called......
4. The Disruption of Normality
    This could be a really bad thing, or something ordinary - but it changes the situation that the      'hero' finds him/herself in.
5. A Problem Created
    Eg, an earthquake (the 'agent of change') makes people homeless.
6. Problem Solved
    They build new houses (I know, not really an exciting story)
7. Normality (2) Restored
    But a wee bit different to Normality (1)

2.  There are only 7 Stories (it is claimed)

It appears that we only have room for a limited number of plots in our stories.  There are various theories and numbers, but often researchers come down to only seven.  It seems like too few, but the items on the list fit any story you can think of.  You can use these lists as a way of shaping a story or helping you finish a story if you are stuck.

(thanks to Google search for some of these ideas)



This list is the best I think.
1. Overcoming the monster -- defeating some force which threatens...
e.g. most Hollywood movies; Star Wars, James Bond.

2. The Quest -- typically a group set off in search of something and
(usually) find it. e.g. Watership Down, Pilgrim's Progress.

3. Journey and Return -- the hero journeys away from home to somewhere
different and finally comes back having experienced something and
maybe changed for the better. e.g. Wizard of Oz, Gullivers Travels.

4. Comedy - not neccesarily a funny plot. Some kind of
misunderstanding or ignorance is created that keeps parties apart
which is resolved towards the end bringing them back together. e.g.
Bridget Jones Diary, War and Peace.

5. Tragedy - Someone is tempted in some way, vanity, greed etc and
becomes increasingly desperate or trapped by their actions until at a
climax they usually die. Unless it's a Hollywood movie, when they
escape to a happy ending. e.g. Devils' Advocate, Hamlet.

6. Rebirth - hero is captured or oppressed and seems to be in a state
of living death until it seems all is lost when miraculously they are
freed. e.g. Snow White.

7. Rags to Riches - self explanatory really. e.g. Cinderella &
derivatives (all 27,000 of them)!!!

Here's another set:
1 - man vs. nature 

2 - man vs. man

3 - man vs. the environment

4 - man vs. machines/technology

5 - man vs. the supernatural

6 - man vs. self

7 - man vs. god/religion

And another set goes something like this:

1. A hero – the person through whose eyes we see the story unfold, set
against a larger background.

2. The hero’s character flaw – a weakness or defense mechanism that
hinders the hero in such a way as to render him/her incomplete.

3. Enabling circumstances – the surroundings the hero is in at the
beginning of the story, which allow the hero to maintain his/her
character flaw.

4. An opponent – someone who opposes the hero in getting or doing what
he/she wants. Not always a villain. For example, in a romantic comedy,
the opponent could be the man or woman whom the hero seeks romance
with. The opponent is the person who instigates the life-changing
event.

5. The hero’s ally – the person who spends the most time with the hero
and who helps the hero overcome his/her character flaw.

6. The life-changing event – a challenge, threat or opportunity
usually instigated by the opponent, which forces the hero to respond
in some way that’s related to the hero’s flaw.

7. Jeopardy – the high stakes that the hero must risk to overcome
his/her flaw. These are the dramatic events that lend excitement and
challenge to the quest.







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This site is just a convenient place to keep my stuff and links - it's my cyberspace office.  You might find it useful too -  let me know if you doJohn Cradden

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QUOTE OF THE MONTH


Carol Craig includes ten key 'messages' in her book, 'The Scot's Crisis of Confidence'.  I'll post one a week (app) from now on:

 
6. Another paradox is that Scotland is a country which should be vibrant, outward looking and inventive. Unlike the English who have always had the reputation for being a deeply conservative and inward looking people who venerate tradition and what they know from experience, the Scots were once internationally renowned as energetic, speculative and inventive people. If we could lift the dead-hand of some of Scotland’s restrictive values, some of this old vibrancy may bounce back.

7. The Scots are so proud of their egalitarian values that they deny the reality of modern–day Scotland. Scotland is a society which is deeply divided by class and wealth. Any outsider will tell you that Scottish society is very hierarchical and there is a distinct pecking order. Racism and bigotry are also ugly features of modern Scotland. If Scotland is to become more dynamic it must begin to face up to these problems. It must also start genuinely valuing diversity and seeing difference as something to be welcomed rather than something to be curtailed. Again one of the underlying problems here is that there is too tight and restrictive a notion of what it means to be Scottish.

 
From 'The Scot's Crisis of Confidence' by Carol Craig
(see here for the key points of her book)
See also The Centre for Confidence and Well-being, her foundation, which includes good advice and support for all involved in learning in Scotland.