The architect carries a garland in his left hand. The gloss is dāma a wreath or garland of fls. J i.397 (Pali); rebus: dhamma. The entire architecture of the Sanchi monuments is an offering, a puja by the sāṅgtarāś sangha. In his right hand is held ukkā; (dhamm -- okkā); ii.401; iv.291; v.322; Vism 428;
ThA 287; DA i.148; DhA i.42, 205; PvA 154. Esp.
as tiṇ˚ firebrand of dry grass M i.128, 365; Nd2 40Ie;
DhA i.126; Sdhp 573. -- 2. a furnace or forge of a
smith A i.210, 257; J vi.437. Rebus: he is dhammika (adj.) [=Sk. dharmya, cp. dhammiya] lawful, according to the Dh. or the rule; proper, fit, right;
permitted, legitimate, justified; righteous, honourable,
of good character, just, esp. an attr. of a righteous King
(rājā cakkavattī dhammiko dhammarājā) D i.86; ii.16;
A i.109=iii.149; J i.262, 263; def. by Bdhgh as
"dhammaŋ caratī ti dh." (DA i.237) & "dhammena
caratī ti dh., ñāyena samena pavattalī ti" (ib. 249). <->
Vin iv.284; D i.103; S ii.280 (dhammikā kathā);
iii.240 (āhāra); iv.203 (dhammikā devā, adh˚ asurā);
A i.75; iii.277; Sn 404; DhA ii.86 (dohaḷa); iv.185
(˚lābha); PvA 25 (=suddha, manohara). Also as
saha -- dh˚ (esp. in conn. w. pañha, a justified, reasonable,
proper question: D i.94; S iv.299 in detail) Vin iv.141;
D i.161; iii.115; A i.174. -- a˚ unjust, illegal etc. Vin
iv.285; S iv.203; A iii.243. (Source for the photograph: http://imagesvr.library.upenn.edu/a/aiis/thumb/A36-60.JPG) Associated with the dharma glyph which adorns the Sanchi torana is the śilpi, the architect of the poems in stone. What was he called? Hindi. संगतरा/श (nm) sāṅgtarāś a stone- cutter/carver/dresser; ~शी stone cutting/carving/dressing. He works with sang, 'stone'. His signature tune is the composite glyph: sang makara 'water-elephant, water-crocodile'; ligatured with a mollusc, sangi and puccha 'fish-tail', the sanghi performs puja with his exquisite architectural forms of the temple, kole.l, guḍi . Bharhut. Cepholopod mollusc holding the dhamma-cakka. East gateway, finial on top architrave Mathura lion capital. British Museum.
Sanchi Sanchi Stupa 1, northern gate., south side,
superstructure, sandstone. http://www.bergerfoundation.ch/wat4/picture?ref=7256-3191-2328.61&babel=eng&type=medium
Ekahamsa: representation of the divine, paramātman
Veneration of hamsa in Bharhut Ajatashatru pillar: (hiraṇmayaḥ puruṣa ekahaṃsaḥ: Brihadarnyaka Upanishad)
Austro-asiatic etyma: <a~sa>(*),,<ha~sa>(P),,<a~sO>(*),,<ha~sO>(P),,<hOnsO>(K),,<OnsO>(K),,<OGsO>(M) {N} ``^duck [KMP], ^goose, ^swan [P]''. *Sa.<ha~s>, Mu.<ha~s>,
~<ha~sa>, Ho<ho~s>, H.<hA~sA>, O.<hO~sO>,
Sk.<hA~sA>. %1751. #1731. The hieroglyph of hamsa, ‘swan’ is the clearest representation of something held to be divine as apparent from the following glosses: Telugu. హంస [ haṃsa ] or హంసము hamsa. [Skt.] n. A swan. A certain fabulous bird supposed to be a swan. Also, a water-fowl, probably the Ruddy Shieldrake. శ్వేతగరుత్తువు. నీళ్లువిడిచి పాలుద్రాగే పక్షి. "రాజహంసలు గాని రాజహంసలుకారు." Vasu. pref. 62. The name of one of the vital airs. శారీరవాయువు, ఉచ్ఛ్యాసనిశ్వాసరూపమైన వాయువు. The Divine Spirit, పరమాత్మ.
लॄ -हंसः the chief or highest Haṁsa (an allegorical designation of the soul). हिरण्मयः पुरुष एकहंसः Bṛi. Up.4.3.11 (Skt. Apte lexicon) From the semantics related to the use of लॄ prefix, it is clear that लॄ-हंसः is the synonym of ekahaṃsaḥ, which is explained further in Brihadarnyaka Upanishad as a reference to the paramātman. Br. Up 11. 'On this there are these verses: 'After having subdued by sleep all that belongs to the body, he, not asleep himself, looks down upon the sleeping (senses). Having assumed light, he goes again to his place, the golden person, the lonely bird. (1) [The Mâdhyandinas read paurusha, as an adjective to ekahamsa, but Dvivedaganga explains paurusha as a synonym of purusha, which is the reading of the Kânvas.] 12. 'Guarding with the breath (prâna, life) the lower nest, the immortal moves away from the nest; that immortal one goes wherever he likes, the golden person, the lonely bird. (2) 13. 'Going up and down in his dream, the god makes manifold shapes for himself, either rejoicing together with women, or laughing (with his friends), or seeing terrible sights. (3) Monier-Williams Skt. lex. ===> [ ekahaMsa ]3[ 'eka-haMs'a ] m. ` the only destroyer of ignorance ' [ Śaṃkara on cf. ŚvetUp. vi , 15 ---> cf. [ haMsa ] ] , the Supreme Soul cf. ŚBr. xiv ---> ( [ am ] ) , n. ` inhabited by a solitary or unique swan ' , N. of a Tīrtha cf. MBh. iii I am grateful to Shri Krishen Kak for elucidations and links on the habitat of Anser indicus which is truly the hamsa of Bharatiya tradition as a venerated paramātman (hieroglyph read rebus: hamsa).
According to Salim Ali, the call of the anser indicus is a musical aang aang produced in various keys, and that it is one of the most unforgettable sounds to the wildfowler. (JAF Roodbergen, Bharavi, 1984, Mallinatha’s Ghantapatha on the Kiratarjuniya , Brill Archive, p.479, fn. 257) “The Bar-headed Goose is one of the world's highest flying birds, having been seen at up to 10175 m (33,382 feet). It has a slightly larger wing area for its weight than other geese and it is believed this helps the goose to fly high.” [http://en.wikipedia.org/wiki/Bar-headed_goose) cf. Lee, S.Y., Scott, G.R., Milsom, W.K.2008 Have wing morphology or flight kinematics evolved for extreme high altitude migration in the bar-headed goose? Comparative Biochemistry and Physiology - C Toxicology and Pharmacology 148 (4):324-331] Bar-headed Goose Anser indicus: a Himalayan migrant, most of the world’s population winters in India and Pakistan after breeding around mountain lakes in central Asia. http://10000birds.com/sultanpur.htmHamsa4Hamsa sacred goose reliquary, stupa
32 of the Gangu group, Babar Khana, Taxila, Gandhara, 1st century CE.
This Hamsa was found inside a granite bowl, with an inscribed gold sheet
stating "Shira deposited the relics of her departed parents in the
Hamsa". It has a cavity in the middle for the insertion of the relics. British Museum.” http://en.wikipedia.org/wiki/Hamsa_bird This is a remarkable artefact. Hamsa is used as a receptacle in the context of depositing the relics of Shira's departed parents. The worship of pitr-s is clearly linked with the metaphor of hamsa which also means paramātman in many bharatiya languages. The hamsa, or bar-headed goose, is said to reside on Lake Manasarovar in Tibet and would migrate to the Indian lakes in the winter. It is said to eat pearls and separate milk from water from a mixture of both. In many texts it is extolled as the king of birds. In one of the Upanishads, a hamsa is also said to possess the sacred knowledge of the Brahman. The hamsa is also the 'vehicle' (Skt: vahana) of goddess Saraswati.” http://tinyurl.com/dzjfzncf. RV 2.8.9, 8.36.8, 9.32.3 Kalidasa refers to rajahamsa, kadambahamsa as accompanying rain clouds on their way from the vindhyas to the Himalayas. (loc.cit. Parmeshwaranand, 2000, Encyclopaedic Dictionary of Vedic terms, Sarup and Sons, p. 292)
“Hans, Greylag-;71-76cm. Sexes alike;ashy-grey, white and brown goose;generally occurs on large jheels and rivers, breeds in swampy high altitude lakes in Ladakh, winter migrant elsewhere, including North India;gregarious, nocturnal, often feeding on winter arable crops, common throughout North India;species is refered to as "Hamsa" or"Rajhans" in ancient Indian epics, and its trans-Himalayan migration is equated to religious pilgrimage;estimated world population around 20,000 birds.” (Source: AlfredJRB, Kumar A, TakPC and SatiJP, 2001, Waterbirds of Northern India. Rec. Z.S.I. India, Occ. Paper No. 190:1-xxiv.1-227) http://www.ncbi.org.in/wbni/Bar_headed_goose.html Location of the photograph: Lhasa,
Tibet “Bar-headed Goose (Anser indicus) is a common winter visitor found in large wetlands of Haryana and nearby cultivation. It has two distinctive black bars across its neck. This bird arrives in Haryana in October and departs by the end of March. In winter, the Bar-headed Goose can be commonly seen in large water bodies like those in Sultanpur National Park and Bhindawas Bird Sanctuary.Local Names: Hans, Raj Hans, Birwa and Sawan”
“Bar Headed Geese.The highest flying of all birds bird, the bar-headed goose, has the best respiratory system of any bird allowing it to fly over the Himalayas from their breeding grounds in Central Asia to wintering areas.” http://www.copyright-free-photos.org.uk/animals/birds/96-bar-headed-geese.htm
Habitat: As seen from the map, the habitat is northern Bharat including the Himalayas. Cf. the glosses in Kashmiri and in all Bharatiya languages including Munda.
http://www.dymaxionweb.com/h5n1/BarheadedGoose.jpg See video on the highest flying bird on the globe, hamsa, anser indicus Anser indicus audio (Cornell Lab of ornithology, Macaulay library) https://macaulaylibrary.org/audio.do?id=3518 Loud calls of a single Anser indicus The ragam named hamsadhwani in Carnatic music may be heard: Vathapi Ganpathim by MSS Amma (Raga: Hamsadhvani)>> Source: http://www.carnaticindia.com/download_videos.html Hong, hamsa (mythical gander) in Chiang Mai, Thailand “The hong or hamsa is a mythical gander linking the oceans with the sun and the heavens. It serves as a mount for Varuna and Brahma. It represents the breath, the foundation of our existence, and serves as the gatekeeper to heaven. Common in temples with links to the Mon people, the hong is believed to take the souls of the builders of the temple to heaven.” http://www.chiangmai1.com/chiang_mai/sub/hong.shtml
ghans- Goose. Oldest form * Hamsa border on the Kanishka casket, 2nd century CE. en.wikipedia.org/wiki/Hansa_BirdHamsa birds between the architectural spires on the Bimaran casket, 1st century CE. The Bimaran casket, representing the Buddha surrounded by Brahman (left) and Indra (right) was found inside a stupa with coins of Azes II inside. British Museum. http://www.britishmuseum.org/images/ps246910_l.jpg Detail of hamsa on Kanishka casket. The edge of the lid is decorated by a frieze of flying hamsa symbolizing the travel of departing souls and the removel from samsara. Some of the geese have a wreath of victory in their beak. Anjan is a Tamil synonym of hamsa. Anjani is the mother of Hanuman. Vayu is the father of Hanuman. A synonym of Hanuman is anjani-sutan. Did our ancestors know about the extraordinary respiratory capability of hamsa (anser indicus) to fly over the Himalayas?See The High Life of Audubon birds. Bar-headed geese migrate over Mount Everest, where oxygen is scarce and life is rare. How do they survive in such conditions? http://audubonmagazine.org/birds/birds0011.htmlKalyanaraman 18 March 2009How Can a Bird Fly Over Mt. Everest? or How to Get Oxygen Out of the Air When There Is Hardly Any There.Craig Black, PhD. RRT, University of Toledo Community and Technical College, Toledo, OH 43606.Bar-headed Geese (Anser indicus) have flown over the Himalayas for thousands of years during their annual migration between their wintering grounds in India and their breeding grounds in China and Mongolia. Although many birds migrate over the Himalayas, most fly through passes at altitudes below 20,000 feet. Bar-headed Geese preferentially fly over the highest peaks and have been observed flying at over 30,000 feet. Barometric pressure at this altitude is approximately 250mmHg and the PO_{2} of dry air is only 52mmHg. If this air is inspired and humidified at the birds body temperature of 41°C, then PIO_{2} becomes 41.6mmHg, only 28% of that found at sea level. For the Bar-headed Goose, the O_{2} requirement for flight is approximately equivalent to that for a person running at maximum speed or about 12-15 times greater than basal metabolism. Normally mammals do not live above about 18,000 feet, although humans have climbed to nearly 30,000 feet without supplemental O_{2}. At this altitude, the extreme hypoxia limits their activity to no more than slow walking. Therefore, Bar-headed geese are much more efficient at extracting available O_{2} from air than any mammals. Research has shown that Bar-headed geese have several adaptations which combine to increase the their ability to support the metabolic demands of flight at this altitude. 1. The lungs of all birds have a totally different design from that of the mammalian lung, one which allows pure inspired air to come to within only a few microns of the air-blood exchange surface. This allows the A-a gradient to be reduced to only 1-2mmHg. Mammals can reduce the A-a gradient to no less than about 30mmHg. 2. The hemoglobin of Bar-headed geese has higher than normal hemoglobin-O_{2} affinity, which shifts the Hb-O_{2} curve to the left, thereby increasing O_{2} saturation levels under hypoxic conditions. 3. The bird lung structure allows for more complete removal of CO_{2} from the blood. Flying birds may therefore have a relative alkalosis which also shifts the Hb-O_{2} dissociation curve to the left, further increasing O_{2} saturation levels under hypoxic conditions. 4. There is some evidence suggesting that Bar-headed geese are capable of increasing capillary density in muscle tissue. This decreases the diffusion distance for O_{2} from capillaries to cells, allowing the same amount of O_{2} to diffuse at a smaller partial pressure gradient. 5. Bar-headed geese can increase cerebral blood flow during hypoxia, allowing for increased O_{2} delivery to the brain. The Himalayan Mountain range is a relatively "new" geological feature, created by the collision of two massive continental plates. Biologists suggest that Bar-headed geese actually pre-date the creation of the Himalayas and have been following the same migration route for considerably longer than the Himalayas have been present. Each year as the Himalayas were pushed higher and higher, there was selection for those individual birds which could fly at higher and higher altitudes. Thus, the Barheaded goose has become one of the most extraordinary of all high-altitude animal species. The 44th International Respiratory Congress Abstracts-On-Disk®, November 7 - 10, 1998, Atlanta, Georgia. Source: Respiratory care, the Science Journal of the American Association for Respiratory Care. http://www.rcjournal.com/abstracts/1998/?id=A00000868 Decoding
some hieroglyphs of ancient Indian art tradition (14 March 2009) 1. Resources for decoding some hieroglyphs of ancient Indian art tradition at Begram, Khandagiri, Udayagiri, Kankali Tila, Bharhut, Sanchi and Mathura (pdf) http://www.scribd.com/doc/13267649/Resources-Hieroglyphs-Ancient-Indian-Tradition 2. Hieroglyphs of ancient Indian art tradition (ppt) www.dkimages.com/.../Nautilus/Nautilus-02.html
Marcellus
Fomation Cephalopod Fossil Image from 1896-Dana-ManGeol-Fig917 http://upload.wikimedia.org/wikipedia/commons/5/5a/Marcellus_Cephalopod_1896-Dana-ManGeol-Fig917.png
Kashmiri. sang-i-sār संगि-सार् । अवहारः (सामुद्रिकजन्तुविशेषः) m. stoning (to death), lapidation (H. viii, 8); (in
Ksh.) public general abuse; a shark, a water-elephant,
a Gangetic crocodile (the ghaṛiyāl of
India). Pali. Sanghika (adj.) [fr. sangha] belonging to, or connected with
the Order Vin i.250.
Sanghin (adj.) [fr. sangha] having a crowd (of followers),
the head of an order D i.47, 116; S i.68; Miln 4; DA i 143. -- sanghâsanghī
(pl.) in crowds, with crowds (redupl. cpd.!), with gaṇi -- bhūtā "crowd upon crowd" at D i.112, 128;
ii.317; DA i.280. Continuity of mleccha language-community and Sarasvati hieroglyphs (19 Jan. 2009)Vratya Mleccha-s could be related to the vratya-s of Magadha. Reference to Satvants of the Chambal valley may relate to the term, satvata, used in the pan~cara_tra tradition and vra_tya-s are associated with the people of Magadha. "The literature is replete with the names of clans. The most powerful among them, commanding the greatest respect, was the Kuru-Pañcala, which incorporated the two families of Kuru and Puru (and the earlier Bharatas) and of which the Pañcala was a confederation of lesser-known tribes. They occupied the Upper Doab and the Kuruksetra region. In the north the Kamboja, Gandhara, and Madra groups predominated. In the middle Ganges Valley the neighbours and rivals of the Kuru-Pañcalas were the Kasi, Kosala, and Videha, who worked in close cooperation with each other. The Magadha, Anga, and Vanga peoples in the lower Ganges Valley and delta were outside the Aryan pale and regarded as mlecchas. Magadha (Patna and Gaya districts of Bihar) is also associated with the vratya people, who occupied an ambiguous position between the aryas and mlecchas. Other mleccha tribes frequently mentioned include the Satvants of the Chambal valley and, in the Vindhyan and northern Deccan region, the Andhra, Vidarbha, Nisadha, Pulinda, and Sabara. The location of all these tribes is of considerable historical interest, because they gave their names to the geographic area." http://www.britanica.com/bcom/eb/article/9/0,5716,121169+2+111197,00.html This leads to
the formulation of two hypotheses: 1. A cooperative
society and a continuous culture had existed right from the chalcolithic- age
through the bronze-age
to the historical periods on the Sarasvati-Sindhu
doab and the rest of India. 2. A linguistic area existed ca. 3rd millennium BCE in Sarasvati-Ganga valleys. Emergence of lingua franca in Bharat
Pinnow map. Austroasiatic Languages: Munda (Eastern India) and Mon-Khmer (NE India, mainland SE Asia, Malaysia, Nicobars) http://www.ling.hawaii.edu/austroasiatic/ A lingua franca had emerged in the doab ca. 3000 BCE with intense interaction and resultant cross-borrowings of lexemes of an expansive contact zone (from Tigris-Euphrates to Ganga, from the Caucus mountains to the Gulf of Khambat, from Kashmir to Kanya_kumari) constituting the Sarasvati-Sindhu doab and the rest of Bha_rata as an Bha_rati_ya Linguistic Area.The assumption for establishing this concordance
among lexemes removed in time, by over 1 millennium, is that the names of the
arms and armour of the linguistic area, ca. 5500 BP continued, as parole, in
the ancient languages of Bharat, by a hereditary tradition nurtured
among the artisans (vis'vakarma) and warriors (ks.atriya) alike and by the
literary tradition of Dhanurveda Sam.hita_ and related texts. The areal map of Austric (Austro-Asiatic languages) showing regions marked by Pinnow correlates with the bronze age settlements in Bharatam or what came to be known during the British colonial regime as ‘Greater India’. The bronze age sites extend from Mehrgarh-Harappa (Meluhha) on the west to Kayatha-Navdatoli (Nahali) close to River Narmada to Koldihwa-Khairdih-Chirand on Ganga river basin to Mahisadal – Pandu Rajar Dhibi in Jharia mines close to Mundari area and into the east extending into Burma, Indonesia, Malaysia, Laos, Cambodia, Vietnam, Nicobar islands. A settlement of Inamgaon is shown on the banks of River Godavari. This, together with the islands in Balochistan, Amri-Nal on the Makran coast and settlements in the Rann of Kutch and Gujarat , broadly corresponds to the Bharatiya Language Community of mleccha-speakers. Mleccha as island-dwellers ! Bronze Age sites of eastern Bha_rata and neighbouring areas: 1. Koldihwa; 2.
Khairdih; 3. Chirand; 4. Mahisadal; 5. Pandu Rajar Dhibi; 6. Mehrgarh; 7. Harappa; 8. Mohenjo-daro; 9.
Ahar; 10. Kayatha; 11. Navdatoli; 12. Inamgaon; 13. Non Pa Wai; 14. Nong Nor;
15. Ban Na Di and Ban Chiang; 16. Non Nok Tha; 17. Thanh Den; 18. Shizhaishan;
19. Ban Don Ta Phet [After Fig. 8.1 in: Charles Higham, 1996, The Bronze Age of Southeast Asia,
Cambridge University Press]. Ca.2000
BC, there were movements of people in search of minerals and metals. From Meluhha, there were copper mining and smelting expeditions to
Oman. At Namazga IV-V (Turkmenia), a number of alloys were experimented with.
(Kohl, P., 1984, Central Asia: palaeolithic beginnings to the Iron age,
Paris,
Editions Recherchedes Civilisations, p. 113, 169; Harappan artefacts are found
at Altyn-depe in the latest levels; the suggestion is that 'contact was
strongest on the eve of the collapse of the site'). At Hissar were found
arsenic-bronze, lead-bronze, lead, silver and gold. (Tepe Hissar III, 3rd millennium BCE.: a seal shows a four-spoke
wheel). Jarrige reports the find of a vented
furnace at Sibri. On the Baluchistan and Afghanistan border, Dales
found 'miles of slag and furnaces' (Dales, G.F., 1973, Archaeological and
Radioactive chronologies for protohistoric south Asia, in: South Asian Archaeology, N. Hammond ed., London, Duckworth, p. 167). The resource base is verily
the nidhi of bharatiya bhashaa jnaana which can guide us to pursue studies in
the evolutionary history related to every bharatiya language. It is apposite to
record a tribute to the late Sudhibhushan Bhattacharya who initiated studies on
Munda etymology , to the late Kuiper for his work on Nahali etymology and to the work of Norman Zide on
Munda numerals. See full bibliography at http://www.ling.hawaii.edu/faculty/stampe/AA/Munda/BIBLIO/biblio.authors Epigraph Discovery Sites and Epigraphs held in Museums Alamgirpur Allahdino Amri Balakot Banawali Bet Dwaraka Chandigarh Chanhudaro Daimabad Desalpur Dholavira Gharo Bhiro (Nuhato) Gumla Harappa Hissam-dheri Hulas Jhukar Kalibangan Kalako-deray Khirsara Kot-diji Lewandheri Loebanr Lohumjodaro Lothal Maski Mehi Mehrgarh Mohenjodaro Nindowari-damb Nausharo Naro-Waro-dharo Pabumath Prabhas Patan (Somnath) Pirak Rangpur Rakhigarhi Rahman-dheri Rohira Rojdi Rupar Shahi-tump Sibri-damb Surkotada Tarkhanewala-dera Tarakai Qila Unknown Provenance Museum Guimet, France Harappa 1993-95 excavations Proto-elamite glyptics Mohenjodaro: other objects West Asia Near East Ashmolean Museum, Oxford Tell Suleimah, Iraq Pierport Morgan Library, New York Tell Asmar (Eshnunna), Iraq Gulf states Early Harappan bowl with ‘fish’ glyph Nippur Ur Saharanpur, Western Uttar Pradesh Metropolitan Museum of Art, New York Nausharo and other sites Inscribed objects from Harappa 2000-2001 Manuscripts in Schoyen Collection Parallels from Mesopotamia (and Anatolia) Shaft-hole axhead (Bactria-Margiana) Anatolia and the Caucasus Bulla-envelope, Adab, Sumer Royal Ontario Museum Burdin Fine Arts Exhibition Steatite seals in the British MuseumHieroglyphs and frequencies of occurrence on Sarasvati epigraphs
One-horned heifer with a pannier 1159 + 5 (with two horns)
Shor-horned bull 95 +2 (in opposition) Zebu or Bra_hman.i bull 54 Buffalo 14 Elephant 55 + 1 (horned) Tiger (including tiger looking back) 16 + 5 (horned) Boar 39 + 1 (in opposition) Goat-antelope 36 + 1 (flanking a tree) Ox-antelope 26 Hare 10 +1 (object shaped like hare) Ligatured animal 41 Alligator 49 Fish 14 (objects shaped like fish); fish also a sign Frog 1 Serpent 10 Tree 34 + 1 (leaves) Dotted circle 67
Svastika 23 Endless-knot 4 Double-axe 14 (inscribed objects shaped like axe)
Fish signs 1241 Leaf signs 100 Spoked wheel 203 Cart frame + wheels 26 Sprout (or, tree stylized) 800 Water-carrier 220 Scorpion 106 Claws (of crab) 130 + 90 (shaped like pincers) Arrow (spear) 227 Rimless, wide-mouthed pot 350 ![]() (Fig. 20 in Michael Pieter Kovink, 2008, The Indus script -- a positional-statistical approach, USA, Gilund Press, ISBN 978-0-6151-8239-1showing varieties of fish signs and positional sequencing on epigraphs.) ken.t.a ‘fish’; ke~r.e~ brass or bell-metal ayo, hako 'fish'; a~s = scales of fish (Santali); rebus: aya = iron (G.); ayah, ayas = metal (Skt.) Fully hieroglyptic nature of the writing system (mlecchita vikalpa) is presented with examples of pictorial motifs and signs used on epigraphs and with intimations of continuing tradition of glyphs on punch-marked coin devices. Hieroglyph sign list (Mahadevan + variants), Sign list of Tuomo Saarikivi and Bertil Tikkanen |





























